We Others (23 page)

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Authors: Steven Millhauser

BOOK: We Others
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When I came to the end I waited for her to pour out her own story, but she said simply, “Thank you.” A sudden yawn, deep and shuddering, seized her. She thrust a hand across her mouth as if she were trying to stifle a laugh. “Oh god,” she said. “That had nothing to do with—it’s just so late. Look! It’s practically morning.” Through the drawn drapes I could see a faint lightness.

She stood up. “She’ll worry about me.” She looked at me. “I hope we can be friends now.” At once she turned away, walking with great strides, swinging out of sight and thrusting herself heavily up the stairs.

Above, a door shut. I remained alone in the empty room. I imagined Andrea striding fiercely through the house, turning on light after light, faster and faster. When all the lights are on, she returns to Maureen’s room. She lies down on the bed with her eyes open. She says nothing. After a while she gets up. She looks around. Then she walks back through the house, turning each light off, one after the other.

17

The next day it rained. It was one of those violent autumn rains that hurl themselves against roofs and attic windows, while through the water-sheeted glass there’s nothing to see but the bleak dark sky and the branches bending in the wind. The attic was dusky-dark. A good day for solitude! That was the thought that presented itself to my mind as I made my way down the attic stairs in search of—something else. Through the storm I had heard Maureen’s car backing out of the drive. I was struck by the gloom of the upper hall, as if the storm clouds had penetrated the house itself. Then I saw that the shade had been drawn on the window at the end of the hall and the two ruffled curtains pulled together. For some reason I thought: They have left me here, they have all gone away. When I reached the bottom of the carpeted stairs I saw that all the shades had been drawn and the curtains closed. A sullen day-darkness hung in the house. Andrea was sitting on the couch, in her bathrobe, erect but with half-closed eyes.

She raised an arm and swept her hand vaguely sideways before letting it drop to the couch cushion. It rose and came to rest in her lap. “I wanted you to feel—welcome,” she said, without turning to look at me.

I walked past the couch in silence and settled into my armchair. The word “welcome” had irritated me, and I looked at her without pleasure. I wanted to shout: We never feel welcome!—but I sat there, listening to the windows rattling behind the closed curtains. I stared at her large hands resting awkwardly in her big lap.

She said, “Auntie Maur told me you like to—I don’t know, sit with her at night, and I thought maybe if we—I like rain, rainy days.” She paused. “It’s all right if you don’t feel like talking. We can just sit here.”

After a while she said, “I’m going to make some tea now. I think a cup of tea would be nice. I’ll be right back.”

I watched her go slowly past my chair into the kitchen. There was strain in her face, and her stride was slightly wrong in some way, as if she were practicing a walk in front of a mirror. As I listened to her moving about in the kitchen, the thought occurred to me that now would be a good time to rise from my chair and pass out the door into the storm, never to return. I sat there thinking this thought and hearing the sound of the rain against the house, and of the teapot as she set it down on the stove.

All that dark morning she passed back and forth between the kitchen and the living room, carrying cups of tea, plates of crackers, glasses of juice. In the living room she would sit for a while over her tea, then stand up and go to a window. There she pushed aside a curtain and looked out at the rain. Moments later she would go over to the bookcase, take out a book, and bring it to the couch, where she opened it up and immediately put it aside. Sometimes she went into the kitchen, washed a cup, and set it in the dish rack to dry. Even when she sat still she was always in motion, stretching out her arms and interlocking her hands, or raking her fingers through her tangled hair. She rarely looked in my direction, but from time to time would utter a few words intended for me, such as “These rainy days are really something” or “I can see you better now.” Even as she moved restlessly about, I was sharply aware of her awareness of me. I noticed that she was very careful to keep a good distance between us at all times; but it was when she was farthest from me, across the room or hidden away in the kitchen, that I most had the feeling she had somehow wrapped an arm around me and brought me with her.

At lunchtime she carried her plate with its sandwich and her saucer with its cup of tea into the living room, where she placed them on the coffee table. She ate bending over awkwardly, while repeatedly wiping her mouth with a napkin.

