Authors: Kevin O'Brien
Watch Them Die
THE NEXT VICTIM
Hannah kept wondering why this was happening to her. Two people had been murdered, and somebody was telling her in advance how they would die. But why were they killed?
Someone else stepped into the rest room. Hannah heard footsteps on the tiled floor. For a moment she didn’t move. Then she opened her stall door and looked around.
The stall next to hers was empty. There was nobody by the sinks, either. She could have sworn someone was in the bathroom with her a minute ago. She glanced over toward the sinks again and noticed a small black rectangular box on the edge of the counter.
It was a videocassette.
Hannah glanced at the tape. There was no label on it, probably something recorded live or off a TV. From the tape around the spools, she could see the movie had been stopped at a certain scene. She knew when she put that video in the VCR and pressed “Play,” she would see another murder sequence.
She knew that her secret admirer was planning to kill again.
And he wanted her to see how he would do it….
BOOKS BY KEVIN O’BRIEN
ONLY SON
THE NEXT TO DIE
MAKE THEM CRY
WATCH THEM DIE
Published by Kensington Publishing Corporation
This book is for my buddy, Dan Monda
ACKNOWLEDGMENTS
Without my editor at Kensington Books, John Scognamiglio, I never would have gotten this book written. My thanks to John for his encouragement, his honesty, and his friendship. I’m also grateful to many of my other friends at Kensington, especially the dynamic Doug Mendini.
Many thanks also to my agents, Mary Alice Kier and Anna Cottle.
For helping me punch up earlier drafts, another great big thank-you goes to my Writer’s Group pals, David Massengill and Garth Stein; Dan Monda (again), and my dear friend, Cate Goethals.
Thanks to the gang at Broadway Video, along with several customers there, for being incredibly supportive, especially Paul Dwoskin, Tony Myers, Sheila Rosen, Tina Kim, Larry Blades, Phoebe Swordmaker, Chad Schlund, and Sarah Banach. I’m also beholden to Barbara Bailey, Michael Wells, and the folks at Bailey/Coy.
Thanks to my neighbors at the Bellemoral, especially Brian Johnson, who helped with some medical information.
I’m also grateful to my friends Marlys Bourm, Dan Annear, Dan and Doug Stutesman, Elin Shriver, John Saul and Michael Sack, and Terry and Judine Brooks, for all their support and encouragement. And a very special thank-you to the very terrific Tommy Dreiling.
Finally, thanks to my wonderful family.
Contents
Prologue
He was crushing her, but Rae didn’t complain. The last thing he probably needed right now was her barking instructions at him. He seemed so nervous and awkward. He acted as if this were their first time. And it wasn’t.
She was trapped beneath him on his unmade bed. All around the darkened bedroom, strategically placed votive candles flickered. A couple of incense sticks were smoldering in an ashtray on the nightstand. The smoky, spicy scent had become overpowering. Rae thought about asking him to open a window, but she didn’t say anything. All the windows were closed, along with the blinds.
He’d already stripped off his shirt, and now he was on top of her, unbuttoning her blouse. If only he’d climb off for a moment, she could get a breath and maybe wriggle out of her clothes herself. She wanted this to be pleasant for both of them.
He’d been so good to her lately, a godsend. Anyone else would have dismissed her as a crazy, dumb, paranoid blonde. But he took her seriously. And he wanted to protect her.
For the last six weeks, someone had been following her. Rae had even caught the shadowy figure videotaping her on a couple of occasions. Both times, she didn’t get a good look at the man. Once, he was in an old burgundy-colored Volvo outside the hotel where she worked as an events coordinator. The sun reflected off the car window, obscuring his face. But she could make out someone holding a video camera. She never saw that Volvo again.
Rae caught him filming her a second time during a date with Joe. It was just a week before Joe died. They were dining at a fancy Italian bistro, where they’d been seated by the front window. She’d heard somewhere that máitre’d’s often placed good-looking couples near the front windows because they attracted business. Rae and Joe were discussing this when she noticed the man with the video camera standing in a cafe across the street. By the time she pointed him out to Joe, her “secret admirer” had disappeared.
Joe hadn’t taken her very seriously. He never called her paranoid or crazy. He merely humored her, making maddening little remarks like
This stalker character must have good taste to go after you.
Joe wouldn’t have thought it was so cute if he were the one getting those strange calls in the middle of the night. Half the time, Rae was afraid to answer the phone. And whenever she stepped outside her apartment, she was constantly looking over her shoulder.
Though he’d made certain she never really saw him, this stalker obviously wanted her to know she was being followed. He wanted her to be scared. He even let her know in advance that Joe would die. He’d left her a sign, forecasting Joe’s death from a rooftop fall.
