We Others (6 page)

DISSATISFACTION
. Although we could feel ourselves moving toward the normal course of our lives, with all the familiar pleasures and worries, at the same time we couldn’t escape a sense of incompletion. The proper ending, we felt, should have been the capture of the stranger, who would have given us the explanation we desperately needed to hear. We would have listened carefully, nodded our heads thoughtfully, and punished him to the full extent of the law. Then we would have forgotten him. Instead we’d been left with an improper ending, an ending heavy with uncertainties, which was to say, no ending at all. The police investigation had come to nothing. We asked ourselves whether the stranger had left because he found it impossible to continue his attacks without serious risk of being caught, or whether he’d left because he had completed a careful plan to attack seven people. Even if we had known the reason for his departure, we still wouldn’t have known why he had come in the first place. What had he wanted from us? What had we done? In certain respects, the end of the attacks was more disturbing than the attacks themselves, since the attacks held a continual promise of capture and revelation, whereas the end of the attacks was also an end of the hope that had always accompanied them. In this sense, the end of the attacks was simply another way of continuing them—a way that could not be stopped.

THE SEVEN WHO WERE SLAPPED
. It was at this time, when we were returning uneasily to our former sense of things, that meetings began to spring up all over town, for the purpose of discussing and analyzing recent events. There were large public meetings at the town hall and in the auditorium of one of our two high schools, gatherings at businessmen’s associations and fraternal organizations, at the local chapter of the Daughters of the American Revolution, at the Ethical Culture Society and the Jewish Community Center, at the First Congregational Church and the Church of the Immaculate Conception, to say nothing of private get-togethers in living rooms, dens, and finished basements. Often, at these meetings, one of the seven who were slapped appeared as a special guest, with the exception of Walter Lasher, who never accepted such invitations or even acknowledged them. The guest spoke for fifteen or twenty minutes and then answered questions from the audience. What did it feel like when the stranger appeared? How much did the slap hurt? Did you fear he might kill you? What was he trying to prove? Even Valerie Kozlowski, once she overcame her reticence, took to the podium with surprising vigor. The most popular speakers proved to be Sharon Hands, whose long blond hair came sweeping down over her shoulders and lay against silky blouses of cerise, emerald, and brilliant white, and the controversial Matthew Dennis, who wore an old sport coat, a black shirt open at the neck, jeans without a belt, and white running shoes, and who liked to walk back and forth in front of us, punctuating his remarks with slashing movements of his hands and turning suddenly to face the audience. Now and then a speaker appeared even at one of the fringe groups, such as Prophets of the Heavenly Host, that had begun to attract a wider membership and now held public meetings in rented halls. As we sat in the audience and watched a speaker, we sometimes experienced an odd kind of envy, as if, by not being slapped, we had failed to be part of a profound moment, had somehow, by our caution, evaded a call to adventure. At the same time we understood that we were already forgetting the precise feel of those troubled days, which were slipping away into history and taking on the warm, soft colors of a sentimental rural painting (“Red Barn and Clouds,” “Morning Sleigh Ride”) suitable for the walls of banks, hospital waiting rooms, and the lobbies of office buildings.

BLOSSOMING
. One morning at the station parking lot, as if by secret agreement, the trench coats returned. Tan, beige, and taupe, they emerged from car after car, like pale flowers blossoming in the early morning light. Richard Emerick had put on his trench coat in the front hall, but he had paused, thought hard, and then removed it, choosing instead the black wool coat with lambskin-trim collar that he usually saved for later in the year. As he stepped from his car in the parking lot he immediately saw his mistake. In his fingers he could feel the pressure of the belt-ends as he looped them over in front. The forecast for tomorrow was light rain in the early morning. He would be ready for it.

