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Authors: C.S. Friedman

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BOOK: This Alien Shore
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METROLINER: AURORA
T
HREE DAYS in a pod. There was barely enough room to turn around, not nearly enough space to work out her cramped muscles and stretch a bit. A singler pod was meant for trips to other habitats, and maybe—just maybe—a rare jaunt to Earth. It wasn't designed for spending three days in space, and people weren't designed for spending three days in it.
Jamisia was miserable, and she was sick, and she was scared. The pod had a lo-G web, but she was afraid to turn it on, afraid that if she used too much power, the pod's limited batteries might run out and leave her stranded in the middle of nowhere. So she was weightless and she got sick and she threw up, and then she had to turn on the gravity long enough to clean out the tiny space ... and when it was over, she floated in a tiny huddled ball at the end of the curved mattress and shivered, more afraid and more alone than she had ever imagined a person could be.
She had opened the tiny box her tutor had given her, but nothing in it looked very helpful. There was a debit chip and an ID tag—
Jamisia Capra,
they both said, with no explanation—and some brainware specs on a card (likewise with no explanation) and half a dozen other small things, including an infochip for the captain of the metroliner, and a similar one for her. The pod's headset could have translated them for her, but she was afraid to use it, afraid that it would send out some kind of signal so that others could follow her. There was a pendant on a chain with a strange linear design etched into it, and at first she thought it was an icon, so she ran her eyes over it again and again, from one end to the other and then back again, in every direction she could think of. But nothing happened. Maybe it was the key to some program that had never gotten loaded into her brainware, she thought. Or maybe she needed some kind of personal pass-key to make it work, which her tutor had intended to give her, but he'd never had the chance. Or maybe it was just some kind of weird gift, the kind of thing you gave someone you cared about when you weren't going to see them for a long time. A kind of amulet. She put the thin chain around her neck and pushed the pendant down into her shirt, so that it wouldn't float up and hit her in the face when she moved.
She managed to eat something from the pod's no-G stores, a packet of orange mush “guaranteed to keep forever.” It was tasteless. She managed to urinate into the waste tube properly, and to get it all tucked away without spilling anything, even though her hands were shaking. She wept until there were no tears left inside her, and then she wept dry until her body and soul were so exhausted that she just lay there in the darkness, floating, too tired even to fear any more. Her wellseeker offered to help her out—it practically insisted—but she turned it down. She needed the outlet, the raw outpouring of fear that crying provided. Brainware could dull the edge of that fear, but it couldn't attack its cause. Only she could do that.
At last, exhausted, she slept.
(ICON CONFIRMED)
DREAMSCAPE 1.000 LOADING
RUN
Green grass. Blue skies. Colors brilliant, like crystal. Overhead the sky seems endless, not like the sky in a viddie of Earth, but rich with secret depths, dizzying in its utter vastness. Likewise the clouds are alien things, and she watches in amazement as they morph from one shape to another, ten thousand times more subtle than any mere viddie could render. She looks down at the land
—
green, so green!
—
and then sees a stream in the distance. She begins to walk toward it. Its water runs clear, not yet choked with the specially designed algae that crowded Earth relies upon for oxygen. She savors the crisp sound the water makes as it gushes over rocks, the feel of the thick grass and the moist dirt giving way beneath her feet as she walks, even the pressure of the hi-G system pulling her downward. Alien sensations, each and every one. And yet ... there are no smells here, she realizes. How odd. You would expect a place like this to smell clean, or damp, or earthy, or ... something.
Then she sees the man.
He is standing by the bank of the stream. At first his back is to her, but as she comes nearer, he turns so that she can see his face. It's her tutor, she realizes, but he doesn't look the same as when he put her in the pod. This is a younger version of the same man, a thinner version, tanned as if from some outstation sun.
He recognizes her, nods her a welcome, and says, in a voice so calm it seems out of place in these fantastic surroundings, “East coast of North America, circa 1940. ”
She begins to study the details of the place, knowing she'll be tested later. But rather than going on with the lesson, he walks up to her, very close, and puts his hand beneath her chin to cradle it upward, gently. His eyes are brown and warm and it calms her to look into them. For a moment—one precious second
—
the fear in her heart subsides. She trusts this man.
“Jamisia. ” In all their years together he's rarely used her formal name; that he does so now gives his words special weight. “If you're running this dreamscape, then the worst has happened. Shido has been destroyed, or else you've chosen to flee them. There'll be people trying to find you soon, and you don't dare let them get hold of you. No matter what anyone may promise, no matter how frightening the alternatives may seem, once you've made the commitment to flight, you've got to keep away from them at any cost. ” He pauses. “Do you understand?”
For a moment she can't find her voice to respond. She is remembering what her tutor once explained about dream programming, how it's the kind of thing you use when you're afraid that your subject will try to escape what you have to say. Brainware won't accept new input during dreamtime
—
for its own protection—so a dreaming brain lacks the kind of conscious control system the waking brain is accustomed to. She can't shut this program down. She can't run away. If the program was designed well enough, she can't even wake herself up.
