Triumff: Her Majesty's Hero (2 page)

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Authors: Dan Abnett

Tags: #Historical, #Science Fiction, #Steampunk, #Fantasy, #Humor, #Adventure

BOOK: Triumff: Her Majesty's Hero
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    From Cornhill to Ludgate, not one thing in the whole Vale of the Thames prospered, except perhaps the osiers and watercress in the marshes.

 

 

    When one of the wags in the Rouncey Mare off Allhallows Walk remarked upon the fact that there was no superstition associated with so many days of rain before St Dunstan’s Eve, it was volubly decided that there bloody well ought to be, and bloody well would be before the tavern closed, so long as liquor sufficiently inspired the collective imagination. Indeed, sometime after ten that night, a handsome and appropriate saying was devised by a drover of advanced years named Boy Simon, but sadly it had been forgotten by the time daylight crept in and announced the dawn of St Dunstan’s Day.

 

 

    The towers and steeples of a hundred and nine churches shivered at the dismal morning and driving rain, and bells slapped out the hour of daybreak as if the water had softened their clappers. Most of the City’s population grimaced in their states of sleep and rolled over. Those up and active through the necessity of their various offices shuddered grimly and went about their business in hats and hoods and long, soggy capes. A carter, late delivering for a fishmonger in Billingsgate, overturned on the corner of Windmill Street, and his entire cargo swam off through the neighbouring byways. Shortly afterwards, a magistrate in Rudlin Circus was painfully thrown when his horse was bitten by a passing turbot. The fishmonger was sanguine, however, as sales of fish had fallen dramatically in the course of the week.

 

 

    One of the hundred and nine churches tolling out that lubricated morning was St Dunstan’s Undershaft, near the New Gate, where the aforementioned saint’s day was about to be celebrated. Dunstan, a ninth century Norfolk lacemaker, died piously during the notorious Woolcarder’s Revolt of 814, and was canonised in 1853 during the Diet of Cannes. He is the Patron Saint of boundaries and hedges, lacemakers, undergarments and impalement, though not necessarily in that order.

 

 

    In the damp shade of St Dunstan’s porch, valiant observers of the martyr’s festival (the eleventh day of May) made garlands of flowers and ribbons, and glumly offered small lace keepsakes showing the saint “being martyred on the sharpened fence” for sale to empty streets. The deluge had kept almost everyone away. Large sections of the regular congregation had found drier things to do, and a promised coach party of pilgrims from the provinces, composed in the main of folk from the popular Christian sects the Orford Doxies and the Exeter Terrestrials, had not materialised.

 

 

    Even the priestesses in the Temple of the Justified Madonna across the road from St Dunstan’s had decided for once to wear clothes. They stood, red-nosed and corset-clad, in the windows of the seminary, and occasionally waved encouragement to the St Dunstan’s band across the street. Needless to say, the folk of St Dunstan’s didn’t wave back.

 

 

    Two streets behind St Dunstan’s, an alley too insignificant to have a name of its own led through the rents to Chitty Yard. It was raining there, too.

 

 

    The yard was a paved square, forty feet across, flanked on one side by the dingy rears of the rents. To the other three it was enclosed by the back of the once-imposing Chitty House. A small fountain, in the shape of a dismayed griffon, stood at the centre and had been dry for seventy-three years. It was full now, of leaves and rainwater.

 

 

    The Chittys had come into money late in the previous century, thanks to a small miniver business that had flourished at a time when cuffs and collars were worn hirsute. They had built Chitty House as a headquarters and town residence, and occupied it continuously until the last Chitty had died of fur on the lung twenty years previously. Since then, the building had been a tannery, a hostel for drovers, a bordello (twice), a store for timber, an eating house, and a singularly unsuccessful farrier’s (one Joseph Pattersedge, who suffered from chronic hippophobia). Now it was empty, with its rafters open to the weather, and its environs were of interest only to vermin, weary beggars or those in need of privacy.

