Traitors Gate (26 page)

“I don’t know.” Nobby shivered involuntarily, as if the garden had suddenly become cold. “But it is certainly not impossible.” There was no other answer she could give. Susannah did not deserve a lie, nor would she be likely to believe one.

“You say that very carefully.” The ghost of a smile crossed Susannah’s face.

“It is a very large thought, and one too dangerous to treat with less than care. But if you look back even a little way through history, many of our greatest conquests, and most successful, have been largely at the hands of one man,” Nobby answered. “Clive in India is perhaps the best example.”

“Yes, of course you are right.” Susannah turned and looked up the long lawn towards the house. “And I have been here the better part of an hour. Thank you for being so … generous.” But she did not say that she felt better or clearer in her mind, and Nobby was sure that it was not so.

She walked back towards the French doors to the house with her, not because she was expecting further callers, thank goodness—she was in no mood for them—but out of a sense of friendship, even a futile desire to protect someone she believed desperately vulnerable.

    To those making the very most of the London Season, a night at the theater or the opera was positively a rest after the hectic round of riding in the park before breakfast, shopping, writing letters, seeing one’s dressmaker or milliner in the morning, luncheon parties, making and receiving calls in the afternoon, or visiting dog shows, exhibitions or galleries, garden parties, afternoon teas, dinners,
conversaziones,
soirees or balls. To be able to sit in one place without having to make conversation, even to drift off into a gentle doze if so inclined, while at the same time be seen to be present, was a luxury not to be overlooked. Without it one might have collapsed from the sheer strain of it all.

However, since Vespasia had long since given up such a frantic pattern of behavior, she visited the theater purely for the pleasure of seeing whatever drama was presented. This particular May the offerings included Lillie Langtry in a new play titled
Esther Sandraz.
She had no desire to see Mrs. Langtry in anything. Gilbert and Sullivan’s
The Gondoliers
was naturally at the Savoy. She was not in the mood for it She would have seen Henry Irving in a work called
The Bells,
or Pinero’s farce
The Cabinet Minister.
Her opinion of cabinet ministers inclined her towards that. It looked more promising than the season of French plays, in French, currently at Her Majesty’s, except that Sarah Bernhardt was doing
Joan of Arc.
That was tempting.

The operas were
Carmen, Lohengrin
or
Faust.
She had a love for Italian opera and was not fond of Wagner’s, for all its current and surprising popularity. No one had expected it to be so. Had Simon Boccanegra been playing, or Nabucco, she would have gone even if she had to stand.

As it was she settled for
She Stoops to Conquer,
and found a remarkable number of her acquaintances had made the same decision. Although it was in many ways restful, the theater was still a place for which one dressed formally, at least for the three months of the Season, from May to July. At other times it was permissible to be rather more casual.

Theater outings were frequently organized in groups. Society seldom cared to do things in ones or twos. Dozens, or even scores, suited them better.

On this occasion Vespasia had invited Charlotte for pleasure, and Eustace as a matter of duty. He had been present when she made the decision to attend, and had shown so obvious an interest it would have been pointed not to include him, and for all the intense irritation he awoke in her from time to time, he was still part of her family.

She had invited Thomas also, of course, but he had been unable to come because of the pressure of work. He would not be able to leave Bow Street sufficiently early, and to enter one’s box when the play was in progress was not acceptable.

Thus it was that, long before the curtain went up, she, Charlotte and Eustace were seated in her box indulging in the highly entertaining pastime of watching the other members of the audience arrive.

“Ah!” Eustace leaned forward slightly, indicating a gray-haired man of distinguished appearance entering a box to their left. “Sir Henry Rattray. A quite excellent man. A paragon of courtesy and honor.”

“A paragon?” Vespasia said with slight surprise.

“Indeed.” Eustace settled back and turned towards her, smiling with intense satisfaction. In fact he looked so well pleased with himself his chest had expanded and his face seemed to glow. “He embodies those knightly virtues of courage before the foe, clemency in victory, honesty, chastity, gentleness with the fair sex, protection of the weak, which are at the foundation of all we hold dear. That is what a knight was in times past, and an English gentleman is now—the best of them, of course!” There was absolute certainty in his voice. He was making a statement.

