A Thursday Next Digital Collection: Novels 1-5 (113 page)

BOOK: A Thursday Next Digital Collection: Novels 1-5
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The sheriff sensed it, too.
“Where yo' friends from, Abe?”
One of the men hooked his Winchester into the crook of his arm and answered in a low southern drawl, “Mr. Johnson sent us.”
And they opened fire. No waiting, no drama, no narrative pace. Bradshaw and I had already begun to move—squaring up in front of a gunman with a rifle might seem terribly macho, but for survival purposes it was a nonstarter. Sadly, the sheriff didn't realize this until it was too late. If he had survived until page 164 as he was meant to, he would have taken a slug, rolled twice in the dust after a two-page buildup and lived long enough to say a pithy final good-bye to his sweetheart, who cradled him in his bloodless dying moments. Not to be. Realistic violent death was to make an unwelcome entry into
Death at Double-X Ranch
. The heavy lead shot entered the sheriff 's chest and came out the other side, leaving an exit wound the size of a saucer. He collapsed inelegantly onto his face and lay perfectly still, one arm sprawled outwards in a manner unattainable in life and the other hooked beneath him. He didn't collapse flat either. He ended up bent over on his knees with his backside in the air.
The gunmen stopped firing as soon as there was no target—but Bradshaw, his hunting instincts alerted, had already drawn a bead on the sherriff 's killer and fired. There was an almighty detonation, a brief flash and a large cloud of smoke. The eraserhead hit home, and the gunman disintegrated midstride into a brief chysanthemum of text that scattered across the main street, the meaning of the words billowing out into a blue haze that hung near the ground for a moment or two before evaporating.
. . . the gunman disintegrated midstride into a brief chysanthemum of text that scattered across the main street. . . .
“What are you doing?” I asked, annoyed at his impetuosity.
“Him or us, Thursday,” replied Bradshaw grimly, pulling the lever down on his Martini-Henry to reload, “him or us.”
“Did you see how much text he was composed of?” I replied angrily. “He was almost a paragraph long. Only
featured
characters get that kind of description—somewhere there's going to be a book one character short!”
“But,” replied Bradshaw in an aggrieved tone, “I didn't know that before I shot him, now did I?”
I shook my head. Perhaps Bradshaw hadn't noticed the missing button, the sweat stains and the battered shoes, but
I
had. Erasure of a featured part meant more paperwork than I really wanted to deal with. From Form F36/34 (Discharge of an Eraserhead) and Form B9/32 (Replacement of Featured Part) to Form P13/36 (Narrative Damage Assessment), I could be bogged down for two whole days. I had thought bureaucracy was bad in the real world, but here in the paper world, it was everything.
“So what do we do?” asked Bradshaw. “Ask politely for them to surrender?”
“I'm thinking,” I replied, pulling out my footnoterphone and pressing the button marked CAT. In fiction the commonest form of communication was by footnote, but way out here . . .
“Blast!” I muttered again. “No signal.”
“Nearest repeater station is in
The Virginian,
” observed Bradshaw as he replaced the spent cartridge and closed the breech before peering outside, “and we can't bookjump direct from pulp to classic.”
He was right. We had been crossing from book to book for almost six days, and although we could escape in an emergency, such a course of action would give the Minotaur more than enough time to escape. Things weren't good, but they weren't bad either—yet.
“Hey!” I yelled from the sheriff 's office. “We want to talk!”
“Is that a fact?” came a clear voice from outside. “Mr. Johnson says he's all done talkin'—'less you be in mind to offer amnesty.”
“We can talk about that!” I replied.
There was a beeping noise from my pocket.
“Blast,” I mumbled again, consulting the Narrative Proximity Device. “Bradshaw, we've got a story thread inbound from the East, two hundred and fifty yards and closing. Page 74, line 6.”
Bradshaw quickly opened his copy of
Death at Double-X Ranch
and ran a finger along the line
“McNeil rode into the town of Providence, Nebraska, with fifty cents in his pocket and murder on his mind. . . .”
I cautiously peered out the window. Sure enough, a cowboy on a bay horse was riding slowly into town. Strictly speaking, it didn't matter if we changed the story a little, as the novella had been read only sixteen times in the past ten years, but the code by which we worked was fairly unequivocal. “Keep the story as the author intended!” was a phrase bashed into me early on during my training. I had broken it once and would pay the consequences—I didn't want to do it again.
“I need to speak to Mr. Johnson,” I yelled, keeping an eye on McNeil, who was still some way distant.
“No one speaks to Mr. Johnson 'less Mr. Johnson says so,” replied the voice, “but if you'll be offerin' an amnesty, he'll take it and promise not to eat no more people.”
“Was that a double negative?” whispered Bradshaw with disdain. “I do
so
hate them.”
“No deal unless I meet Mr. Johnson first!” I yelled back.
“Then there's no deal!” came the reply.
I looked out again and saw three more gunmen appear. The Minotaur had clearly made a lot of friends during his stay in the western genre.
“We need backup,” I murmured.
Bradshaw clearly thought the same. He opened his TravelBook and pulled out something that looked a little like a flare gun. This was a TextMarker, which could be used to signal to other Jurisfiction agents. The TravelBook was dimensionally ambivalent; the device was actually
larger
than the book that contained it.
“Jurisfiction knows we're in western pulp; they just don't know
where.
I'll send them a signal.”
He dialed in the sort of TextMarker he was going to place, using a knob on the back of the gun, then moved to the door, aimed the marker into the air and fired. There was a dull thud, and the projectile soared into the sky. It exploded noiselessly high above us, and for an instant I could see the text of the page in a light gray against the blue of the sky. The words were back to front, of course, and as I looked at Bradshaw's copy of
Death at Double-X Ranch,
I noticed that the written word “ProVIDence” had been partially capitalized. Help would soon arrive—a show of force would deal with the gunmen. The problem was, would the Minotaur make a run for it or fight it out to the end?
