Warm Bodies (26 page)

‘Hi there.’

She turns towards the voice. One of the zombies is watching her. He steps forwards from the line and gives her a smile. His lips are thin and slightly mangled under a short blond beard, but they, along with countless other wounds on his body, appear to be healing.

‘Um . . . hello . . .’ Nora says, glancing up and down his considerable height. He must be well over six feet. He’s a little heavyset, but his muscular arms strain his tattered shirt. His perfectly bald head gleams like a pale grey pearl.

‘I’m Nora,’ she says, tugging at her curls.

‘My name is Mm . . . arcus,’ he says, his voice a velvety rumble. ‘And you’re . . . the most beautiful woman . . . I’ve ever seen.’

Nora giggles and twirls her hair faster. ‘Oh
my
.’ She reaches out a hand. ‘Nice to meet you . . . Marcus.’

The boy is in the airport. The hallways are dark, but he’s not scared. He runs through the shadowed food court, past all the unlit signs and mouldy leftovers, half-finished beers and cold pad thai. He hears the rattle of a solitary skeleton wandering in an adjacent corridor and quickly changes course, darting around the corner without pausing. The Boneys are slow now. The moment the boy’s dad and stepmom first came back here, something happened to them all. Now they wander aimlessly like bees in winter. They stand motionless, obsolete equipment waiting to be replaced.

The boy is carrying a box. It’s empty now, but his arms are tired. He runs into the connecting overpass and stops to get his bearings.

‘Alex!’

The boy’s sister appears behind him. She’s carrying a box, too. She has bits of tape stuck all over her fingers.

‘All done, Joan?’

‘All done!’

‘Okay. Let’s go get more.’

They run down the corridor. As they hit the conveyer, the power comes back on and the belt lurches under their feet. The boy and the girl are running barefoot at the speed of light, flying down the corridor like loping deer while the morning sun drifts up behind them. At the end of the corridor they nearly collide with another group of kids, all holding boxes.

‘All done,’ the kids say.

‘Okay,’ Alex says, and they run together. Some of the kids still wear tatters. Some of them are still grey. But most of them are alive. The kids lacked the instinctual programming of the adults. They had to be taught how to do everything. How to kill easily, how to wander aimlessly, how to sway and groan and properly rot away. But now the classes have stopped. No one is teaching them, and like perennial bulbs dried up and waiting in the winter earth, they are bursting back to life all on their own.

The fluorescent lights flicker and buzz, and the sound of a record needle scratches onto the speakers overhead. Some enterprising soul has hijacked the airport PA system. Sweet, swooning strings swell into the gloom, and Francis Albert Sinatra’s voice echoes lonely in the empty halls.

Something wonderful happens in summer
. . .
when the sky is a heavenly blue
. . .

The dusty speakers pop and sizzle, short out and distort. The record skips. But it’s the first time in years this place’s inert air has been stirred by music.

As the kids run to the Arrivals gate to get fresh boxes, fresh rolls of tape, they pass a pale figure shambling down the hall. The zombie glances at the Living children as they run past, but doesn’t pursue them. Her appetite has been waning lately. She doesn’t feel the hunger like she used to. She watches the kids disappear around the corner, then continues on her way. She doesn’t know where she’s going exactly, but there’s a white glow at the end of this hallway, and it looks nice. She stumbles towards it.

Something wonderful happens in summer
. . .
when the moon makes you feel all aglow
. . .
You fall in love, you fall in love
. . .
you want the whole world to know
. . .

She emerges into the waiting area of Gate 12, flooded with bright morning sunlight. Something in here is different than before. On the floor-to-ceiling windows overlooking the runways, someone has taped small photos to the glass. Side by side and stacked about five squares high, they form a strip that runs all the way to the end of the room.

Something wonderful happens in summer
. . .
and it happens to only a few. But when it does
. . .
yes when it does
. . .

The zombie approaches the photos warily. She stands in front of them, staring with mouth slightly agape.

A girl climbing an apple tree. A kid spraying his brother with a hose. A woman playing a cello. An elderly couple gently touching. A boy with a dog. A boy crying. A newborn deep in sleep. And one older photo, creased and faded: a family at a water park. A man, a woman and a little blonde girl, smiling and squinting in the sun.

The zombie stares at this mysterious and sprawling collage. The sunlight glints off the name tag on her chest, so bright it hurts her eyes. For hours she stands there, motionless. Then she takes in a slow breath. Her first in months. Dangling limply at her sides, her fingers twitch to the music.

‘R.’

I open my eyes. I am lying on my back, arms folded behind my head, looking up at a flawless summer sky. ‘Yes?’

Julie stirs on the red blanket, scooting a little closer to me. ‘Do you think we’ll ever see jets up there again?’

I think for a moment. I watch the little molecules swim in my eye fluids. ‘Yes.’

‘Really?’

‘Maybe not us. But I think the kids will.’

‘How far do you think we can take this?’

‘Take what?’

‘Rebuilding everything. Even if we can completely end the plague . . . do you think we’ll ever get things back to the way they were?’

A lone starling swoops across the distant sky, and I imagine a white jet trail sketching out behind it, like a florid signature on a love note. ‘I hope not,’ I say.

We are silent for a while. We are lying in the grass. Behind us, the battered old Mercedes waits patiently, whispering to us in sizzles and pings as its engine cools. Mercey, Julie named it. Who is this woman lying next to me, so overflowing with vitae she can grant life to a car?

‘R,’ she says.

‘Yeah.’

‘Do you remember your name yet?’

On this hillside on the edge of a crumbled freeway, the bugs and birds in the grass perform a tiny simulation of traffic noise. I listen to their nostalgic symphony, and shake my head. ‘No.’

‘You could give yourself one, you know. Just pick one. Whatever you want.’

I consider this. I thumb through the index of names in my brain. Complex etymologies, languages, ancient meanings passed down through generations of cultural traditions. But I’m a new thing. A fresh canvas. I can choose what history I build my future on, and I choose a new one.

‘My name is R,’ I say with a little shrug.

She twists her head to look at me. I can feel her sun-yellow eyes on the side of my face, as if trying to tunnel into my ear and explore my brain. ‘You don’t want to get your old life back?’

‘No.’ I sit up, folding my arms over my knees and looking down into the valley. ‘I want this one.’

Julie smiles. She sits up with me and faces what I’m facing.

The airport spreads out below us like a thrown gauntlet. A challenge. There was no global transformation after the skeletons surrendered. Some of us are on our way back to life, some are still Dead. Some are still lingering here at the airport, or in other cities, countries, continents, wandering and waiting. But to fix a problem that spans the globe, an airport seems like a good place to start.

We have big plans. Oh yes. We’re fumbling in the dark, but at least we’re in motion. Everyone is working now; Julie and I are just pausing for a moment to enjoy the view, because it’s a beautiful day. The sky is blue. The grass is green. The sun is warm on our skin. We smile, because this is how we save the world. We will not let Earth become a tomb, a mass grave spinning through space. We will exhume ourselves. We will fight the curse and break it. We will cry and bleed and lust and love, and we will cure death. We will
be
the cure. Because we
want
it.

ACKNOWLEDGEMENTS

Thank you, Cori Stern, for discovering my stories at the bottom of the Internet swamp, and forcing me to write this book which has changed my life. Thank you, Laurie Webb and Bruna Papandrea, for pushing it out into the world, and my brilliant agent Joe Regal for helping me shape it into what it’s become. Thank you, Nathan Marion, for supporting all my artistic endeavours throughout the years, for believing in them and your brother even when both seemed crazy.