Wake (29 page)

Sam recognised this ‘between' Myr was talking about as the place she went when she wasn't
here
. She imagined the monster in that place with her, brushing against her static, breathless body. A vast rapacious thing, with its glassy proboscis thrust through to dabble at the dark earth of Adele Haines's grave, like a cat searching its empty plate for any overlooked crumbs. Sam could see Myr was about to forge straight on with his explanation, so she interrupted again. ‘Wait,' she said.

Myr didn't want to be interrupted. He tried to make himself clearer. He looked impatient. ‘We don't know how this Wake got into this particular string of worlds.' He paused, then said, with an air of delicacy: ‘Though you might prefer to think of them as “alternate realities” rather than “multiple worlds”.'

‘Might I rather?' said Sam.

Myr leaned forward, eager. ‘When I follow my Wake I always find myself somewhere
like here
, in a place that corresponds to this place. This is where the connection is. This is where there was a weakening—an event, an invitation.'

‘You really were here four hundred years ago?' Sam said, again, when he paused for breath.

‘Yes. The Wake comes here, and other places almost exactly like here. An insular nation, remote from other landmasses, with these plants, this rain, these mountains hard up against the sea, this large shallow bay, and these birds singing these songs.'

It was near dawn and the birds were singing. There was light coming through a crack in the curtains.

Sam thought for a bit. There was a stealthy little tumble of coals in the firebox, and the light altered. She was forming a horrible suspicion, and she must make absolutely certain she understood him. If he was here four hundred years before, that didn't mean he was very old. He'd just told her that his people had short life spans. No—someone had opened a door on what was outside of space and time, and the Wake had come in, and was now tunnelling along a series of worlds not just linked, but whose links were produced by that ‘invitation'. The Wake originated in the between, the between where she was stored whenever she went away.

Sam knew about Myr's ‘between'. She understood Myr and believed him—though, like him, she was only ever between for an instant, and unconscious when she was. She'd come back, and drops of water from Samantha's skin would settle on hers when she arrived. (Only, her hair would never quite take the wet in a natural way. Instead of dripping, it would look more as if she'd been buffeted by windblown drizzle.) There was a slight displacement of dust or water, sweat or blood, but no real sign of the change. And because there was no sign, no evidence, Sam would sometimes play tricks on the other Sam. For instance, there was the one time she'd been so angry with her blameless sister that she cut her own hair off. Samara did those things because
she
was the one who had to pretend, to pretend to be stupid, because the other Sam could hardly be expected to pretend to be clever. So Samara had played tricks on her sister, but when she arrived even her sister's sweat would accommodate her and
no one knew
and, of course, the whole thing was hateful to her so she stayed away, and let the other Sam live her inoffensive life—

—and then she had appeared in the smoke-filled kitchen at Mary Whitaker, in blood-soaked clothes, to find herself standing at the stove, tending a spitting paella pan full of fried human nipples, one of them as familiar to her as her own. She arrived with the chilly, inorganic smell of
between
on her, into Samantha Waite's suddenly untenable life. ‘And now,' Sam thought. ‘Before I lose my mind altogether, I have to make sure I completely understand what I'm being told.'

Myr was sitting cross-legged on the floor in front of the white leather recliner, watching her. When she looked at him he said, ‘Yes, I had expected tears.' Clinical, as if he were checking symptoms.

Sam wiped her eyes, and said softly to herself: ‘It was what was done to us.' She meant that it was whatever Uncle and the woman had done to separate her and her sister that had opened the door for Myr's Wake.

But when she said ‘It was what was done to us', Myr apparently thought that she was comparing the survivors' current situation to that of the Ngati Tumatakokiri who had buried their dead in storage pits. ‘Yes, many of the same things happened to those people,' he said. ‘They were in quarantine. It rained for three months, and they invited me into their homes.' He waited for another question, and in the silence a look of desperation crossed his face. He said, ‘If the Wake isn't trapped it will spread everywhere, feeding on human madness, zeal, and ecstasy. If I don't trap it, it kills everyone.' He sounded as if he was pleading for her understanding.

