A SONG IN THE MORNING (41 page)

Thursday morning, dawn on Thursday, and they wouldn't want to be bringing four men from B section and one man from C section, because they might not have their watches together, and one might walk too fast, and one might have to wait in preparation, and some might have to be scrambled down the corridors to the hanging shed. Get them all cosily together, separated from A section and B section, so that the rest of the gaol was less disturbed. Made sense to Jeez.

The door into the corridor of C section 2 was unlocked.

Jeez heard the singing.

"Rest in peace, Comrade Moloise . . . "

He heard the voices of Happy Zikala and Charlie Schoba and Percy Ngoye and Tom Mweshtu.

"Long live Comrade Mandela . . . "

Brilliant voices that were without fear.

"Long live the African National Congress . . . "

He shook his head. His chin was trembling. He felt the moisture welling in his eyes. He heard them all shout together, Happy and Charlie and Percy and Tom.

"Heh, Comrade Jeez, heh, Comrade -
Amandla
. . . Hear us Comrade Jeez,
Amandla,
Comrade Jeez . . . "

His voice was a quaver.

"Listen, you bastards. Don't you ever bloody listen to anything I bloody tell you? What did I tell you? Let's have a bit of dignity, lads, that's what I told you bastards, way back."

He heard the shrieks of their laughter. He heard the orders of the duty major. He heard the driving shut of two cell doors. He heard the duty major demanding they should settle down for the night.

He heard the closing of the door into C section's main corridor.

They were still singing. Jeez thought his friends had found him. He called for Sergeant Oosthuizen. He saw the bulk of the man at the grille aperture on his cell door. He thought of the way they had laughed when he had called for a bit of dignity.

"Doesn't it frighten you, Sergeant Oosthuizen, that they aren't afraid?"

• • •

He switched off the lights. Eyes closed, he sagged back in his seat.

It was the inevitable moment he had come for.

He felt an awful tiredness through his body. He heard Ros bring her Beetle to a stop behind him. He stepped out of his car. It was a Renault, he thought it had a decent engine and could make some speed, he had filled the tank and had checked the oil himself.

He walked to the Beetle. Jan was in the back, half buried with equipment and the bags. He settled in beside Ros.

Stretching above them was the slope to the fort that Jan had said was called Skanskopfort. Ros drove away. She reversed sharply, swung and went back to the Ben Schoeman. She took them to the far side of Skanskop, to the road at the bottom of the valley between Skanskop and Magazine. She drove off the road and onto a stone chip track, and jolted them as she braked.

Jack was out fast.

Jan passed him the cumbersome shape of the metal tube that he had been cradling in his lap because the shaped charge was armed, then the bag that held the smaller charges and the lengths of Cordtex equivalent and safety fuse and the rope. He laid them on the stones, then took the shotgun that was loaded to capacity, and the opened box of cartridges that he stuffed into his anorak pocket. Last came the heavy wire cutters. Difficult in the dark, because Ros had cut the lights as soon as they had left the Ben Schoeman. He studied the luminous face of his watch. He called the time. The time was 9 o'clock and 32 minutes and 30 seconds, and he counted through to 9.32 and 45 seconds. Three watches synchronised. He had given himself one hour, less three minutes, before the decoying diversions. He slung the bag over his shoulder. He hooked the metal tube into the angle of his elbow, more than forty pounds weight of it, he pushed the wire cutters into his pocket with the shotgun ammunition. He reached his hand into the darkness of the back of the car, he felt Jan's two fists grip his hand. Next he leaned across the front passenger seat and his fingers found Ros's chin and drew it forward so that he could kiss her mouth. Brief, an instant.

"I'll wear it always."

"My mother gave it me. If she knew you she'd like you to have it."

He stepped back. He picked up the shotgun. He pushed the passenger door shut with the toe of his jogging shoe. He didn't know what was in her face, couldn't see her face.

The engine exploded to life, the wheels bit into the loose stones. The car pulled away. She did not turn on her lights until she was back at the main road.

