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Authors: Flannery O'Connor

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BOOK: Wise Blood
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The smaller dark one, just under the other, only squinted as if it were trying to identify an old friend who was going to kill it.

           
Haze stood motionless with one hand still on the bow of the glasses and the other arrested in the air at the level of his chest; his head was thrust forward as if he had to use his whole face to see with. He was about four feet from them but they seemed just under his eyes.

           
"Ask your daddy yonder where he was running off to-sick as he is?" Sabbath said. "Ask him isn't he going to take you and me with him?"

           
The hand that had been arrested in the air moved forward and plucked at the squinting face but without touch- ing it; it reached again, slowly, and plucked at nothing and then it lunged and snatched the shriveled body and threw it against the walL The head popped and the trash inside sprayed out in a little cloud of dust.

           
"You've broken him!" Sabbath shouted, "and he was mine!"

           
Haze snatched the skin off the floor. He opened the outside door where the landlady thought there had once been a fireescape, and flung out what he had in his hand. The rain blew in his face and he jumped back and stood, with a cautious look, as if he were bracing himself for a blow.

           
"You didn't have to throw him out," she yelled. "I might have fixed him!"

           
He moved up closer and hung out the door, staring into the gray blur around him. The rain fell on his hat with loud splatters as if it were falling on tin.

           
"I knew when I first seen you you were mean and evil," a furious voice behind him said. "I seen you wouldn't let nobody have nothing. I seen you were mean enough to slam a baby against a wall. I seen you wouldn't never have no fun or let anybody else because you didn't want nothing but Jesus!"

           
He turned and raised his arm in a vicious gesture, almost losing his balance in the door. Drops of rain water were splattered over the front of the glasses and on his red face and here and there they hung sparkling from the brim of his hat. "I don't want nothing but the truth!" he shouted, "and what you see is the truth and I've seen it!"

           
"Preacher talk," she said. "Where were you going to run off to?"

           
"I've seen the only truth there is!" he shouted.

           
"Where were you going to run off to?"

           
"To some other city," he said in a loud hoarse voice, "to preach the truth. The Church Without Christ! And I got a car to get there in, I got..." but he was stopped by a cough. It was not much of a cough--it sounded like a little yell for help at the bottom of a canyon--but the color and the expression drained out of his face until it was as straight and blank as the rain falling down behind him.

           
"And when were you going?" she asked.

           
"After I get some more sleep," he said, and pulled off the glasses and threw them out the door.

           
"You ain't going to get none," she said.

 

 

 

CHAPTER 12

 

In spite of himself, Enoch couldn't get over the expectation that the new jesus was going to do something for him in return for his services. This was the virtue of Hope, which was made up, in Enoch, of two parts suspicion and one part lust. It operated on him all the rest of the day after he left Sabbath Hawks. He had only a vague idea how he wanted to be rewarded, but he was not a boy without ambition: he wanted to become something. He wanted to better his condition until it was the best. He wanted to be THE young man of the future, like the ones in the insurance ads. He wanted, some day, to see a line of people waiting to shake his hand.

           
All afternoon, he fidgeted and fooled in his room, biting his nails and shredding what was left of the silk off the landlady's umbrella. Finally he denuded it entirely and broke off the spokes. What was left was a black stick with a sharp steel point at one end and a dog's head at the other. It might have been an instrument for some specialized kind of torture that had gone out of fashion. Enoch walked up and down his room with it under his arm and realized that it would distinguish him on the sidewalk.

           
About seven o'clock in the evening, he put on his coat and took the stick and headed for a little restaurant two blocks away. He had the sense that he was setting off to get some honor, but he was very nervous, as if he were afraid he might have to snatch it instead of receive it.

           
He never set out for anything without eating first. The restaurant was called the Paris Diner; it was a tunnel about six feet wide, located between a shoe shine parlor and a dry-cleaning establishment. Enoch slid in and climbed up on the far stool at the counter and said he would have a bowl of split-pea soup and a chocolate malted milkshake.

           
The waitress was a tall woman with a big yellow dental plate and the same color hair done up in a black hairnet. One hand never left her hip; she filled orders with the other one. Although Enoch came in every night, she had never learned to like him.

           
Instead of filling his order, she began to fry bacon; there was only one other customer in the place and he had finished his meal and was reading a newspaper; there was no one to eat the bacon but her. Enoch reached over the counter and prodded her hip with his stick. "Listenhere," he said, "I got to go. I'm in a hurry."

           
"Go then," she said. Her jaw began to work and she stared into the skillet with a fixed attention.

           
"Lemme just have a piece of theter cake yonder," he said, pointing to a half of pink and yellow cake on a round glass stand. "I think I got something to do. I got to be going. Set it up there next to him," he said, indicating the customer reading the newspaper. He slid over the stools and began reading the outside sheet of the man's paper.

           
The man lowered the paper and looked at him. Enoch smiled. The man raised the paper again. "Could I borrow some part of your paper that you ain't studying?" Enoch asked. The man lowered it again and stared at him; he had muddy unflinching eyes. He leafed deliberately through the paper and shook out the sheet with the comic strips and handed it to Enoch. It was Enoch's favorite part. He read it every evening like an office. While he ate the cake that the waitress had torpedoed down the counter at him, he read and felt himself surge with kindness and courage and strength.

           
When he finished one side, he turned the sheet over and began to scan the advertisements for movies, that filled the other side. His eye went over three columns without stopping; then it came to a box that advertised Gonga, Giant Jungle Monarch, and listed the theaters he would visit on his tour and the hours he would be at each one. In thirty minutes he would arrive at the Victory on 57th Street and that would be his last appearance in the city.