 

 

    At dawn on St Dunstan’s day, four of the latter were assembled in the hidden yard. One was a diminutive, portly Spaniard from Valladolid, who huddled from the rain under the stoop of the storehouse wing, his ruff and waxed moustache as limp as his expression. He clutched a velvet cape and a plumed hat that did not belong to him. Opposite him, across the yard, stood a rake-thin man of Suffolk descent, an imposing figure over six feet tall, dressed in a simple suit as grim as his countenance. He too held clothes that were not his. Every few seconds, he winced slightly.

 

 

    The other two individuals in the yard were trying to kill each other.

 

 

    Lord Callum Gull, Laird of Ben Phie, Captain of the Royal Guard, Scottish to the marrow (“and loyal to the courgette” as the old saying goes), edged around the yard with four feet of basket-hilted steel swinging from his hand. His red hair was plastered to his skull, his linen shirt was sticking to his rangy form, and his breath was rasping through defiantly clenched teeth. He knew well his Livy, his Caesar, his De Studio Militari and his Vegetius. He knew extremely well the finer points of The Art of War, particularly the one on the end of his rapier.

 

 

    Sir Rupert Triumff, seafarer, Constable of the Gravesend Basin and celebrated discoverer of Australia, was commanding over a yard of sharpened metal of his own. His black locks hung in ringlets around his brow, his shirt had acquired two extra slits since he had put it on that morning, and he was humming a song about the Guinea Coast for no real reason at all. Triumff had once read the title page of Vegetius, owned a risible translation of Livy, and often quoted Caesar, even though he had never been within ten feet of a copy. He was not, at that stage, entirely sure what day it was.

 

 

    Triumff danced and stumbled around Gull in a way that looked almost, but not quite, deliberate. He tossed his rapier from hand to hand. The gesture suggested he was a nimble, gifted swordsman, but in truth had more to do with the fact that he couldn’t remember which hand he was supposed to be using. Each exchange of grip caused the slender witness in black to wince again.

 

 

    With a snarl, Gull lunged for the umpteenth time, and added another vent to Triumff’s left sleeve. Backing up rapidly, Triumff looked down at the gash, tucked his blade under his arm like a cane, and fingered the damaged cloth.

 

 

    “Fuck,” he remarked.

 

 

    “En garde!” barked Gull, and crossed.

 

 

    Triumff spun hastily, ducked, and came up again holding his sword by the blade, with the basket grip bobbling threateningly at his adversary. There was a pause. Slowly, Triumff adjusted his depth of field from his opponent to the nearer hilt, noticed the blood dribbling from his fingers, and dropped the rapier smartly.

 

 

    “Poxy thing!” he said, sucking at his sliced fingertips. Blood collected in his beard, and spattered his doublet, making it look as if he had been punched in the mouth. He continued to complain through his stinging fingers.

 

 

    Gull tapped Triumff on the breast-bone with the point of his sword. The Scot’s black eyes always looked angry, even when he was not. It was said in the Royal Guard House that if Gull’s lids were ever peeled back during slumber, he’d still glare with the liquid black eyes of an enraged bullock. Now, his demeanour perfectly matched his natural expression.

 

 

    “Pick up,” he said softly, his words gnawing into the air like acid, “your bloody sword, you cussed knave. Though I’ll delight in filleting you, I’d rather do it while there’s a blade in your hand.”

 

 

    Triumff looked down at the urging sword tip, and then up at Gull, and nodded.

 

 

    “Right right of course” he replied, turning to look for his fallen blade. To the side of the yard, the man in black covered his eyes, and started in on the Lord’s Prayer, sotto voce. The man in black’s expression increasingly resembled that on the face of the fountain’s stone griffon, which in turn suggested that the mythical creature had been intimately violated against its will, and without much in the way of warning.

 

 

    The rapier had rolled to rest in the lea of the fountain bowl. Triumff steadied himself on the griffon’s beak as he stooped to recover it. He grasped the weapon in his uninjured hand and straightened up.

 

 

    Even during his more sober periods, the weapon had been a bother to him. It had been a gift, a reward for his exploits, bestowed upon him by the president of the Royal Cartographical Society. It was a Cantripwork Couteau Suisse, or Schweizer Offiziersmesser, an elegant instrument manufactured to the exacting specifications of the Victorinox Cutlers of Ibach. According to the owner’s handbill, which had been packed into the presentation box underneath the velvet padding, the device was capable of auto-selecting any number of tools or blades, which it deployed from its ornate brass basket hilt at the flick of a trigger built into the knurled alox handle. One deft touch made it a sword, or a bottle opener, or a device for removing stones from horses’ hooves.