“You must know him very well to be so adamant,” Charlotte said with wonder.

“Well you certainly know much of him that I do not,” Vespasia said ambiguously.

Eustace held up one finger. “Ah, my dear Mama-in-law, that is precisely the point. I do indeed know much of him that is not known to the public. He does his greatest good by stealth, as a trae Christian gentleman should.”

Charlotte opened her mouth to make some remark about stealing, and bit it off just in time. She looked at Eustace’s serene face and felt a chill of fear. He was so supremely confident, so certain he understood exactly what he was dealing with, who they were and that they believed the same misty, idealistic picture he did. He even thought in Arthurian language. Perhaps they held their meetings at round tables—with an empty seat for the “siege perilous” in case some wandering Galahad should arrive for the ultimate quest. The cleverness of it was frightening.

“A very perfect knight,” Charlotte said aloud.

“Indeed!” Eustace agreed with enthusiasm. “My dear lady, you have it exactly!”

“That was said of Lancelot,” Charlotte pointed out.

“Of course.” Eustace nodded, smiling. “Arthur’s closest friend, his right hand and ally.”

“And the man who betrayed him,” Charlotte added.

“What?” Eustace swung to face her, dismay in every feature.

“With Guinevere,” Charlotte explained. “Had you forgotten that? In every way it was the beginning of the end.”

Eustace obviously had forgotten it. The color spread up his cheeks, both with embarrassment at the indelicacy of the subject and confusion at having been caught in such an inappropriate analogy.

To her surprise Charlotte felt sorry for him, but she could not say anything which would be interpreted as praise for the Inner Circle, which was what the whole conversation was about. Eustace was so naive, sometimes she felt as if he were a child, an innocent.

“But the ideals of the Round Table were still the finest,” she said gently. “And Galahad was without sin, or he would never have seen the Holy Grail. The thing is, one may find the good and the bad together, professing the same beliefs; all of us have weaknesses, vulnerabilities, and most of us have a tendency to see what we want to in others, most especially others we admire.”

Eustace hesitated.

She looked at his face, his eyes, and saw for a moment his struggle to understand what she really meant, then he abandoned it and settled for the simple answer.

“Of course, dear lady, that is undoubtedly true.” He turned to Vespasia, who had been listening without comment. “Who is that remarkable woman in the box next to Lord Riverdale? I have never seen such unusual eyes. They should be handsome, they are so large, and yet they are not, I declare.”

Vespasia followed his gaze, and saw Christabel Thorne, sitting beside Jeremiah and talking to him with animation. He was listening with his gaze never wavering from her face, and with not only affection but very apparent interest.

Vespasia told Eustace who they were. Then she pointed out Harriet Soames in company with her father, and also displaying a most open affection and pride.

It was only a few moments after that when there was something of a stir in the audience. Several heads turned and there was a cessation of general whispering, but also a sudden swift commenting one to another.

“The Prince of Wales?” Eustace wondered with a touch of excitement in his voice. As a strict moralist he would have disapproved unequivocally of the Prince of Wales’s behavior in anyone else. But princes were different. One did not judge them by the standards of ordinary men. At least Eustace did not.

“No,” Vespasia said rather tartly. She applied the same standards to all; princes were not exempt, and she was also fond of the Princess. “The Secretary of State of Colonial Affairs, Mr. Linus Chancellor, and his wife, and I believe her brother-in-law, Mr. Francis Standish.”

“Oh.” Eustace was not sure whether he was interested or not.

Charlotte had no such doubts. Ever since she and Pitt had seen Susannah Chancellor at the Duchess of Marlborough’s reception, she had found her of great interest, and overhearing her discussion with Kreisler at the Shakespearean bazaar had naturally added to it. She watched them take their seats, Chancellor attentive, courteous, but with the ease of one who is utterly comfortable in a marriage while still finding it of intense pleasure. Charlotte found herself smiling as she watched, and knowing precisely what Susannah felt with her turning of the head to accept his rearranging of the shawl across her chair, the smile on his lips, the momentary meeting of the eyes.

