Two or Three Things I Know for Sure (6 page)

BOOK: Two or Three Things I Know for Sure
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For years, every time I said it, said “rape” and “child” in the same terrible sentence, I would feel the muscles of my back and neck pull as taut as the string of a kite straining against the wind. That wind would blow and I would resist, then suddenly feel myself loosed to fall or flee. I started saying those words to get to that release, that feeling of letting go, of setting loose both the hatred and the fear. The need to tell my story was terrible and persistent, and I needed to say it bluntly and cruelly, to use all those words, those old awful tearing words.
I need to be a woman who can talk about rape plainly, without being hesitant or self-conscious, or vulnerable to what people might be saying this year.
I need to say that my mama didn’t know what was going on, that I didn’t tell her, that when I finally did tell someone it was not her. I need to say that when I told, only my mama believed me, only my mama did anything at all, that thirty years later one of my aunts could still say to me that she didn’t really believe it, that he had been such a hardworking, good-looking man. Something else must have happened. Maybe it had been different.
How? I wanted to ask. How could it have been different for a five-year-old and a grown man? Instead I just looked at her, feeling finally strong enough to know she had chosen to believe what she needed more than what she knew.
 
 
Two or three things I know for sure, but none of them is why a man would rape a child, why a man would beat a child.
 
 
 
 
 
WHY? I AM ASKED. Why do you bring that up? Must you talk about that? I asked myself the same questions until finally I began to understand. This was a wall in my life, I say, a wall I had to climb over every day. It was always there for me, deflecting my rage toward people who knew nothing about what had happened to me or why I should be angry at them.
It took me years to get past that rage, to say the words with grief and insistence but to let go of the anger, to refuse to use the anger against people who knew nothing of the rape. I had to learn how to say it, to say “rape,” say “child,” say “unending,” “awful,” and “relentless,” and say it the way I do— adamant, unafraid, unashamed, every time, all over again—to speak my words as a sacrament, a blessing, a prayer. Not a curse. Getting past the anger, getting to the release, I become someone else, and the story changes. I am no longer a grown-up outraged child but a woman letting go of her outrage, showing what I know: that evil is a man who imagines the damage he does is not damage, that evil is the act of pretending that some things do not happen or leave no mark if they do, that evil is not what remains when healing becomes possible.
All the things I can say about sexual abuse—about rape—none of them are reasons. The words do not explain. Explanations almost drove me crazy, other people’s explanations and my own. Explanations, justifications, and theories. I’ve got my own theory. My theory is that rape goes on happening all the time. My theory is that everything said about that act is assumed to say something about me, as if that thing I never wanted to happen and did not know how to stop is the only thing that can be said about my life. My theory is that talking about it makes a difference—being a woman who can stand up anywhere and say, I was five and the man was big.
So let me say it.
He beat us, my stepfather, that short, mean-eyed truck driver with his tight-muscled shoulders and uneasy smile. He was a man who wasn’t sure he liked women but was sure he didn’t like smart, smart-mouthed tomboys, stubborn little girls who tried to pretend they were not afraid of him. Two or three things I know, but this is the one I am not supposed to talk about, how it comes together—sex and violence, love and hatred. I’m not ever supposed to put together the two halves of my life—the man who walked across my childhood and the life I have made for myself. I am not supposed to talk about hating that man when I grew up to be a lesbian, a dyke, stubborn, competitive, and perversely lustful.
“People might get confused,” a woman once told me. She was a therapist and a socialist, but she worried about what people thought. “People might imagine that sexual abuse makes lesbians.”
“Oh, I doubt it.” I was too angry to be careful. “If it did, there would be so many more.”
Her cheeks flushed pink and hot. She had told me once that she thought I didn’t respect her—her oddly traditional life and commonplace desires, her husband of twelve years and female companion of five. Looking into her stern, uncompromising face brought back my aunts and their rueful certainty that nothing they did was ever quite right. Two or three things and none of them sure, that old voice whispered in my head while this woman looked at me out of eyes that had never squinted in regret.
“Tell me, though,” I added, and shifted my shoulders like Aunt Dot leaning into a joke, “if people really believed that rape made lesbians, and brutal fathers made dykes, wouldn’t they be more eager to do something about it? What’s that old Marxist strategy—sharpen the contradiction until even the proletariat sees where the future lies? We could whack them with contradictions, use their bad instincts against their worse. Scare them into changing what they haven’t even thought about before.”
She opened her mouth like a fish caught on a razor-sharp line. For the first time in all the time I had known her I saw her genuinely enraged. She didn’t think my suggestion was funny. But then, neither did I.
 