“Purty fireworks don't scare us, missy,” said the voice again. “You comin' out, or do we-uns have to come in and get yer?”
I looked across at Bradshaw, who was smiling. “What?”
“This is all quite a caper, don't you think?” said the Commander, chuckling like a schoolboy who had just been caught stealing apples. “Much more fun than hunting elephant, wrestling lions to the ground and returning tribal knickknacks stolen by unscrupulous foreigners.”
“I used to think so,” I said under my breath. Two years of assignments like these had been enjoyable and challenging, but not without their moments of terror, uncertainty and panic—and I had a two-year-old son who needed more attention than I could give him. The pressure of running Jurisfiction had been building for a long time now, and I needed a break in the real world—a long one. I had felt it about six months before, just after the adventure that came to be known as the Great Samuel Pepys Fiasco, but had shrugged it off. Now the feeling was back—and stronger.
A low, deep rumble began somewhere overhead. The windows rattled in their frames, and dust fell from the rafters. A crack opened up in the plaster, and a cup vibrated off the table to break on the floor. One of the windows shattered, and a shadow fell across the street. The deep rumble grew in volume, drowned out the Narrative Proximity Device that was wailing plaintively, then became so loud it didn't seem like a sound at all—just a vibration that shook the sheriff 's office so strongly my sight blurred. Then, as the clock fell from the wall and smashed into pieces, I realized what was going on.
“Oh . . .
no!
” I howled with annoyance as the noise waned to a dull roar. “Talk about using a sledgehammer to crack a nut!”
“Emperor Zhark?” queried Bradshaw.
“Who else would dare pilot a Zharkian battle cruiser into western pulp?”
We looked outside as the vast spaceship passed overhead, its vectored thrusters swiveling downwards with a hot rush of concentrated power that blew up a gale of dust and debris and set the livery stables on fire. The huge bulk of the battle cruiser hovered for a moment as the landing gear unfolded, then made a delicate touchdown—right on top of McNeil and his horse, who were squashed to the thickness of a ha'penny.
My shoulders sagged as I watched my paperwork increase exponentially. The townsfolk ran around in panic and horses bolted as the A-7 gunmen fired pointlessly at the ship's armored hull. Within a few moments, the interstellar battle cruiser had disgorged a small army of foot soldiers carrying the very latest Zharkian weaponry. I groaned. It was not unusual for the Emperor to go overboard at moments like this. Undisputed villain of the eight Emperor Zhark books, the most feared tyrannical god-emperor of the known galaxy just didn't seem to comprehend the meaning of restraint.
In a few minutes, it was all over. The A-7s had either been killed or escaped to their own books, and the Zharkian Marine Corps had been dispatched to find the Minotaur. I could have saved them the trouble. He would be long gone. The A-7s and McNeil would have to be sourced and replaced, the whole book rejigged to remove the twenty-sixth-century battle cruiser that had arrived uninvited into 1875 Nebraska. It was a flagrant breach of the Anti-Cross-Genre Code that we attempted to uphold within fiction. I wouldn't have minded so much if this was an isolated incident, but Zhark did this too often to be ignored. I could hardly control myself as the Emperor descended from his starship with an odd entourage of aliens and Mrs. Tiggy-winkle, who also worked for Jurisfiction.
“What the hell do you think you're playing at?!?”
“Oh!” said the Emperor, taken aback at my annoyance. “I thought you'd be pleased to see us!”
“The situation was bad, but not
irredeemable,
” I told him, sweeping my arm in the direction of the town. “Now look what you've done!”
He looked around. The confused townsfolk had started to emerge from the remains of the buildings. Nothing so odd as this had happened in a western since an alien brainsucker had escaped from SF and been caught inside
Wild Horse Mesa
.
“You do this to me every time! Have you no conception of stealth and subtlety?”
“Not really,” said the Emperor, looking at his hands nervously. “Sorry.”
His alien entourage, not wanting to hang around in case they
also
got an earful, walked, slimed or hovered back into Zhark's ship.
“You sent a TextMarker—”
“So what if we did? Can't you enter a book without destroying everything in sight?”
“Steady on, Thursday,” said Bradshaw, laying a calming hand on my arm. “We did ask for assistance, and if old Zharky here was the closest, you can't blame him for wanting to help. After all, when you consider that he usually lays waste to entire galaxies, torching just the town of ProVIDence and not the whole of Nebraska was actually quite an achievement . . .” His voice trailed off before he added, “. . . for him.”
“AHHH!” I yelled in frustration, holding my head. “Sometimes I think I'm—”
I stopped. I lost my temper now and again, but rarely with my colleagues, and when that happens, things are getting bad. When I started this job, it was great fun, as it still was to Bradshaw. But just lately the enjoyment had waned. It was no good. I'd had enough. I needed to go
home.
“Thursday?” asked Mrs. Tiggy-winkle, concerned by my sudden silence. “Are you okay?”
She came too close and spined me with one of her quills. I yelped and rubbed my arm while she jumped back and hid a blush. Six-foot-high hedgehogs have their own brand of etiquette.
“I'm fine,” I replied, dusting myself down. “It's just that things have a way of . . . well,
spiraling
out of control.”
“What do you mean?”
“What do I mean?
What do I mean?
Well, this morning I was tracking a mythological beast using a trail of custard-pie incidents across the Old West, and this afternoon a battle cruiser from the twenty-sixth century lands in ProVIDence, Nebraska. Doesn't that sound sort of crazy?”

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