 

 

    Triumff looked down at his weapon. He noted the Helvetic cross-and-shield emblazoned on the tool’s grip, denoting the weapon’s fine engineering provenance. He also noted, belatedly, that at some point during the whole dropping-it-and-picking-it-back-up-again process, the trigger had been depressed. The Couteau Suisse was currently less well suited for duelling with an incensed Hibernian swordsman, and more for removing cross-head screws. Triumff swore again. He pressed the trigger. The intricate, jinx-powered mechanism inside the decorative basket hilt whirred, withdrew the screwdriver, and meticulously replaced it with a nail buffer.

 

 

    Triumff began pressing the trigger repeatedly, and, in quick succession, readied himself to open a can, pluck an eyebrow, and do a little fretwork.

 

 

    He shook his head and held up his other hand.

 

 

    “Hang on, hang on,” he said. “Arsing thing.”

 

 

    Gull stood his ground, glaring.

 

 

    “Ever had a go with one of these doo-dabs, Gull?” Triumff asked, depressing the trigger with an increased degree of impatience, and consequently selecting long-nose pliers, a fishing rod, a metric rule, and then an auger. “All very clever and fancy, I’m sure, but it’s more trouble than it’s worth.”

 

 

    “I’m not one for gadgets,” growled Gull.

 

 

    “Me neither! Me bloody neither!” Triumff agreed vehemently. He clicked the trigger one last time and let out a bright, “Aha!” as the rapier blade snapped back into place.

 

 

    “Right! There you go!” he declared, flourishing the blade. “That’s what I was looking for! As you were!”

 

 

    The energetic flourish had made his vision spin a little. He shook his head in an effort to clear it, blinked dizzily, and took a step forward. A loose flagstone dipped under his foot, and several pints of brown rainwater gouted up his leg, soaking his breeches. He stumbled, and steadied himself, looked down at the stone, and dabbed dispiritedly at his ruined trousers.

 

 

    “Watch that, Gull,” he said, indicating the flagstone. “Loose flag. You could take a nasty tumble on that.”

 

 

    Tried beyond a threshold of patience he had been sporting to observe even that far, Gull screeched something Caledonian and pejorative, and flew at Triumff. Only fickle fortune positioned Triumff’s sword correctly to block the thrust. Gull riposted, and the blades clattered again. He hammered three times more until his sword rebounded from the knurled quillon of Triumff’s fluttering weapon.

 

 

    “Steady on,” said Triumff, as if surprised.

 

 

    Gull threw himself bodily at Triumff, their swords locking like the antlers of rutting stags. He drove Triumff back four or five yards, until the discoverer of Australia slammed hard into the kitchen wall of Chitty House. There, Triumff lurched forward, sweeping his sword around at Gull. It would have been a quite magnificent touché, had it not been for the fact that the Couteau Suisse had become, by then, a letter opener. With a strangled and vituperative curse, Triumff selected the rapier blade, again, and swung it wildly, but the distraction had been enough. The Captain of the Royal Guard parried easily, and then cut low, slicing a new pocket hole in Triumff’s breeches and a flap of skin out of the thigh beneath. Triumff sucked in his breath as blood, diluted by rain, soaked his leggings. Looking down, he found that one breeches leg was stained red and the other brown with mud.

 

 

    “Motley!” he exclaimed breezily, and then looked in danger of fainting. He slumped back against the kitchen wall and dropped his guard wearily. Gull’s sword was immediately at his throat.

 

 

    “You’re beaten, you bastard,” hissed Gull, “and what’s more, you’re pissed. You might at least have done me the honour of duelling me sober.”

 

 

    “Is this all because of those things I said about your sister?” asked Triumff, absently. “And if it is, can you remind me what I actually said?”

 

 

    “You challenged
me
, you drunken fool!” Gull growled.

 

 

    “Oh really? Then let’s just forget it.”

 

 

    Gull stared into Triumff’s eyes.

 

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