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Authors: C. C. Benison

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BOOK: Twelve Drummers Drumming
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“This is quite the collection,” he said to Belinda Swan, the publican’s wife, who was minding the stall. She reminded him of the Willendorf Venus, fleshy and voluptuous in a way that would have stirred a skinny hunter-gatherer, only attired in the modern way: sealed in stretch trousers and miraculously buttressed beneath a deeply scooped blouse.

“Not very Christian, are they?” she responded, picking up
Confessions of a Revolutionary
and regarding it askance. “We did wonder, but as it’s for the church, we thought you wouldn’t mind, Father.”

“I wish you wouldn’t—”

“Vicar, I mean.”

“Tom is fine.”

“Right. Tom it is. I’ll remember this time. But with your family name, you know, sometimes we can’t—”

“Help it,” he said, finishing her thought. It was a bane of his existence. Once, as a teenager, he’d gone to a fancy-dress party kitted out as Father Christmas, all white cotton-candy beard and hair and itchy red wool, and the honorific—or gibe—clung to him ever after. At the vicar factory at Cambridge he was Father Christmas. As curate in south London he was Father Christmas. In his ministry in Bristol he was Father Christmas. This though he wasn’t High
Church. The mercy was his late wife hadn’t been named Mary. His adoptive mother had been, but she had wisely retained her maiden name.

Belinda picked up the
Quotations
. “I think Ned was the last person in the world who still cared what whatsisnamehere, Mao Tse-tung, thought about anything.”

“What about a billion Chinese?”

“Oh, do you think? I thought the Chinese had rather gone off all this rigmarole.” She opened the book at random and read aloud: “ ‘We must always use our brains and think everything over carefully.’ ” Her well-plucked eyebrows went up a notch. “Hard to argue with that. Maybe I should have my kids read this instead of Harry Potter.”

“I take it these books are all Ned’s.”

“Yes, his daughter said to take the lot. ‘Take them, I don’t want to look at them,’ she said. ‘You can burn them,’ she said. Well, book burning didn’t seem very nice, so—”

“I’ll buy that one then.” Tom reached into his pocket and pulled out a pound coin.

“Are you sure?”

“To remember Ned, then.”

“But you never met him.”

“Not in the corruptible flesh, no.”

“Of course,” Belinda said, taking the coin and counting out seventy-five pence change. “That’s how you came to us, isn’t it? In a roundabout way. Fancy old Red Ned having a Christian burial. I expect he’s still spinning.”

By chance—or perhaps by design, though arguing the latter was a bit teleological—Tom and his daughter Miranda had been visiting Thornford Regis the week of Ned Skynner’s funeral, staying with his wife’s sister Julia and her husband Alastair. A music teacher at a Hamlyn Ferrers Grammar School outside Paignton, Julia filled in occasionally as organist at St. Nicholas Church and had been called upon to do so for Ned’s funeral that day in early April just over a
year ago. Julia had looked at him askance when he’d volunteered to accompany her to the ceremony.

“The expression ‘busman’s holiday’ comes to mind,” she’d said with a smile, though her eyes telegraphed a deeper concern for him, unnecessarily attending a morbid rite for a complete stranger, five months after his wife’s homicide. But Tom was just as happy not to be left with his brother-in-law Alastair, whose disapproval seemed to fall on him like fine rain whenever circumstance threw the two of them together. Besides, funerals, intermittent or in clusters, were part measure of a priest’s life; his professionalism demanded he suspend his own grief to ease the grief of others, and he had done so: Twelve days after Lisbeth’s funeral at the synagogue in St. John’s Wood Road in London, he had taken a funeral at St. Dunstan’s, for a child, no less, and had managed—somehow, just barely—to keep his own heart from breaking.

And, if he had been looking for another reason to accompany Julia, a more frivolous one, he had it: He had not seen the interior of St. Nicholas Church, the grey weather-beaten Norman tower he had glimpsed the day before as he’d driven down into the village. There had been only one impediment. He couldn’t very well take his nine-year-old daughter, to—of all things—a funeral, not so soon after her mother’s death. But Alastair, who had taken the day off from his medical duties, volunteered to abandon plans for his own round of golf and take Miranda to Abbey Park in Torquay to play crazy golf. Tom hadn’t been sure if Alastair wanted to avoid his company or Julia’s. Good manners prevailed before guests, but no central heating could thaw the icy atmosphere between husband and wife that week.

