Tom Clancy's Net Force 6-10 (139 page)
Wu topped the barrier and slid down the other side. Ahead, a long and thick snarl of razor wire covered the ground like a low roof, leaving a gap under it less than a meter from the dirt. The snarl was twenty meters long. One could crawl on one’s belly or lie upon one’s back and scoot along under it, pushing with one’s feet and wiggling. The back method was a hair faster for most, and easier on the elbows. But you could not see ahead as well, and once you cleared the wire, you were, for a few seconds, lying upon your back. Wu attacked this obstacle on his belly and suffered the greater discomfort. He had long ago learned that the first to shoot did not always win. Accuracy was more important than speed.
He smiled as he recalled the recording he had seen of Locke and Mayli making love. There was a man who knew all about sex, Wu had to give him that. He had learned things watching, and it would be interesting to try these techniques out.
But now was not the time to be thinking of such things. A man distracted on the field of battle would likely not live to regret it.
He dropped to the ground and began to crawl. Ahead of him, he saw the feet of an officer essaying the obstacle, toes down, also a belly-crawler.
Being able to see a wide swath, the larger picture, had advantages. There were times when wide and shallow served better than narrow and deep. The ability to see breadth and depth together was Wu’s gift. Such was necessary for a general in battle. Small-picture men very often died with eyes gone wide at an attack from an unexpected quarter.
The dirt was hard-packed from all the bodies that had dragged themselves over it. Despite the recent rain, the ground gave not at all. It was like crawling on asphalt. Even under his coverall with its padded elbows and knees, it was not a pleasant sensation.
At the end of the snarl, the ground opened out. You could turn over, but rising any higher than you had been under the wire could be fatal. Today, only the lasers were operating, and sticking an arm or your head up would get you a red dot lighting upon you like a weightless fly. On testing days when soldiers who would join the elite troops crawled here en masse, the laser lights were replaced by machine-gun fire. Every tenth round was a tracer, and you could see how close the bullets passed above you. Over the years, men had died during live-fire exercises.
Wu felt no sympathy for those who had done so. A soldier who panicked here, where the bullets would not drop below a ruler-straight line a meter from the ground? This would not be a man with whom you wished to risk your life in the field where there were no such constraints.
Wu cleared the wire and continued his crawl as if he were still under the jagged-toothed roof. Fifty meters ahead were the ropes—thick hemp lines as big around as his wrist, and you had to climb up them seven meters to reach a platform.
Here was where upper-body physical strength offered an advantage. Wu had long ago learned to use his legs and feet to assist his hands. A strong man could climb the dangling rope using his hands alone, faster than Wu could do his inchworm shinny. There was a time when Wu had done it that way. Even now, he could still manage it—but that was not wise.
Wu had been taking the long view for many years. He had learned long ago there was little value in demonstrating one’s abilities to impress others. The ropes ahead were not the last obstacle. Others that needed muscle lay ahead, and pacing was important. Wu had learned how to fight smarter, not harder. Arriving at one’s goal first but exhausted was not the formula for victory.
Wu smiled again, and continued crawling toward the ropes.
University Park, Maryland
Thorn’s arm and shoulder were already aching, but he still had thirty more cycles to go with the
katana.
He stood in front of the mirror in his home
salle,
the wooden sheath of the Japanese weapon at his left hip placed so the cutting edge was up, held in place by a karate-style cloth belt. The sheath was lacquered a shiny jet; the blade, nearly mirror-bright, had the patterns and clay-temper line that identified the sword as one of the traditional folded-steel weapons lovingly created by a master craftsman. This particular weapon, one Thorn had only just acquired a month ago, wore a handle of pebbled manta-ray skin, under the traditional diamond-wrap silk cord, the butt capped with bronze, and an iron
tsuba,
or guard. It was of the New Sword period—“New” being a relative term, since it had been made in Musashi Province by Korekazu, or one of his students, four hundred years ago.
katana.
He stood in front of the mirror in his home
salle,
the wooden sheath of the Japanese weapon at his left hip placed so the cutting edge was up, held in place by a karate-style cloth belt. The sheath was lacquered a shiny jet; the blade, nearly mirror-bright, had the patterns and clay-temper line that identified the sword as one of the traditional folded-steel weapons lovingly created by a master craftsman. This particular weapon, one Thorn had only just acquired a month ago, wore a handle of pebbled manta-ray skin, under the traditional diamond-wrap silk cord, the butt capped with bronze, and an iron
tsuba,
or guard. It was of the New Sword period—“New” being a relative term, since it had been made in Musashi Province by Korekazu, or one of his students, four hundred years ago.
