Try Fear

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Authors: James Scott Bell

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Copyright

This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are
used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

Copyright © 2009 by James Scott Bell

All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced,
distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written
permission of the publisher.

Center Street

Hachette Book Group

237 Park Avenue

New York, NY 10017

Visit our website at
www.HachetteBookGroup.com

www.twitter.com/centerstreet

Center Street is a division of Hachette Book Group, Inc.
The Center Street name and logo are trademarks of Hachette Book Group,
Inc.

First eBook Edition: July 2009

ISBN: 978-1-599-95310-6

Contents

Copyright

Acknowledgments

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Chapter 70

Chapter 71

Chapter 72

Chapter 73

Chapter 74

Chapter 75

Chapter 76

Chapter 77

Chapter 78

Chapter 79

Chapter 80

Chapter 81

Chapter 82

Chapter 83

Chapter 84

Chapter 85

Chapter 86

Chapter 87

Chapter 88

Chapter 89

Chapter 90

Chapter 91

Chapter 92

Chapter 93

Chapter 94

Chapter 95

Chapter 96

Chapter 97

Chapter 98

Chapter 99

Chapter 100

Chapter 101

Chapter 102

Chapter 103

Chapter 104

Chapter 105

Chapter 106

Chapter 107

Chapter 108

Chapter 109

Chapter 110

Chapter 111

Chapter 112

Chapter 113

Chapter 114

Chapter 115

Chapter 116

Chapter 117

Chapter 118

Chapter 119

Chapter 120

Chapter 121

Chapter 122

Chapter 123

Chapter 124

Chapter 125

Chapter 126

Chapter 127

Chapter 128

Chapter 129

Chapter 130

Chapter 131

Chapter 132

Chapter 133

Chapter 134

Chapter 135

Chapter 136

Chapter 137

Chapter 138

Chapter 139

Chapter 140

Chapter 141

Chapter 142

Chapter 143

Chapter 144

Chapter 145

Chapter 146

Chapter 147

Chapter 148

Chapter 149

Chapter 150

Chapter 151

Chapter 152

Chapter 153

Chapter 154

Chapter 155

Chapter 156

Chapter 157

Chapter 158

Chapter 159

Chapter 160

Chapter 161

Chapter 162

Chapter 163

Chapter 164

Chapter 165

Chapter 166

Chapter 167

Chapter 168

Chapter 169

Chapter 170

Chapter 171

Chapter 172

Chapter 173

Chapter 174

Chapter 175

Chapter 176

Chapter 177

Chapter 178

Chapter 179

Chapter 180

Chapter 181

Chapter 182

Chapter 183

Also by James Scott Bell

Try Dying

Try Darkness

Available from Center Street wherever books are sold.

My memories of growing up in L.A. come to me mostly in black and white. I see myself as a kid stepping through an episode
of
Perry Mason.
That’s because my dad was an L.A. criminal lawyer, and I remember downtown as being made up of white, sun-bleached buildings,
hot in the summer sun. When I first rode Angels Flight with Dad—I was six, and Dad was involved with a grassroots movement
to save the venerable L.A. landmark, a movement that was ultimately successful—it was to the top of the Bunker Hill from
Criss Cross,
the Burt Lancaster noir classic (a black-and-white film, of course). And when I recall first seeing my dad in court, it was
in the days of the fedora, which TV shows never depicted in living color.

There were a few things about Dad that remain “black and white,” in symbolic terms, too. Dad did not tolerate racism. He had
played baseball at UCLA with Jackie Robinson, was even his roommate on road trips, and as a defender of poor clients brooked
no color barriers when it came to justice. He taught me to think the same way, and made me want to become a trial lawyer like
him. So I did. And even got to work with him, as his office mate, in the last few years of his life.

And so this book is dedicated to a great L.A. lawyer and a great man—my dad, Arthur S. Bell, Jr.

Acknowledgments

The author is greatly indebted to the following for their exceedingly valuable help in the preparation of this book and series:
Cindy Bell, Christina Boys, Manuel Muñoz, Leah Tracosas, Karen Thompson, Al Menaster, Gina Laughney, Rene Gutteridge, Ellen
Tarver, Michael J. Kennedy, Sgt. Mike Sayre, LAPD, Capt. Tom Brascia, LAPD, and Special Agent Michael Yoder, FBI.

Fear at my heart, as at a cup,

My lifeblood seemed to sip.

