Not to swerve off the road
dust runs in the family
of the dream
speaking into the sheet
shrouded in you
in which you
shortly after the curtains
addressed the flood
the ratio
were detained, saying
repeated frequently
need to want
spoken
near the foxed copy of Yeats
under the stained eaves
had been abused
thematically after the earrings
whispered at the door
want to need
ushered in
as the dream is not in the real
the door is not in the dream
rose cloth shade
hidden dark assembly
charged objects in space
what is called optimism
among the not dead
certain distributions
leaning toward the mouth
spoken in the
western sky
embrace or image
not biography although
this too, dear instructor,
and the thump of footsteps
that cruel intimacy
at the threshold
above the abrasion:
Did you cry?
Prayer spoken, arrested.
to Nat Tripp
1.
Gray wool rags
               peripheral rider
    a column has broken
       strained
           desert well
you haven't seen      Â
            a girl's head against a white tent
not blue
        not blue.
                  Look where?
Some small
differences in shade
        form to form
a splinter on the road
the bait raining.
2.
                 Desperate empirical!
You see nothing  the drab
is
walks by
                                into the forgotten
into the shuffle
             sun flaps its white wing
inhales the landscape
nobody is looking  nobody sees
                    sun
                          exhales poem.
1.
The writer's swan passes, quoted
in a dark interior.
As
and
of
difficult.
No signal.
The photos, however,
are sincere. The light
dull on the swan
equipped with mean beauty.
Some motion
among those who belong
and those who visit.
Make no mistake.
The land, its uses, its
little shingles,
theirs.
2.
Among us we hunt the fickle root.
Slide on over, Hon.
My brim is too wide, I cannot
see out.
Earnest collaboration among birds.
Sing sweetly now that the branch is clean.
Fix the roof.
I'm warming up for the real thing
although I still can't hear you
under this sign, this
sky booth.
3.
Unblessed forum counters relative merit.
Truth vortex!
The day wet, late, wet, late.
The light, dull.
The barn massively pictorial.
The house massively perfect.
Barn not empty.
Barn full of the weights of the dead.
Here, have this, a clay
sculpture of a
naked girl
on her hands and knees
before a black thing.
4.
Gist trouble markets war talk.
The irreducible bad guys at the door.
The sad gray cadets.
Stone the infidel!
Vocabulary of lost causes
meets vocabulary of
found causes
and we and they
launch combat.
No signal.
5.
Of course the present
is open is
calamity in waiting is
marked
previously unharmed
in a frame.
The present is endangered.
Sell it.
6.
Incised on the heels of the domain
no time to set the sleeve     ratty logic
of the shield    misgivings
traced along the shore's bony apparatus.
Come back!
A call in the septic dream.
The trees are marked for departure.
The river is laced with icy aisles.
7.
The negative is a posse! See how it rides
across the game, how it
spells exception after the ship, the ripped sail,
the extinguished horn, the engulfed mast
passed on. The one we love is
in this dungeon of blur, this mobile thread.
How lucid this is
depends on where you are from.
Back home, shuffling
men in slippers, a woman asleep in a slip.
Or else, back home, she is
awake and the sun lays stripes on her face
through the blinds. We hear, more recently,
that the estate has been
abandoned, the marriage collapsed.
Sometimes there's an altar:
world, dressed
flagrant & discerning
   stopped above        or         lines of flight
arrested      seemingly arrested
an altar:
     quotidian in pace        a cart's wheel, a  tag
made for the mildest enterprise
to follow      and so       anticipate an edge
as if wanting to sail
or to move closer       along the periphery
a table or cloth         or now a hole
through which a needle
cannot pass
the sign having landed on the wall
in its garb of light
waiting for its name
after nature
not web not wing      marked
for some better foil
than the diction of the real
      hovering  or  suspended        a call
to pivot on the unconsoled as
an image
      drawn from the lover's pocket
into the nearly opaque blank
straining the ordinary from its only        or also     there
crawl space of the lungs mold dust
not, dear instructor, auto-
biography
while listening to
Richard Rorty          talk of
Nabokov
and
kestrel, cedar waxwing, rare
orchids, his hurt companion stymied.
to Joan Richardson
1.
And Diogenes placed a crown of pines
on his head       victorious Diogenes
spitting in the face
of the ignorant teams
Diogenes crowns the horse
who stood his ground
Diogenes
the dog        illumined.
Because he said so
        trussed under the moon
the blessing garbled as usual
forgiveness
spilled on all the stones.
