William Styron: The Collected Novels: Lie Down in Darkness, Set This House on Fire, The Confessions of Nat Turner, and Sophie's Choice (252 page)

BOOK: William Styron: The Collected Novels: Lie Down in Darkness, Set This House on Fire, The Confessions of Nat Turner, and Sophie's Choice
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The only thorn in this bower of roses, Sophie told me, was her employment. That is, the fact that she continued to work for Dr. Hyman Blackstock, who, after all, was a chiropractor. To Nathan, brother of a first-rate doctor, a young man who considered himself a dedicated scientist (and for whom the canons of medical ethics were as sacred as if he himself had taken the Hippocratic oath), the idea of her laboring in the employ of a quack was nearly intolerable. He told her point-blank that in his view it was tantamount to whoring and he implored her to quit. To be sure, for a long time he made an extended joke out of it all, concocting all sorts of gags and stories about chiropractors and their shoddy craft that caused her to laugh despite herself; the general facetiousness of his attitude allowed her to decide that his objections were not to be taken too seriously. Even so, when his complaints grew louder and his animadversions more serious and cutting, she steadfastly refused to entertain any idea of leaving her job, as uncomfortable as the whole situation seemed to make Nathan feel. It was one of the few tangents in their relationship where she felt unable to adopt a subservient point of view. And she was firm about the matter. After all, she was not
married
to Nathan. She had to feel a certain independence. She had to remain employed in that year when employment was devilishly difficult to come by, especially for a young woman who (as she kept pointing out to Nathan) had “no talents.” Furthermore, she felt very secure in this job where she could speak in her native tongue to the boss, and she had frankly grown quite fond of Blackstock. He was like a godfather or beloved uncle to her and she made no bones about the fact. Alas, she came to realize that it was this perfectly innocuous fondness, containing no romantic overtone whatever, that Nathan misconstrued, adding fuel to his seething animosity. It would perhaps have been faintly comic had not his misplaced jealousy contained seeds of the violent, and worse...

Earlier there was a bizarre, peripheral tragedy affecting Sophie which should be recounted here if only because of the way in which it elaborates all the foregoing. It has to do with Blackstock’s wife, Sylvia, and the fact that she was a “problem drinker”; the horrible event itself occurred about four months after Sophie and Nathan began keeping company, in the early fall...

“I knew knee-deep she was a problem drinker,” Black-stock later told Sophie in his desperate lament, “but I had no idea how great was her problem.” He confessed with wrenching guilt to a certain willful blindness: coming home night after night to St. Albans from his office he would try to ignore her slurred speech after the single cocktail, usually a Manhattan, which he served both of them, attributing her addled tongue and unsteady gait to a simple intolerance of alcohol. But even so, he knew he was fooling himself, in his desperate love for her shrinking from the truth that was revealed in graphic figuration a few days after her death. Stuffed into a closet in her private dressing room—a sanctum never penetrated by Blackstock—were over seventy empty quart bottles of Southern Comfort, which the poor woman apparently dreaded to risk disposing of, although she plainly had no trouble acquiring the powerful sweet elixir and stowing it away by the case. Blackstock realized—or allowed himself to realize—only when it was too late that this had been going on for months, maybe years. “If only I hadn’t pampered her so,” he grieved to Sophie. “If only I had faced up to the fact that she was a—” he hesitated at the word—“a
lush.
I could have put her into
psychoanalytical therapy,
had her cured.” His recriminations were terrible to hear. “It’s my fault, all mine!” he wept. And chief among his assemblage of griefs was this: that basically aware of her awful plight, he had still permitted her to drive an automobile.

Sylvia was his precious pet, and that is what he called her. My pet. He had no one else to really squander his money on, and so, instead of voicing the standard husband’s complaint, he actually encouraged her frequent buying sprees to Manhattan. There with some female friend—flush, plump and idle like herself—she would sweep through Altman and Bergdorf and Bonwit and half a dozen other fancy shops and return to Queens with the back seat stacked high with boxes of ladies’ merchandise, most of which languished in pristine condition in her bureau drawers or got stuffed into the recesses of her many closets, where Blackstock later found score upon score of unused gowns and dresses faintly smudged with mildew. What Blackstock did not know until the sad fact was past undoing was that after her orgy of shopping she usually got drunk with her companion of the day; she favored the lounge of the Westbury Hotel on Madison Avenue where the bartender was friendly, indulgent and discreet But her ability to cope with the Southern Comfort—which even at the Westbury remained her steady tipple—was being swiftly undermined, and the disaster when it struck was sudden, terrifying and, as I say, almost indecently bizarre.

