Authors: Mark Timlin
âEverything costs.'
âThis is true. So we can just come in here and pull up the drawbridge and party, you know what I mean?'
âNot really.'
âYou will.'
âIf I want to take the job.'
âWhy shouldn't you?'
âLet me ask you a question first â what makes you think someone tried to murder your man? What exactly happened?'
âThis is confidential, right?'
âOf course.'
âHe took some bad cocaine.'
âBad? How?' I asked.
âThe worst way. It wasn't coke at all. It was smack. He OD'd.'
âHmm.'
âNow you see what I mean about murder?'
I nodded. âWhen did this all happen exactly?'
âLast night. Well, this morning to be precise. Three a.m. We got the hotel doctor. He got Trash to the Cromwell Hospital. They cleaned him out. It was a close call. He's still there, under guard. He'll be out in a couple of days and back to work.'
âWhere did the stuff come from?'
âHe doesn't know.'
âHow come?'
âHe's a coke freak. To the max. He's got Charlie stashed all over the shop. The guy would hide coke in his baby's diapers, if he had a baby.'
âDo you know who was here in the hotel when it happened?' I asked.
âI've got a guest and room list in here.' He tapped the brown folder in front of him.
âThat's not what I asked,' I said. âDo you know exactly who was in the hotel this morning? Who Shapiro was with? What everyone's movements were?'
âIt's confused. There was a party going on.'
âSomeone must know who was there.'
âPeople were coming and going. You know how it is.'
âYeah, I know how it is. But what the hell do you want me to do?'
âFind out exactly what did happen.'
âAn accident maybe?'
âNot the first.'
âNo?'
âNo. Some tapes got wiped in the studio. A lot of work went down the drain, and a lot of cash. And other things â small things, equipment going missing. Nothing much on its own butâ¦'
âIt could be coincidence.'
âIt
could
be. Find out for me. Ask around.'
âHave you considered that people here might not want to help me? I've got no authority. Get the police in, it's not too late. They'll probably smack your wrist for being tardy, but so what? I'm sure you've had worse. People tend to answer their questions.'
âNo police.'
âYou keep saying that. Why not?'
âWhen I spoke to McBain about you, he said you weren't stupid.'
âI'm not.'
âThen join the dots. The last thing I want is the police poking around in here. This is a great big money factory. The band earn a lot, a fuck of a lot. We have less than a month to finish the new album. It's all scheduled. The record company reps have sold it into the shops. Ads have been booked in the trades. More importantly, the week it's due out is a very quiet one for releases. It's the optimum date for it to go to number one, worldwide, first week. Lots of editorial space has been earmarked for interviews. Christ, there's a six-month copy date on some of the glossies. The interviews are in, and I don't intend for them to come out and no new product in the stores. Two TV documentaries are scheduled for the week of release, one here, one in the States. The publicity machine has started to grind, and once started it's hard to stop. If we miss the date it won't be fatal, but we will lose maybe a couple of million unit sales worldwide. We don't
need
those sales but we sure want them.
âA month ago Keith Pandora's mother gets ill, very ill, maybe terminal. She can't be moved and he insisted on coming home. She's the only mother he's got and he wanted to be here, just in case. Now as it happens we're playing five nights at Wembley Arena two months from now.' He tapped the table top for emphasis. âThat's at the start of the World Tour that'll keep them on the road for months. Up to, including and long past the album release date. So you see time is tight. What we do is cancel our studio time in LA, buy time in London, which won't be easy at short notice, believe me, and book this place for two months. We've already got it reserved around the week we're at Wembley. In fact, it would be cheaper to buy the fucking place at the rates we're paying.' He shuddered at the thought.
âYou have no idea what it's costing us to suspend work on the album.' He gave me a look of such pure sincerity as he spoke that he almost had me believing he gave a damn. Almost.
âI've hired a sound stage at Shepperton for live rehearsal, and brought over key road crew. I'll fly the rest over in time for the concerts and maybe pick up a few here. Representatives of the lawyers and accountants have come over with us and they're working from suites on the third floor. So what we've done in essence is move
Pandora's Box
's base of operations from Los Angeles to London.
âSee, these people are different. I know them. I know their drinks and drugs of choice. Who they've fucked and who they'd like to fuck. I even know what make of tampons the girls favour. I should do, I've had to buy them enough times. This is our world. It's a closed world and we look after our own business. Clean business and dirty business. We get away with a lot. The punters expect it. What I don't need is a bunch of London cops tramping around in here. It upsets the creative flow.'
âSo does murdering one of the band.'
âExactly,' he said, without a trace of irony. âWe need someone who knows a little bit about the business.'
âI don't.'
âMcBain says different. He says you're cool. I've known him a long time, and what he says goes with me. So will you take the job?'
I didn't answer. âAttempted murder is serious,' I said.
âLook, Nick, I can't even be sure it
was
attempted murder. Maybe Trash did get things mixed up. It happens. But I swear to God I've never known him take horse. Maybe it was just someone's idea of a joke that went wrong. I just want a clue without calling in the law. We may be able to get away with a lot, but we're still vulnerable. Three of the band and most of the crew are American. I don't want anyone busted and deported. That would bring the album to a halt and my career with it. Do me a favour, Nick, say you'll help. Here's that list of everyone booked into the hotel. I've spoken to them and they're prepared to talk to you. Well, most are. They're pretty spooked about Trash, all of them, whatever front they put on.'