SUCCESS AND FAILURE
. As the slaps began to recede, as even their echo in our minds was becoming fainter and fainter, we wondered whether we had emerged successfully from our ordeal. To call it an ordeal was of course something of an exaggeration. After all, we hadn’t been murdered. We hadn’t been raped, or beaten, or stabbed, or robbed. We had only been slapped. Even so, we had been invaded, had we not, we had felt threatened in our streets and homes, we had been violated in some definite though enigmatic way. Therefore, when the attacks appeared to be over, we felt that we had emerged from an ordeal, though we were still uncertain how we felt. Sometimes it seemed to us that the stranger with his angry eyes had known something about us that we ourselves did not know. Sometimes we wondered whether he was right about us, even though we did not know what it was that he was right about. More often we dismissed such thoughts and reproached ourselves for our failure to catch him, our failure to prevent him from repeatedly attacking us. At about this time an editorial appeared in the
Daily Observer
. Signed
THE EDITORS
, the article discussed the episode of the stranger and concluded by saying that it was over now and that we ought to “learn from it and move on.” The editors did not tell us what we might learn, unless it was that we needed a larger police force in our town, nor did they tell us in which direction we should think of moving. Therefore our sense of relief, when the attacks appeared to have ended, was also a sense of unrelief; our feeling of success was also a feeling of failure. Now, that is not the way things are, in our town. Here, success is success, failure failure. There is no confusion between the two. Success that is also failure is nothing at all. We don’t know how to take hold of it. And so we wonder: What have we learned from it all? We know only that something has happened in our town that can never unhappen. On a fine spring day, when all this is far behind us, we may be walking down a street, under branches of budding maples and lindens. On the porches, reflections of porch posts and tree branches show in the glass front doors, which haven’t yet been changed to screens. The thought comes: He could be standing behind that tree. Then we look more carefully at the root rippling toward the sidewalk, at the place where the bark-edge stands clear against the background of grass, street, and distant houses, and where, at any moment, a shoulder might emerge, an arm rise, a hand swing violently toward our faces, as we walk along, under the budding branches, with their yellow-green flowers against the blue sky.

Tales of Darkness and the Unknown,
Vol. XIV:
The White Glove

1

In senior year of high school I became friends with Emily Hohn. It happened quickly: one day she was that quiet girl in English class, the next we were friends. She had passed in and out of my attention over the last year or so, and it was as if I suddenly turned my head in her direction. I liked her calmness, her unruffled sense of herself, her way of standing as if she could feel the ground under her feet. As for me, I was a floater, a cloud-man, tense, jittery, cat-wary, all nerves and bone, and I’d spent the last year so desperately in love with another girl, so whipped-up and feverish, that even my happiness had felt like unhappiness. Emily Hohn’s quietness drew me in as if it had been waiting for me all along. It wasn’t only her calmness that attracted me. That would be unfair. I liked looking at her—at her thickish brownish shortish hair shot through with lighter strands that caught the sun, her small neat hands with close-cut nails, her round wrists, one of which had a pale chicken-pox scar, her slightly lowered eyelids that made her look a little sleepy, her slow smile. She reminded me of things I liked: streetlights at night, a peaceful room. I liked her clothes—the trim fresh-smelling pastel shirts, the knee-length skirts in black or dark green wool, the cardigans worn open with the sleeves pushed halfway up her forearms, the broad leather belts, dark red or black, with big square buckles that made me think of picture frames. I liked watching her crinkle her eyebrows when she tried to figure something out. I liked the way she sometimes reached over and scratched the back of her left hand with two fingers of her right. Most of all, I liked that she didn’t stir me up—didn’t move her body a certain way. I was sick to death of all that. I wanted something I could count on. I was grateful for stillness.

I walked her home from school one day, a warm October afternoon that felt like summer. Under branches of sugar maple and red maple we walked through flickers of sun and shade—here and there, in the still air, a yellow-red leaf came drifting down. I carried my books against my hip and my autumn jacket slung over one shoulder. Emily had tied her burnt-orange sweater around her waist, like a backward apron, and she carried her blue pebbly three-ring binder and her crisply covered schoolbooks in an upward-tilted pile against her white blouse. Speckles of sunlight danced on her as she walked, as if bits of light were being tossed at her through the leaves.

She lived in an older neighborhood, on a street where the houses had wide front porches, and tree roots pushed up chunks of sidewalk. On her porch sat a glider with faded flowery pink cushions, beside a green wicker table that held a glass of lemonade. A rake stood up against a window shutter; a bicycle leaned against a cushioned wicker chair. Everything about the house pleased me—the tarnished brass knocker on the gray front door, the living room with its dark blue couch and its deep armchair next to a pair of old moccasins, the scent of furniture polish mixed with a bready sweetish smell of baking, the sunny yellow kitchen with its bright porcelain rooster on the windowsill. On top of the refrigerator sat a cookie jar shaped like a bear hugging his belly. Emily’s mother was standing at the sink, washing a big breadboard sticky with dough. Over a flowered dress she wore an apron decorated with richly red apples, each with two green leaves. She turned and began wiping her hands briskly on the apples. “Oh my, I can’t shake your hand or I’ll—Emmy, take the young man’s jacket, why don’t you. I’m Emily’s mother, and you must be—Will. Well, Will. Would you like a soda? A piece of raspberry pie?”