           
If anyone had watched Enoch read this, he would have seen a certain transformation in his countenance. It still shone with the inspiration he had absorbed from the comic strips, but something else had come over it: a look of awakening.

           
The waitress happened to turn around to see if he hadn't gone. "What's the matter with you?" she said. "Did you swallow a seed?"

           
"1 know what I want/' Enoch murmured, "I know what I want too," she said with a dark look.

           
Enoch felt for his stick and laid his change on the counter. "I got to be going."

           
"Don't let me keep you," she said.

           
"You may not see me again," he said, "--the way I am."

           
"Any way I don't see you will be all right with me," she said.

           
Enoch left. It was a pleasant damp evening. The puddles on the sidewalk shone and the store windows were steamy and bright with junk. He disappeared down a side street and made his way rapidly along the darker passages of the city, pausing only once or twice at the end of an alley to dart a glance in each direction before he ran on. The Victory was a small theater, suited to the needs of the family, in one of the closer subdivisions; he passed through a succession of lighted areas and then on through more alleys and back streets until he came to the business section that surrounded it. Then he slowed up. He saw it about a block away, glittering in its darker setting. He didn't cross the street to the side it was on but kept on the far side, moving forward with his squint fixed on the glary spot. He stopped when he was directly across from it and hid himself in a narrow stair cavity that divided a building.

           
The truck that carried Gonga was parked across the street and the star was standing under the marquee, shaking hands with an elderly woman. She moved aside and a gentleman in a polo shirt stepped up and shook hands vigorously, like a sportsman. He was followed by a boy of about three who wore a tall Western hat that nearly covered his face; he had to be pushed ahead by the line. Enoch watched for some time, his face working with envy. The small boy was followed by a lady in shorts, she by an old man who tried to draw extra attention to himself by dancing up instead of walking in a dignified way. Enoch suddenly darted across the street and slipped noiselessly into the open back door of the truck.

           
The handshaking went on until the feature picture was ready to begin. Then the star got back in the van and the people filed into the theater. The driver and the man who was master of ceremonies climbed in the cab part and the truck rumbled off. It crossed the city rapidly and continued on the highway, going very fast.

           
There came from the van certain thumping noises, not those of the normal gorilla, but they were drowned out by the drone of the motor and the steady sound of wheels against the road. The night was pale and quiet, with noth- ing to stir it but an occasional complaint from a hoot owl and the distant muted jarring of a freight train. The truck sped on until it slowed for a crossing, and as the van rattled over the tracks, a figure slipped from the door and almost fell, and then limped hurriedly off toward the woods.

           
Once in the darkness of a pine thicket, he laid down a pointed stick he had been clutching and something bulky and loose that he had been carrying under his arm, and began to undress. He folded each garment neatly after he had taken it off and then stacked it on top of the last thing he had removed. When all his clothes were in the pile, he took up the stick and began making a hole in the ground with it.

           
The darkness of the pine grove was broken by paler moonlit spots that moved over him now and again and showed him to be Enoch. His natural appearance was marred by a gash that ran from the corner of his lip to his collarbone and by a lump under his eye that gave him a dulled insensitive look. Nothing could have been more deceptive for he was burning with the in tensest kind of happiness.

           
He dug rapidly until he had made a trench about a foot long and a foot deep. Then he placed the stack of clothes in it and stood aside to rest a second. Burying his clothes was not a symbol to him of burying his former self; he only knew he wouldn't need them any more. As soon as he got his breath, he pushed the displaced dirt over the hole and stamped it down with his foot. He discovered while he did this that he still had his shoes on, and when he finished, he removed them and threw them from him. Then he picked up the loose bulky object and shook it vigorously.

           
In the uncertain light, one of his lean white legs could be seen to disappear and then the other, one arm and then the other: a black heavier shaggier figure replaced his. For an instant, it had two heads, one light and one dark, but after a second, it pulled the dark back head over the other and corrected this. It busied itself with certain hidden fastenings and what appeared to be minor adjustments of its hide.

           
For a time after this, it stood very still and didn't do anything. Then it began to growl and beat its chest; it jumped up and down and flung its arms and thrust its head forward. The growls were thin and uncertain at first but they grew louder after a second. They became low and poisonous, louder again, low and poisonous again; they stopped altogether. The figure extended its hand, clutched nothing, and shook its arm vigorously; it withdrew the arm, extended it again, clutched nothing, and shook. It repeated this four or five times. Then it picked up the pointed stick and placed it at a cocky angle under its arm and left the woods for the highway. No gorilla in existence, whether in the jungles of Africa or California, or in New York City in the finest apartment in the world, was happier at that moment than this one, whose god had finally rewarded it.

           
A man and woman sitting close together on a rock just off the highway were looking across an open stretch of valley at a view of the city in the distance and they didn't see the shaggy figure approaching. The smokestacks and square tops of buildings made a black uneven wall against the lighter sky and here and there a steeple cut a sharp wedge out of a cloud. The young man turned his neck just in time to see the gorilla standing a few feet away, hideous and black, with its hand extended. He eased his arm from around the woman and disappeared silently into the woods. She, as soon as she turned her eyes, fled screaming down the highway. The gorilla stood as though surprised and presently its arm fell to its side. It sat down on the rock where they had been sitting and stared over the valley at the uneven skyline of the city.

BOOK: Wise Blood
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