William Styron: The Collected Novels: Lie Down in Darkness, Set This House on Fire, The Confessions of Nat Turner, and Sophie's Choice (219 page)

BOOK: William Styron: The Collected Novels: Lie Down in Darkness, Set This House on Fire, The Confessions of Nat Turner, and Sophie's Choice
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There were cans of beer from a boardwalk bar and of course this helped perpetuate my euphoria; even when Sophie and Nathan told me goodby—Sophie looking wan and unhappy and saying she felt a little sick—and abruptly left, I kept afloat on a high cloud of elation. (I recall, however, that their departure caused, for a moment, an uneasy silence in the group on the sand, a silence broken by someone’s remark: “Did you see that number on her arm, that tattoo?") After another half-hour the psychoanalytical talk palled on me desperately, and alcohol and randiness emboldened me to ask Leslie if she’d stroll with me someplace where we could chat and be alone. She agreed, since it had clouded up a little anyway, and we ended up at a boardwalk café where Leslie drank 7-Up and I helped swell the flood of my raging ardor with can after can of Budweiser. But let a few more of my feverish notes continue that afternoon’s operetta:

Leslie and I are in the bar of a restaurant called Victor’s and I am getting a little drunk. I have never felt such sexual electricity in my life. This Jewish dryad has more sensuality in one of her expressive thumbs than all the locked-up virgins I ever knew in Va. & N.C. put together. Also, she is exceedingly bright, reinforcing Henry Miller’s observation somewhere that sex is all in the head, i.e., dumb girls, dumb screwing. Our conversation ebbs and flows in majestic waves like the sea—Hart Crane, sex, Thomas Hardy, sex, Flaubert, sex, Schopenhauer and Nietzsche, sex, Huckleberry Finn, sex. I have turned on her the pure flame of my intellect. Manifestly if we were not in a public place I would have her right this minute in the sack. Over the table I hold her hand, which is moist, as if with the pure essence of desire. She speaks rather rapidly in what I have learned to detect is a higher-class Brooklyn accent, more like that used in Manhattan. She has charming facial gestures, nicely interrupted by many grins. Adorable! But what really gets me is that within the lazy space of an hour I hear her say at various moments words I have never in my life heard spoken by a female. Nor do they really sound dirty, once I am used to them. These include such words as “prick,” “fuck” and “cocksucking.” Also, she says during that same time such phrases as “go down on him” “jerking himself off” (something having to do with Thoreau), “gave him a blowjob” “muff-diver,” “swallowed his sperm” (Melville) (
Melville
?). She does most of the talking though I do my part and am able with a kind of studied unconcern to utter “my throbbing cock” once, aware even as I say it, incredibly excited, that it is the first so-called hard-core obscenity I have ever spoken in a woman’s presence. When we leave Victor’s I am nicely plastered and am reckless enough to let my arm encircle her firm bare waist. In doing so I actually stroke her ass somewhat slightly and the responsive squeeze she gives my hand with her arm, also the glimmer in those dark oriental eyes as she impishly gazes up at me, makes me certain that I have finally, miraculously discovered a woman free of the horrendous conventions and pieties that afflict this hypocritical culture of ours...

I am a little mortified to discover that almost none of the above was apparently written with the faintest trace of irony (I actually was capable of “somewhat slightly ”!), which may only indicate how truly momentous for me was this encounter with Leslie, or how doltish and complete was my seizure of passion—or simply how my suggestible mind was working at the age of twenty-two. At any rate, when Leslie and I made our way back to the beach the late-afternoon light, still quivering with heat waves, flooded the sand around the lifeguard tower from which the dejected group of analysands had now departed, leaving behind them a half-buried copy of
Partisan Review,
squeezed-out tubes of nose balm and a litter of Coke bottles. So, lingering there together in the heat of our charm-bound affinity, we spent another hour or so tying up the loose ends of our conversation, both of us very much aware that we had taken this afternoon the first step of what had to be a journey together into wild and uncharted territory. We lay side by side, bellies down. As I gently traced oval patterns against her pulsing neck with my fingertips she reached up to stroke my hand, and I heard her say, “My analyst said that mankind will forever be the enemy of itself until it learns that each human being only needs,
enfin,
a fantastic fucking.” I heard my own voice, haltingly distant but sincere, reply, “Your analyst must be a very wise person.” For a long while she was silent, and then she turned to gaze at me full in the face and uttered finally, with unfeigned desire, that languid yet straightforward invitation which made my heart stop and so unbalanced my mind and senses:
“I’ll bet
you
could give a girl a fantastic fucking.”
And it was then that we somehow made a date for the following Thursday night.