‘It was us,' Sam said again. ‘We did it.'

He didn't—and couldn't—understand her. He said, ‘You didn't do anything. You and your companions only survived because you all arrived
after
the Wake had finished its first feed.'

Sam's ears were ringing. She was thinking two things. One was immediate and relative: if the Wake had finished feeding, then why did Myr still have it trapped? The second was that she must find out for sure whether she was in any way to blame. She tried to formulate a question. She felt her life depended on the answer.

‘Space and time are one thing—space-time—like Einstein said. So, am I right in thinking that, when the Wake jumps from world to world, it can move not just between worlds but between times? It can go backwards and forwards in time? And so the thing that invited it in needn't be something that happened a long time ago, it might even have happened recently?'

Myr frowned. ‘That is a very odd question—given others you could ask. To answer—my people don't know whether time travel to the past is possible. We haven't had any insights. All these monsters move forward in time, but between worlds, and sometimes they skip hundreds of years. This Wake has been on the move for much longer than I have been following it. And for much longer than the person from whom I inherited the job. It was once more robust. But my people have followed it vigilantly, and starved it. We have starved it from place to place. Sometimes we're lucky and it alights where there are no people. It can't get any sustenance from birds and reptiles, and it has to jump again without feeding. That has helped.'

Sam laughed, and Myr looked startled. It was a laugh of relief. She wasn't culpable. The Wake was going from world to world, but always
forward
in time. She and Fa, Uncle and that stranger—it hadn't been them, what they did, and what was done to them. Sam ground her fists into her damp eye sockets and laughed. ‘Not guilty,' she said.

Myr must have supposed she meant him. That she was laughing at his attempt to exonerate himself, to say that although he had the survivors trapped and separated from their families, he was only doing his duty. Because that
was
what he was saying.

He was watching her, waiting for something. Sam couldn't tell what. Then she had a thought. She asked another question—and could see as soon as she did that it wasn't the one he was waiting for. ‘Are all of your people like you?' she asked. ‘Very dark?'

He looked a little disapproving. ‘I have come to see over the years that your different skin colours inspire attitudes that cause social complications.'

‘That's not an answer.' Sam scowled at him and gnawed her lip. ‘And, by the way, we have “attitudes” to
all
our differences.'

‘Yes. The answer is that my people are all variations on this colour.'

Sam was thinking of the woman who had come to visit Uncle just before she and her sister were separated. She was making a connection, but had to check some facts before jumping to conclusions. ‘Your life isn't continuous, right? I mean, because you're following the Wake, your timeline doesn't match up with that of any other world, even your own.'

Again he looked surprised. ‘You are very astute. And the fact that my life isn't continuous is a matter of more significance than my skin colour.'

‘You follow the Wake between worlds, skipping over years and sometimes even centuries. Am I right?'

‘Yes.'

‘So you're not in touch with your own people?'

‘No. I can see that you are worried—but there are numerous possible points in this Wake's path where I can be relieved. My life will come to an end, but this Wake will not go unguarded.'

‘But you are currently out of touch and have been for some time?'

‘Yes, mine is a solitary vigil.'

Sam didn't reply. She was thinking that if Myr's people had come up with a new strategy for dealing with these monsters, Myr might not know about it.

If only
Uncle had confided in her. But after the other Sam was injured and damaged he had become distant and dictatorial. Had he supposed the plan would fail—if there was a plan? Had the other Sam's mental impairment made him lose faith in
her
own
ability to understand things?

She would never know. Uncle had died of a heart attack when Sam and her sister were in their mid teens. And she hadn't even been there to notice warning signs and start asking the questions that she needed answers to,
now
more than ever.

Sam had a feeling that there was something else she'd meant to ask Myr—something vital. She looked at the fire. The log that had tumbled in the grate had fallen apart and its coals shimmered, so hot that the smoke rising from them formed above their surfaces. Each coal lay in a halo of hot, smokeless air. These bubbles of clarity reminded Sam of the No-Go, and she remembered what it was she'd meant to ask. ‘Why is your quarantine still in force? Why is the Wake still here?' Then, ‘That's a translation, isn't it? “Wake” is just a word you've chosen—a word in my language.'

