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Authors: Theodore Sturgeon

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BOOK: A Saucer of Loneliness
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It was cooler, and there was no echo. He became aware of the whisper of the wind through trees. The balcony, he thought; and then, right in his ear, so that he felt her warm breath, “Come, lover …” and he sprang. He sprang and missed, and instead of sprawling on the terrace, there was nothing, and nothing, and nothing, and then, when he least expected it, a shower of cruel thumps as he rolled down the marble steps.

He must have had a shred of consciousness left, for he was vaguely aware of the approach of her bare feet, and of the small, cautious hand that touched his shoulder and moved to his mouth, and then his chest. Then it was withdrawn, and either she laughed or the sound was still in his mind.

Deep in the Bogs, which were brackish, there was a pool of purest water, shaded by willows and wide-wondering aspens, cupped by banks of a moss most marvelously blue. Here grew mandrake, and there were strange pipings in mid-summer. No one ever heard them but a quiet girl whose beauty was so very contained that none of it showed. Her name was Barbara.

No one noticed Barbara, no one lived with her, no one cared. And Barbara’s life was very full, for she was born to receive. Others are born wishing to receive, so they wear bright masks and make attractive sounds like cicadas and operettas, so others will be forced, one way or another, to give to them. But Barbara’s receptors were wide open, and always had been, so that she needed no substitute for sunlight through a tulip petal, or the sound of morning-glories
climbing, or the tangy sweet smell of formic acid which is the only death cry possible to an ant, or any other of the thousand things overlooked by folk who can only wish to receive. Barbara had a garden and an orchard, and took things in to market when she cared to, and the rest of the time she spent in taking what was given. Weeds grew in her garden, but since they were welcomed, they grew only where they could keep the watermelons from being sunburned. The rabbits were welcome, so they kept to the two rows of carrots, the one of lettuce, and the one of tomato vines which were planted for them, and they left the rest alone. Goldenrod shot up beside the bean hills to lend a hand upward, and the birds ate only the figs and peaches from the waviest top branches, and in return patrolled the lower ones for caterpillars and egg-laying flies. And if a fruit stayed green for two weeks longer until Barbara had time to go to market, or if a mole could channel moisture to the roots of the corn, why it was the least they could do.

For a brace of years Barbara had wandered more and more, impelled by a thing she could not name—if indeed she was aware of it at all. She knew only that over-the-rise was a strange and friendly place, and that it was a fine thing on arriving there to find another rise to go over. It may very well be that she now needed someone to love, for loving is a most receiving thing, as anyone can attest who has been loved without returning it. It is the one who is loved who must give and give. And she found her love, not in her wandering, but at the market. The shape of her love, his colors and sounds, were so much with her that when she saw him first it was without surprise; and thereafter, for a very long while, it was quite enough that he lived. He gave to her by being alive, by setting the air athrum with his mighty voice, by his stride, which was, for a man afoot, the exact analog of what the horseman calls a “perfect seat.”

After seeing him, of course, she received twice and twice again as much as ever before. A tree was straight and tall for the magnificent sake of being straight and tall, but wasn’t straightness a part of him, and being tall? The oriole gave more now than song, and the hawk more than walking the wind, for had they not hearts like his, warm blood and his same striving to keep it so for tomorrow?
And more and more, over-the-rise was the place for her, for only there could there be more and still more things like him.

But when she found the pure pool in the brackish Bogs, there was no more over-the-rise for her. It was a place without hardness or hate, where the aspens trembled only for wonder, and where all contentment was rewarded. Every single rabbit there was
the
champion nose-twinkler, and every waterbird could stand on one leg the longest, and proud of it. Shelf-fungi hung to the willow-trunks, making that certain, single purple of which the sunset is incapable, and a tanager and a cardinal gravely granted one another his definition of “red.”