I spent that afternoon creaking in the glider in the warm shade of the front porch, sipping root beer and eating raspberry pie. Emily sat next to me with an open French grammar facedown on her lap, pushing with one leg to keep us gliding—into the sun and back into shade, into the sun and back into shade. From time to time her mother opened the front door and asked if I’d like another piece of pie or a brownie with walnuts or an oatmeal cookie. Some girls were jumping rope across the street; farther off came the quick clean sharp bursts of a basketball against driveway tar. At the same time I heard the scratch of a rake pulling over leaves. I could feel myself settling into those sounds as into my own childhood—and the warmth, the slap of the rope, the creak of the glider, the dripping sunny hands of Mrs. Hohn, the square porch posts, the dip of the telephone wires between poles, all seemed to me, as I half closed my eyes, to be part of Emily herself, as if she were flowing into the peacefulness of an October afternoon.

2

I began walking home with her every day, dragging my feet through unraked leaves that sounded to me like waves drawing back on a beach. As the weather grew colder we moved indoors—sometimes to the living room, where we sat on the dark blue couch beside the armchair, sometimes to the kitchen table, with its maplewood chairs that had floral-patterned cushions tied to the seats. After a while we’d go upstairs to Emily’s room, where I straddled the wooden desk-chair and faced Emily, who sat on the big bed with her back propped up against the headboard and her legs stretched out on the pink spread. I admired her desk, an old-fashioned one with pigeonholes and a writing surface that swung out on brass hinges. In one corner of the room sat a small bookcase no higher than my waist. It held a pale blue leather jewelry box, eight or nine books, a Ginny doll with one arm, and many boxes of puzzles. The small number of books surprised me, since I had two large bookcases in my room, a row of books on my dresser, and piles of books on the floor by my desk. But I quickly came to connect the absence of such things with Emily’s calmness, as if books and edginess belonged together. We talked, we laughed, we did homework—I at the desk, she on the bed. Sometimes, turning over my shoulder, I would simply look at her, as she sat reading calmly on the bed with her black flats on the floor and her ankles crossed, reaching now and then to scratch the back of her left hand with two fingers of the right.

At 4:00 there would be a knock on the half-open door and Mrs. Hohn would sweep in with a tray bearing glasses of milk and a plate of chocolate chip cookies. At 5:30 I would hear Emily’s father opening the two front doors, the storm door and the wooden door, and ten minutes later he would drive me home. Mr. Hohn was a mild, balding man with large melancholy eyes and a rueful smile. He did something in insurance, collected plate blocks and first-day covers of every newly issued American stamp, and liked to ask me serious questions about whatever book I was reading. He said things like “Can you hand me that thingamajigger?” and “That’s for darn sure.” I felt so welcomed by the Hohn family, so bathed in their atmosphere, that when I entered my own house, with its bookcases and its polished dark piano with piles of yellow music books and its faint sweet odor of pipe tobacco, it was always with a slight shock of estrangement, before familiarity settled over me.

I kept planning to invite Emily to my house, but I never did. At my place, we would have done my kinds of things—I’d have shown her my books, and my records, and my twin-lens reflex, and my collection of labeled minerals from quarries all over Connecticut. I would have played the piano for her, a piece by Chopin or Debussy, and then, to show that I wasn’t stuck up, a boogie-woogie by Clarence Pine Top Smith. My parents would have welcomed her and made her feel at home. And as I imagined these things, all of which had happened many times before, a tiredness came over me, as if I were rehearsing for a play that I’d just finished performing in. It was as if, in my house, I could feel a continual soft pressure on me—emanating from the piano, from the reading chair in my room, from the mahogany bookcase in the front hall—to be the person I was, the one I felt I somehow had to be. What I liked about Emily’s house was that I didn’t have to be anything at all.