Thursday morning arrived, as I have said, with its sense of approaching bliss, of almost unendurable promise. Sitting there at my pink writing table, I managed, however, to ignore my sickishness and fever and to master my fantasies long enough to get two or three more hours of serious writing done. A few minutes past noon I was aware of a yawning sensation at the pit of my stomach. I had not heard a sound from Sophie all morning. Doubtless she would have spent most of her time with her nose in a book, assiduously continuing her self-education. Her ability at reading English, while still far from perfect, had improved immeasurably in the year since she had met Nathan; in general she no longer resorted to Polish translations and was now deeply engrossed in Malcolm Cowley’s
Portable Faulkner,
which I knew both captured and perplexed her. “Those sentences,” she had said, “that go on and on like a crazy snake!” But she was an adept enough reader to marvel at Faulkner’s intricacy of narrative and his turbulent power. I had practically memorized that
Portable,
which in college had catapulted me into all of Faulkner’s work, and it had been upon my recommendation—on the subway or somewhere else on that memorable Sunday of our first encounter—that Nathan had bought a copy and given it to Sophie early in the week. At our several get-togethers since then it had given me great pleasure to help interpret Faulkner for Sophie, not only by way of explaining parts of the occult Mississippi vernacular but in showing her some of the right pathways as she penetrated the wonderful groves and canebrakes of his rhetoric.

With all the difficulty, she was moved and impressed by the stormy assault that this prose made upon her mind. “He writes like someone, you know,
possessed!”
she said to me, then added, “It’s very plain that
he
never was psychoanalyzed.” Her nose crinkled up in distaste as she made this observation, obviously alluding to the group of sunbathers who had so offended her the previous Sunday. I hadn’t completely realized it at the time, but that same Freudian colloquy which had fascinated and, at the most, amused me had been downright odious to Sophie and had caused her to flee with Nathan from the beach. “Those strange creepy people, all picking at their little... scabs,” she had complained to me when Nathan was not around. “I
hate
this type of—and here I thought she used a lovely gem of a phrase—
“unearned unhappiness!”
Although I saw exactly what she meant, I was surprised at the fervor of her hostility and I wondered—even as I climbed the steps to take her out on our picnic—if it might not be due only to some irreconcilable discord left over from that stern religion which I knew she had abandoned.

I had not meant to take Sophie by surprise but the door to the room was partly open, and since I could see that she was clothed—“decent,” as girls used to say—I entered without knocking. Dressed in some kind of robe or housecoat, she stood at the far end of the big room combing her hair in front of a mirror. Her back was to me and for a moment I could tell she was unaware of my presence as she stroked the lustrous blond tresses with a sizzling sound, barely audible on the noontime stillness. Supercharged with a prurient residue—overflow, I imagine, of my Leslie daydreams—I had a sudden impulse to creep up behind Sophie and nuzzle her neck while filling my hands with her breasts. But the very thought was unconscionable and I belatedly realized, while I stood there in silence watching, that it was wrong enough of me to have stolen in on her in this way and violated her privacy, so I announced myself with a small, cough. She turned from the mirror with a startled gasp and in so doing revealed a face I shall never in my life forget. Dumfounded, I beheld—for a mercifully fleeting instant—an old hag whose entire lower face had crumpled in upon itself, leaving a mouth like a wrinkled gash and an expression of doddering senescence. It was a mask, withered and pitiable.

I was literally on the verge of crying out, but she beat me to it, making a gulping noise as she clapped her hands over her mouth and fled to the bathroom. I stood there in pounding embarrassment for long moments listening to the muffled sounds behind the bathroom door, aware now for the first time of the Scarlatti piano sonata that had been playing softly on the phonograph. Then, “Stingo, when are you going to learn to knock on a lady’s door?” I heard her call, more teasing in tone than truly cross. And then—only then—did I realize what I had witnessed. I was grateful that she had displayed no real anger, and was swiftly touched at this generosity of spirit, wondering what my own reaction might have been had / been caught without
my
teeth. And at that instant Sophie emerged from the bathroom, a faint flush still on her cheeks, but composed, even radiant, all the lovely components of her face reunited in a merry apotheosis of American dentistry. “Let’s go to the park,” she said, “I’m
swooning
with hunger. I am... the
avatar
of hunger!”