The lights dimmed and the music of the national anthem began. There was no more time for wandering attention.

When the applause died down and the first interval commenced it was a different matter.

Eustace turned to Charlotte. “And how is your family?”
he enquired, but out of politeness, and to preempt any return to the subject of King Arthur, or any other society, past or present.

“They are all well, thank you,” she replied.

“Emily?” he pressed.

“Abroad. Parliament is in recess.”

“Indeed. And your mama?”

“Traveling also.” She did not add that it was on honeymoon. That would be altogether too much for Eustace to cope with. She saw a twitch of laughter in Vespasia’s mouth, and looked away. “Grandmama has moved into Ashworth House with Emily,” she continued hastily. “Although of course she has no one there but the servants at present. She does not care for it at all.”

“Quite.” Eustace had the feeling that something had passed him by, but he preferred not to investigate it. “Would you care for some refreshment?” he offered gallantly.

Vespasia accepted, then Charlotte felt free to do so too. Obediently Eustace rose and took his leave to obtain it for them.

Charlotte and Vespasia glanced at each other, then both turned and looked, as discreetly as possible, at Linus and Susannah Chancellor. Francis Standish had gone, but there was nevertheless a third person in the box, and from the outline, quite obviously a man, tall, slender, of a very upright and military bearing.

“Kreisler,” Charlotte whispered.

“I think so,” Vespasia agreed.

A moment later as he half turned to speak to Susannah, they were proved right.

They could not possibly overhear the conversation, yet watching the expressions in their faces it was possible to draw very many conclusions.

Kreisler was naturally civil to Chancellor, but there was a pronounced coolness in both men, presumably due to their acknowledged political differences. Chancellor stood
close to his wife, as though automatically including her in the opinions or arguments he expressed. Kreisler was not quite opposite them, a little to one side, so his face was invisible to Charlotte and Vespasia. He addressed Susannah with a sharpness of attention far more than mere good manners required, and seemed to direct his reasoning towards her rather than Chancellor, even though it was almost always Chancellor who answered.

Once or twice Charlotte noticed Susannah begin to speak, and Chancellor cut in with a reply, including her with a quick look or a gesture of the hand.

Again Kreisler would retort, always as much to her as to him.

Neither Charlotte nor Vespasia said anything, but Charlotte’s mind was full of conjecture when Eustace returned. She thanked him almost absently, and sat with her drink, deep in thought, until the lights dimmed and the drama onstage recommenced.

During the second interval they left the box and went out into the foyer, where Vespasia was instantly greeted by several acquaintances, one in particular, an elderly marchioness in vivid green, with whom she spoke for some time.

Charlotte was very happy to spend her time merely watching, again finding a most absorbing subject in Linus and Susannah Chancellor and Mr. Francis Standish. She was most interested when she observed Chancellor’s attention distracted for several minutes, and Standish alone with Susannah seeming to be arguing with her. From the expression on her face, she stood her ground, and he glanced angrily more than once in the direction of the far side of the foyer where Peter Kreisler was standing.

Once he took Susannah by the arm, and she shook him off impatiently. However when Chancellor returned Standish seemed to be quite satisfied that he had won, and led the way back towards their box. Chancellor smiled at Susannah with amusement and affection, and offered her his arm. She took it, moving closer to him, but there
seemed to be a distress in her, some shadow across her face which haunted Charlotte so deeply she was unable to rid herself of it and enter into the rest of the play.

    The next day was gusty but fine, and a little after mid-morning Vespasia ordered her carriage to take her to Hyde Park. It was not necessary to stipulate that it must be near the corner by the Albert Memorial. There was only the choice between that and Marble Arch if one were to meet the members of Society who customarily took their morning rides or walks in the park. In the walk between the Albert and Grosvenor Gate one could meet everyone in Society who had elected to take the air.