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Authors: Charlotte Bronte

BOOK: Villette
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Vain resolve! And when he at last found it
was
vain, he suddenly broke the whole business down. Hitherto he had been teaching them a grand tragedy; he tore the tragedy in morsels, and came next day with a compact little comic trifle. To this they took more kindly; he presently knocked it all into their smooth round pates.
Mademoiselle St. Pierre always presided at M. Emanuel’s lessons, and I was told that the polish of her manner, her seeming attention, her tact and grace, impressed that gentleman very favourably. She had, indeed, the art of pleasing, for a given time, whom she would; but the feeling would not last: in an hour it was dried like dew, vanished like gossamer.
The day preceding madame’s fête was as much a holiday as the fête itself. It was devoted to clearing out, cleaning, arranging and decorating the three school-rooms. All within doors was the gayest bustle; neither upstairs nor down could a quiet isolated person find rest for the sole of her foot; accordingly, for my part, I took refuge in the garden. The whole day did I wander or sit there alone, finding warmth in the sun, shelter among the trees, and a sort of companionship in my own thoughts. I well remember that I exchanged but two sentences that day with any living being: not that I felt solitary; I was glad to be quiet. For a looker-on, it sufficed to pass through the rooms once or twice, observe what changes were being wrought, how a green-room and a dressing-room were being contrived, a little stage with scenery erected, how M. Paul Emanuel, in conjunction with Mademoiselle St. Pierre, was directing all, and how an eager band of pupils, amongst them Ginevra Fanshawe, were working gaily under his control.
The great day arrived. The sun rose hot and unclouded, and hot and unclouded it burned on till evening. All the doors and all the windows were set open, which gave a pleasant sense of summer freedom—and freedom the most complete seemed indeed the order of the day. Teachers and pupils descended to breakfast in dressing-gowns and curlpapers: anticipating ‘avec delices’ the toilette of the evening, they seemed to take a pleasure in indulging that forenoon a luxury of slovenliness; like aldermen, fasting in preparation for a feast. About nine o’clock, A.M., an important functionary, the ‘coiffeur,’ arrived. Sacrilegeous to state, he fixed his head-quarters in the oratory, and there, in presence of
bénitier,
candle, and crucifix, solemnized the mysteries of his art. Each girl was summoned in turn to pass through his hands; emerging from them with head as smooth as a shell, intersected by faultless white lines, and wreathed about with Grecian plaits that shone as if lacquered. I took my turn with the rest, and could hardly believe what the glass said when I applied to it for information afterwards; the lavish garlandry of woven brown hair amazed me—I feared it was not all my own, and it required several convincing pulls to give assurance to the contrary. I then acknowledged in the coiffeur a first-rate artist—one who certainly made the most of indifferent materials.
The oratory closed, the dormitory became the scene of ablutions, arrayings and bedizenings curiously elaborate. To me it was, and ever must be an enigma, how they contrived to spend so much time in doing so little. The operation seemed close, intricate, prolonged: the result simple. A clear white muslin dress, a blue sash (the Virgin’s colours), a pair of white, or straw-colour kid gloves—such was the gala uniform, to the assumption whereof that houseful of teachers and pupils devoted three mortal hours. But though simple, it must be allowed the array was perfect—perfect in fashion, fit, and freshness; every head being also dressed with exquisite nicety, and a certain compact taste—suiting the full, firm comeliness of Labassecourien contours, though too stiff for any more flowing and flexile style of beauty—the general effect was, on the whole, commendable.
In beholding this diaphanous and snowy mass, I well remember feeling myself to be a mere shadowy spot on a field of light; the courage was not in me to put on a transparent white dress: something thin I must wear—the weather and rooms being too hot to give substantial fabrics sufferance, so I had sought through a dozen shops till I lit upon a crape-like material of purple-gray—the colour, in short, of dun mist, lying on a moor in bloom. My
tailleuse
cn
had kindly made it as well as she could; because, as she judiciously observed, it was ‘si triste—si peu voyant,’
co
care in the fashion was the more imperative: it was well she took this view of the matter, for I had no flowers, no jewel to relieve it; and, what was more, I had no natural rose of complexion.
We become oblivious of these deficiencies in the uniform routine of daily drudgery, but they
will
force upon us their unwelcome blank on those bright occasions when beauty should shine.