Here Barbara brought a heart light with happiness, large with love, and set it down on the blue moss. And since the loving heart can receive more than anything else, so it is most needed, and Barbara took the best bird songs, and the richest colors, and the deepest peace, and all the other things which are most worth giving. The chipmunks brought her nuts when she was hungry and the prettiest stones when she was not. A green snake explained to her, in pantomime, how a river of jewels may flow uphill, and three mad otters described how a bundle of joy may slip and slide down and down and be all the more joyful for it. And there was the magic moment when a midge hovered, and then a honeybee, and then a bumblebee, and at last a hummingbird; and there they hung, playing a chord in A sharp minor.

Then one day the pool fell silent, and Barbara learned why the water was pure.

The aspens stopped trembling.

The rabbits all came out of the thicket and clustered on the blue bank, backs straight, ears up, and all their noses as still as coral.

The waterbirds stepped backwards, like courtiers, and stopped on the brink with their heads turned sidewise, one eye closed, the better to see with the other.

The chipmunks respectfully emptied their cheek pouches, scrubbed their paws together and tucked them out of sight; then stood still as tent pegs.

The pressure of growth around the pool ceased: the very grass waited.

The last sound of all to be heard—and by then it was very quiet—was the soft
whick!
of an owl’s eyelids as it awoke to watch.

He
came like a cloud, the earth cupping itself to take each of his golden hooves. He stopped on the bank and lowered his head, and for a brief moment his eyes met Barbara’s, and she looked into a second universe of wisdom and compassion. Then there was the arch of the magnificent neck, the blinding flash of his golden horn.

And he drank, and he was gone. Everyone knows the water is pure, where the unicorn drinks.

How long had he been there? How long gone? Did time wait too, like the grass?

“And couldn’t he stay?” she wept. “Couldn’t he stay?”

To have seen the unicorn is a sad thing; one might never see him more. But then—to have seen the unicorn!

She began to make a song

It was late when Barbara came in from the Bogs, so late the moon was bleached with cold and fleeing to the horizon. She struck the high road just below the Great House and turned to pass it and go out to her garden house.

Near the locked main gate an animal was barking. A sick animal, a big animal.…

Barbara could see in the dark better than most, and soon saw the creature clinging to the gate, climbing, uttering that coughing moan as it went. At the top it slipped, fell outward, dangled; then there was a ripping sound, and it fell heavily to the ground and lay still and quiet.

She ran to it, and it began to make the sound again. It was a man, and he was weeping.

It was her love, her love who was tall and straight and so very alive—her love, battered and bleeding, puffy, broken, his clothes torn, crying.

Now of all times was the time for a lover to receive, to take from the loved one his pain, his trouble, his fear. “Oh, hush, hush,” she whispered, her hands touching his bruised face like swift feathers. “It’s all over now. It’s all over.”

She turned him over on his back and knelt to bring him up sitting. She lifted one of his thick arms around her shoulder. He was very heavy, but she was very strong. When he was upright, gasping weakly, she looked up and down the road in the waning moonlight. Nothing, no one. The Great House was dark. Across the road, though, was a meadow with high hedgerows which might break the wind a little.

“Come, my love, my dear love,” she whispered. He trembled violently.

All but carrying him, she got him across the road, over the shallow ditch, and through a gap in the hedge. She almost fell with him there. She gritted her teeth and set him down gently. She let him lean against the hedge, and then ran and swept up great armfuls of sweet broom. She made a tight springy bundle of it and set it on the ground beside him, and put a corner of her cloak over it, and gently lowered his head until it was pillowed. She folded the rest of the cloak about him. He was very cold.

There was no water near, and she dared not leave him. With her kerchief she cleaned some of the blood from his face. He was still very cold. He said, “You devil. You rotten little devil.”

“Shh.” She crept in beside him and cradled his head. “You’ll be warm in a minute.”

“Stand still,” he growled. “Keep running away.”

“I won’t run away,” she whispered. “Oh, my darling, you’ve been hurt, so hurt. I won’t leave you. I promise I won’t leave you.”

He lay very still. He made the growling sound again.

“I’ll tell you a lovely thing,” she said softly. “Listen to me, think about the lovely thing,” she crooned.

“There’s a place in the bog, a pool of pure water, where the trees live beautifully, willow and aspen and birch, where everything is peaceful, my darling, and the flowers grow without tearing their petals. The moss is blue and the water is like diamonds.”