Under the handle, which was held in place by a bamboo peg, inscribed in Japanese characters upon the tang, was the name of the smith, the year the blade was made, and a phrase that Thorn had been told translated to “one fortunate day in February, this blade was made” along with the surname of the original owner. Below that, there was another inscription that said “three-body.” This latter was, Thorn had learned, the number of men, stacked one upon another, that the sword had cleaved through during its sharpness test. It did not indicate whether those men had been alive or dead when the test had been done; apparently, both were commonly used. . . .
The folded Damascus-style steel was relatively flexible, with the edge tempered to a harder state. This gave the blade great cutting qualities, better than that of many modern steels. Thorn had seen a vid once, an old rip from a home shopping channel, in which the salesman was demonstrating a stainless-steel copy of a
katana.
He talked about how sturdy it was, and to show that, whacked the spine on the table in front of him several times.
katana.
He talked about how sturdy it was, and to show that, whacked the spine on the table in front of him several times.
On the last whack, the blade snapped in half, and the broken part flew up and stabbed the man in the biceps.
Newer did not always mean better. . . .
One of the big advantages of having money was that you could buy such things as this treasure. It had cost as much as a new Mercedes, and with care could be around another four hundred years.
Thorn smiled. It would be interesting to see how well an eight-hundred-year-old Mercedes ran. . . .
He took a deep breath and tried to ignore the burn in his deltoids. Relaxing as much as he could, he reached across his body with his right hand. He tried to allow his consciousness to expand, to achieve a total awareness the Japanese called
zanshin.
Such was the goal of an
iaido
practitioner using the live blade.
zanshin.
Such was the goal of an
iaido
practitioner using the live blade.
In Japanese,
do
meant “way.” This was different from the more warlike arts, which were usually known as
jutsu. Iaido
was not an ancient art, according to what Abe Kent had taught him, but a term that came into being in the early 1930s. The parent art,
iaijutsu,
had been around for many centuries, but since, as in Western fencing, killing people with a sword these days was more or less frowned upon in polite society, the killing arts had evolved. . . .
do
meant “way.” This was different from the more warlike arts, which were usually known as
jutsu. Iaido
was not an ancient art, according to what Abe Kent had taught him, but a term that came into being in the early 1930s. The parent art,
iaijutsu,
had been around for many centuries, but since, as in Western fencing, killing people with a sword these days was more or less frowned upon in polite society, the killing arts had evolved. . . .
There were all kinds of formalities to
iaido
—ranging from detailed instructions on how to clean the blade, and precisely how to tie the string of the bag in which the sword was carried, to how to stand, sit, bow—everything. But there were only four parts to
iaido
once you were ready to move: the draw, the cut, the shaking of blood, and the return to the sheath. Kent had told him the Japanese names—
nukisuki, kiritsuke, chiburui,
and
noto
—but had also said that the names weren’t important.
iaido
—ranging from detailed instructions on how to clean the blade, and precisely how to tie the string of the bag in which the sword was carried, to how to stand, sit, bow—everything. But there were only four parts to
iaido
once you were ready to move: the draw, the cut, the shaking of blood, and the return to the sheath. Kent had told him the Japanese names—
nukisuki, kiritsuke, chiburui,
and
noto
—but had also said that the names weren’t important.
The goal was simple: A master swordsman became one with the blade. After countless hours of practice, the idea was that there would be no conscious thought involved when action was required. One moment, you stood facing your imaginary opponents, the next, the sword was in your hand and you cut them down. The moment after that, you shook the blood from your blade and put it away. All without raising your heartbeat . . .
The samurai sword was primarily a slashing rather than a thrusting weapon, though it could be used as such, and very much unlike a foil, épée, or saber in weight, balance, or effectiveness. Yes, a master fencer of the French, Italian, or Spanish schools would almost certainly stab a master
iaido
-ist first, a straight-line thrust being faster than a broad slash. In a match, with buttoned weapons, this would be enough. However, in a real duel, a stab would probably not be instantly fatal. Your opponent could be dying, but still able to move, and the result of such a situation against a man with a razor-sharp
katana
and the knowledge and determination to use it would most likely be
ai-uchi
—mutual slaying. To give that first thrust, you would expose yourself to the return cut. Mutual slaying was an accepted goal for the Japanese—the way of the samurai, the saying went, is found in death.
iaido
-ist first, a straight-line thrust being faster than a broad slash. In a match, with buttoned weapons, this would be enough. However, in a real duel, a stab would probably not be instantly fatal. Your opponent could be dying, but still able to move, and the result of such a situation against a man with a razor-sharp
katana
and the knowledge and determination to use it would most likely be
ai-uchi
—mutual slaying. To give that first thrust, you would expose yourself to the return cut. Mutual slaying was an accepted goal for the Japanese—the way of the samurai, the saying went, is found in death.