However, in this same gown of shadow, I felt at home and at ease; an advantage I should not have enjoyed in anything more brilliant or striking. Madame Beck, too, kept me in countenance ; her dress was almost as quiet as mine, except that she wore a bracelet, and a large brooch bright with gold and fine stones. We chanced to meet on the stairs, and she gave me a nod and smile of approbation. Not that she thought I was looking well—a point unlikely to engage her interest—but she considered me dressed ‘convenablement,’ ‘décemment,’
cp
and la Convenance et la Décence were the two calm deities of madame’s worship. She even paused, laid on my shoulder her gloved hand, holding an embroidered and perfumed handkerchief, and confided to my ear a sarcasm on the other teachers (whom she had just been complimenting to their faces). ‘Nothing so absurd,’ she said, ‘as for des femmes mûres “to dress themselves like girls of fifteen”—quant à la St. Pierre, elle a l’air d‘une vieille coquette qui fait l’ingénue.’
cq
Being dressed at least a couple of hours before anybody else, I felt a pleasure in betaking myself—not to the garden, where servants were busy propping up long tables, placing seats, and spreading cloths in readiness for the collation—but to the school-rooms, now empty, quiet, cool, and clean; their walls fresh stained, their planked floors fresh scoured and scarce dry; flowers fresh gathered adorning the recesses in pots, and draperies, fresh hung, beautifying the great windows.
Withdrawing to the first classe, a smaller and neater room than the others, and taking from the glazed book-case, of which I kept the key, a volume whose title promised some interest, I sat down to read. The glass-door of this ‘classe,’ or school-room, opened into the large berceau; acacia-boughs caressed its panes, as they stretched across to meet a rose-bush blooming by the opposite lintel: in this rose-bush, bees murmured busy and happy. I commenced reading. Just as the stilly hum, the embowering shade, the warm, lonely calm of my retreat were beginning to steal meaning from the page, vision from my eyes, and to lure me along the track of reverie, down into some deep dell of dream-land—just then, the sharpest ring of the street-door bell to which that much-tried instrument had ever thrilled, snatched me back to consciousness.
Now, the bell had been ringing all the morning, as workmen, or servants, or
coiffeurs,
or
tailleuses,
went and came on their several errands. Moreover, there was good reason to expect it would ring all the afternoon, since about one hundred externes were yet to arrive in carriages or fiacres: nor could it be expected to rest during the evening, when parents and friends would gather thronging to the play. Under these circumstances, a ring—even a sharp ring—was a matter of course: yet this particular peal had an accent of its own, which chased my dream, and startled my book from my knee.
I was stooping to pick up this last, when—firm, fast, straight—right on through vestibule, along corridor, across carré, through first division, second division, grande salle—strode a step, quick, regular, intent. The closed door of the first classe—my sanctuary—offered no obstacle; it burst open, and a paletôt, and a bonnet grec filled the void; also two eyes first vaguely struck upon, and then hungrily dived into me.
‘C’est cela!’ said a voice. ‘Je la connais: c‘est l’Anglaise. Tant pis. Toute Anglaise, et par consequent, toute bégueule qu‘elle soit—elle fera mon affaire, ou je saurai pourquoi.’
cr
Then, with a certain stern politeness (I suppose he thought I had not caught the drift of his previous uncivil mutterings) , and in a jargon the most execrable that ever was heard, ‘Meess—, play you must: I am planted there.’
‘What can I do for you, M. Paul Emanuel?’ I inquired: for M. Paul Emanuel it was, and in a state of no little excitement.
‘Play you must. I will not have you shrink, or frown, or make the prude. I read your skull, that night you came; I see your moyens: play you can; play you must.’
‘But how, M. Paul? What do you mean?’
‘There is no time to be lost,’ he went on now speaking in French; ‘and let us thrust to the wall all reluctance, all excuses, all minauderies. You must take a part.’
‘In the vaudeville?’
‘In the vaudeville. You have said it.’
I gasped, horror-struck.
What
did the little man mean?
‘Listen!’ he said. ‘The case shall be stated, and you shall then answer me Yes, or No; and according to your answer shall I ever after estimate you.’
