Whiskey Tango Foxtrot (The Taliban Shuffle MTI) (7 page)

BOOK: Whiskey Tango Foxtrot (The Taliban Shuffle MTI)
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Mainly I hung out. I talked to the soldiers in my engineering platoon, including Crowley, a North Carolina native who blew apart any soldier stereotype I had. He had earned an anthropology degree, started graduate school in England before running out of money, and joined the army to be able to afford to go back. He was bright and, at twenty-eight, older than the other soldiers. He was cute, with slightly exaggerated ears and a big smile. Like other soldiers here, he complained to me about the difference between Iraq and Afghanistan, about the amorphous process of winning hearts and minds and meeting villagers instead of fighting bad guys. He handed out candy to kids, yanked off his helmet to wiggle his ears, won a game of “bloody knuckles” with an Afghan boy, played “Dixie” on his harmonica, and accidentally tossed a pen into a pile of cow manure when he was trying to give it to a kid. (The kids, predictably, dove into the manure, fighting over the pen.) Crowley was funny.

“Iraq is like a war,” Crowley told me. “This is like a summer camp.”

And later, he was more serious. “The army doesn’t put a lot of
effort into us here,” Crowley said. “It seems like the military as a whole doesn’t care about the welfare of soldiers in Afghanistan. Here, we get a lot more complacent. I don’t ever chamber a round in my rifle anymore. Because I know nothing’s gonna happen.”

How complacent were these troops? They told us we didn’t need to wear our body armor and helmets on patrol, that they weren’t necessary. Everyone complained about how Afghanistan was a “forgotten war.” They even got generic letters about Iraq from troop-supporting strangers back in the United States.

On patrol, I spent time near Crowley because he was so open and easy. Sometimes he talked about his fiancée and his ex-wife. He was leaving the base in a few days for vacation and was getting married in a week. It was an experience I would repeatedly have, where male soldiers, many starved for female company or for a new ear to listen, would tell me things that they shouldn’t necessarily have revealed. Divorce, infidelity, loneliness—they would tell me their secrets and watch me take notes. In return, I would give them nothing—no information about my personal life, my past loves, my own flaws. One soldier in Crowley’s platoon, always an outcast, always teased for not holding his weapon correctly, sat down with the photographer and me in the mess hall one afternoon and spilled out how he never should have joined the army.

“I’m just not the world’s best soldier,” the young man said. “If there’s a way to mess something up, I manage to find it.”

It created a dilemma. I knew that the soldiers might suffer for their indiscretions. But at the same time, some of their indiscretions would be the most powerful stories. With Crowley’s fellow soldier, the one who wasn’t cut out for the army, I chose not to quote him. It was a judgment call. I didn’t want to be responsible for anything bad that might happen.

Being on an embed created other problems, such as being dependent on the very people you wrote about, and naturally wanting them to like you, and wanting the military not to blackball you.
The soldiers took care of us. They sent a translator to the market to buy sunglasses and sweaters for us. They were American like me. They reminded me of Montana. They yelled at Afghan men who tried to take my picture with their cell phones. “What would you do if we tried to take a picture of your women?” one soldier said to a smiling Afghan, who snapped the picture anyway.

Regardless of any of this, I wrote the story that was right in front of me—the “forgotten war,” the bored soldiers, feeling left out of the Iraq action, and Crowley, unlocked and unloaded. He left for vacation, to get married, the same day the photographer and I flew back to Bagram Airfield.

The story got a lot of reaction. I realized how carefully everyone read anything about the troops. Through an unspoken agreement, I was expected to leave out the boredom and the fact that Crowley repeatedly was not locked and loaded. I told my critics that I just wrote what I saw. I moved on.

I had no idea what would happen.

CHAPTER 5
ONE WAY OR ANOTHER

I
n Kabul that spring of 2005, the lack of war was as obvious as the bikinis at the pool of L’Atmosphère, the restaurant of wicker chairs, glass-topped tables, and absurdly priced wine that had become the equivalent of the sitcom
Cheers
in the Afghan capital. How quiet was it? It was so quiet that an award-winning war correspondent would spend the summer filming a documentary about a Kabul school for female drivers. It was so quiet that the photographer and I rode around in a government bus in Kabul where workers yanked beggars off the street, effectively kidnapping them for a day, holding them in a school and feeding them some gruel before releasing them, a catch-and-release program for the poor. (By now we knew the regular beggars and their acts. The boy with flippers for arms. The girl who wore her blind brother’s suit jacket and led him around by his one good arm. Egg Boy, an entrepreneur who sobbed daily next to broken eggs at various intersections, raking in egg money from concerned foreigners.)