Historical stones, as they were what
touched the core
    trussed behind a shut door
under an invisible moon.
Because no one mentions
rust across the river
sun tissue   streaked or hairy
the familiar beasty hills
the atomic flaw
breasted and phallic
across the wide gray surface.
All this, dear instructor,
our material journey
blown onto a radiant scarf
as some remnant rhymed with
scant flow
or distilled into thought's
crowded integers    not to turn away
to acknowledge the tracks of sky
marking our way
or drawn above
in such yields no market could furnish.
The affinities     their stake
at the terminal hour
you will not recall the willow
you will lie down
how on the train
others exist
along the way   passages
her floral scansion
ripped
the horizon divided
intelligence
of love's song to the ghosts
they or       Diogenes
who might
prevail
reading   ashes   leaves   cards
no preference
among their habits     the ghosts
bored at rush hour
among the gossips
knocking sparks from each other
the tide withstanding
habit    bored by any occasion
rising from lamps along the tracks
moving under a huge blue tarp
as if something had erupted
opening the book.
2.
But if love of data refutes mystery
must the philosopher walk away?
The poet is a procrastinator
and a revisionist. She observes
the river is for the birds. She recalls
the sacred Nantucket coast.
Her vision is empirical
even as a love of mystery refutes data.
Geese on the baseball field.
A flag, red tile, a metallic balloon.
The aggression of sorrow.
Marianne's orange jumpsuit.
Had better launch another trial
without jury
without the old cavern
endowed with a seamless, impervious argot.
If the last revolution
discovered silence
while the rest heard
over the swerve
a telltale scream
braided or sewn down onto the fieldâ
what now?
1.
That we might find here
that we might hope to find
expertise
descending
or sleeping with everyone
or guided by questions
the neutral
sitting like a duck on the river
as an argument
unbound in the face of it
the fact of it
and such easy equations
reminiscent scores
to trip out over the exquisite form
the ancient in rags
the past as an arrangement
with knowledge
forgive these slight durations
the moments of prosody
outside our chamber
haunted by an
articulate sublime
without coastal reference
without the bloodied narcolepsy of desire.
Try the pathos of ghosts on your side
the riven energies of need
the rabbit is waiting
the sparrow is waiting
a creature lurks below the broken adage
and so beware of whatever is next
whatever has been left out
about to turn up
in the known stories of the home
âshe ran away, he did not stayâ
in the sarcastic iterations of the norm.
2.
Or instead we might find
the neutral
on a bright morning in
late July, and wonder, in this shade, what
is happening all along
the scintillant edges of time.
If
to mourn is
to be alive
and if the shape of knowing
is only the shape of not knowing
what else is riding
along this edge
as it leaks
onto the shapes of thingsâ
blurry cascade
unattached
until it touches
the evident.
Is that
this
?
Circling over the tidy episode
a constant
as of a bird over prey
the heart's insistent refrain
wingless as a chant
but then elsewhere
wandering
how the mind wanders
into the verbal shade
leaving and returning
iterated as echo or prayer
summoning from the shade
inarticulate benevolence
care enters the dismissal of care
drawn across the virtues of a stage.
3.
A rustling in the wings.
Restless mercurial
annoyance: nothing gets started.
You are waiting for me
but I do not appear, even in disguise.
The stage keeps unfolding its infinite domain.
At the final curtain, certain names
are cut into morphemes:
no
and
win
fall from their origins in the adored dark.
Meanwhile atrocities are creased
into the percale
one by one, as if drones
left behind in a prohibited archive.
No one is writing this act.
Author! Author!
calls the diminished crowd
wandering from the plummy sunset
caressing the hills. Backlit
hawks turn and turn above the scenery.
Dear instructor,
tonight I am
word poor and so unchained
and the world seated
could be
sensed partially
your back to it my looking away
trace of a cry in the air
accumulating from afar
a clarity of means
because
entrenched in beloved
semblance
to climb into the given as
music or the simplest conductâ
touching the threshold
migrating
serene as matter or
untouched
travelingâthe windâ
made only for space
perceived
as elegy's long flight.
And so
darkening chanced over the neck
the shoulder's ache
not referral to the outside
       having not yet aspired
darkening yet
the test or turn savored
the instance   leaning forward
to hear
a song of some duration
shelter of what is not said
chanced, here and there, over, darkeningâ
        splendid matter erased.
Could look through to the voiceâ
could look to find where the voiceâ
have you a word,
dear instructor, for this?