Authors: Catherine Bruton
âYou know how she is, Ben,' says Gary, putting a hand on my shoulder in a way that feels nice, but also makes me want to cry. âShe doesn't want to upset you, and she doesn't think she can speak to you without losing it. And she's never good with phones at the best of times. It's all part of her being ill. But
she misses you like mad. You're the reason she wants to get better. Nothing else â not me, not anyone â just you.'
âThen why doesn't she?' I say, trying not to sound like Grandad.
âShe's doing her best. We have to hang on in there for her. Here, she asked me to give you this,' he says, handing me another card.
âThanks,' I say, but I can't even look at it. It makes me think of her in a straightjacket, struggling to hold a pen in her mouth.
I want to ask more questions, but then Granny comes back and he lets go of my shoulder and I have to turn away so that no one can see that I'm starting to cry. I don't wave him off either â I just go up to my room.
I don't look at the card for ages. When I do, I see it has a picture of the village where we live on it. It must have been taken, like, twenty years ago because the people standing on the bridge are wearing really old-fashioned clothes, but otherwise it looks just the same. On the back of the card, still in Gary's handwriting, it
says,
Home is where the heart is, so I'm always with you in my heart
.
Perhaps Priti is right about the cards after all.
After Gary leaves, I start to draw a few frames of a new comic strip. It has me and Priti and Jed as undercover agents, hunting down terrorists and suicide bombers. Jed is the maverick (one of Priti's spelling bee words), Priti is the mouthy one and I'm the brains behind the operation. Shakeel is the baddie â of course â and Zara is the girl who gets rescued. I've not decided yet if Ameenah is on our side or not.
Drawing helps to take my mind off the depressing sight of what looked like the entire contents of my wardrobe in the hold-all. One frame shows me karate-kicking down a door. Caption:
Kerpow!
It doesn't look much like me, but for some reason it makes me feel better.
I haven't decided what to call the strip yet, but I guess I'll think of something.
This morning, Jed goes off with Granny to another one of their appointments, and Priti comes over with a shoebox she's nicked from her mum's cupboard and loads of other bits and pieces, like scissors and glue and paper and coloured pens and these plastic jewels that you can stick on things.
âWe're going to make the memory box,' she says and I know it's no use trying to talk her out of it.
First we have to wrap the box in hideous wrapping paper. It's pink and gold and covered in bunnies, and I'm sure my dad would have hated it, but when I say this to Priti, she says that we don't have time for me to doodle people with big eyes all over it, so we go with the bunny paper. Then Priti insists we stick the plastic jewels on it which makes it look even worse. I think how, if my dad was around, me and him would have had a laugh about it and that makes me smile.
Then Priti hands me a piece of paper and a pen
and gets one for herself. âNow we have to write down our memories.'
âBut you didn't even know him!' I say.
âYou keep saying that, but I've been looking at his picture to work out what sort of person he was. You always can â it's in the eyebrows.'
âSo what do my dad's eyebrows say?' I ask. I imagine a bushy pair of talking eyebrows.
âThey say he was a nice bloke, but one of those people who tends to be in the wrong place at the wrong time.'
âYou can't tell that from his eyebrows!' I scoff.
âYes, you can.'
âHow do you know he was always in the wrong place at the wrong time?'
âI didn't say
always
, did I? You've got to admit that September 11th 2001 definitely wasn't the day to be at the World Trade Center, was it?'
I can't really disagree with that, so I don't try.
âWhat's your memory then?' she asks.
âI'm not sure yet,' I say.
âWell, you'd better get thinking!'
She insists we both sit in silence and write something. So I do.
Under this bit I draw a picture of a TV screen with a little boy and his dad on it.
And under that, I draw a little picture of up and down escalators, with him going down one escalator while I go up the other, so we just miss each other.
âDid you realise your initials spell BABE?!' is the first thing Priti says when she's read it.
âMy mum thought it'd be sweet.' I feel myself redden.
âWhy do parents lumber us with these social handicaps?' Priti muses, sounding more like her mum than ever. âAnd as for Barry!'
âIt's my grandad's name,' I say.
âThat's OK I suppose. Your grandad is cool!'
I wonder what Grandad would think about this.
Then Priti reads out what she wrote:
After we read out our memories, we put them in the box. Then Priti puts in Jed's memory that she wrote down the other day and I write down what Granny said about my dad helping her to put the shopping away and liking cricket and we put that in too.