Jack laid down the metal tube and the shotgun and took a handful of earth in his cupped hands and spat on it to make the soil moist and then smeared what was mud over the pale surfaces of his face. He looked into the distance, away to the main road. He saw a single set of headlights and then the red flash of tail lights, between trees and bushes.

He lifted the metal tube and the shotgun, one under each arm, and he started to walk away from the track and towards the start of the slope up Magazine Hill.

There was a sharp wind, small clouds, a half moon.

Enough light for him to move without lumbering into the thicker scrub bushes. He had thought when he had seen the slope in daylight that the ground had been cleared a dozen years or so before then allowed to grow again.

He madehimself pattern.

He climbed for a counted fifteen paces, then stopped to listen for ten seconds. When he stopped he could hear a radio playing music, ahead of him, where the prison service buildings were on top
of
Magazine. The stream of traffic on the Ben Schoeman was below him and away to the west, a ribbon of fast moving lights. As he climbed the sounds of the main road guttered, and he was alert to the new sounds of the hillside.

The radio playing music, the frantic wing clatter of a disturbed nesting bird, and a drum beat on planks. It took Jack the full ten seconds of a listening pause to identify the drum beat. . . He remembered that when he had stood with Jan at the Voortrekker Monument and looked across at the slope of Magazine that he had seen a low wooden watchtower half way up the hill, away to the east of where he climbed.

The tower had not been manned in daylight. He realised he had heard the sounds of booted feet stamping on a plank platform, perhaps for warmth, perhaps out of boredom. He couldn't see the tower, not high enough for it to be silhouetted against the grey blue faint light of the night sky. He could sense the general direction of the tower and he could picture what he had seen from the Voortrekker Monument.

He knew that the tower was set the far side of the wire fence that he had identified when he had stood with Jan on reconnaissance. He wondered if the bastard who stamped his feet on the plank platform would have a night sight on his rifle. Sod all use having the bastard there if he didn't have a night sight, because if he didn't have one then the bastard was as blind as Jack. Had to reckon that he had a night sight on his rifle, or infra-red binoculars, or an image intensifier spy glass. The reckoning pushed Jack down on his knees, had him crawling forward. The slope was a dark and indistinct mass above him. He could only see the trees and scrub bushes that were within three, four yards of his face, less when the clouds hid the moon.

The fence seemed to rush at him, to materialise above him when he was on the point of collision.

Very gently he laid down the metal tube and the shotgun.

He wriggled the bag on its strap over into the small of his back so that it would not impede him. His fingers groped forward. So bloody insensitive, his fingers, because they were cold and bruised from when he had crawled on his hands and knees. His fingers stretched to feel the pattern of the wire mesh. A dark mesh fence against dark ground, and his fingers must do the work for him, and he must lie still and move only the barest minimum in case the bastard on the platform had a night sight or an infra-red or an image intensifier. His fingers traced the diamonds of the wire mesh.

He found the strand that he feared.

His forefinger brushed the single strand that ran along the face of the fence a foot above the ground. He touched the first tumbler wire. If the wire were disturbed an alarm would ring. He noted it, stored it, his fingers moved on and traced the mesh above the tumbler, desperately slow. He dared not look at the luminous hands of his watch, dared not see how much of his precious time he was spending in the search for a second tumbler wire.

God, if he was late . . .

Bloody stupid, Jack. Had the time he needed. Didn't know whether he had the patience he needed. Jack bloody Curwen, second class businessman from the south of England, paid a second class wage to drum up second class work

. . . What the hell was he at lying on Magazine Hill searching for a second tumbler wire?

He found the second tumbler wire.

The second tumbler wire was four feet above the ground, four feet above where the mesh was buried in the rough soil.

With the wire cutters he made a square hole between the bottom tumbler wire and the second tumbler wire. He lifted the square mesh clear. He could feel the heave of his breath.

He could hear the radio playing and the stamp of the sentry on his platform. He lifted the metal tube through the hole, and then the shotgun and then his bag. He was half way through the hole, head and shoulders and chest through, when a strand of jagged cut mesh caught at his anorak. His knees were on one side of the wire, his elbows on the other.

He squirmed his trunk to reach with his fingers to free himself.