 
How
does
it come together, the sweaty power of violence, the sweet taste of desire held close? It rises in the simplest way, naturally and easily, when you’re so young you don’t know what’s coming, before you know why you’re not supposed to talk about it.
It came together for me when I was fifteen and that man came after me with a belt for perhaps the thousandth time and my little sister and I did not run. Instead we grabbed up butcher knives and backed him into a corner. And oh, the way that felt! For once we made him sweat with the threat of what we’d do if he touched us. And oh! the joy of it, the power to say, “No, you son of a bitch, this time, no!” His fear was sexual and marvelous—hateful and scary but wonderful, like orgasm, like waiting a whole lifetime and finally coming.
I know. I’m not supposed to talk about sex like that, not about weapons or hatred or violence, and never to put them in the context of sexual desire. Is it male? Is it mean? Did you get off on it? I’m not supposed to talk about how good anger can feel—righteous, justified, and completely satisfying. Even at seventeen, when I learned to shoot a rifle, I knew not to tell anyone what I saw and felt as I aimed that weapon. Every time I centered on the target it was his heart I saw, his squint-eyed, mean-hearted image.
I knew that the things I was not supposed to say were also the things I did not want to think about. I knew the first time I made love with a woman that I could cry but I must not say why. I cried because she smelled like him, the memory of him, sweaty and urgent, and she must not know it was not her touch that made me cry. Breathing her in prompted in me both desire and hatred, and of the two feelings what I dared not think about was the desire. Sex with her became a part of throwing him off me, making peace with the violence of my own desire.
I know. I’m not supposed to talk about how long it took me to wash him out of my body—how many targets I shot, how many women I slept with, how many times I sat up till dawn wondering if it would ever change, if I would ever change. If there would come a time in my life when desire did not resonate with fury.
 
 
Two or three things I know for sure, and one of them is that change when it comes cracks everything open.
LET ME TELL YOU A STORY. Let me tell you the story that is in no part fiction, the story of the female body taught to hate itself.
It is so hard to be a girl and want what you have never had. To be a child and want what you cannot imagine. To look at women and think, Nobody else, nobody else has ever wanted to do what I want to do. Hard to be innocent, believing yourself evil. Hard to think no one else in the history of the world wants to do this. Hard to find out that they do, but not with you. Or not in quite the way you want them to do it.
Women.
Lord God, I used to follow these girls.
They would come at me, those girls who were not really girls anymore. Grown up, wounded, hurt and terrible. Pained and desperate. Mean and angry. Hungry and unable to say just what they needed. Scared, aching, they came into my bed like I could fix it. And every time I would try. I would do anything a woman wanted as long as she didn’t want too much of me. As long as I could hide behind her need, I could make her believe anything. I would tell her stories. I would bury her in them. I have buried more women than I am willing to admit. I have told more lies than I can stand.
I never thought about what I needed, how hurt and desperate I was, how mean and angry and dangerous. When I finally saw it, the grief I had been hiding even from myself, the world seemed to stop while I looked. For a year, then another, I kept myself safe, away from anyone, any feeling that might prompt that rage, that screaming need to hurt somebody back.
BOOK: Two or Three Things I Know for Sure
4.16Mb size Format: txt, pdf, ePub
ads

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