âWhat do we do now?' I ask.
âWe could ask your grandad,' says Priti.
âI don't think he likes stuff like this. Granny says he doesn't like talking about Dad.'
âDon't worry about that,' says Priti. âI can get anyone talking.'
So we go downstairs. Grandad is watching some programme about people selling antiques from their attic and doesn't seem too pleased about being interrupted.
âWhat do you two want?' he asks, not glancing up from the TV. The remote control is still broken and he complains all the time about having to get up to change the channel.
âBen's making a memory box about his dad,' says Priti.
âYour granny will be better at helping you with that sort of thing than me,' says Grandad.
âWe just need to ask you a few questions,' says Priti. I think she's trying to sound like one of those polite people off the telly, or like a police officer. (That's what they always say, isn't it? âWe just need you to come down to the station to answer a few questions.') And she gets her reporter's notebook out again, all official, and she even licks the end of her pencil.
âWhat was the naughtiest thing Ben's dad ever did?' she asks even though Grandad hasn't agreed to help yet.
âWhat is this memory box anyway?' asks Grandad, looking at Priti and me. âWhat's it for?'
âWe'll show you it when it's done,' says Priti. âNow what was the naughtiest thing?'
Grandad looks at her standing there with her pencil poised. Then he leans forward and turns the TV to mute. He sighs then says, âThere was this one time I bought a new stereo. Andrew was about three at the time and for some reason he got a big bag of flour and poured it all over the stereo.'
Priti giggles and Grandad smiles.
âDid it work after that?' I ask.
âYes, but it was a bit crackly and I was finding white powder in the speakers for ages afterwards. I only threw it out a couple of years ago and I swear there was still flour in there.' He laughs and grins at me and I wonder if he got as grumpy with my dad about the stereo as he did with Jed about the remote control.
âThat's great!' says Priti, who is noting things down in her best handwriting. I don't have anything to hold, so I just stand there. âWhat was the stupidest thing he ever did?'
âDon't we want to find out nice stuff?' I ask.
Priti looks at me as if to say,
You just don't get it, do you?
Which maybe I don't because I still don't really know why we're doing this. So I shut up and look at Grandad for his answer.
âHe sawed a leg off his brother's bed once,' says Grandad. âAnd one time he did a poo in the bath because Ian bet him he wouldn't.'
Priti giggles again and I find myself smiling.
âJed's in that bed now,' says Grandad. âYou can still see where I had to nail the leg back together again!' Grandad laughs and he doesn't seem mad about it at all â I guess he didn't mind kids breaking things so much in the old days. âOh, and he stuck a pea up his nose once,' he goes on. âYour gran will tell you it was my fault because I'd been sticking candy cigarettes up my nostrils and pretending to be a warthog. Only they don't call them candy cigarettes any more, do they?' he says, breaking off â probably because me and Priti were looking confused. âNowadays they call them candy sticks or something politically correct like that, just in case kids get muddled up and start eating Malborough Lights, or some other daft nanny state nonsense!' He raises his eyebrows and hmmphs quietly. âAnyway, I'm sticking these white candy sticks up my nostrils and next minute your dad's crying his eyes out with this massive bulge on the bridge of his nose and it turns out he's stuck a pea up there.' He glances at the picture of Dad in pride of place on the mantelpiece and smiles. âI had to take him to
casualty. Crying all the way, he was. I felt awful.'
âWhat did they do?' asks Priti.
âThey made me blow it out.'
âHow did you do that then?'
âA magic kiss, I think they called it. You put your finger over one nostril then blow in the mouth. Pea came flying out and hit me on the nose.'
âCool!' says Priti.
Grandad glances at me. âYour dad thought so too. Kept asking me to do magic kisses all the time after that! He looked the spitting image of you back then.' He looks a bit sad and glances back at the framed picture of my dad. Then he leans forward and flicks the sound back on the TV.
âHave you got anything of his that we can put in the box?' Priti asks.
âYour granny has all of that stuff,' he says, but it's like he's not really listening any more.
âBut you must have something you can give us.'
The old couple on the TV are now at the auction watching people bid for their possessions, hoping to make a fortune from a snub-nosed pottery bunny and
a few toby jugs. âI think there's still a jar of olives in the cupboard,' Grandad says, a bit distracted. âYour gran and I won't eat them. Only Andrew liked them. You can have those.'