What a Carve Up! (22 page)

‘I think we’re being followed,’ she whispered. ‘Listen.’

Stunned into silence, I let her hand drop and strained to catch a hint of anything untoward above the noise of our own irregular footsteps. And yes, there was something: a pursuing echo, some way behind us. Furthermore, when we stopped, it continued for a second or two and then paused abruptly; when we started again, it followed. Our movements were being shadowed with some accuracy.

‘I think you’re right,’ I said. It was one of my less helpful remarks.

‘Of course I’m right. Women develop a sense for it. You have to.’

‘Keep walking,’ I said. ‘I’m going to turn round and have a look.’

But by now the mist was thickening, and I couldn’t see more than about twenty yards back. It was impossible to be sure whether there was any movement behind the grey curtain of shifting fog. The footsteps were still with us, though, as audible as ever, and I started to propel Fiona forward by the elbow until our pace had almost doubled. We were not far from home, and I hit upon the idea of taking a few sudden detours in order to throw the stalker off our trail.

‘What are you doing?’ she hissed, after I had guided her into an unexpected right turn.

‘Keep walking and stick close to me,’ I said. ‘We’ll soon have him confused.’

I took another right and then a left and then doubled back down a footpath which led between a row of three-storey terraces. Then we crossed the road a couple of times and cut through a small alleyway which brought us out nearly at the edge of Battersea Park. We stopped and listened. There was the usual traffic noise, and the distant sounds of a party just beginning to warm up a few streets away. But no more footsteps. We sighed with relief and Fiona let go of my hand, as if only just realizing that she had been clasping it for the last ten minutes.

‘I think we’ve lost him,’ she said.

‘If there was anyone.’

‘There was. I know there was.’

We walked the rest of the way down the main road, a small unfamiliar distance having opened up between us. There was a short pathway leading up to our entrance porch, lined raggedly with laurel bushes, and it was here, just before unlocking the door, that I had been hoping to offer Fiona a first tentative kiss. But the mood was no longer right. She was still looking tense, her handbag held tightly to her chest within folded arms, and I was so flustered that I worked stupidly at the lock for what seemed like an age before noticing that I had taken out the wrong key. Then, when I had finally got the door open and was about to step inside, Fiona let out a sudden cry – somewhere between a gasp and a scream – and leapt in before me, grabbing my arm so as to drag me with her and slamming the door which she then stood against, breathing heavily.

‘What is it? What’s the matter?’

‘He was out there – I could see him. His face in the bushes.’

‘Who?’

‘For God’s sake, I don’t know who. He was crouched there, peering at us.’

I made for the door handle.

‘This is ridiculous. I’m going to take a look.’

‘No – Michael. Please, no.’ She stopped me with a cautioning hand. ‘I saw his face quite clearly, and … and I recognized him.’

‘Recognized him? – Well who is it?’

‘I’m not sure. I didn’t actually recognize him, but … I’ve seen his face before. I’m sure I have. Michael, I don’t think it’s you he’s following. I think it must be me.’

I shook myself free and said, ‘Well, we can soon settle this.’ I opened the door and slipped outside; Fiona followed as far as the step.

It was cold by now and very quiet. Thin lines of mist hung in the air and coiled strangely around the white glow of the street lamps. I walked up and down the pathway, across the lawns, and looked both ways along the street. Nothing. Then I checked the bushes, pushing my face between branches, cracking twigs and making sudden thrusts into every leafy opening. Again, nothing.

Except that …

‘Fiona, come here a minute.’

‘Not on your life.’

‘Look, there’s nobody here. I just want to see if you notice anything.’

She squatted down beside me.

‘Is this the bush where you saw him?’

‘I think so.’

‘Breathe in deeply.’

We inhaled together: two long, exploratory sniffs.

‘That’s odd,’ she said, after a moment’s thought; and I knew what was coming next. ‘There’s no jasmine round here, is there?’

2

Fiona and I watched
Orphée
together one evening, two or three days after our dinner at the Mandarin. She had recovered from her fright soon enough, and now I was the one who was having trouble sleeping. The last few hours before dawn would find me wide awake, listening tiredly to the fitful lull which, in London anyway, is the closest you ever get to silence.

