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Authors: Richard Hughes

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That face remained etched on her mind as she was shown her way into the box. The Oath, which formed the opening passages of her catechism, was administered; and with its familiar phrases her nervousness vanished, and with complete confidence she sang out her responses to the familiar questions which Mr. Mathias, in fancy dress, was putting to her. But until he had finished she kept her eyes fixed on the rail in front of her, for fear something should confuse her. At last, however, Mr. Mathias sat down; and Emily began to look around her. High above the sleeping man sat another, with a face even more refined, but wide awake. His voice, when now he spoke a few words to her, was the kindest she had ever heard. Dressed in his strange disguise, toying with a pretty nosegay, he looked like some benign old wizard who spent his magic in doing good.

Beneath her was the table where so many other wigged men were sitting. One was drawing funny faces: but his own was grave. Two more were whispering together.

Now another man was on his feet. He was shorter than Mr. Mathias, and older, and in no way good-looking or even interesting. He in turn began to ask her questions.

He, Watkin, the defending counsel, was no fool. He had not failed to notice that, among all the questions Mathias had put to her, there had been no reference to the death of Captain Vandervoort. That must mean that either the child knew nothing of it—itself a valuable lacuna in the evidence to establish, or that what she did know was somehow in his clients' favor. Up till now he had meant to pursue the obvious tactics—question her on the evidence she had already given, perhaps frighten her, at any rate confuse her and make her contradict herself. But any one, even a jury, could see through that. Nor was there any hope, under any circumstances, of a total acquittal: the most he could hope for was escape from the murder charge.

He suddenly decided to change his whole policy. When he spoke, his voice too was kind (though it lacked perforce the full benign timbre of the judge's). He made no attempt to confuse her. By his sympathy with her, he hoped for the sympathy, himself, of the court. His first few questions were of a general nature: and he continued them until her answers were given with complete confidence.

“Now, my dear young lady,” he said at last. “There is just one more question I want to ask you: and please answer it loudly and clearly, so that we can all hear. We have been told about the Dutch steamer, which had the animals on board. Now a very horrible thing has been suggested. It has been said that a man was taken off the steamer, the captain of it in fact, onto the schooner, and that he was murdered there. Now what I want to ask you is this. Did you see any such thing happen?”

Those who were watching the self-contained Emily saw her turn very white and begin to tremble. Suddenly she gave a shriek: then after a second's pause she began to sob. Every one listened in an icy stillness, their hearts in their mouths. Through her tears they heard, they all heard, the words: “...He was all lying in his blood...he was awful! He...he died, he said something and then he
died
!”

That was all that was articulate. Watkin sat down, thunderstruck. The effect on the court could hardly have been greater. As for Mathias, he did not show surprise: he looked more like a man who has digged a pit into which his enemy has fallen.

The judge leant forward and tried to question her: but she only sobbed and screamed. He tried to soothe her: but by now she had become too hysterical for that. She had already, however, said quite enough for the matter in hand: and they let her father come forward and lift her out of the box.

As he stepped down with her she caught sight for the first time of Jonsen and the crew, huddled up together in a sort of pen. But they were much thinner than the last time she had seen them. The terrible look on Jonsen's face as his eye met hers, what was it that it reminded her of?

Her father hurried her home. As soon as she was in the cab she became herself again with a surprising rapidity. She began to talk about all she had seen, just as if it had been a party: the man asleep, and the man drawing funny faces, and the man with the bunch of flowers, and had she said her piece properly?

“Captain was there,” she said. “Did you see him?”

“What was it all about?” she asked presently. “Why did I have to learn all those questions?”

Mr. Thornton made no attempt to answer her questions: he even shrank back, physically, from touching his child Emily. His mind reeled with the many possibilities. Was it conceivable she was such an idiot as really not to know what it was all about? Could she possibly not know what she had done? He stole a look at her innocent little face, even the tear-stains now gone. What was he to think?

But as if she read his thoughts, he saw a faint cloud gather.

“What are they going to do to Captain?” she asked, a faint hint of anxiety in her voice.

Still he made no answer. In Emily's head the Captain's face, as she had last seen it...what was it she was trying to remember?

Suddenly she burst out:

“Father,
what
happened to Tabby in the end, that dreadful windy night in Jamaica?”

VII

Trials are quickly over, once they begin. It was no time before the judge had condemned these prisoners to death and was trying some one else with the same concentrated, benevolent, individual attention.

Afterwards, a few of the crew were reprieved and transported.

The night before the execution, Jonsen managed to cut his throat: but they found out in time to bandage him up. He was unconscious by the morning, and had to be carried to the gallows in a chair: indeed, he was finally hanged in it. Otto bent over once and kissed his forehead; but he was completely insensible.

It was the negro cook, however, according to the account in the
Times
, who figured most prominently. He showed no fear of death himself, and tried to comfort the others.

“We have all come here to die,” he said. “
That
” (pointing to the gallows) “was not built for nothing. We shall certainly end our lives in this place: nothing can now save us. But in a few years we should die in any case. In a few years the judge who condemned us, all men now living, will be dead.
You
know that I die innocent: anything I have done, I was forced to do by the rest of you. But I am not sorry. I would rather die now, innocent, than in a few years perhaps guilty of some great sin.”

VIII

It was a few days later that term began, and Mr. and Mrs. Thornton took Emily to her new school at Blackheath. While they remained to tea with the head mistress, Emily was introduced to her new playmates.

“Poor little thing,” said the mistress, “I hope she will soon forget the terrible things she has been through. I think our girls will have an especially kind corner in their hearts for her.”

In another room, Emily with the other new girls was making friends with the older pupils. Looking at that gentle, happy throng of clean innocent faces and soft graceful limbs, listening to the ceaseless, artless babble of chatter rising, perhaps God could have picked out from among them which was Emily: but I am sure that I could not.

THIS IS A NEW YORK REVIEW BOOK

published by The New York Review of Books

435 Hudson Street, New York, NY 10014

www.nyrb.com

Copyright © 1929 by the Executors of the Estate of Richard Hughesᅠ
Introduction Copyright © 1999 by Francine Proseᅠ
All rights reserved.

Reprinted by arrangement with the Estate of Richard Hughes
First published by Harper and Brothers 1929

This edition published in 1999 in the United States of America by The New York Review of Books

Library of Congress Cataloging-in-Publication Data Hughes, Richard Arthur Warren, 1900–1976.

[Innocent voyage]

A high wind in Jamaica / Richard Hughes; introduction by Francine Prose.

p.

cm.

Originally published: The innocent voyage. Boston: Harper, 1929. ISBN 0-940322-15-3

1. Children—Fiction. 2. Pirates—Fiction. I. Title. PR6015.U35H5

1999

823'.912—dc 21

99-14565

eISBN 978-0-940322-15-8

v1.0

Cover illustration: Henry Darger, “Storm Gathers”; © 1999 by Kiyoko Lerner
Cover design: Katy Homans

For a complete list of books in the NYRB Classics series

or write to:

Catalog Requests, NYRB, 435 Hudson Street, New York, NY 10014

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