It was so quiet that I went to a brothel for fun, so quiet that I knew I should probably fly home to India to spend time with Chris, so quiet that I decided it was a better idea to hang out in the quiet. It was also so quiet that the U.S. ambassador, Zalmay Khalilzad, left Afghanistan for Iraq, his job done in Kabul, a job transfer that would
only later seem significant, when the U.S. embassy finally got ambassadors who acted like ambassadors. In a blue tie, dark blue suit, and white shirt, Zal was predictably somber at his last press conference, telling the room that the country was in the fourth kilometer of a ten-kilometer journey. He also said he was not “a potted plant” and was available to help if Afghanistan ever wanted it.

“My time has come to say farewell,” he told the standing-room-only crowd. “I will never forget Afghanistan, and I will return.”

His show was Oscar-worthy, and I feared he was about to burst into a version of “Don’t Cry for Me, Afghanistan.” A few Afghan journalists actually seemed close to tears. Their deference toward Zal bordered on worship.

And then, with a wave and a smile that could have powered a small Afghan village, the Viceroy was gone. I didn’t know it at the time, but that would be the last large press conference I would ever attend, or be invited to, at the U.S. embassy, because in the future the embassy would stop holding free-for-all events, stop opening its doors so wide. And Zal would be the last U.S. ambassador who talked to Karzai that often.

Because Kabul was so quiet, our team—Farouq, Nasir, the photographer, and me—went to the most decrepit circus on the planet, the Pak-Asia Circus, making its first grand tour from Pakistan. It featured a ripped tent, a tightrope that sagged dangerously close to the ground, and so much more. The big top here was more of a sad raggedy small top. The knife thrower accidentally hit his beautiful female assistant in the thigh, drawing blood, but here in Afghanistan, such minor bloodshed qualified as slapstick comedy. The circus was usually packed, mainly with government workers, even the army, who didn’t have to pay for the eighty-cent ticket. Nasir spotted a familiar face in the audience: the
Titanic
-loving taxi driver I had met two years earlier, who at the time said he was treated well at Guantánamo when he was mistakenly picked up and shipped there. Through Farouq, I asked about his life. He shrugged. He drove
another taxi between Khost and Kabul, but he never got his first taxi back. He had gone to the circus twenty times in the past month—Kabul had nothing else to do for fun. But his tone had changed. He talked about an old man who recently had been shot dead in a nighttime raid near Khost by U.S. soldiers.

“America is no good,” the taxi driver said. “The Americans are no good. They are not treating Afghans right.”

Not much to say to that. He shifted his attention to the circus. So did we. A girl bent her feet over her back and used them to light a Pine Light cigarette. A man dressed up as a frog and hopped around. A boy did a headstand on a man’s head. A tightrope walker swilled liquid from an Absolut vodka bottle as he stumbled along the low-slung rope. We said goodbye to the taxi driver to interview a man who came to the circus to escape the headache of having two wives. We never saw the taxi driver again.

But we did drive south to Khost, the eastern town that bordered the tribal areas of Pakistan, to visit the family of the dead man he had mentioned—Shayesta Khan, who had been about seventy-five, a village elder with a long white beard. This was the other side of the war from my embed in Paktika, the side of “collateral damage,” the U.S. military term for unintentional injury caused while pursuing legitimate targets. Increasingly, such damage was becoming a problem throughout southern and eastern Afghanistan, the areas dominated by the ethnic Pashtuns and home to most insurgent activity. Anger about so-called “civilian casualties” and house raids was starting to bubble up there. Outside Kabul, in the places where public opinion mattered most, the mood toward the United States was shifting. It was not just the hostility displayed by Afghans upset at U.S. soldiers bursting into their compounds. It was the new willingness to believe the worst, even the most outrageous claims, without question. No one yet understood that what mattered in Afghanistan was not reality—it was rumor, the stories that raced from village to village.

The raid on Shayesta Khan’s house was nothing like the compound
visits I had observed, where the U.S. soldiers drank tea and tried to respect Afghan culture. This was a nighttime, kick-in-the-door, suited-up raid. An informant had allegedly told the U.S. military that bombs were being made in the compound where about sixty members of Shayesta Khan’s family lived. Who the informant was, I could never find out, nor could I find any other evidence that the claims were true.