After lunch she brought her dishes back to the kitchen and returned to sit on the couch. She leaned back and closed her eyes. Slowly her mouth began to open; she covered it with a hand. “Days like this,” she said, “make me sleepy.” She shifted on the couch. Then she stood up, pushed a hand through her hair, and began walking toward the stairway. There she stopped, glanced in my direction, and began climbing the stairs.

I listened to her clumping up the stairs in her fuzzy pink slippers. In the dusky light of the living room a restlessness came over me, and as I rose from the armchair I had the odd sense that she was watching me from the landing, even though she was no longer in view.

When I reached the top of the stairs, no one was there. I could hear the rain against the curtained window at the end of the hall. I made my way past the closed door of the attic to a door that stood partway open, and with a feeling of anxiety I entered Maureen’s room.

The curtain had been drawn. Andrea lay on one side of the bed with an arm over her eyes. I sat down on the other side of the bed and then lay down. I have already mentioned the sensation of danger that flares in us when the distance between us and you grows too close. That sensation was leaping in me as I lay on the bed beside this young woman with the fuzzy pink slippers who lay on her back with an arm flung over her face. But I was aware of a second sensation as well. This might be described as a sensation of disobedience, a rebellion against the very warning that sounded in me like a cry. It’s the feeling of a child who reaches toward the fire and, despite the heat scorching his hand, reaches farther. Was it perhaps only a desire to know? I forced myself closer to the flame, which in this case was also an icy wind. As I crossed the boundary I felt an unraveling, a fierce dissolution. Flesh stops at flesh—but we others, we mingle entirely, we invade and penetrate like rays of light, like dark smoke. I felt myself spreading through her like wind in a room. Who knows how long it lasted? At some point I found myself separate from her. I lay there unmoving. Tears of terror or tenderness lay on her cheek. Danger leaped along my side.

So I lay there listening to the rain against the draped windows. I became aware of pictures drifting before me: the book with the black dagger and the blood-red rose, Maureen raising her eyeglasses to the lamp, my father opening his black bag on the rug, Andrea standing at the end of the hall, her shoulders stooped and her head bent. Each picture seemed to contain a secret that eluded me. If I could grasp that secret, I would understand the universe. Then I became aware of my silence, as I lay there examining the pictures in my mind, and I recalled where I was, in the middle of an otherwise ordinary afternoon. I had the sensation that I was being looked at, and when I turned my head I saw a pair of dark tired eyes, much larger than I had remembered, looking at me with an air of expectation, as if it were my turn to say something in a conversation we had been having. Gradually her eyes changed, a dullness came over them, and she turned her head away. I was wondering what I ought to do to attract her attention when I became aware of a sound that was not the sound of the rain. It was at this moment that the door opened and Maureen entered the room.

She was stepping toward the bed and had begun to open her mouth, as if to address Andrea, for it must have seemed strange to her that the curtains were drawn in the living room and at the end of the hall, in the middle of the day, and in fact I detected in her face an expression of concern, as she looked at her niece lying in bed, in a darkened room. Her mouth was still opening when she saw me there. Her body stopped abruptly—she was leaning a little forward—and for a moment it looked as though every particle of her flesh had been replaced by a mineral deposit, as if she’d become a petrified tree, destined to remain there, leaning a little forward, with her mouth partly open, till the end of time. But gradually she came back to life, and straightening up, and raising a hand toward her cheek, without touching her face, she said, “No …” Then she began shaking her head slowly back and forth, like someone trying to get rid of a crick in her neck. Her “no,” although spoken quietly, must have been heard by Andrea, who removed her arm from her face and half raised herself on one elbow as she stared at her aunt with large, nervous eyes. “No,” Maureen said again, still shaking her head, and she began stepping backward toward the door. “Auntie Maur!” said Andrea. “It’s all right, I was just lying here.” But at this Maureen drew herself up and said in a loud voice, “I trusted you,” and raising a hand she pointed a finger at her niece. Now it was Andrea who began shaking her head, while she ran a hand through her hair and started to open her mouth, which she closed at once as if she’d thought better of what she was about to say, before she lowered her eyes beneath her aunt’s fierce stare. But now Maureen, like someone who had exhausted herself in a prolonged outburst, dropped her hand to her side, and with a distracted glance that swept across Andrea’s half-lifted torso and the lower part of my face, she took a final step backward out of the room and closed the door. As the door shut, Andrea reached out her arm, as if to pull the door back open, and kept her arm suspended there, as if she’d forgotten it.