…
La silence va plus vite à reculons. Trots fois …

My thoughts would be dizzy and incoherent, a pointless rehearsal of half-remembered conversations, unpleasant memories and wasteful anxieties. Once your mind is locked into such a pattern, it soon becomes obvious that the only way to break free is by getting out of bed: and yet this is the very last thing you feel capable of doing. It was only when the dry, acid tang in my mouth became too strong to bear that I would find the impetus to go out into the kitchen for a glass of water; after that, I might be assured of some sleep at last, because the circle would have been broken.

…
Un seul verre d’eau éclair le monde. Deux fois …

I had an alarm clock which was set for nine o’clock, but invariably I would wake before then. Struggling for consciousness, the first noise I recognized would not be the rumble of traffic or the passing aeroplanes, but the song of a persevering robin as he greeted the feeble daylight from the treetops beneath my bedroom window.

…
L’oiseau chante avec ses doigts. Une fois …

Then I would lie in bed, half-asleep, half-awake, listening for the postman’s footsteps on the staircase. For some reason I have never lost faith, not since I was a young child, in the power of letters to transform my existence. The mere sight of an envelope lying on my doormat can still flood me with anticipation, however transitory. Brown envelopes rarely do this, it has to be said; window envelopes, never. But then there is the white, handwritten envelope, that glorious rectangle of pure possibility which has even shown itself, on some occasions, to be nothing less than the threshold of a new world. And this morning, while I gazed with heavy, expectant eyes into the hallway through the half-open door of my bedroom, just such an envelope slid noiselessly into my flat, carrying with it the potential to transport me, not only onward into an unsuspected future but at the same time backward, back to a moment in my childhood more than thirty years ago, when letters first started to play an important part in my life.

∗

Messrs Bulb, Plugg and Sockitt,

Electricians since 1945 (or a ¼ to 8),

24 Cable Crescent,

Meterborough.

26 July 1960

Dear Mr Owen,

We must apologize for the delay in connecting the electricity supply to your new home, viz. the second cowshed on the left on Mr Nuttall’s farm.

The truth is that we have been somewhat amp-ered in our attempts by the failure of our latest recruit, a bright spark if ever I saw one, to turn up for work. As a result, we realize that you have now been without electricity for several weeks, through no volt of your own.

Watt are we going to do about it, you ask? Rest assured, Mr Owen, that your supply will be connected a.s.a.p.,
∗
and in the meantime please accept this small gift as a token of our goodwill – a month’s supply of current buns (enclosed).

Yours sincerely,

A. Daptor

(Head of Complaints).

∗

Once upon a time, a short walk from my parents’ house along quiet roads would bring you to the edge of a wood. We lived at the point where Birmingham’s outermost suburbs began to shade into countryside, in a placid, respectable backwater, slightly grander and more gentrified than my father could really afford, and every weekend, usually on a Sunday afternoon, the three of us would set off for this wood on one of those long, mildly resented walks which have since become the nucleus of my earliest and happiest memories. There were various routes available, each given its own functional (but at the time intensely romantic and evocative) designation: ‘the glade’; ‘the ponds’; ‘the dangerous way’. But I had a personal favourite which, though we must have taken it more often than any other, never failed to exert its pull of (even then) nostalgic glamour. This was known simply as ‘the farm’.

You came upon it suddenly. The walk took you around the periphery of the wood, along a path which was broad and well-established but never seemed to be much used: in my memory’s version of events, at any rate, this vision of heaven was always offered to us in utter seclusion and privacy. For heaven it was: looming into view just when you least expected it, after a series of turns, dips and rises which seemed to be leading you ever deeper into the dark heart of the forest, a nest of redbricked barns and outhouses and, at their centre, an ivy-covered farmhouse of impossible charm. An orchard flanked one side of the house, its trees dappled with yellowing fruit, and we would later discover that behind it, screened from view, was a tiny walled garden, divided up into orderly chessboard squares by gravelled paths and miniature box hedgerows. Best of all, near to the wire fence which marked the boundary between public land and property, there was a little muddied pool where ducks swam and the occasional waddling goose came to drink. On subsequent visits we never failed to bring a brown paper bag filled with stale bread which I would throw at the water or sometimes, in a fit of daring, dangle through the wire until the geese approached and snapped it from my outstretched fingers.