“You tell me stories in a thousand voices,” he muttered.

“Shh. Listen, my darling. This isn’t a story, it’s a real place. Four miles north and a little west, and you can see the trees from the ridge with the two dwarf oaks. And I know why the water is pure!” she
cried gladly. “I know why!”

He said nothing. He took a deep breath and it hurt him, for he shuddered painfully.

“The unicorn drinks there,” she whispered. “I
saw
him!”

Still he said nothing. She said, “I made a song about it. Listen, this is the song I made:

And He—suddenly gleamed! My dazzled eyes

Coming from outer sunshine to this green

And secret gloaming, met without surprise

The vision. Only after, when the sheen

And splendor of his going fled away
,

I knew amazement, wonder and despair
,

That he should come—and pass—and would not stay
,

The Silken-swift—the gloriously Fair!

That he should come—and pass—and would not stay
,

So that, forever after, I must go
,

Take the long road that mounts against the day
,

Travelling in the hope that I shall know

Again that lifted moment, high and sweet
,

Somewhere—on purple moor or windy hill—

Remembering still his wild and delicate feet
,

The magic and the dream—remembering still!

His breathing was more regular. She said, “I truly saw him!”

“I’m blind,” he said. “Blind, I’m blind.”

“Oh, my dear …”

He fumbled for her hand, found it. For a long moment he held it. Then, slowly, he brought up his other hand and with them both he felt her hand, turned it about, squeezed it. Suddenly he grunted, half-sitting. “You’re here!”

“Of course, darling. Of course I’m here.”

“Why?” he shouted. “Why?
Why?
Why all of this? Why blind me?” He sat up, mouthing, and put his great hand on her throat. “Why do all that if …” The words ran together into an animal noise. Wine and witchery, anger and agony boiled in his veins.

Once she cried out.

Once she sobbed.

“Now,” he said, “you’ll catch no unicorns. Get away from me.” He cuffed her.

“You’re mad. You’re sick,” she cried.

“Get away,” he said ominously.

Terrified, she rose. He took the cloak and hurled it after her. It almost toppled her as she ran away, crying silently.

After a long time, from behind the hedge, the sick, coughing sobs began again.

Three weeks later Rita was in the market when a hard hand took her upper arm and pressed her into the angle of a cottage wall. She did not start. She flashed her eyes upward and recognized him, and then said composedly, “Don’t touch me.”

“I need you to tell me something,” he said. “And tell me you
will
!” His voice was as hard as his hand.

“I’ll tell you anything you like,” she said. “But don’t touch me.”

He hesitated, then released her. She turned to him casually. “What is it?” Her gaze darted across his face and its almost healed scars. The small smile tugged at one corner of her mouth.

His eyes were slits. “I have to know this: why did you make up all that … prettiness, that food, that poison … just for me? You could have had me for less.”

She smiled. “Just for you? It was your turn, that’s all.”

He was genuinely surprised. “It’s happened before?”

She nodded. “Whenever it’s the full of the moon—and the squire’s away.”

“You’re lying!”

“You forget yourself!” she said sharply. Then, smiling, “It is the truth, though.”

“I’d’ve heard talk—”

“Would you now? And tell me—how many of your friends know about your humiliating adventure?”

He hung his head.

She nodded. “You see? They go away until they’re healed, and they come back and say nothing. And they always will.”

“You’re a devil … why do you do it? Why?”

“I told you,” she said openly. “I’m a woman and I act like a woman in my own way. No man will ever touch me, though. I am virgin and shall remain so.”

“You’re
what
?” he roared.

She held up a restraining, ladylike glove. “Please,” she said, pained.

“Listen,” he said, quietly now, but with such intensity that for once she stepped back a pace. He closed his eyes, thinking hard. “You told me—the pool, the pool of the unicorn, and a song, wait. ‘The Silken-swift, the gloriously Fair …’ Remember? And then I—I saw to it that
you’d
never catch a unicorn!”

BOOK: A Saucer of Loneliness
8.65Mb size Format: txt, pdf, ePub
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