Read Afrofuturism: The World of Black Sci-Fi and Fantasy Culture Online
Authors: Ytasha L. Womack
Tags: #Non-Fiction, #Science Fiction, #Fantasy, #Music, #History
4. Aaron Smither and Joanna Brenner, “Twitter Use 2012,” Pew Internet & American Life Project,
http://pewinternet.org/Reports/2012/Twitter-Use-2012/Findings.aspx
(Accessed May 31, 2012).
1.
Amina Khan, “New will.i.am Song Transmitted from Mars Curiosity Rover,”
Los Angeles Times
,
http://articles.latimes.com/2012/aug/28/science/la-sci-sn-will-i-am-curiosity-mars-rover-track-nasa-20120828
(Accessed August 28, 2012).
2.
“Will.i.am NASA Interview at Curiosity Mars Landing 2012,”
YouTube
, August 6, 2012.
3.
Scott T. Hill, “With Earthbound, CopperWire Creates a Soulful Sci-Fi Space Opera,”
Wired
,
www.wired.com/underwire/2012/04/copperwire-earthbound/
(Accessed April 4, 2012).
4.
The Last Angel of History
, directed by John Akomfrah (Icarus Films, 1996).
5.
Scot Hacker, “Can You Get to That: The Cosmology of P-Funk,”
Stuck Between Stations
,
http://stuckbetweenstations.org/2011/01/11/cosmology-of-pfunk/
(January 11, 2011).
6.
Kodwo Eshun,
More Brilliant Than the Sun: Adventures in Sonic Fiction
(UK: Quartet Books, 1998).
7.
Eshun,
More Brilliant Than the Sun.
8.
“The Ten Droid Commandments,”
HollyGoCrunkly
,
http://hollygocrunkly.tumblr.com/post/746007554/the-ten-droid-commandments
(Accessed May 10, 2012).
1.
Malidoma Patrice Somé,
Ritual, Magic, and Inititation in the Life of an African Shaman
(New York: Penguin Group, 1995), 8.
2.
Somé,
Ritual, Magic, and Initiation
, 9.
3.
Hunter Hindrew and Mamaissii Vivian, “Mami Water Healers Society,”
Mami Wata
,
www.mamiwata.com/news.html
(Accessed June 5, 2012).
4.
Aker, “My-stery Images of Mami Wata,”
Futuristically Ancient
,
http://futuristicallyancient.com/2012/04/18/the-my-stery-images-of-mami-wata
(Accessed April 18, 2012).
5.
“Last Splash: Azealia Banks Explains the Whole Mermaid Deal,”
Spin Magazine
,
www.spin.com/articles/last-splash-azealia-banks-explains-whole-mermaid-deal
(Accessed July 12, 2012).
6.
“African Cosmos,” African Institute of Art,
http://africa.si.edu/exhibits/cosmos/intro.html
(Accessed June 1, 2012).
7.
Somé,
Ritual, Magic, and Initiation
, 8â9.
1.
“Martin Luther King Was a Trekkie: Star Trek and Equality,”
YouTube
(Accessed January 23, 2011).
2.
Matrix Reloaded
, directed by Lana Wachowski and Andy Wachowski (Warner Brothers, 2003).
3.
Gillian Gus Andrews, “Janelle Monáe Turns Rhythm and Blues into Science Fiction,” I09,
http://io9.com/5592174/janelle-monae-turns-rhythm-and-blues-into-science-fiction
(Accessed July 21, 2010).
4.
“Grace Jones,”
Elton & Jacobsen
,
http://eltonjacobsen.com/2008/06/22/grace-jones
(Accessed April 18, 2012).
5.
KaterinaWilhelmina, “Grace Jones Quotes,”
Chatterbusy Blog spot
,
http://chatterbusy.blogspot.com/2012/10/grace-jones-quotes.html
(Accessed October 1, 2012).
6.