Returning to St. Albans one afternoon by way of the Triborough Bridge, she lost control of the car while driving at ferocious speed (the police said that the speedometer was frozen at eighty-five miles an hour), smashed into the rear end of a truck and spun out against the guardrail of the bridge, where the Chrysler was instantly transmuted into steel splinters and plastic shards. Sylvia’s friend, a Mrs. Braunstein, died three hours later in a hospital. Sylvia herself was decapitated, which in itself was ghastly enough; it was intolerable that to Blackstock’s nearly insane grief was added the knowledge that the head itself vanished, catapulted by the immense impact into the East River. (There are in the lives of all of us odd instances where one later crosses the path of someone associated with what one regarded as an abstract public event; that spring I had with a small shudder read the
Daily Mirror
headline
RIVER SEARCH CONTINUES FOR WOMAN’S HEAD
, scarcely realizing that I would soon have at least a distant connection with the victim’s spouse.)

Blackstock was virtually a suicide. His grief was an inundation—
Amazonian,
He suspended his end of the practice indefinitely, leaving his patients to the ministrations of his assistant, Seymour Katz. He announced piteously that he might never resume practice, but retire to Miami Beach. The doctor had no near relatives, and in his wild bereavement—so deep and burningly felt that she could not help but be moved by it—Sophie found herself acting as a kind of surrogate kin, a younger sister or daughter. During the several days while the search for Sylvia’s head went on, Sophie was at his side in the St. Albans house almost constantly, fetching him sedatives, brewing him tea, patiently listening to his dirge for his wife. Dozens of people moved in and out, but she was his mainstay. There was the matter of the funeral—he refused to have her buried headless; steeling herself, Sophie had to absorb much gruesome theoretical talk about this problem. (What would happen if nothing was ever found?) But mercifully the head soon showed up, washed ashore on Riker’s Island. It was Sophie who took the telephone call from the city morgue, and it was she who on the urgent advice of the medical examiner managed (though with great difficulty) to persuade Blackstock to forgo a final look at the remnant. At last reassembled, Sylvia’s body was laid to rest in a Hebrew cemetery on Long Island. Sophie was amazed at the vast numbers of the doctor’s friends and patients who attended the funeral. Among the mourners was a personal representative from the mayor of New York, a high-ranking police inspector, and Eddie Cantor, the famous radio comedian whose spine Blackstock had treated.

Riding back to Brooklyn in the mortuary limousine, Blackstock slumped against Sophie and wept hopelessly, telling her in Polish once again how much she meant to him, as if she were the daughter whom he and Sylvia never had. There was no approximation of a Jewish wake. Blackstock preferred solitude. Sophie went with him to the St. Albans house and helped him straighten out a few things. It was early evening when—over her protests that she should take the subway—he drove her to Brooklyn in his bargelike Fleetwood, depositing her at the door of the Pink Palace just as a hazy autumnal dusk fell over Prospect Park. He seemed much more composed now and had even allowed himself a mild joke or two. He had also downed one or two weak Scotches, although he was not much of a drinking man. But standing with her outside the house he broke into pieces again, and there in the shadowy twilight he embraced her convulsively, nuzzling her neck, muttering distraught words in Yiddish and giving forth the loneliest sobbing sounds she had ever heard. So involved and stricken was this embrace, so
total,
that Sophie did begin to wonder whether in his desolation he was not groping for something more than comfort and daughterly assurance; she felt a midriff pressure and an urgency that was almost sexual. But she thrust the idea from her mind. He was such a puritan. And if during the long time of her job with him he had never made a pass at her, it seemed unlikely that he would do so now, drowned as he was in his misery. This assumption would later prove to be correct, although she would have reason to regret that lengthy, moist and rather uncomfortable enfoldment. For by the sheerest chance Nathan had been watching from above.