What he would never have known is that he would wind up taking the funeral. The incumbent vicar, the Reverend Peter Kinsey, who had had the living for a mere eighteen months, had failed to appear. Everything else had been at the ready. Ned, at his daughter’s insistence, had been delivered to the lych-gate in a less-than-proletarian mahogany box with brass handles. Julia was at the organ
gently working her way through “Ave Verum,” “Love Divine, All Loves Excelling,” and “Morning Has Broken.” There was a lovely display of lilies, forsythia, and iris, with daffodils in separate vases. And there was a decent turnout, Tom later learned, not least because many of the old villagers were amused to see Ned, who had spent four decades declaring religion to be the opiate of the masses from his seat in the pub, getting a send-off from one of the opiate manufacturer’s franchise operations.

Impatience had turned to puzzlement, then to consternation when, after about twenty minutes, the vicar didn’t appear. A call round to the vicarage produced no vicar; nor did it produce the vicar’s housekeeper, Madrun Prowse, who had gone to visit her deaf mother in Cornwall. The Reverend Mr. Kinsey wasn’t at the pub, where the wake was to take place, nor was he at any of the other public places in the village. His mobile was switched off, too. One or two villagers thought someone might have called one or two female parishioners on the off chance, but they kept that to themselves out of respect for Ned’s big send-off. Finally, someone realised that Kinsey’s Audi was missing. It was a Tuesday. Vicar’s day off was Monday. Perhaps he’d gone away for the day and got waylaid somewhere.

Though he might have phoned, someone groused.

It was a chilly April afternoon and the temperamental heating system in the church—adequate, Tom was to later learn, for a fifty-minute Sunday service—was less so for a congregation that had been waiting ninety minutes for the show to begin. The verger might have taken the service, but he was down with flu. The funeral director was able, but Karla Skynner, Ned’s daughter and a churchwarden, determined to sanitise her father’s history in a blaze of Christian piety and learning there was a vicar in the house, beseeched—well, it was more “commanded”—Tom to step in. To Julia’s horror he did—though dressed in corduroy trousers and a battered Barbour, he didn’t feel he would quite fill the contours of the role. Never mind. The vestments were hanging in the vestry, including a purple chasuble. He acquitted himself well enough. He
mounted the pulpit and intoned the familiar words:
I am the resurrection and the life
. As he did so, in this little country church, with its freshly lime-washed walls, its slightly crooked aisle, and its aromas of wood polish, old books, and gently disintegrating woolen kneelers, he felt unaccountably at peace, in a way he had not since that awful autumn day when he had found Lisbeth lying in a pool of blood in the south porch of St. Dunstan’s. It was as though he had come home. As he looked past the faces of the mourners in the front pews to the shifts of light streaming through the Victorian stained glass, he found himself almost brimming with gratitude for the unexpected gift of this moment.

The Reverend Peter Kinsey never did show. In fact, the vicar seemed to have vanished from the face of the earth. Consternation had turned to outright worry three days later when Jago Prowse pointed out that the vicar couldn’t have left the village in his car, because he, Jago, was servicing the very car at Thorn Cross Garage and was having trouble with a very tricky fuel injection system. After that it was police, press, and endless speculation. As the village attempted to recover from this unsettling situation, retired clergy were called upon to fill in for Sunday services. The archdeacon helped, too, as did the rural dean. Even the bishop came down from Exeter to preach a wise sermon. But after two months of intermittent police investigation, Peter Kinsey’s reappearance was declared unlikely. There was, officially, a vacancy in the parish.

But a week’s rest, contemplation, and solitary walks in Devon had helped soften the metaphysical rage that had scorched Tom’s soul in the wake of Lisbeth’s death and decided him for change. He needed a safe place for his daughter, and he needed a rest from the turmoil of inner-city team ministry. As soon as he’d returned with Miranda to Bristol, he sent his CV to the bishop of Exeter, asking to be considered for any vacancy. There was a vacancy, as it turned out—in Thornford Regis—and, in due course Tom was appointed to the living of Thornford Regis. In the magisterial terms of the Church of England, the interview and inspection process was extraordinarily
speedy. But a traumatised flock needed a new shepherd. Tom packed up Miranda’s and his things, bade sad farewell to his colleagues at St. Dunstan’s, and made the journey to Thornford Regis for the buttercup-strewn life in a West Country village described by the
Times
travel supplement as “sleepy” and by the
AA Guide to Country Towns and Villages of England
as “really a very pretty place.”