When he was through he lay on his stomach.

He was gasping.

He took his handkerchief from his pocket and looped it through the mesh immediately above the hole.

It was a risk, but everything was a risk. It was necessary to leave a marker.

Jack gathered up his metal tube and his bag and his shotgun and the wire cutters. So tired. He crawled forward.

He was on his knees and using the hand that held the shotgun for leverage. He dared not let the metal tube buffet the ground. The metal tube was twelve pounds of explosive and two detonators and Cordtex equivalent, the metal tube was a primed bomb, held close against his chest. He was going forward.

He saw the light on his hands. His head started up.

The light from the gable end of a concrete building was thrown from his right, fell on him. He had crawled forward, concentration locked, nursing the shotgun and the tube, and he had not realised that he had reached the summit of the slope of Magazine Hill. He moved fast to his left, shuffling as a crab to reach shadow. He could hear the music clearly, he could hear voices and laughter. He lay on his stomach and he heard the sounds of men who had no care, no suspicion.

Shadow was his security. He stayed with the shadows as he moved away across the top plateau of the hill, towards a line of trees. He crossed paths, he ducked past buildings.

He froze against a wall when a uniformed man came belching out of a doorway to urinate on the edge of a lawn.

High trees coated the skyline ahead of him, and above the trees was an umbrella of hazed white light.

The tube was an agony on the muscles of his left arm. His feet were leaden heavy, but the white light above the trees was a talisman for him, pulling him forward. He came into the trees. Going slowly, because under the conifers' canopy he could see only the white knuckles of his fingers that were tight on the stock of the shotgun.

He broke from the trees.

His path was crossed by a tarmac road. He could see darkened buildings and more trees ahead of him, and the light above the trees were fiercer. He looked right and he looked left. He stood still and he listened. He heard dogs barking. He ran across the road and sagged against the back fence of a garden. He thought, from his map, that he had reached the line of senior officers' homes that were set on the hillside above Beverly Hills. The moon helped him. He saw a narrow track leading between two garden fences, not wide enough for a vehicle. There was another road crossing the far end of the track and he could see street lights. Ahead of him was a great cascade of light, fit to blind him.

He felt the energy surging through him. He was going forward.

A voice . . . A man talking as to a child. A voice and footsteps . . . A caressing voice as if to quieten a child.

Down flat, squeezing his face, side down, into the dirt of the track. He was in darkness, short of the light thrown from the road ahead. He saw a dog handler with a German Shepherd. The dog handler was cooing soft nonsense to his animal. Jack saw that the dog handler had an automatic rifle resting on the elbow of his right arm. He heard the voice drift away. He waited thirty seconds before he slowly rose to his feet and went on down the track to where the darkness merged with the light. He laid down his tube and his bag and his shotgun. He crawled forward.

He saw the high concrete wall in front of him.

He saw the sentry tower rising above the wall, and above the sentry tower was the bank of floodlights. He could sec low tilted roofs beyond the high concrete wall. He was separated from the wall by a narrow paved road and by a strip of lawn.

Jack Curwen had come a hell of a long way.

He gazed at the outer wall of Beverly Hills, the outer wall of the hanging gaol. If he had shouted then, his father would have heard him. He looked down at the luminous hands of his watch. He had six minutes before the diversion. The wall was brilliantly lit in the wash of light from the close set bulbs ahead of him. The sentry in the tower had his back to him. Jack could see the hunch of his shoulders.

He went back for his metal tube and his bag and his shotgun. He crouched down. He was shaking. He had to will himself to control his fingers. He checked the safety fuse length that was knotted to the Cordtex equivalent.

He checked that the Cordtex equivalent was firm where it disappeared into the readymix block in the metal tube. He opened his bag and ran his fingers, stuttering, over the charge that contained the detonator and over the charge that did not. He felt for the lengths of loose Cordtex equivalent and of safety fuse. He found the rope that was lashed to the cold bent iron. He eased the safety catch off the shotgun, he had eight cartridges in the magazine. He emptied the remaining cartridges from the carton into his pocket. He touched the smooth weight of the wire cutters.