Tiny Beautiful Things (11 page)

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Authors: Cheryl Strayed

BOOK: Tiny Beautiful Things
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I lived in Brooklyn for several months when I was twenty-four. I shared an apartment with the man who was then my husband in a building that was mostly empty. Below us there was a bodega; above us a couple who got into raging fights in the middle of the night. The rest of the building—though full of apartments—was unoccupied for reasons that were never clear to me. I spent my days alone writing in the apartment while my husband worked his job as an assistant to a rich friend. In the evenings I worked as a waitress.

“Did you hear something strange?” my husband asked me one night when I got home from work.

“Hear something?” I asked.

“Behind the walls,” he said. “I heard something earlier and I wondered if you heard it too, while you were alone today.”

“I didn’t hear anything,” I said.

But the next day I did. Something behind the walls, and then from the ceiling. Something close, then distant, then close again, then gone. I didn’t know what it was. It sounded awful. Like a baby who was extremely discreet. Its keen had the weight of a feather, the velocity of a dried leaf falling from a tree. It could have been nothing. It could have been me. It was the exact expression of the sound my insides were making every time I thought of my life and how I needed to change it and how impossible that seemed.

“I heard something,” I told my husband that night.

He went to the wall and touched it. There was nothing
there. It was silent. “I think we’re imagining things,” he said, and I agreed.

But the sound kept coming and going, all through December, impossible to define or reach. Christmas came and we were all alone. My husband had received a bonus from his friend and we spent some of it on tickets to the opera in way-back seats. It was Mozart’s
The Magic Flute
.

“I keep hearing it,” I said to my husband on the subway home. “The sound behind the walls.”

“Yeah,” he said. “Me too.”

On New Year’s Day we woke at seven to a yowling. We jumped out of bed. The sound was the same one we’d been hearing for three weeks, but it wasn’t discreet anymore. It was coming very clearly from the ceiling of our closet. My husband immediately got a hammer and started pounding away at the plaster with the claw end, chipping it in great chalky chunks that fell over our clothes. Within ten minutes, he’d clawed almost the entire closet ceiling away. We didn’t care that we were ruining the place. We knew only that we had to get to the source of that sound, which had stopped during the pounding. Once there was no more closet ceiling to claw away, we went silent and stared up into the mysterious black innards of the building.

At first it seemed there was nothing—that the horrible sound-maker had again gone away, or perhaps we really had imagined it—but a moment later two emaciated kittens appeared, coming to peer down at us from the jagged edge of the hole. They were the strangest things I’ve ever seen. So skeletal they should have been dead, visibly shaking with fear, caked in soot and spiderwebs and globs of black grease, their eyes enormous and blazing.

“Meow,” one of them said.

“Meow,” wailed the other.

My husband and I held up our palms and the kittens walked into them immediately. They were so light it was like holding air with the smallest possible thing in it. They were like two sparrows in our hands.

I’ve tried to write about this experience several times over the years. It was an odd thing that happened to me during a sad and uncertain era of my life that I hoped would tell readers something deep about my ex-husband and me. About how in love we were and also how lost. About how we were like those kittens who’d been trapped and starving for weeks. Or maybe not about the kittens at all. Maybe the meaning was in how we heard the sound, but did nothing about it until it was so loud we had no choice.

I never found a way to write about it until I wrote this letter to you, Ruler, when I realized it was a story you needed to hear. Not how the kittens suffered during those weeks they were wandering inside the dark building with no way out—though surely there’s something there too—but how they saved themselves. How frightened those kittens were, and yet how they persisted. How when two strangers offered up their palms, they stepped in.

Yours,
Sugar

PART TWO
WHATEVER MYSTERIOUS STARLIGHT THAT GUIDED YOU THIS FAR

Are the letters you publish really sent in by anonymous people? Most are so well written that it seems you or
The Rumpus
writers must be creating them
.

The letters published in my column and in this book were sent to me by people who sought my advice. In most cases the name and/or email address of the letter writer is not visible to me. I do not write the letters, nor does anyone at
The Rumpus
. Because I have thousands of letters from which to choose, well-written letters probably have a higher chance of being plucked from the proverbial pile simply because they’re more concise and complex. I agree with you that the letters are lovely. I have even more in my inbox.

Do you ever hear from the letter writers after they read the answers you gave them? I’d be interested in knowing what they have to say
.

I’ve heard from about half of them. Each has responded warmly, even when my advice brought up difficult emotions. I imagine it’s very intense to have your letter published and answered. I feel honored they trusted me to ponder their lives.

You seem so emotionally healthy, but from your column I can tell you’ve had your own struggles in the past. Do you ever struggle anymore?

Of course.

Are you a therapist or have you gone through extensive psychotherapy?

I’m not a therapist, and I’ve only seen a therapist a handful of times in my life. Which means, in technical terms, I’m totally unqualified for this gig.

THE BABY BIRD

Dear Sugar
,

WTF, WTF, WTF?

I’m asking this question as it applies to everything every day
.