That “avatar,” of course, was quintessential Faulkner, and I was so tickled at the way she used the word, and by her restored beauty, that I found myself disgorging loud coarse cackles of laughter.

“Braunschweiger on rye, with mustard,” I said.

“Hot pastrami!” she replied.

“Salami and Swiss cheese on pumpernickel,” I went on, “with a pickle, half sour.”

“Stop
it, Stingo, you’re killing me!” she cried with a golden laugh. “Let’s go!” And off we went to the park, via Himelfarb’s Deluxe Delicatessen.

6

I
T WAS THROUGH
his older brother, Larry Landau, that Nathan had been able to get Sophie such a superb new set of dentures. And although it was Nathan’s own keen if nonprofessional diagnosis which so accurately pegged the nature of Sophie’s malady very soon after their encounter at the Brooklyn College library, his brother was instrumental in helping to find a cure for that problem too. Larry, whom I was to meet later on in the summer under very strained circumstances, was a urological surgeon with a large and prosperous practice in Forest Hills. A man in his mid-thirties, Nathan’s brother possessed a brilliant record in his field, having once been engaged—as a teaching fellow at the College of Physicians and Surgeons at Columbia—in some highly original and valuable research in kidney function which had won him excited attention in professional circles at an early age. Nathan mentioned this to me once in intensely admiring tones, obviously cherishing extravagant pride in his brother. Larry had also served in the war with grand distinction. As a senior lieutenant in the Navy medical corps he had performed brave and extraordinary feats of surgical skill while undergoing kamikaze attacks aboard a doomed flattop off the Philippines; the exploit won him the Navy Cross—a citation not too often achieved by a medical officer (a Jew to boot in an anti-Semitic Navy), and one which in 1947, with its resonant and recent memories of war and glory, was something else for Nathan to gently crow over and be proud about.

Sophie told me that she didn’t learn Nathan’s name until many hours after he rescued her at the library. What she most deeply and indelibly remembered about that first day, and the days which followed, was his truly awesome tenderness. At the beginning—perhaps only because she recalled him bending over her, murmuring, “Let the doctor take care of everything”—she could not tell that those words had been spoken facetiously, and so she thought he
was
a doctor even later as with a kind of commanding gentleness he held her against his arm, whispering words of comfort and encouragement while they rode back to Yetta’s in a taxi. “We’ve got to get you fixed up,” she remembered him saying, in a kind of half-jocular tone which brought to her lips the first trace of a grin since she had collapsed. “You can’t run around Brooklyn fainting in libraries and scaring people half to death.”

There was something so supportive, so friendly and benign, so
caring
in his voice, and everything about his presence inspired such immediate trust, that when they got back to her room (hot and stifling in the slant of afternoon sunlight, where she again had a brief fainting spell and slumped against him), she had not the slightest trace of discomfiture in feeling him gently unbutton and remove her soiled dress and then with delicate but firm pressure push her slowly down to her bed, where she lay stretched out clad only in a slip. She felt much better, the nausea had vanished. But as she lay there looking up, trying to return the stranger’s quizzical sad smile, she could feel the ponderous drowsiness and lassitude persisting to her bone marrow. “Why am I so tired?” she heard herself ask him in a faint voice. “What’s wrong with me?” She still had the notion that he was a physician and regarded his silent, vaguely sorrowing gaze upon her as being diagnostic, professional, until suddenly she realized that his eyes had fixed upon the number graven on her arm. Abruptly (and this was odd, for she had long since abandoned any self-consciousness about the marking) she made a move with her hand as if to cover it up, but before she could do so he had gently grasped her wrist and had begun to monitor her pulse as he had done at the library. He said nothing for a while, and she felt perfectly safe and at ease in his calm grip, drowsing off with his words in her ear, restorative, soothing, with that blessed touch of playfulness: “The doctor thinks you need a big pill to try to bring some color to that beautiful white skin.” Again:
the doctor!
Peacefully then she fell into a dreamless doze, but when, only moments after, she awoke and opened her eyes, the doctor was gone.

BOOK: William Styron: The Collected Novels: Lie Down in Darkness, Set This House on Fire, The Confessions of Nat Turner, and Sophie's Choice
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