And Now the News (42 page)

The film showed Amy's plain pleasant sleeping face with its stainless halo of psych-field hood, which was hauling her subjective self back to that awful moment in the records shack. You could tell the moment she arrived there by the anxiety, the tension, the surprise and shock that showed on her face. “Glenda!” she screamed, “Get Joe!”—and then …

It looked at first as if she was making a face, sticking out her tongue. She was making a face all right, the mask of purest, terminal fear, but that wasn't a tongue. It came out and out, unbelievably fast even on the slow-motion frames of the high-speed camera. At its greatest, the diameter was no more than two inches, the length … about eight feet. It arrowed out of her mouth, and even in midair it contracted into the roughly spherical shape we had seen before. It struck the net that the doctors had spread for it and dropped into a plastic container, where it hopped and hopped, sweated, drooled, bled and died. They tried to keep it alive but it wasn't meant to live more than a few minutes.

On dissection they found it contained all Amy's new equipment, in sorry shape. All abdominal organs can be compressed to less than two inches in diameter, but not if they're expected to work again. These weren't.

The thing was covered with a layer of muscle tissue, and dotted with two kinds of ganglia, one sensory and one motor. It would keep hopping as long as there was enough of it left to hop, which was what the motor system did. It was geotropic, and it would alter its muscular
spasms to move it toward anything around it that lived and had warm blood, and that's what the primitive sensory system was for.

And at last we could discard the fifty or sixty theories that had been formed and decide on one: That the primates of Mullygantz
II
had the ability, like a terran sea cucumber, of ejecting their internal organs when frightened, and of growing a new set; that in a primitive creature this was a survival characteristic, and the more elaborate the ejected matter the better the chances for the animal's survival. Probably starting with something as simple as a lizard's discarding a tail segment which just lies there and squirms to distract a pursuer, this one had evolved from ‘distract' to ‘attract' and finally to ‘attack.' True, it took a fantastic amount of forage for the animal to supply itself with a new set of innards, but for vegetarian primates on fertile Mullygantz
II
, this was no problem.

The only problem that remained was to find out exactly how terrans had become infected, and the records cleared that up. Clement got it from a primate's bite. Amy and Glenda got it from Clement. The Flents may well never have had it. Did that mean that Clement had bitten those girls? Amy said no, and experiments proved that the activating factor passed readily from any mucous tissue to any other. A bite would do it, but so would a kiss. Which didn't explain our one crew member who “contracted” the condition. Nor did it explain what kind of a survival characteristic it is that can get transmitted around like a virus infection, even between species.

Within that same six weeks of quarantine, we even got an answer to that. By a stretch of the imagination, you might call the thing a virus. At least, it was a filterable organism which, like the tobacco mosaic or the slime mold, had an organizing factor. You might call it a life form, or a complex biochemical action, basically un-alive. You could call it symbiotic. Symbiotes often go out of their way to see to it that the hosts survive.

After entering a body, these creatures multiplied until they could organize, and then went to work on the host. Connective tissue and muscle fiber was where they did most of their work. They separated muscle fibers all over the peritoneal walls and diaphragm, giving a layer to the entrails and the rest to the exterior. They duplicated
organic functions with their efficient, primitive little surrogate organs and glands. They hooked the illium to the stomach wall and to the rectum, and in a dozen places to their new organic structures. Then they apparently stood by.

When an emergency came every muscle in the abdomen and throat cooperated in a single, synchronized spasm, and the entrails, sheathed in muscle fiber and dotted with nerve ganglia, were compressed into a long tube and forced out like a bullet. Instantly the revised and edited abdomen got to work, perforating the new stomach outlet, sealing the old, and starting the complex of simple surrogates to work. And as long as enough new building material was received fast enough, an enormously accelerated rebuilding job started, blueprinted God knows how from God knows what kind of cellular memory, until in less than two months the original abdominal contents, plus revision, were duplicated, and all was ready for the next emergency.