On this May morning, nine months later, that very prettiness was splayed out before him and made him smile. His eyes descended from the counterpane fields glimpsed beyond the last of the cottages on Thorn Hill, down past clusters of rooftops and chimneystacks to Purton Farm, a community field, which, he thought, looked a little like the set of
The Prisoner
, only with a coconut shy at the centre and none of those disagreeable balloons. As he pocketed Mao’s book of quotations and wished Belinda Swan good luck with her sales, Tom surveyed the newly erected white-elephant stall, the hot dog stand, the beer tent, the tea tent, the tombola and the face-painting, the petting zoo where toddlers were cooing over fat rabbits, the politically incorrect Punch-and-Judy where Punch was still beating his wife and child with a stick, and the inflatable slide down which he could see his daughter careening, and, farther off, the open-air stage onto which the two teenage boys had successfully trollied the out-sized drum.

It was a
tsukeshime-daiko
, a long, heavy, rope-tensioned drum, part of the repertoire of Japanese taiko drums which that weekend had set the old Victorian village hall to throbbing and lent the so-called “sleepy” village an ominous ambience—rather, Tom declared, like some old Ealing Studios idea of vexed Zulus revving up for disputatious acts. The natives are restless, he had thought, passing the hall on his way out of the village to one of the country trails where he could have a walk and a think free of the distractions of the vicarage. And they
were
restless, in a way. Having taiko drummers debut their talents at the May Fayre in lieu of the traditional pipe band had not been wholly welcomed. Even though the Reverend
Mr. Kinsey had been absent more than a year, his legacy of innovation, admired by some, loathed by many, still sparked little eruptions of novelty in the village.

At Tom’s first Parochial Church Council meeting, taiko entertainment at the May Fayre reignited a few simmering tempers—notably that of ancient church treasurer Colonel Northmore, who had suffered through a Japanese prisoner-of-war camp in the Second World War and had no truck with anything Japanese. But twelve teenagers from the village and outlying area, schooled by Julia, had taken to taiko drumming like bees to blossoms and were eager to show off their skills. “Better than what they might get up to,” warned Tom, who knew from his ministry in Bristol what bored youth were capable of. Colonel Northmore had cast him a rheumy eye, but was silenced.

Tom thought about his church council and its personalities as he passed the white-elephant stall attended by Joyce Pike, the village handyman’s wife, caretaker of the village hall, and skivvy to a handful of Thornfordites.

“ ’Morning, Father,” she said with the kind of smile that looked like it had been hard practised. Tom replied in kind, then stopped. There was a curious object among the obsessively tidy array of unloved gewgaws on the table. A shaft of sunlight latched on to a smooth white surface overlaid with what, to an undiscerning eye at first glance, would look like a web of black lines.

His heart leapt.

It was an exact match to his curate’s egg, the one that Lisbeth had given him when he’d been appointed to his first curacy at Kennington Park. Lisbeth had had it made specially. He didn’t think there was another one like it in the world. It so neatly encapsulated Lisbeth’s sense of humour and wry views of the Church, and he loved it more than any gift she had given him—other than Miranda, of course. He’d been grieved when the egg somehow got lost in the move between Bristol and Thornford. He had even phoned the removals
company to see if they had found an egg on the lorry somewhere. They’d thought he was having them on.

“This is astonishing,” he said to Mrs. Pike as he lifted the porcelain egg and examined it. Yes, there it was: George du Maurier’s 1895
Punch
cartoon of a hapless curate taking breakfast at the bishop’s house.
“I’m afraid you’ve got a bad egg, Mr. Jones,”
the bishop is saying.
“Oh, no, my Lord,”
responds the nervous curate, desperate not to make offence,
“I assure you that parts of it are quite excellent.”

Life was a curate’s egg—a mixture of good and bad, but more than that, Lisbeth had pointed out: The excellent parts compensate enough for the bad parts that complaining about it just isn’t on. Her words—he could hear her voice, her saying it—sounded forcefully in his head in the dull, dark weeks following her inexplicable, seemingly random death. He’d clung to them, and to the egg. And now, as her voice again reverberated in his memory, a sharp pang of loss seared him. He took a moment, then looked to Mrs. Pike. “Do you know I used to have one just like this?”

BOOK: Twelve Drummers Drumming
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