Historically, Western swordsmen generally wanted to pink their opponents, kill them if necessary, and walk away. If all you wanted to do was commit suicide, you could jump off a high bridge. If a man was willing to die to take you with him, that gave such a man, Thorn thought, a decided advantage.
He drew the sword, brought it up and over his head, and in the doing, grabbed the handle with his left hand behind the right. It was a two-handed weapon, and the pivot-style grip allowed for great power. He brought the sword down in a cut. You could take a man’s head off with such a strike. Or, in the case of this very blade, cut through a stack of bodies three deep. An adept with such a weapon and willing to die using it would be a formidable opponent. Not somebody you’d want to screw around with.
Thorn moved the blade to his right, released his left hand’s grip, then did a wrist-twirl that spun the sword in a downward circle. He added a snapping, slinging motion that ended the twirl with the blade’s tip pointed at the ground.
Still trying to stay relaxed, he turned the sheath sideways with his left hand, brought the blade up and across his body, the spine toward him, and touched the mouth of the sheath with the back ridge just below the guard. He drew the sword across his body to his right, keeping his left thumb and forefinger lightly pinched over the blade—this was to remove any lingering traces of blood—until the point reached the scabbard’s opening. He pushed the handle forward, away from himself, and lined the blade up, then gently slid it home, until the brass friction plug just ahead of the guard snugged tight. He twisted the sheath back to edge-up position, removed his right hand, then bowed.
Seventy-one. Only twenty-nine more, this session. And, according to Kent, maybe ten thousand or so repetitions to get to the point where he was beginning to get comfortable with the process.
Thorn grinned. He had a
long
way to go. Still, there was something in the simple motions. Thorn knew that “simple” didn’t mean “easy,” any more than “complex” meant “hard,” but even after only a few months of practice, it was already beginning to feel much more comfortable. Which, when you started waving a razor-sharp blade around, was certainly a good idea. . . .
long
way to go. Still, there was something in the simple motions. Thorn knew that “simple” didn’t mean “easy,” any more than “complex” meant “hard,” but even after only a few months of practice, it was already beginning to feel much more comfortable. Which, when you started waving a razor-sharp blade around, was certainly a good idea. . . .
7
Department of Defense’s High Performance Computer Modernization Program
For a man of lesser technical skill, creating scenarios for VR could take away valuable time better spent on the problem that needed to be solved. Jay, who had been among the best in the biz for years, didn’t have that worry. He had a shelf piled high with stock scenarios, figuratively speaking, and he could always grab one and plug it in. You built stock when things were slow and you had time to get it right. And if you couldn’t get it right, why bother? Grab some commercial product, light it, and ride somebody else’s train. . . .
Not
this
boy, no, sir, nohow, no, thank you!
this
boy, no, sir, nohow, no, thank you!
Jay grinned as he slipped into the VR gear. The mesh, the casters, the feelware, it was all getting better and better every year. A man suited in full sensory mode could see, hear, smell, taste, and touch things in a VR scenario. It still wasn’t as good as RW in a lot of ways, but some of it came awfully close.
Jay had brought his personal gear to the military annex—he wasn’t keen on wearing somebody else’s sweaty, non-custom-fit stuff. If they were worried about him somehow hiding information in the suit’s system, he could leave it here—he had two more sets just like it, one at home, one at Net Force HQ.
It was true that the military systems had their private gestalt, but applying his own scenario to them was doable, if not as easy as interfacing with civilian stuff. He grinned again and shook his head. You didn’t throw a pebble out in front of Smokin’ Jay Gridley and expect him to trip and fall on his face.
The biggest problem was, he had to be here physically to do it, since there was supposedly no way to access the systems from without. Which, of course, was clearly wrong, since somebody had apparently gotten in somehow and bollixed things up pretty well. And if they hadn’t gotten in from outside, then there was some social engineering going on, and it had been an inside job. Finding and closing the open and hidden door was what needed to happen. That was Jay’s job. If it turned out the bad guy was one of the military’s own? That wasn’t Jay’s problem.
Rigged at last, Jay called up a new scenario, one he had just finished building a few weeks ago. Seemed like a good time to try this one out. . . .
Aboard the Warship
HMS Riggs
Somewhere in the Caribbean
HMS Riggs
Somewhere in the Caribbean
“There she is, sir, off the starboard bow.” The first officer’s British intonation was crisp and properly deferential.
The air was full of the scents of salt and sunbaked oak and warm tar. Well, creosote for tar, actually, which was close enough.
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