Then we found that in spite of its incredible and complex hold on its own life and those of its hosts, it had no defense at all against one of humanity's oldest therapeutic tools, the RF fever cabinet. A high frequency induced fever of 108 sustained seven minutes killed it off as if it had never existed, and we found that the “revised” gut was in every way as good as the original, if not better (because damaged organs were replaced with healthy ones if there was enough of them left to show original structure)—and that by keeping a culture of the Mullygantz ‘virus' we had the ultimate, drastic treatment for forty-odd types of abdominal cancer—including two types for which we'd had no answer at all!

So it was we lost the planet, and gained it back with a bonus. We could cause this thing and cure it and diagnose it and use it, and the new world was open again. And that part of the story, as you probably know, came out all over the newsfax and 'casters, which is why I'm getting a big hello from taxi drivers and doormen …

“But the 'fax said you wouldn't be leaving the base until tomorrow noon!” Sue said after I had spouted all this to her and at long last got it all off my chest in one great big piece.

“Sure. They got that straight from me. I heard rumors of a parade and speeches and God knows what else, and I wanted to get home to my walkin' talkin' wettin' doll that blows bubbles.”

“You're silly.”

“C'mere.”

The doorbell hummed.

“I'll get it,” I said, “and throw 'em out. It's probably a reporter.”

But Sue was already on her feet. “Let me, let me. You just stay there and finish your drink.” And before I could stop her she flung into the house and up the long corridor to the foyer.

I chuckled, drank my ale and got up to see who was horning in. I had my shoes off so I guess I was pretty quiet. Though I didn't need to be. Purcell was roaring away in his best old salt fashion, “Let's have us another quickie, Susie, before the Space Scout gets through with his red carpet treatment tomorrow—miss me, honey?” … while Sue was imploringly trying to cover his mouth with her hands.

Maybe I ran; I don't know. Anyway, I was there, right behind her. I didn't say anything. Purcell looked at me and went white. “Skipper …”

And in the hall mirror behind Purcell, my wife met my eyes. What she saw in my face I cannot say, but in hers I saw panic terror.

In the small space between Purcell and Sue, something appeared. It knocked Purcell into the mirror, and he slid down in a welter of blood and stinks and broken glass. The recoil slammed Sue into my arms. I put her by so I could watch the tattered, bleeding thing on the floor hop and hop until it settled down on the nearest warm living thing it could sense, which was Purcell's face.

I let Sue watch it and crossed to the phone and called the commandant. “Gargan,” I said, watching. “Listen, Joe, I found out that Purcell lied about where he went in that first liberty. Also why he lied.” For a few seconds I couldn't seem to get my breath. “Send the meat wagon and an ambulance, and tell Harry to get ready for another hollowbelly.… Yes, I said, one dead.… Purcell, dammit. Do I have to draw you a cartoon?” I roared, and hung up.

I said to Sue, who was holding on to her flat midriff, “That Purcell, I guess it did him good to get away with things under my nose.
First that helpless catatonic Glenda on the way home, then you. I hope you had a real good time, honey.”

It smelled bad in there so I left. I left and walked all the way back to the Base. It took about ten hours. When I got there I went to the Medical wing for my own fever-box cure and to do some thinking about girls with guts, one way or the other. And I began to wait. They'd be opening up Mullygantz
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again, and I thought I might look for a girl who'd have the … fortitude to go back with me. A girl like Amy.

Or maybe Amy.

I
F YOU LIVE IN A CHEAP ENOUGH ROOMING HOUSE
and the doors are made of cheap enough pine, and the locks are old-fashioned single-action jobs and the hinges are loose, and if you have a hundred and ninety lean pounds to operate with, you can grasp the knob, press the door sidewise against its hinges, and slip the latch. Further, you can lock the door the same way when you come out.

Slim Walsh lived in, and was, and had, and did these things partly because he was bored. The company doctors had laid him up—not off, up—for three weeks (after his helper had hit him just over the temple with a fourteen-inch crescent wrench), pending some more X-rays. If he was going to get just sick-leave pay, he wanted to make it stretch. If he was going to get a big fat settlement—all to the good; what he saved by living in this firetrap would make the money look even better. Meanwhile, he felt fine and had nothing to do all day.

