One more set of doors, another cool, dark room, this one nearly silent, and one more door at the end, an airlock door, and another plainclothes security person in front of it; a side-room with a glass door bustling with people staring intently at screens. The security person -- a woman, Leon saw -- had a frank and square pistol with a bulbous butt velcroed to the side of her suit.
"He's through there, isn't he?" Leon said, pointing at the airlock door.
"No," Ria said. "No. He's here. We are inside him. Remember that, Leon. He isn't the stuff in the vat there. In some sense you've been in Buhle's body since you got off the chopper. His sensor array network stretches out as far as the heliport, like the tips of the hairs on your neck, they feel the breezes that blow in his vicinity. Now you've tunneled inside him, and you're right here, in his heart or his liver."
"Or his brain."
A voice, then, from everywhere, warm and good-humored. "The brain is overrated." Leon looked at Ria and she rolled her eyes eloquently behind her faceplate.
"Tuned sound," she said. "A party trick. Buhle --"
"Wait," Buhle said. "Wait. The brain, this is important, the brain is
so
overrated. The ancient Egyptians thought it was used to cool the blood, you know that?" He chortled, a sound that felt to Leon as though it began just above his groin and rose up through his torso, a very pleasant and very invasive sensation. "The heart, they thought, the heart was the place where the
me
lived. I used to wonder about that. Wouldn't they think that the thing between the organs of hearing, the thing behind the organs of seeing, that must be the me? But that's just the brain doing one of its little stupid games, backfilling the explanation. We think the brain is the obvious seat of the me because the brain already knows that it is the seat, and can't conceive of anything else. When the brain thought it lived in your chest, it was perfectly happy to rationalize that too --
Of course it's in the chest, you feel your sorrow and your joy there, your satiety and your hunger...
The brain, pffft, the brain!"
"Buhle," she said. "We're coming in now."
The nurse/guard by the door had apparently only heard their part of the conversation, but also hadn't let it bother her. She stood to one side, and offered Leon a tiny, incremental nod as he passed. He returned it, and then hurried to catch up with Ria, who was waiting inside the airlock. The outer door closed and for a moment, they were pressed up against one another and he felt a wild, horny thought streak through him, all the excitement discharging itself from yet another place that the me might reside.
Then the outer door hissed open and he met Buhle -- he tried to remember what Ria had said, that Buhle wasn't this, Buhle was everywhere, but he couldn't help himself from feeling that this was
him
.
Buhle's vat was surprisingly small, no bigger than the sarcophagus that an ancient Egyptian might have gone to in his burial chamber. He tried not to stare inside it, but he couldn't stop himself. The withered, wrinkled man floating in the vat was intertwined with a thousand fiber optics that disappeared into pinprick holes in his naked skin. There were tubes: in the big highways in the groin, in the gut through a small valve set into a pucker of scar, in the nose and ear. The hairless head was pushed in on one side, like a pumpkin that hasn't been turned as it grew in the patch, and there was no skin on the flat piece, only white bone and a fine metallic mesh and more ragged, curdled scar tissue.
The eyes were hidden behind a slim set of goggles that irised open when they neared him, and beneath the goggles they were preternaturally bright, bright as marbles, set deep in bruised-looking sockets. The mouth beneath the nostril-tubes parted in a smile, revealing teeth as neat and white as a toothpaste advertisement, and Buhle spoke.
"Welcome to the liver. Or the heart."
Leon choked on whatever words he'd prepared. The voice was the same one he'd heard in the outer room, warm and friendly, the voice of a man whom you could trust, who would take care of you. He fumbled around his suit, patting it. "I brought you a doorknob," he said, "but I can't reach it just now."
Buhle laughed, not the chuckle he'd heard before, but an actual, barked
Ha!
that made the tubes heave and the fiber optics writhe. "Fantastic," he said. "Ria, he's fantastic."
The compliment made the tips of Leon's ears grow warm.
"He's a good one," she said. "And he's come a long way at your request."
"You hear how she reminds me of my responsibilities? Sit down, both of you." Ria rolled over two chairs, and Leon settled into one, feeling it noiselessly adjust to take his weight. A small mirror unfolded itself and then two more, angled beneath it, and he found himself looking into Buhle's eyes, looking at his face, reflected in the mirrors.
"Leon," Buhle said, "tell me about your final project, the one that got you the top grade in your class."
Leon's fragile calm vanished, and he began to sweat. "I don't like to talk about it," he said.
"Makes you vulnerable, I know. But vulnerable isn't so bad. Take me. I thought I was invincible. I thought that I could make and unmake the world to my liking. I thought I understood how the human mind worked -- and how it broke.
"And then one day in Madrid, as I was sitting in my suite's breakfast room, talking with an old friend while I ate my porridge oats, my old friend picked up the heavy silver coffee jug, leaped on my chest, smashed me to the floor, and methodically attempted to beat the brains out of my head with it. It weighed about three pounds, not counting the coffee, which was scalding, and she only got in three licks before they pulled her off of me, took her away. Those three licks though --" He looked intently at them. "I'm an old man," he said. "Old bones, old tissues. The first blow cracked my skull. The second one broke it. The third one forced fragments into my brain. By the time the medics arrived, I'd been technically dead for about 174 seconds, give or take a second or two."