âHe's that important?'
âAt the moment, yes. You see there's only one track on the album left to do and it's written by him, sung by him, and all the guitar parts are his. The bass and drum tracks were laid down at the weekend. We need him for the lead guitar and vocal parts and time's getting short. And we can't go without him.'
âYou have a month.'
âA month to finish one track is nothing for this lot. The album after
Regrets
took three years to record and that only had nine tracks on it. A month is fast work, believe me.'
He fell silent and so did I. I sipped my drink and lit a cigarette. âSo where exactly do you fit in?' I asked finally.
âI was wondering when you'd ask. I'm the man. I look after the money factory. I procure things and smooth the way, and when things go wrong I grease the palms so that things go right again.'
âDo they go wrong a lot? You seem to have all the bases covered.'
âAre you kidding? Just look at the mess we're in now. In this business, things always go wrong. It's the only constant you can count on. I've been in the industry for twenty years. I started as a gofer for Jack Barry at The Marquee. I did a couple of Reading festivals, then joined
Family
as a backline roadie.'
âWhat?'
âI looked after the onstage amps and stacks. I went to the States with them twice, and stayed. I worked for Capitol Records as a plugger. What I was really doing was supplying cash and coke to the FM stations on the West Coast. Then I joined Atlantic, did the same. Then I got promoted to special projects.'
I looked at him.
âDon't ask,' he said. âI did one tour with
Zeppelin
before Bonzo died, then tour-managed Elton John, and when he stopped touring in eighty-one I hitched up with
The Box.
I've been with them ever since.'
âYou come from London?'
âOriginally. East End through and through⦠at least, I was. I went back for the first time in years a couple of weeks ago. Shit, man, they've ruined that part of town. It was never all that great, but now â¦'
âTimes change,' I said. âAnd governments. Anyway I thought you'd have been a Tory, with all this.' I gestured round the bar.
âAmerican citizen now. Straight Democrat ticket. That's another reason I don't want any deportations. I might be first.'
âIt sounds like you have a good life.'
âIt is. I'm very well paid. Very. And I have an expense account that means I never have to touch my salary. I have absolute control over a bank account that contains enough funds to make your eyes water. I carry every major credit card, all the bills are covered, and I don't have to supply receipts. I have an apartment in Beverly Hills and shop on Rodeo Drive. I have a very beautiful woman who lives in that apartment whom I haven't seen for months and might not see again for another six, or maybe longer. She's probably balling the world. I know I am. I have the choice of eighteen cars. I travel first class. Soon, I'm sure, my shit won't stink. For a boy from Plaistow, who never lived in a house with an inside toilet until he was fifteen, I reckon that's not bad.'
âNot bad at all, so why are you so pissed off?'
âSorry, Nick. Sometimes I ramble. Too many of these.' He tapped his glass.
âMe too,' I said. And it was true.
âSo listen, I've got a suite for you,' he said. âIt's very pleasant, second floor, on the corner with a view of the square.'
âDo you think I'll approve of the colour scheme?'
âI hope so. Does that mean you'll take the job?'
âI don't know.'
Just then the door of the bar opened and a woman came into the room. She walked over to the bar and said something to the barmen. One reached down and touched a switch, and recessed lights in the ceiling and walls winked on. It wasn't the Blackpool illuminations but at least you could see to count the fingers on your hand.
I looked over at Lomax. âIsn't that Ninotchka?'
He nodded. âNone other.'
I checked the woman out. She didn't look much from a distance, but she was a bona fide, 22-carat rock star with a capital R and a capital S. Apart from the success she'd had with
Pandora's Box
she'd released several solo albums which had charted, and had three top ten singles in her own right. She'd been in two movies, one Oscar-nominated, and had by all accounts fucked enough famous geezers to qualify for a double-page spread in the
Guinness Book of Records.
The barman mixed her a drink, and when he passed her the glass she made towards us. She was wearing a chamois leather suit with a short jacket and a long, full skirt that revealed a hint of white petticoat at the hem. The jacket was unbuttoned over a silk camisole top with lots of lace detail, and by the way her nipples poked through the thin material, and jiggled as she walked like two tiny loaded pistols, nothing underneath. Her high-heeled, lace-up boots matched the colour of her suit to perfection. She was wearing a lot of tom. About fifty narrow silver bracelets on each wrist, silver rings on every finger including a twin of the one Roger Lomax wore. Around her neck was a silver and turquoise necklace and in one ear was an extravagant earring of silver and bright blue feathers, more than six inches long. Her hair was dusty blonde, and tied back so that just a few wisps hung around her ears. She was tanned golden, and the shade of lipstick she wore set off the tan to perfection.
âDo you always have to sit in the dark, Roger?' she asked. âI swear you were a vampire in a previous life.' She had a real American accent and played it to the gallery, which was me.
âNinotchka, this is Nick Sharman,' said Roger Lomax. âHe's an old friend of Mark McBain's.'
âWow, how did you manage that? McBain's as hard to tie down as smoke,' she said, generating about ten thousand watts of pure California girlism.
âI managed,' I said, and offered her my hand.
Her jewellery rattled as she took it. Her grip was strong and dry.
âNick Sharman, this is Ninotchka,' Roger Lomax finished the introduction.