What kind of information would be so unpleasant that he can only pass it on to her like this? She can't even imagine. But because it's a habit to do well in his eyes—even if the “he” is only a dream-image—she draws herself up as bravely as she can and says, with only the faintest tremor in her voice, “Tell me.”
The tutor-figure nods his approval. “You've been. the subject of an experiment, Jamisia, highly unorthodox and hellishly illegal. I'm not going to give you all the details now, because... quite frankly, I hope you won't ever need them. Right now we need to deal with the more practical aspects of your current dilemma. The fact that you're running this program means you have the materials I've prepared, including a false set of I. D. The last name's private, not corporate, so it implies no more than a distant relationship to others using it. You'll have to keep your own first name, I regret; there's risk in that, but far less than you would take on if you changed it. ” He pauses. “Names have power in your life, Jamisia; don't change yours unless you absolutely have to. ”
She breathes: “I won't.”
“Your brainware processor is an experimental model and its signature will be unique; anyone who's searching for you now will know to watch for it. I've loaded a masking program which will give it a false signature—that of a Hauck 9200—the specs for which are on the card I gave you. Memorize them. Be aware that your real storage capacity exceeds Hauck's best by 1000%, your speed is five times that of the current market leader, and your multitasking capability—” He stops suddenly. “Well, that had to be high. Be aware of those differences. Disguise your true capacity. Whoever's after you will know to look for those signs. ”
She finds that she is shivering, though the dreamscape feels neither warm nor cold. “Why? Why do they want me so badly?”
For a moment her tutor hesitates. It isn't the pause of a man giving thought to her question, but the downtime of a program accessing its data stores. On what will it base its response? What parameters did her tutor design into it, to define the limits of this briefing? “Your brainware alone makes you valuable, ” he says at last. “As for the rest of it
...
they hurt you, Jamisia. I know you don't remember the details, but trust me, they did They wanted to see what would happen to a human brain under certain conditions, and they used you like a guinea pig to find out. Now that you're away from them, I think there's a chance that what they did to you will heal over time of its own accord, and you may never require knowledge of what it was. God willing. ”
“What did they do?” she demands.
The figure shakes his head. “No, Jamisia. Not now. Once you learn the truth there'll be no going back, and you have enough to deal with right now. If the time comes when you need to have that information, there are dreams in this program set that will give it to you. For now, study the chip I gave you. It contains details of your new identity, as well as a story to explain your sudden departure from Earth. You may need to alter the latter to suit your current circumstances; I had no way of knowing what the exact conditions of your flight would be when I compiled it. ” The figure pauses. “I tried to anticipate this day as thoroughly as I could, Jamisia, to give you the tools you would need the most. But as I program this dreamscape now, I have no way of knowing how old you'll be when you trigger it, or how successful Shido will have been in altering the natural patterns of your brain. ”
“What did Shido do?” she demands. She can hear an edge of hysteria coming into her voice and wonders if the dream-tutor will respond to it. “Tell me!”
But the figure only shakes his head slowly, sadly. “Trust me, Jamisia. Trust my judgment.”
And then he's gone. As suddenly as a viddie image that's been canceled, terminated in an instant as the channel is changed. The suddenness of it leaves her stunned for a moment, and by the time she can think clearly again, the dreamscape itself is beginning to fade. “No, ” she whispers, and then more loudly: “No!” Clouds bleed into sky, bleed out into nothingness; she struggles to take control of them, to call them back, but they defy her. She tries to awaken her brainware with an icon so that it can help her... but the programs accept no input while the body is in sleep-state. The grass is gone now, the water, too, even the ground that she stands on. Sleep is twining like a serpent through her brain, preparing her for more natural dreams.
Don't leave me! she screams silently.
END PROGRAM
S
he was miles away when she first saw the metroliner, and despite the fact that she knew what to expect—or thought she did—still it took her breath away to see it spread out before her like that, not a viddie reproduction but the real thing. It was vast, in the way that the Earth seemed vast when viewed from a habitat window. It was a thing out of fantasy, a creature out of the depths of space that seemed almost alive in its form, so utterly unlike a ship that for a short time her fears were all forgotten, and she pressed her face against the window like a small child seeing Earth for the first time.
At its head was a vast curved dish, so like the cap of a jellyfish in shape and proportion that she half-expected to see it quiver, gathering up the essence of the surrounding darkness to spurt it out for propulsion. Behind that flowed the body of the ship proper: first the stocky core that housed its command center, then strands of domiciles and storage pods and vast curving boulevards where all manners of human intercourse might take place. They twined about each other in loose spirals, the space about and between them webbed with transport tubes and flyways and delicate crystalline spheres that glittered as her pod flew past them. All in all it seemed more like some vast, eerie creature dredged up from the bottom of Earth's ocean than a man-made transport vessel, and she found herself holding her breath as her pod drew closer to it, half expecting it to shiver to life as she watched.
BOOK: This Alien Shore
3.41Mb size Format: txt, pdf, ePub
ads

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