Leon wasn't sure the old thing in the vat had finished speaking, but that seemed to be the whole story. "Why?" he said, picking the word that was uppermost in his mind.
"Why did I tell you this?"
"No," Leon said. "Why did your old friend try to kill you?"
Buhle grinned. "Oh, I expect I deserved it," he said.
"Are you going to tell me why?" Leon said.
Buhle's cozy grin disappeared. "I don't think I will."
Leon found he was breathing so hard that he was fogging up his faceplate, despite the air-jets that worked to clear it. "Buhle," he said, "the point of that story was to tell me how vulnerable you are so that I'd tell you my story, but that story doesn't make you vulnerable. You were beaten to death and yet you survived, grew stronger, changed into this --" He waved his hands around. "This body, this monstrous, town-sized giant. You're about as vulnerable as fucking Zeus."
Ria laughed softly but unmistakably. "Told you so," she said to Buhle. "He's a good one."
The exposed lower part of Buhle's face clenched like a fist and the pitch of the machine noises around them shifted a half-tone. Then he smiled a smile that was visibly forced, obviously artificial even in that ruin of a face.
"I had an idea," he said. "That many of the world's problems could be solved with a positive outlook. We spend so much time worrying about the rare and lurid outcomes in life. Kids being snatched. Terrorists blowing up cities. Stolen secrets ruining your business. Irate customers winning huge judgments in improbable lawsuits. All this
chickenshit
, bed-wetting, hand-wringing
fear
." His voice rose and fell like a minister's and it was all Leon could do not to sway in time with him. "And at the same time, we neglect the likely: traffic accidents, jetpack crashes, bathtub drownings. It's like the mind can't stop thinking about the grotesque, and can't stop forgetting about the likely."
"Get on with it," Ria said. "The speech is lovely, but it doesn't answer the question."
He glared at her through the mirror, the marble-eyes in their mesh of burst blood vessels and red spider-tracks, like the eyes of a demon. "The human mind is just
kinked wrong
. And it's correctable." The excitement in his voice was palpable. "Imagine a product that let you
feel
what you
know
-- imagine if anyone who heard 'Lotto: you've got to be in it to win it' immediately understood that this is
so much bullshit
. That statistically, your chances of winning the lotto are not measurably improved by buying a lottery ticket. Imagine if explaining the war on terror to people made them double over with laughter! Imagine if the capital markets ran on realistic assessments of risk instead of envy, panic and greed."
"You'd be a lot poorer," Ria said.
He rolled his eyes eloquently.
"It's an interesting vision," Leon said. "I'd take the cure, whatever it was."
The eyes snapped to him, drilled through him, fierce. "That's the problem,
right there
. The only people who'll take this are the people who don't need it. Politicians and traders and oddsmakers know how probability works, but they also know that the people who make them fat and happy
don't
understand it a bit, and so they can't afford to be rational. So there's only one answer to the problem."
Leon blurted, "The bears."
Ria let out an audible sigh.
"The fucking bears," Buhle agreed, and the way he said it was so full of world-weary exhaustion that it made Leon want to hug him. "Yes. As a social reform tool, we couldn't afford to leave this to the people who were willing to take it. So we --"
"Weaponized it," Ria said.
"Whose story is this?"
Leon felt that the limbs of his suit were growing stiffer, his exhaust turning it into a balloon. And he had to pee. And he didn't want to move.
"You dosed people with it?"
"Leon," Buhle said, in a voice that implied,
Come on, we're bigger than that
. "They'd consented to being medical research subjects. And it
worked
. They stopped running around shouting
The sky is falling, the sky is falling
and became --
zen
. Happy, in a calm, even-keeled way. Headless chickens turned into flinty-eyed air-traffic controllers."
"And your best friend beat your brains in --"
"Because," Buhle said, in a little Mickey Mouse falsetto, "
it would be unethical to do a broad-scale release on the general public
"
Ria was sitting so still he had almost forgotten she was there.
Leon shifted his weight. "I don't think that you're telling me the whole story."
"We were set to market it as an anti-anxiety medication."
"And?"
Ria stood up abruptly. "I'll wait outside." She left without another word.
Buhle rolled his eyes again. "How do you get people to take anti-anxiety medication? Lots and lots of people? I mean, if I assigned you that project, gave you a budget for it --"
Leon felt torn between a desire to chase after Ria and to continue to stay in the magnetic presence of Buhle. He shrugged. "Same as you would with any pharma. Cook the diagnosis protocol, expand the number of people it catches. Get the news media whipped up about the anxiety epidemic. That's easy. Fear sells. An epidemic of fear? Christ, that'd be too easy. Far too easy. Get the insurers on board, discounts on the meds, make it cheaper to prescribe a course of treatment than to take the call-center time to explain to the guy why he's
not
getting the meds."
"You're my kind of guy, Leon," Buhle said. "So yeah."
"Yeah?"
Another one of those we're-both-men-of-the-world smiles. "Yeah."
Oh.
"How many?"
"That's the thing. We were trying it in a little market first. Basque Country. The local authority was very receptive. Lots of chances to fine-tune the message. They're the most media-savvy people on the planet these days -- they are to media as the Japanese were to electronics in the last century. If we could get them in the door --"
"How many?"
"About a million. More than half the population."
"You created a bioweapon that infected its victims with numeracy, and infected a million Basque with it?"