A Thursday Next Digital Collection: Novels 1-5 (145 page)

“Hello!” he said as soon as I had finished, kissed Friday and put out the bedside light. “I've got some information for you.”

“About?”

“Yorrick Kaine.”

I took the Cat downstairs, where he sat on the microwave as I made some tea.

“So what have you found out?” I asked.

“I've found out that an alligator isn't someone who makes allegations—it's a large reptile a bit like a crocodile.”

“I mean about Kaine.”

“Ah. Well, I've had a careful trawl, and he doesn't appear anywhere in the character manifests, either in the Great Library or the Well of Lost Plots. Wherever he's from, it isn't from published fiction, poetry, jokes, nonfiction or knitting patterns.”

“I didn't think you'd come out here to tell me you've failed, Chesh,” I said. “What's the good news?”

The Cat's eyes flashed, and he twitched his whiskers. “Vanity publishing!” he announced with a flourish.

It was an inspired guess. I'd never even considered he might be from there. The realm of the self-published book was a bizarre mix of quaint local histories, collections of poetry, magnum opuses of the truly talentless—and the occasional gem. The thing was, if such books became officially published, they were welcomed into the Great Library with open arms—and that hadn't happened.

“You're sure?”

The Cat handed me an index card. “I knew this was important to you, so I called in a few favors.”

I read the card aloud. “ ‘
At Long Last Lust
. 1931. Limited-edition run of one hundred. Author: Daphne Farquitt.' ”

I looked at the Cat. Daphne Farquitt. Writer of nearly five hundred romantic novels and darling of the romance genre.

“Before she got famous writing truly awful books, she used to write truly awful books that were self-published,” explained the Cat. “In
At Long Last Lust,
Yorrick plays a local politician eager for advancement. He isn't a major part either. He's only mentioned twice and doesn't even warrant a description.”

“Can you get me into the vanity-publishing library?” I asked.

“There is no vanity library,” he said with a shrug. “We have figures and short reviews gleaned from vanity publishers' manifests and
Earnest Scribbler Monthly,
but little else. Still, we need only to find one copy and he's ours.”

He grinned again, but I didn't join him.

“Not that easy, Cat. Take a look at this.”

I showed him the latest issue of
The Toad
. The Cat carefully put on his spectacles and read, “ ‘Danish book-burning frenzy reaches new heights, with Copenhagen-born Farquitt's novels due to be consigned to flames.'

“I don't get it,” said the Cat, placing a longing paw on a Moggilicious Cat Food advert. “What's he up to, burning all her books?”

“Because,” I said, “he obviously can't find all the original copies of
At Long Last Lust
and in desperation has whipped up anti-Danish feeling as a cover. With luck his book-burning idiots will do the job for him. I'm a fool not to have realized. After all, where would you hide a stick?”

There was a long pause.

“I give up,” said the Cat. “Where would you hide a stick?”

“In a forest.”

I stared out the window thoughtfully.
At Long Last Lust
. I didn't know how many of the hundred copies still remained, but with Farquitt's books still being consigned to the furnaces, I figured there had to be at least one. An unpublished Farquitt novel the key to destroying Kaine. I couldn't make this stuff up.

“Why would you hide a stick in a forest?” asked the Cat, who had been pondering over this question for some moments in silence.

“It's an analogy,” I explained. “Kaine needs to get rid of every copy of
At Long Last Lust
but doesn't want us to get suspicious, so he targets the Danes—the
forest,
rather than Farquitt—the
stick.
Get it?”

“Got it.”

“Good.”

“Well, I'd better be off then,” announced the Cat and he vanished.

I was not much surprised at this for the Cat usually left in this manner. I poured the tea, added some milk, and then put some mugs on a tray. I was just pondering where I might find a copy of
At Long Last Lust
and, more important, calling Julie again to ask her how long her husband flicked on and off “like a lightbulb,” when the Cat reappeared balanced precariously on the Kenwood mixer.

“By the by,” he said, “the Gryphon tells me that the sentencing for your Fiction Infraction is due in two weeks' time. Do you want to be present?”

This related to the time I changed the ending of
Jane Eyre
. They found me guilty at my trial but the law's delay in the BookWorld just dragged things on and on.

“No,” I said after a pause. “No, tell him to come and find me and let me know what my sentence will be.”

“I'll tell him. Well, toodle-oo,” said the Cat, and vanished, this time for good.

 

I pushed open the door of Mycroft's workshop with my toe, held it open for Pickwick to follow me in, then closed it before Alan could join us and placed the tray on a worktop. Mycroft and Polly were staring intently at a small and oddly shaped geometric solid made of brass.

“Thank you, pet,” said Polly. “How are things with you?”

“Fair to not very good at all, Auntie.”

Polly was Mycroft's wife of some forty-two years and, although seemingly in the background, was actually almost as brilliant as her husband. She was a bouncy seventy and managed Mycroft's often irascible and forgetful nature with a patience that I found inspiring. “The trick,” she told me once, “is to regard him like a five-year-old with an IQ of two hundred sixty.” She picked up her tea and blew on it.

“Still thinking about whether to put Smudger on defense?”

“I was thinking of Biffo, actually.”

“Smudger and Biffo would both be wasted on defense,” muttered Mycroft, making a fine adjustment on one face of the brass polyhedron with a file. “You ought to put Snake on defense. He's untried, I admit, but he plays well and has youth on his side.”