She was bone-tired from the ordeal of serving as handmaiden to the doctor’s grief, and looked forward to an early bedtime. Another reason to go to bed early, she reflected with rising excitement, was that the next morning, a Saturday, she and Nathan had to get a fresh start for their trip to Connecticut. Sophie had looked forward to their excursion for days. Although even as a child in Poland she had heard of the blazing marvel of the New England foliage in October, Nathan had fueled her expectation, describing the landscape she was about to see in his delicious, extravagant way and telling her that this singularly American spectacle, this amok flambeau unique in all Nature, was simply an aesthetic encounter that must not be missed. He had managed once again to borrow Larry’s car for the weekend, and he had reserved a room in a well-known country inn. All this alone would have been enough to whet Sophie’s appetite for the adventure, but in addition, except for the funeral and a single summer afternoon at Montauk with Nathan, she had never been outside the confines of New York City. And so this fresh American experience with its hint of bucolic beguilements gave her a thrill of joy and anticipation keener than any of its kind since those childhood summers when the train chuffed out from the Cracow station toward Vienna and the Alto Adige and the swirling mists of the Dolomites.

Climbing to the second floor, she began to wonder what she would wear; the weather had become brisk and she contemplated which item among their elaborate “costumery” might be appropriate for the October woodlands, then suddenly she remembered a lightweight tweed suit Nathan had bought her at Abraham & Straus only two weeks before. Just as she reached the landing she heard Brahms’
Alto Rhapsody
on the phonograph, Marian Anderson’s flowering dark exultancy, triumph wrested from eons of despair. Perhaps it was her tiredness or the aftereffects of the funeral, but the music brought a sweet choking sensation to her throat and her eyes blurred with tears. She quickened her step and her heart stirred because she knew the music meant that Nathan was there. But when she opened the door—“I’m home, darling!” she called to him—she was surprised to find no one in the room. She had expected him. He had said he would be there from six o’clock on, but he was gone.

She lay down for what she thought would be a nap, but in her exhaustion slept for a long time, although restlessly. Waking up in the dark, she saw by the alarm clock’s dim green eyes that it was past ten o’clock and she was seized by grave, immediate alarm. Nathan! It was so unlike him not to be there at the appointed hour, or at least to fail to leave a note. She felt a frantic sense of desertion. She leaped up from bed and turned on the light and began aimlessly to pace the room. Her only thought was that he had come home from work, then gone out for something and had met with a terrible accident on the street. Each recollected sound of a police siren, screeching just now through her dreams, betokened certain catastrophe. Part of her mind told her that this panic was foolish, but it was something she could not help or avoid. Her love for Nathan was so totally consuming, yet at the same time was defined by such childlike dependence in a hundred ways, that the terror that surrounded her in his unexplained absence was utterly demoralizing, like being caught in that strangling fear—the fear that she might be abandoned by her parents—which she had often felt as a little girl. And she knew that this, too, was irrational but beyond remedy. Turning the radio on, she sought a news announcer’s empty distraction. She continued to pace the room, visualizing the most ghastly mishaps, and she was on the verge of dissolving into tears when he suddenly and noisily burst through the door. At that instant she felt an immediate blessing like showering light—resurrection from the dead. She remembered thinking: I cannot believe such love.

He smothered her in his arms. “Let’s fuck,” he breathed into her ear. Then he said, “No, let’s wait. I’ve got a surprise for you.” She trembled in his irresistible bear hug, as pliantly feeble with relief as the stalk of a flower. “Dinner—” she began fatuously.

“Don’t talk about dinner,” he said loudly, releasing her. “We’ve got better things to do.” As he moved around her in a happy little jig she looked into his eyes; the flashing eccentric glitter there, together with his overflowing, overpowering voice—near-frenzy, manic—told her at once that he was high on his “stuff.” Yet although she had never seen him quite this extravagantly agitated, she was not alarmed. Amused, vastly relieved, but not alarmed. She had seen him high before. “We’re going to a jam session at Morty Haber’s,” he announced, rubbing his nose like a lovesick moose across her cheek. “Get your coat on. We’re going to a jam session and
celebrate!

“Celebrate what, darling?” she asked. Her love for him and her sense of salvation were at that moment so lunatic that she would have tried to swim the Atlantic with him had he commanded her to do so. Nonetheless, she was perplexed and all but engulfed by his electric fever (an intense feeling of famishment stabbed her too) and she reached out her hands in a vain, fluttering effort to quiet him down. “Celebrate what?” she said again. She couldn’t restrain herself from chortling at his loud runaway enthusiasm. She kissed his
schnoz.

BOOK: William Styron: The Collected Novels: Lie Down in Darkness, Set This House on Fire, The Confessions of Nat Turner, and Sophie's Choice
2.69Mb size Format: txt, pdf, ePub
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