“Slim isn't dishonest,” his mother used to tell Children's Court some years back. “He's just curious.”

She was perfectly right.

Slim was constitutionally incapable of borrowing your bathroom without looking into your medicine chest. Send him into your kitchen for a saucer and when he came out a minute later, he'd have inventoried your refrigerator, your vegetable bin, and (since he was six feet three inches tall) he would know about a moldering jar of maraschino cherries in the back of the top shelf that you'd forgotten about.

Perhaps Slim, who was not impressed by his impressive size and build, felt that a knowledge that you secretly use hair-restorer, or are one of those strange people who keeps a little mound of unmated socks in your second drawer, gave him a kind of superiority. Or maybe security is a better word. Or maybe it was an odd compensation for
one of the most advanced cases of gawking, gasping shyness ever recorded.

Whatever it was, Slim liked you better if, while talking to you, he knew how many jackets hung in your closet, how old that unpaid phone bill was, and just where you'd hidden those photographs. On the other hand, Slim didn't insist on knowing bad or even embarrassing things about you. He just wanted to know things about you, period.

His current situation was therefore a near-paradise. Flimsy doors stood in rows, barely sustaining vacuum on aching vacuum of knowledge; and one by one they imploded at the nudge of his curiosity. He touched nothing (or if he did, he replaced it carefully) and removed nothing, and within a week he knew Mrs. Koyper's roomers far better than she could, or cared to. Each secret visit to the rooms gave him a starting point; subsequent ones taught him more. He knew not only what these people had, but what they did, where, how much,
for
how much, and how often. In almost every case, he knew why as well.

Almost every case. Celia Sarton came.

Now, at various times, in various places, Slim had found strange things in other people's rooms. There was an old lady in one shabby place who had an electric train under her bed; used it, too. There was an old spinster in this very building who collected bottles, large and small, of any value or capacity, providing they were round and squat and with long necks. A man on the second floor secretly guarded his desirables with the unloaded .25 automatic in his top bureau drawer, for which he had a half-box of .38 cartridges.

There was a (to be chivalrous) girl in one of the rooms who kept fresh cut flowers before a photograph on her night table—or, rather, before a frame in which were stacked eight photographs, one of which held the stage each day. Seven days, eight photographs: Slim admired the system. A new love every day and, predictably, a different love on successive Wednesdays. And all of them movie stars.

Dozens of rooms, dozens of imprints, marks, impressions, overlays, atmospheres of people. And they needn't be odd ones. A woman moves into a room, however standardized; the instant she puts down
her dusting powder on top of the flush tank, the room is
hers
. Something stuck in the ill-fitting frame of a mirror, something draped over the long-dead gas jet, and the samest of rooms begins to shrink toward its occupant as if it wished, one day, to be a close-knit, formfitting, individual integument as intimate as a skin.

But not Celia Sarton's room.

Slim Walsh got a glimpse of her as she followed Mrs. Koyper up the stairs to the third floor. Mrs. Koyper, who hobbled, slowed any follower sufficiently to afford the most disinterested witness a good look, and Slim was anything but disinterested. Yet for days he could not recall her clearly. It was as if Celia Sarton had been—not invisible, for that would have been memorable in itself—but translucent or chameleon-like, drably re-radiating the drab wall color, carpet color, woodwork color.

She was—how old? Old enough to pay taxes. How tall? Tall enough. Dressed in … whatever women cover themselves with in their statistical thousands. Shoes, hose, skirt, jacket, hat.

She carried a bag. When you go to the baggage window at a big terminal, you notice a suitcase here, a steamer-trunk there; and all around, high up, far back, there are rows and ranks and racks of luggage not individually noticed but just
there
. This bag, Celia Sarton's bag, was one of them.

And to Mrs. Koyper, she said—she said—She said whatever is necessary when one takes a cheap room; and to find her voice, divide the sound of a crowd by the number of people in it.