I understood that it was of vital importance for me to go to Maureen immediately, and with this end in mind I rose from the bed and stepped over to the door. Andrea was still leaning up on an elbow, but her extended arm had fallen a little, and the fingers of her outstretched hand had begun to droop. Her fuzzy pink slippers, her dark robe partly open at the throat, her broad pale neck, her big forearm on the bed, all this made me think for some reason of a sad queen who had lost her kingdom, and I tried to remember whether I had ever read such a story. But time was passing, I could already hear sounds coming from the stairs, and with a nod toward Andrea, who was staring at her feet, I hurried into the hall.

18

Behind the curtains of the living room, rain spattered against the windows like bits of ice. The couch and the chairs were empty. “Maureen!” I called, in a voice like distant rolling barrels. In the kitchen I found two plates in the dish rack, a white cup on the table. Around the dark table in the dining room, with its blue cut-glass bowl, four chairs sat neatly in place. Had anyone ever sat at that table? Then it struck me that the footsteps I’d heard had perhaps come from those other stairs, leading up to my own domain. Quickly I mounted the steps to the attic, where in the afternoon rainlight it was less dark than in the curtained living room. “Maureen!” I called, trying not to listen to my voice, but she was nowhere. I walked among the piles of labeled boxes and the old chairs, looked behind the dresser and the child’s bookcases, but the attic was deserted. Then I went back downstairs and roamed the empty rooms, looking over my shoulder from time to time as though I suspected her of sneaking up behind me. From the kitchen I stepped onto the open back porch. Chimes near a porch post rocked in the wind. Gusts of rain blew across the floor. When I raised my eyes I saw Maureen striding across the stormy yard, carrying an aluminum stepladder toward the sugar maple.

I hurried down the porch steps and out into the fierce rain, but she ignored me or perhaps could no longer see me. She placed the six-step ladder beside the wooden swing that hung from a thick branch and began to climb. Over one shoulder hung a length of rope. I did not like that rope and I began to call out to her, but my words blew away in the loud wind. Her wet dress clung to her as she climbed, her hair darted up and down like flames, her skin was shiny as a seal’s. On the fifth step she stopped, looked up as if she were peering into the rage of heaven, and flung an end of the rope over the branch. She looked like a big Girl Scout engaged in some woodland skill. She caught the loose end of the rope, tied a loop into it, and slid the other end through. When she pulled, the knot slipped upward and stopped against the branch. Then she began tying a second loop into the hanging end of the rope, while I shouted her name into the storm. Rain lashed her face. When she let the rope drop, a noose turned in the wind. She slipped it over her head and stood on the ladder, staring out into the rain. I waved my arms, shouted into the rain and wind. Then it seemed to me that, far from not seeing me, she saw me clearly and wished to be seen by me. I begged her to come down, I howled into the storm like a crazed dog. Desperately I ran to the ladder and began to climb, reaching out uselessly to her ankle, her leg. As if emboldened by my nearness she jumped, kicking over the ladder, which began to fall slowly, lazily, toward the soggy ground. The rope tightened around her neck and for a moment she hung there with her arms dangling awkwardly. Then the rope tore from the branch and she fell heavily to the ground. She lay on her side with the slick rope trailing from her neck like a monstrous artery.

I rushed over to her and knelt down. Somewhere a screen door slammed. Footsteps sounded heavily on the porch. Andrea came running down the steps into the yard and knelt in the sloshy grass beside her aunt, who was trying to push herself up. “I hurt my leg,” Maureen said, wincing as she sat partway up. Andrea sat down in the wet leaves and the rain and threw an arm about her. “It’s all right,” Andrea said. “Everything will be all right now.” She pressed her cheek against her aunt’s cheek. I had moved a little away and stood looking down on them, as they leaned together in the storm like a wet marble statue commemorating a battle. Then I looked up at the rainy bleak sky, which seemed to be darkening into night. “Go away,” someone said, and when I looked back down I was startled to see the two women staring up at me in rage and sorrow.

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