The scarce-suppressed impetus of a most irritable nature glowed in his cheek, fed with sharp shafts his glances, a nature—the injudicious, the mawkish, the hesitating, the sullen, the affected, above all, the unyielding, might quickly render violent and implacable. Silence and attention was the best balm to apply: I listened.
“The whole matter is going to fail,’ he began. ‘Louise Vanderkelkov has fallen ill—at least so her ridiculous mother asserts ; for my part, I feel sure she might play if she would: it is only good-will that lacks. She was charged with a
rôle,
as you know, or do
not
know—it is equal: without that
rôle
the play is stopped. There are now but a few hours in which to learn it: not a girl in this school would hear reason, and accept the task. Forsooth, it is not an interesting, not an amiable, part; their vile
amour-propre
—that base quality of which women have so much—would revolt from it. Englishwomen are either the best or the worst of their sex. Dieu sait que je les déteste comme la peste, ordinairement‘
cs
(this between his recreant teeth). ‘I apply to an Englishwoman to rescue me. What is her answer—Yes, or No?’
A thousand objections rushed into my mind. The foreign language, the limited time, the public display ... Inclination recoiled, Ability faltered, Self-respect (that ‘vile quality’) trembled. ‘Non, non, non!’ said all these; but looking up at M. Paul, and seeing in his vexed, fiery, and searching eye, a sort of appeal behind all its menace—my lips dropped the word ‘oui.’ For a moment, his rigid countenance relaxed with a quiver of content: quickly bent up again, however, he went on,—
‘Vîte à l’ouvrage!
ct
Here is the book; here is your
rôle:
read.’ And I read. He did not commend; at some passages he scowled and stamped. He gave me a lesson: I diligently imitated. It was a disagreeable part,—a man’s—an empty-headed fop’s. One could put into it neither heart nor soul: I hated it. The play—a mere trifle—ran chiefly on the efforts of a brace of rivals to gain the hand of a fair coquette. One lover was called the ‘Ours,’ a good and gallant but unpolished man, a sort of diamond in the rough; the other was a butterfly, a talker, and a traitor: and I was to be the butterfly, talker, and traitor.
I did my best—which was bad, I know: it provoked M. Paul; he fumed. Putting both hands to the work, I endeavoured to do better than my best; I presume he gave me credit for good intentions; he professed to be partially content. ‘Ça ira!’ he cried; and as voices began sounding from the garden, and white dresses fluttering among the trees, he added: ‘You must withdraw: you must be alone to learn this. Come with me.’
Without being allowed time or power to deliberate, I found myself in the same breath convoyed along as in a species of whirlwind, up stairs, up two pair of stairs, nay, actually up three (for this fiery little man seemed as by instinct to know his way everywhere); to the solitary and lofty attic was I borne, put in and locked in, the key being on the door, and that key he took with him, and vanished.
The attic was no pleasant place: I believe he did not know how unpleasant it was, or he never would have locked me in with so little ceremony. In this summer weather, it was hot as Africa; as in winter, it was always cold as Greenland. Boxes and lumber filled it; old dresses draped its unstained wall—cobwebs its unswept ceiling. Well was it known to be tenanted by rats, by black beetles, and by cockroaches—nay, rumour affirmed that the ghostly Nun of the garden had once been seen here. A partial darkness obscured one end, across which, as for deeper mystery, an old russet curtain was drawn, by way of screen to a sombre band of winter cloaks, pendant each from its pin—like a malefactor from his gibbet. From amongst these cloaks, and behind that curtain, the Nun was said to issue. I did not believe this, nor was I troubled by apprehension thereof; but I saw a very dark and large rat, with a long tail, come gliding out from that squalid alcove; and, moreover, my eye fell on many a black beetle, dotting the floor. These objects discomposed me more, perhaps, than it would be wise to say, as also did the dust, lumber, and stifling heat of the place. The last inconvenience would soon have become intolerable, had I not found means to open and prop up the sky-light, thus admitting some freshness. Underneath this aperture I pushed a large empty chest, and having mounted upon it a smaller box, and wiped from both the dust, I gathered my dress (my best, the reader must remember, and therefore a legitimate object of care) fastidiously round me, ascended this species of extempore throne, and being seated, commenced the acquisition of my task; while I learned, not forgetting to keep a sharp look-out on the black beetles and cockroaches, of which, more even, I believe, than of the rats, I sat in mortal dread.

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