In the early morning hours, U.S. soldiers had broken down the compound’s side door, near steps that led to an open area outside Shayesta Khan’s bedroom. Family members said they heard shouting, then gunshots. Everything was a blur, and everyone had a different story. The local Afghan intelligence deputy said Shayesta Khan was shot reaching for a shirt. His sons said their father was shot trying to light a gas lantern. In their initial news release, U.S. military officials said an Afghan man was shot after he ignored a warning from an interpreter and a warning shot. The U.S. officials said the man was in the home of a known bomb-maker and kept moving toward a container on a dresser despite warnings, acting “aggressively” and making “threatening actions.”

Who knew which version was right? But I learned certain facts—Shayesta Khan was old, and he was partly deaf, and bullet holes and shattered windows indicated that he was shot from outside his window. Afghan officials who had seen the body said Khan was shot several times, on the left side of his head and body. Afghans we met in the province thought he was innocent, a defenseless village elder who liked to throw rocks to make kids laugh. (Yes, that passed for entertainment in these parts. Still no TV.) His older brother, eighty or so, had no teeth, could barely walk, and didn’t realize his brother was dead. His younger brother, seventy or so, said God had willed it.

“That was the decision from God,” he said, then shrugged.

Part of me wanted to yell at the man and even shake him. I found the blind acceptance of tragedy maddening in this region, the whole idea that God or fate inextricably decided one’s life, that free will had nothing to do with it. I had heard that argument from Hindus
and Buddhists about the tsunami; I had privately wondered whether God might want people to use their wits to protect themselves, for instance building their homes more than ten feet away from the water’s edge. But in some ways, such unquestioning acceptance was probably the only way to get through mind-blowing tragedy. God was the answer; a peaceful afterlife was the only reason to go through the pain of living.

I stood with Farouq, Nasir, and the photographer inside the narrow room where Shayesta Khan once slept, with two lone black-and-white pictures hanging on the wall—one of him and his wife decades earlier, another of his former boss, a military hospital official from the Communist regime. His prized Holy Quran was wrapped in cloth, near the corner where he had often prayed. The room looked scorched, like someone had somehow set fire to the two metal trunks in the opposite corner. Bullet holes punctuated the wall just above Khan’s bed.

Farouq looked at the burn marks in the room. He was quiet, which meant he was upset. When he talked loudly or gruffly, that meant he was fine. I had messed that up in the past. “He was an old man,” Farouq said. “He was completely innocent. How could this happen?”

Nasir looked at me, as if I had any answer. He always did that, even though he rarely understood me, and he usually just started laughing at anything I said.

“I don’t know,” I said. “Scared soldiers, the middle of the night, sudden movement. Someone fired. Messed up.”

“But how could the Americans mess up like this?” Farouq replied. “They have the technology to see who they are shooting. He was an old man. Someone should go to prison.”

The U.S.-led coalition spokesman described Khan’s death to me as “an unfortunate incident” but insisted that the soldiers violated no rules. The press release also said soldiers captured three insurgents suspected of being involved with roadside bombs.

And that was it. The military never put out another statement,
one that said that all three supposed insurgents were released within days. Or one that said no bomb-making equipment was actually found in the compound. Instead, the soldiers found one “Jihad Against America” pamphlet, one Kalashnikov assault rifle, a 9-mm handgun, and ammunition. It was actually not a significant haul for a compound of sixty people—in fact, such a weapons supply in a country like Afghanistan, where every man was allowed to keep a gun, was the equivalent of bringing a slingshot to a mortar fight.

Khan’s death was a kind of breaking point. At a meeting with President Bush, Karzai asked for more coordination between Afghan and U.S. forces on raids. The Afghan defense ministry publicly criticized the U.S. military for the very first time. A wedge had started to form between the Afghan people and the international forces. The implications were obvious, though no one but Afghans seemed to notice them. The Pashtun code was based on honor, hospitality, respect, and, most important, revenge. An entire clan was obligated to take revenge for wrongs. This was eye-for-an-eye justice, or more accurately, a hundred eyes for an eye, which was why tribal disputes tended to last for generations. The Pashtuns had a proverb about a man taking revenge one hundred years after a slight to his ancestor, and fretting that he had acted in haste. Shooting an old Pashtun man in his home, even by mistake, violated a Pashtun’s core beliefs. Revenge was compulsory; not taking revenge would brand Khan’s male relatives as cowards. Every perceived injustice in the Pashtun code could conceivably create ten more militants. Even if God willed a death, God also willed a fitting revenge. That was the way of this world. Predictably, we would later learn that one of Shayesta Khan’s sons ended up in Guantánamo.

BOOK: Whiskey Tango Foxtrot (The Taliban Shuffle MTI)
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