Best,
WTF

Dear WTF,

My father’s father made me jack him off when I was three and four and five. I wasn’t any good at it. My hands were too small and I couldn’t get the rhythm right and I didn’t understand what I was doing. I only knew I didn’t want to do it. Knew that it made me feel miserable and anxious in a way so sickeningly particular that I can feel that same particular sickness rising this very minute in my throat. I hated having to rub my grandfather’s cock, but there was nothing I could do. I
had
to do it. My grandfather babysat my sister and me a couple times a week in that era of my life, and most of the days that I was trapped in his house with him he would pull his already-getting-hard penis out of his pants and say
come here
and that was that.

I moved far away from him when I was nearly six and soon after that my parents split up and my father left my life and I
never saw my grandfather again. He died of black lung disease when he was sixty-six and I was fifteen. When I learned he died, I wasn’t sad. I wasn’t happy either. He was no one to me and yet he was always there, the force of him and what he’d made me do moving through me like a dark river. For years, I didn’t say a word about it to anyone. I hoped silence would make it disappear or turn it into nothing more than an ugly invention of my nasty little mind. But it didn’t. It was there, this thing about which I’d wonder
What the fuck was up with that?

There was nothing the fuck up with that and there never will be. I will die with there never being anything the fuck up with my grandfather making my hands do the things he made my hands do with his cock. But it took me years to figure that out. To hold the truth within me that some things are so sad and wrong and unanswerable that the question must simply stand alone like a spear in the mud.

So I railed against it, in search of the answer to what the fuck was up with my grandfather doing that to me.
What the fuck? What the fuck? What the fuck?

But I could never shake it. That particular fuck would not be shook. Asking what the fuck only brought it around. Around and around it went, my grandfather’s cock in my hands, the memory of it so vivid, so
palpable
, so very much a part of me. It came to me during sex and not during sex. It came to me in flashes and it came to me in dreams. It came to me one day when I found a baby bird, fallen from a tree.

I’d always heard that you’re not supposed to pick up baby birds; that once you touch them their mama won’t come back and get them, but it doesn’t matter if that’s true or not—this bird was a goner anyway. Its neck was broken, its head lolling treacherously to the side. I cradled it as delicately as I could in
my palms, cooing to soothe it, but each time I cooed, it only struggled piteously to get away, terrified by my voice.

The bird’s suffering would’ve been unbearable for me to witness at any time, but it was particularly unbearable at that moment in my life because my mother had just died. And because she was dead I was pretty much dead too. I was dead but alive. And I had a baby bird in my palms that was dead but alive as well. I knew there was only one humane thing to do, though it took me the better part of an hour to work up the courage to do it: I put the baby bird in a paper bag and smothered it with my hands.

Nothing that has died in my life has ever died easily, and this bird was no exception. This bird did not go down without a fight. I could feel it through the paper bag, pulsing against my hand and rearing up, simultaneously flaccid and ferocious beneath its translucent sheen of skin, precisely as my grandfather’s cock had been.

There it was!
There it was again. Right there in the paper bag. The ghost of that old man’s cock would always be in my hands. But I understood what I was doing this time. I understood that I had to press against it harder than I could bear. It
had
to die. Pressing harder was murder. It was mercy.

That’s what the fuck it was. The fuck was mine.

And the fuck is yours too, WTF. That question does not apply “to everything every day.” If it does, you’re wasting your life. If it does, you’re a lazy coward, and you are not a lazy coward.

Ask better questions, sweet pea. The fuck is your life. Answer it.

Yours,
Sugar

GO! GO! GO!

Dear Sugar
,

I’ve been playing music (guitar and bass) since I was eleven years old. I’ve been in the same band since I was twenty. I’m now twenty-six and still living in the same town, still playing the same gigs. I love my band. It’s a part of who I am. And we’ve released an album that I’m proud of (self-produced, but the local kids love it). Still, I wonder what would happen if I left. I want to see other parts of the country. Move around. Explore before I have a family to take care of. But then again, my band is my family, and I feel I shouldn’t abandon them. We’re never going to make it big, and that’s fine. But am I selfish if I decide to leave?

Thanks, Sugar,
Considering Going Solo

Dear CGS,

Go! Go! Go! You need it one more time, darling? GO.

Really. Truly. As soon as you can. Of this I am absolutely sure: Do not reach the era of child-rearing and real jobs with a guitar case full of crushing regret for all the things you wished you’d done in your youth. I know too many people who
didn’t do those things. They all end up mingy, addled, shrink-wrapped versions of the people they intended to be.

It’s hard to go. It’s scary and lonely and your bandmates will have a fit and half the time you’ll be wondering why the hell you’re in Cincinnati or Austin or North Dakota or Mongolia or wherever your melodious little finger-plucking heinie takes you. There will be boondoggles and discombobulated days, freaked-out nights and metaphorical flat tires.

But it will be soul-smashingly beautiful, Solo. It will open up your life.

Yours,
Sugar

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