Myr nodded.

‘Is it “wake” as in “wake of destruction”?'

‘No, it is “wake” as in “a feast in the presence of the dead”. And that should give you your answer. The Wake powers the quarantine zone—though it doesn't know it. The zone won't vanish till the Wake moves on. The devices that form the zone are deep inside it. The Wake leaves, and, without a power source, the zone disappears. I gather up the devices, and go after the Wake.'

Sam frowned at him. She was trying to imagine his life. ‘Don't you get lonely?'

A spasm of feeling passed across his face. Sam was unsure what it meant. She said, ‘You could join us. Look—you've explained. You've exonerated yourself. I can convince them not to shoot you.'

Myr shook his head. ‘You haven't understood. I'm only talking to you because you're different. You know the Wake is here. That's unprecedented. That's something I have to investigate.'

Sam wanted Myr on hand—and safe. She thought she would probably confide in him eventually. But first she needed to think things over in private. She said, ‘You're interrogating me, so I can't be kind to you? Is that what you're saying?'

Myr moved forward. He took her hands. ‘Think.'

Sam sighed and stirred as if she was trying to shield herself from a cold, ticklish breeze.

‘The fact that you know the Wake is there isn't a hope,' Myr said. ‘It's only something different. You ask which meaning of your word “wake” I'm using, and I say “a feast in the presence of the dead”, and you still don't understand me. You ask me whether I'm lonely. Let me tell you, loneliness is better than the death-watch. The Wake comes, it causes madness and terror, and it gorges itself. That's its sustenance. Then it savours what's left. It cleans its plate. That's what always happens. The only differences are in what I do. And I've tried everything. I've remained aloof, and I've gone native. I've kept survivors company, and I've killed them myself. I've been kind and cruel. I've been secretive and confiding. I've seen survivals like long summers that run on into warm autumns. I've sat holding the hand of the last one left while they've said to me: “At least I still have you”.'

Sam stared at him. ‘Oh,' she said. ‘We are the feast.'

For a moment she felt nothing. Then a sudden downpour of terror coursed through her body, and she was soaked and heavy with fear. And not just fear—also despair and pity and fellow-feeling.

And then the Wake came. It came hungry for her terror, but it wasn't ravenous, or mindless, and it came for the other feelings too, her despair, and her empathy. It wasn't moved—it only settled on those good human feelings with a kind of exquisite epicureanism that seemed not just sentient, but intelligent—and alien, inimical, hell-bent.

Sam could still feel Myr's grip, and a stabbing pain in her ears, because he was shouting at her. Then the Wake had her completely and there was a moment of stillness, when she lay dissolving in the hollow of its tongue. It was in the room with them, and in all adjacent rooms, rising, basement, ground floor, first floor, roof space—rising and spinning like a whirlwind, but leaving the blond basement dust quite undisturbed. It was down under the earth too, spinning and drilling, like something that should be able to set off earthquakes. Its venomous whirlwind savaged Sam. She was on her knees beneath a waterfall of tears. The Wake's every revolution wound her out of herself.

But Sam wouldn't leave. She had, for once, to be some use to herself. She tried to struggle out from under it—but the monster went with her, still circling her as she pushed past Myr—slithering off his activated force field and blundering across the room. There was no place she could take shelter. She tried to organise her thoughts so that she could fight the urge to go, to be gone.

The Wake, the whirlwind—the other Sam had danced under it. On those occasions it had come to savour and suck on someone else. ‘But it's different when it's me,' Sam thought. ‘When it's
me
, not Fa.' She let Myr catch her, and they collapsed together onto the floor. The Wake was with her, but Sam no longer felt fed on or threatened with annihilation. For a moment she was simply a bystander, someone who steps up to a window and parts the curtains to look down on some commotion in the street. She was a detached spectator. Then she was gone.