“Well, I'm really leaving team strategy to Aubrey.”

“I hope he's up to it. What do you make of this?”

He handed me the solid, and I turned the grapefruit-size object over in my hands. Some of the faces were odd-sided and some even-sided—and some, strangely enough, appeared to be
both,
and my eyes had trouble making sense of it.

“Very . . . pretty,” I replied. “What does it do?”

“Do?” Mycroft smiled. “Put it on the worktop, and you'll see what it do!”

I placed it on the surface, but the oddly shaped solid, unstable on the face I had placed it upon, tipped onto another. Then, after a moment's pause, it wobbled again and fell onto a third. It carried on in this jerky fashion across the worktop until it fell against a screwdriver, where it stopped.

“I call it a Nextahedron,” announced Mycroft, picking up the solid and placing it on the floor, where it continued its random perambulations, watched by Pickwick, who thought it might be chasing her and ran away to hide. “Most irregular solids are only unstable on one or two faces. The Nextahedron is unstable on
all
its faces—it will continue to fall and tip until a solid object impedes its progress.”

“Fascinating!” I murmured, always surprised by the ingenuity of Mycroft's inventions. “But what's the point?”

“Well,” explained Mycroft, warming to the subject, “you know those inertial-generator things that self-wind a wristwatch?”

“Yes?”

“If we have a larger one of those inside a Nextahedron weighing six hundred tons, I calculate we could generate as much as a hundred watts of power.”

“But . . . but that's only enough for a lightbulb!”

“Considering the input is nil, I think it's a remarkable achievement,” replied Mycroft somewhat sniffily. “To generate significant quantities of power, we'd have to carve something of considerable mass—Mars, say—into a huge Nextahedron with a flat plate falling around the exterior, held firm by gravity. The power could be transmitted to Earth using Tesla beams and . . .”

His voice trailed off as he started to sketch ideas and equations in a small notebook. I watched the Nextahedron fall and rock and jiggle across the floor until it fell against a roll of wire.

“On a more serious note,” confided Polly, putting down her tea, “you could help us identify some of the devices in the workshop. Since both Mycroft and I have taken the Big Blank, you might be able to help.”

“I'll try,” I said, looking around the room at the bizarre devices. “That one over there guesses how many pips there are in an unopened orange, the one with the horn is an Olfactrograph for measuring smells, and the small box thing there can change gold into lead.”

“What's the point in that?”

“I'm not entirely sure.”

Polly made notes against her inventory, and I spent the next ten minutes trying to name as many of Mycroft's inventions as I could. It wasn't easy. He didn't tell me everything.

“I'm not sure what this one is either,” I said, pointing at a small machine about the size of a telephone directory lying on a workbench.

“Oddly enough,” replied Polly, “this is one we do have a name for. It's an Ovinator.”

“How do you know if you can't remember?”

“Because,” said Mycroft, who had finished his notes and now rejoined us, “it has ‘Ovinator' engraved on the case just there. We think it's either a device for making eggs without the need of a chicken or for making chickens without the need of an egg. Or something else entirely. Here, I'll switch it on.”

Mycroft flicked a switch and a small red light came on.

“Is that it?”

“Yes,” replied Polly, staring at the small and very unexciting metallic box thoughtfully.

“No sign of any eggs or chickens,” I observed.

“None at all,” sighed Mycroft. “It might just be a machine for making a red light come on. Drat my lost memory! Which reminds me: any idea which device actually
is
the memory eraser?”

We looked around the workshop at the odd and mostly anonymous contraptions. Any one of them might have been used to erase memories, but then any one of them might have been a device for coring apples, too.

We stood in silence for a moment.

“I still think you ought to have Smudger on defense,” said Polly, who was probably the biggest croquet fan in the house.

“You're probably right,” I said, suddenly feeling that it would be easier just to go with the flow. “Uncle?”

“Polly knows best,” he replied. “I'm a bit tired. Who wants to watch
Name That Fruit!
on the telly?”

We all agreed that it would be a relaxing way to end the day, and I found myself watching the nauseating quiz show for the first time in my life. Halfway through, I realized just how bad it was and went to bed, temples aching.

 

 

 

 

 

T
he hunt for
At Long Last Lust
had been going on all morning, but with little success. Kaine had almost two years' head start on us. Of the one hundred copies in the print run, sixty-two of them had changed hands within the past eighteen months. Initially they had been sold for modest sums of £1,000 or so, but there is nothing like a mystery buyer with deep pockets to push up the price, and the last copy sold was for £720,000 at Agatha's Auction House—an unprecedented sum, even for a prewar Farquitt.

The likelihood of finding a copy of
Lust
was looking increasingly desperate. I called Farquitt's agent, who said that the author's entire library had been confiscated and the septuagenarian author questioned at length about pro-Danish political activism before being released. Even a visit to the Library of Farquitt in Didcot didn't bear any fruit—both their original manuscript of
At Long Last Lust
and a signed copy had been seized by “government agents” nearly eighteen months before. The librarian met us in the sculpted marble hall and after telling us not to talk so loudly, reported that representative copies of all Farquitt's works were packed and ready for removal “as soon as we wanted.” Bowden responded that we'd be heading towards the border just as soon as we finalized the details. He didn't look at me as he said it, but I knew what he was thinking—I still needed to figure out a way to get us across the border.