‘This must be the farm you can see from the road,’ said my father, the first time we chanced upon it. ‘The one I go past when I’m driving to work.’

‘I wonder if they have a shop,’ said my mother. ‘I bet it would be cheaper than in the village.’

After that she started using the farm to buy all her eggs and vegetables, and before long this arrangement began to take on a social as well as practical aspect. Showing once again her aptitude for striking up friendships with relative strangers, my mother lost no time in gaining the confidence of Mrs Nuttall, the farmer’s wife, whose lengthy, colourful monologues on the pains and pleasures of the bucolic life meant that a good half hour had to be set aside even for something as seemingly uncomplicated as the purchase of a few potatoes. To offset my boredom on these occasions I was introduced to a farmhand called Harry, who would let me follow him around as he went about his duties, sometimes even allowing me to feed the pigs, or to sit aloft on the driver’s seat of a combine harvester. And over the next few months Harry’s guided tours seemed to get longer, more frequent and more elaborate, until I became a familiar figure on the farm, well known to everyone who worked there including Mr Nuttall himself. It was round about this time, too, that my parents decided I was old enough to ride my bicycle unaccompanied along the local roads, and after that I became an even more regular visitor. Sometimes my mother would make me up packets of sandwiches, and I would eat them sitting in the orchard, or by the duckpond, before setting off to explore the buildings by myself; always remembering to take a look at the calves – my favourites among the animals – and to climb the bales of hay stacked at the back of the largest barn, where there was usually any number of lean, sleepy tabby cats to be found. I would lie on the hay beside them, puzzling over the deep mystery of their purr, hypnotized by the impenetrable half-smile which always made me envy them their dreams.

∗

I was in love, at this time, with a girl called Susan Clement, who had the desk next to me at school. Her hair was long and blonde, her eyes were pale blue and I think, in retrospect, that she was fond of me too, but I was never to know for sure because although I passed many weeks, perhaps even months, consumed with longing for her, it would have been easier for me to fly to the moon than to find the right words in which to express my feelings. But I remember vividly the night I woke up to find that she was in bed beside me. The sensation at first was not entirely unfamiliar, for I had shared a bed with Joan earlier that year, when our families went on a camping holiday together: but I had never wanted to touch or be touched by her; had shrunk from the idea, in fact. And yet with Susan, the first thing I knew – almost fainting with the joy of it, the amazing, palpable reality – was that she was touching me, that I was touching her, that we were dovetailed, entangled, coiled like dreamy snakes. It seemed that every part of my body was being touched by every part of her body, that from now on the entire world was to be apprehended only through touch, so that in the musty warmth of my bed, the curtained darkness of my bedroom, we could not but find ourselves starting to writhe gently, every movement, every tiny adjustment creating new waves of pleasure, until finally we were rocking back and forth, cradle-like, and then I couldn’t stand it any longer and had to stop. And no sooner had I stopped than I awoke, alone and desolate.

This is my earliest memory of sex and one of only three dreams from my childhood that I can now recall with any accuracy.

∗

Joan lived a few doors down the road from us. It was when our respective mothers had been pregnant that they first became friendly with one another, so we could truly claim to have grown up together. We went to the same school, and even at this age had the reputation of being slightly on the intellectual side, which was another factor in determining the closeness of our relationship. By now not only had I made up my mind, somehow or other, that I was destined to be a writer, but my first book had already appeared, in a limited edition of one – designed, illustrated and handwritten by myself. In a narrative peppered with cheerful anachronisms, it told of several episodes from the casebook of a Victorian detective; my hero being modelled, without much regard for the restrictions laid down by copyright law, on a character from one of the many comics which formed the backbone of my reading matter during this period. Joan had literary aspirations as well: she wrote historical romances, usually concerning one or other of the wives of Henry VIII. But in my opinion – not that I would ever have been so blunt as to tell her this – her work was immature. The characterizations were thin, compared with my own, and her spelling wasn’t up to much. None the less, we enjoyed showing each other our stories.