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Authors: William F. Nolan

Tags: #dark, #fantasy, #horror, #SSC

Things Beyond Midnight (27 page)

BOOK: Things Beyond Midnight
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And Ventry accepted it. Sick with horror and revulsion, he accepted it. He was a realist, and this thing was real. No fantasy. No dream.

Real.

Which meant he had to kill it. Not the man who owned it, because such a man did not exist. Somehow, the train itself, ancient and rusting in the high mountains, had taken on a sentient life of its own. The molecular components of iron and wood and steel had, over a slow century, transformed themselves into living tissue—and this dark hell-thing had rolled out onto the Montana plains seeking food, seeking flesh to sustain it, sleeping, sated, through the frozen winters, hibernating, then stirring to hungry life again as the greening earth renewed itself.

Lot of strange things in the Little Belt.

Don’t think about it, Ventry warned himself. Just do what you came to do:
kill it!
Kill the foul thing. Blow it out of existence!

He carried three explosive charges in his knapsack, each equipped with a timing device. All right, make your plan! Set one here at the end of the train, another in the middle coach, and plant ,the final charge in the forward car.

No good. If the thing had the power to animate its dead victims it also had the power to fling off his explosive devices, to rid itself of them as a dog shakes leaves from its coat.

I’ll have to go after it the way you go after a snake; to kill a snake, you cut off its head.

So go for the brain.

Go for the engine.

The train had left the main rail system now, and was on a rusted spur track, climbing steeply into the Little Belt range.

It was taking Ventry into the high mountains. One last meal of warm flesh, then the long winter’s sleep.

The train was going home.

Three cars to go.

Axe in hand, Ventry was moving steadily toward the engine, through vacant, gas-lit coaches, wondering how and when it would attack him again.

Did it know he meant to kill it? Possibly it had no fear of him. God knows it was strong. And no human had ever harmed it in the past. Does the snake fear the mouse?

Maybe it would leave him alone to do his work; maybe it didn’t realize how lethal this mouse could be.

But Ventry was wrong.

Swaying in the clattering rush of the train, he was halfway down the aisle of the final coach when the tissue around him rippled into motion.

Viscid black bubbles formed on the ceiling of the car, and in the seats. Growing. Quivering. Multiplying.

One by one, the loathsome globes swelled and burst—giving birth to a host of nightmare figures. Young and old. Man, woman, child. Eyes red and angry.

They closed on Ventry in the clicking interior of the hell coach, moving toward him in a rotting tide.

He had seen photos of many of them in the Lewistown library. Vanished passengers, like Amy devoured and absorbed and now regenerated as fetid ectoplasmic horrors—literal extensions of the train itself.

Ventry knew that he was powerless to stop them. The Amy-thing had proven that.

But he still had the axe, and a few vital seconds before the train-things reached him.

Ventry swung the razored blade left and right, slashing brutally at seat and floor, cutting deep with each swift blow. Fluid gushed from a dozen gaping wounds; a rubbery mass of coil-like innards, like spilled guts, erupted from the seat to Ventry’s right, splashing him with gore.

The train screamed into the Montana night, howling like a wounded beast.

The passenger-things lost form, melting into the aisle.

Now Ventry was at the final door, leading to the coal car directly behind the engine.

It was locked against him.

The train had reached its destination at the top of the spur, was rolling down a side track leading to a deserted mine. Its home. Its cave. Its dark hiding place.

The train would feast now.

Paul Ventry used the last of his strength on the door. Hacking at it. Slashing wildly. Cutting his way through.

Free! In a freezing blast of night wind, Ventry scrambled across the coal tender toward the shining black locomotive.

And reached it.

A heavy, gelatinous membrane separated him from the control cabin. The membrane pulsed with veined life.

Got to get inside... reach the brain of the thing...

Ventry drove the blade deep, splitting the veined skin. And burst through into the cabin.

Its interior was a shock to Ventry’s senses; he was assailed by a stench so powerful that bile rushed into his throat. He fought back a rising nausea.

Brass and wood and iron had become throbbing flesh. Levers and controls and pressure gauges were coated with a thick, crawling slime. The roof and sides of the cabin were moving.

A huge, red, heart-like mass pulsed and shimmered wetly in the center of the cabin, its sickly crimson glow illuminating his face.

He did not hesitate.

Ventry reached into the knapsack, pulled out an explosive charge, and set the device for manual. All he needed to do was press a metal switch, toss the charge at the heart-thing, and jump from the cabin.

It was over. He’d won!

But before he could act, the entire chamber heaved up in a bubbled, convulsing pincer movement, trapping Ventry like a fly in a web.

He writhed in the jellied grip of the train-thing. The explosive device had been jarred from his grasp. The axe, too, was lost in the mass of crushing slime-tissue.

Ventry felt sharp pain fire along his back.
Teeth
! The thing had sprouted rows of needled teeth and was starting to eat him alive!

The knapsack; he was still wearing it!

Gasping, dizzy with pain, Ventry plunged his right hand into the sack, closing bloodied fingers around the second explosive device. Pulled it loose, set it ticking.

Sixty seconds.

If he could not fight free in that space of time he’d go up with the train. A far better way to die than being ripped apart and devoured. Death would be a welcome release.

Incredibly, the train-thing seemed to
know
that its life was in jeopardy. Its shocked tissues drew back, cringing away from the ticking explosive charge.

Ventry fell to his knees on the slimed floor.

Thirty seconds.

Lie saw the sudden gleam of rails to his right, just below him, and he launched himself in a plunging dive through the severed membrane.

Struck ground. Searing pain. Right shoulder. Broken bone.

Hell with it!
Move, damn you, move!

Ventry rolled over on his stomach, pain lacing his body. Pushed himself lip. Standing now.

Five seconds.

Ventry sprawled forward.
Legs won’t support me!

Then
crawl!

Into heavy brush. Still crawling—dragging his lacerated, slime-smeared body toward a covering of rocks.

Faster! No more time... Too late!

The night became sudden day.

The explosion picked up Ventry and tossed him into the rocks like a boneless doll.

The train-thing screamed in a whistling death-agony as the concussion sundered it, scattering its parts like wet confetti over the terrain.

Gobbets of bleeding tissue rained down on Ventry as he lay in the rocks. But through the pain and the stench and the nausea his lips were curved into a thin smile.

He was unconscious when the Montana sun rose that morning, but when Sheriff John Longbow arrived on the scene he found Paul Ventry alive.

Alive and triumphant.

00:15
THE ZURICH SOLUTION

This is a new story inspired, in part, by an old one. The late Henry Kuttner’s first sale was “The Graveyard Rats,” to
Weird Tales
, way back in 1936. It remains a classic of grue. As I wrote this story, Mr. Kuttner’s sharp-toothed rats ate their way into my pages; they form a vital (and loathsome) part of this present crime-shocker.

I won’t say anything more about “The Zürich Solution,” but I’ll give you some sound advice. Never enter an open grave.

You might get bitten.

THE ZURICH SOLUTION

Ansford Enterprises in downtown Boston. A rising tower of polished storinglass, ribbed steel and stressed concrete. The penthouse. Charles Murdock Ansford’s private office.

He’s in his highback wheelchair, facing the window. Custom job: glove leather and chrome. He swings the chair around, stares at his wife through deeply-pouched falcon’s eyes. The white hair seems to flame on his head, framed by the sunlit window. “Well, why are you
standing
there? Our conversation is over. I have work to do.”

BOOK: Things Beyond Midnight
7.51Mb size Format: txt, pdf, ePub
ads

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