When Rae tried to warn him that his life might be in danger, Joe had just nodded, smiled, and said he would be careful. If only he’d listened to her and believed her, how different things might have been.
The police said Joe Blankenship had been “under the influence” when he’d toppled from the roof of his apartment building. But Rae knew better. She was the only one who knew.
Whoever said “Knowledge is power” was wrong. Rae had never felt so alone and vulnerable after Joe’s death. Yet a man who truly wanted to help her had been there all the time. For a brief period, she’d actually thought he might be the one stalking her. How silly. He wanted to look after her. He took her seriously.
He talked about turning the tables on the man with the video camera. He wanted to catch him on film. Had she thought about going to Joe’s apartment building and asking if anyone had spotted a maroon Volvo parked nearby on the night Joe fell from the roof? Maybe they could recall part of a license-plate number.
He said he wouldn’t let her out of his sight. No one would harass or threaten her as long as he was around.
This was Rae’s third night in a row at his place. She wasn’t in love with him; she even told him so. Still, he made her feel safe, and that was good enough right now.
He opened her blouse, then kissed her breasts. Smiling, Rae ran her fingers through his hair. With his tongue, he drew a warm wet line up to the base of her neck. Rae shuddered gratefully. Maybe he wasn’t so clumsy after all.
Still, he was squashing her.
“Babe, could you move for just a sec?” she finally piped up. “Honey?”
With a grunt, he shifted to one side, but he just felt heavier. Pinned beneath him, Rae was sinking into the mattress. “Sweetie?” she said, hardly able to talk. He was crushing the breath out of her.
He reached toward the nightstand and flicked a switch on a cord. A strobe light sputtered on, like a series of camera flashes. It was too bright, almost blinding.
He reached for something else, something hidden between the mattress and box spring, but Rae couldn’t see it. His every movement seemed fractured by the strobe light. Rae thought he might have grabbed a condom. Whatever it was, he quickly slipped it into his back pocket.
He still had on his jeans. As he ground his pelvis against hers, she felt his erection through the layers of clothes.
Rae squirmed beneath him. “Wait,” she protested. “I’m not comfortable—”
“It’s okay to scream if you want,” he whispered. “That’s why I closed the windows.”
“I don’t want to scream,” she said, with a weak laugh. “Why would you say that? What are you talking about?”
In the staccato light, she saw his face contorted in a grimace as he writhed on top of her, A vein bulged in his neck.
Something’s wrong here
, she thought. A panic swept through her. Rae began to shake uncontrollably. She felt trapped beneath his weight.
“Please,” she said, trying to push him away. “I just need you to climb off me for a second. Really…”
He kissed the side of her neck. He didn’t seem to be listening. He kept slamming his pelvis against hers. It hurt.
“Please, stop,” she cried, struggling now. “I—I just need to…to change positions. You’re crushing me….”
“Can’t move,” he muttered, his breath swirling in her ear. “You’ll ruin it.”
“Ruin it? What do you mean?”
He reached into his back pocket. His movements seemed jerky in the flickering light. Rae saw something shiny in his hand.
It looked like a knife.
Oh, dear God, no, this isn’t happening.
Desperately, Rae fought to get out from under him. She wanted to scream, but she couldn’t even breathe. Hard as she tried, Rae couldn’t budge an inch.
But then he shifted around, and all at once, his knees were pinning down her arms.
In the fractured light, she saw him drawing back the knife. Sweat glistened on his face. His eyes looked so cold.
Suddenly Rae realized those cold eyes had been studying her for the last few months.
And she realized she was going to die.
Terrified, she struggled beneath him, but it was useless.
“Don’t move. Don’t ruin it, baby,” he whispered, raising the knife over his head. He smiled a little. “I need you in camera range.”
The death of Rae Palmer was documented by two concealed video cameras that night.
Rae’s self-appointed director and leading man had over two hours of footage shot in the bedroom that night. Only thirty-five seconds of videotape showed the actual stabbing.
The strobe light made for a murky image at times, and the abundance of blood wasn’t quite as evident on tape. He also had to tinker with the sound to raise the volume of her screams. But all in all, he was happy with the results.
He edited the raw footage down to eleven exciting, harrowing minutes. Careful not to take anything away from Rae’s final performance, he left his likeness on the cutting-room floor. He became a mere shadowy figure in the foreground, wielding the knife. Watching the final product, he didn’t recognize himself at all.
Seeing the video was exhilarating. But he should have remembered. It had happened before. Once he’d done all the work and admired the fruits of his labor, he became overwhelmed with an emptiness, a sort of postpartem depression. There was only one way to remedy that. He knew what he had to do.
He had to find a new leading lady.