—Coleridge

1

T
HE COPS NABBED
Santa Claus at the corner of Hollywood and Gower. He was driving a silver Camaro and wearing a purple G-string and a red
Santa hat. And nothing else on that warm December night.

According to his driver’s license his name was Carl Richess, a thirty-three-year-old from West Hollywood.

But he insisted he was the one, the only, Santa Claus. He said he could prove it, too. He pointed repeatedly to his hat.

The police officer who initiated the stop—for not wearing a seat belt—mentioned the Santa hat in his report, and the G-string.
Also the open, nearly empty bottle of Jose Cuervo Gold on the seat next to the jolly elf.

After noting red eyes, slurred speech, and the odor of an alcoholic beverage, the officer ordered Richess out of his car for
field sobriety tests.

Richess protested that he was late, that his reindeer needed to be fed. He said this even as he was failing the heel-to-toe
and lateral gaze nystagmus tests.

He loudly screamed the same thing at Hollywood station, where they had him blow into the Intoximeter a couple of times. And
again when they cuffed him to a metal rod on one of the wooden benches outside the holding tank. He was still muttering about
reindeer when they booked him into the jail and stuck the six-foot-five, 280-pound would-be Kringle in a cell. They gave him
some old clothes to cover himself.

They took his hat, let him keep the G-string.

Three others shared the community cell with St. Nick—two gangbangers and a Korean street performer who’d been fire-eating
in front of the Pantages Theater. I found out later he set a well-dressed woman’s hair on fire, which is against several city
ordinances.

About the time Father Christmas was being cuffed and stuffed—copspeak for arrested and jailed—I was nursing a Gandhi Latte
at the Ultimate Sip. The Sip is an honest coffee establishment owned and operated by one Barton C. “Pick” McNitt, a former
philosophy professor at Cal State Northridge who went crazy and now pushes caffeine and raises butterflies for funeral ceremonies.

He makes up drinks that have philosophical significance. He is serious about this. He came up with the Gandhi Latte because
his style of foam, he believes, encourages nonviolence in those who drink it.

This has yet to be proven scientifically.

Pick also waxes loud on any subject he deems appropriate for the betterment, or castigation, of mankind. He does not believe
in God. Father Robert Jackson, who everybody calls Father Bob, does. In the middle I sometimes sit, watching a philosophical
Wimbledon.

But on this particular night there was no match, so I was wrestling with the
Dialogues of Plato
. That’s one thing to do if you’re trying to recalibrate your life and figure out what, if anything, it means. At that moment
it was a tie between
not much
and
something just out of reach.
Which is why I was digging hard into the dialogue called
Phaedrus.

And then I got a call from Father Bob.

“There’s a fellow in jail in Hollywood,” he said. “He needs a lawyer.”

“Anyone in jail in Hollywood needs a lawyer,” I said.

“I mean it. His mother called me, very upset.”

“What’s he in for?”

“He told his mother he sort of got arrested for drunk driving and telling the police he was Santa Claus.”

I cleared my throat. “My dear Father, it is illegal to drive drunk, but not to say you are Santa Claus.”

“He was dressed in a Santa hat and, I guess, a G-string. That’s what he told his mother, anyway.”

I put the
Dialogues
down on the table. “Are you sure it’s a lawyer he needs?”

“His mother says he’s been under a lot of strain lately.”

“Does he have money to pay a lawyer?”

“His mother does.”

“I’m reading Plato.”

“She was in tears.”

“I would be, too, if my son got busted in a G-string.”

“Ty, will you go?”

“To see Santa Claus?” I said. “By golly, who wouldn’t?”

2

LAPD
’S
H
OLLYWOOD STATION
is a squat brick building on Wilcox, south of Sunset, across the street from the appropriately named SOS Bail Bonds. I got
there a little before ten and parked in front. It was a Wednesday night, quiet in Hollywood. Tomorrow the club scene would
start in earnest and fill the weekend.

At the front desk I put my card down and told the desk officer I was there to pick up Richess.

He laughed. “Santa?”

“He’d be the one,” I said.

“Biggest Santa I’ve ever seen,” the officer said. He had short black hair and a pointed chin. His name plate said H
OWSER
.

“Can we cite him out?” I said, meaning Richess wouldn’t have to post bond. I knew the decision would depend on his previous
record, and what he said or did since they popped him.

Howser said, “I’ll be back.” He got up and went into the inner office, leaving me with a kid, maybe eighteen, who was sitting
by the vending machine, head in hands.

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