Jennie Ruby, “Women Only Spaces: An Alternative to Patriarchy,”
Feminist Reprise
,
www.feminist-reprise.org/docs/womonlyspace.htm
(Accessed April 22, 2012).
7.
Tempestt Hazel, “Black to the Future Series: An Interview with D. Denenge Akpem,”
Sixty Inches from Center
, Chicago Arts Archive,
http://sixtyinchesfromcenter.org/archive/?p=16638
(Accessed July 23, 2012).
1.
W. E. B. Du Bois, “The Comet,” in
Dark Matter
, edited by Sheree R. Thomas (2000): 5â18.
2.
Samuel R. Delany, “Racism and Science Fiction,”
New York Review of Science Fiction
, Issue 120, August 1998,
www.nyrsf.com/racism-and-science-fiction-.html
(Accessed September 1, 2012).
3.
Jess Nevins, “The Black Fantastic: Highlights of Pre World War II African and African American Speculative Fiction,” IO9.
http://io9.com/5947122/the-black-fantastic-highlights-of-pre+world-war-ii-african-and-african+american-speculative-fiction
(Accessed October 2, 2012).
4.
Nevins, “The Black Fantastic.”
5.
“Afrofuturism, Science Fiction and the History of the Future,”
Socialism and Democracy Online
,
http://sdonline.org/42/Afrofuturism-science-fiction-and-the-history-of-the-future
(Accessed April 20, 2012).
6.
“Afrofuturism, Science Fiction,”
Socialism and Democracy Online.
7.
Mindy Farabee, “Nalo Hopkinson's Science Fiction and Real Life Family,”
Los Angeles Times
, March 21, 2013,
http://articles.latimes.com/2013/mar/21/entertainment/la-ca-jc-nalo-hopkinson-20130324
.
1.
Samantha Burton, “The Africa That I Know,”
Bitch
,
http://bitch-magazine.org/article/the-africa-that-i-know
(Accessed April 15, 2012).
2.
Alyx Vesey, “Bechdel Test Canon: Pumzi,”
Bitch
,
http://bitchmagazine.org/post/bechdel-test-canon-pumzi-feminist-film-review
(Accessed February 3, 2012).
3.
Tempestt Hazel, “Black to the Future Series. An Interview with Cauleen Smith,”
Sixty Inches from Center
, Chicago Arts Archive,
http://sixtyinchesfromcenter.org/archive/?p=17269
(Accessed September 4, 2012).
4.
Lupe Fiasco, “Lupe Fiasco: This City Is a Robot,”
Chicago Sun-Times
,
www.suntimes.com/lifestyles/splash/12870919-418/lupe-fiasco-this-city-is-a-robot.html
(Accessed June 5, 2012).
5.
“The Mysterious Phenomenon That Transforms Average Songwriters Into Legends,”
Songwriting Secrets
,
www.songwriting-secrets.net/songwriting-inspiration.html
(Accessed June 1, 2012).
1.
Fred Alan Wolf,
Fred Alan Wolf
,
www.fredalanwolf.com
(Accessed April 10, 2012).
2.
Duffy Damien and John Jennings,
Black Comix
(New York: Mark Batty Publishing, 2010), 164.
3.
Wolf,
www.fredalanwolf.com
(Accessed April 10, 2012).
4.
Jo Walton, “Time Travel and Slavery,”
Tor
,
www.tor.com/blogs/2009/04/octavia-butlers-kindred
(Accessed June 1, 2012).
Y
tasha L. Womack
is a filmmaker, futurist, and the author of
Post Black: How a New Generation Is Redefining African American Identity
and
2212: Book of Rayla.
She is the creator of the Rayla 2212 sci-fi multimedia series, the director of the award-winning film
The Engagement
, the producer and writer of
Love Shorts
, and the coeditor of
Beats Rhymes and Life: What We Love and Hate About Hip Hop.
She has written for many publications including
Ebony
and the
Chicago Tribune
and has appeared on
E! True Hollywood Stories: Rappers Wives.