And Now the News (43 page)

So anonymous, so unnoticeable was she that, aside from being aware that she left in the morning and returned in the evening, Slim let two days go by before he entered her room; he simply could not remind himself about her. And when he did, and had inspected it to his satisfaction, he had his hand on the knob, about to leave, before he recalled that the room was, after all, occupied. Until that second, he had thought he was giving one of the vacancies the once-over. (He did this regularly; it gave him a reference-point.)

He grunted and turned back, flicking his gaze over the room. First he had to assure himself that he was in the right room, which, for a man of his instinctive orientations, was extraordinary. Then he had
to spend a moment of disbelief in his own eyes, which was all but unthinkable. When that passed, he stood in astonishment, staring at the refutation of everything his—hobby—had taught him about people and the places they live in.

The bureau drawers were empty. The ashtray was clean. No toothbrush, toothpaste, soap. In the closet, two wire hangers and one wooden one covered with dirty quilted silk, and nothing else. Under the grime-gray dresser scarf, nothing. In the shower stall, the medicine chest, nothing and nothing again, except what Mrs. Koyper had grudgingly installed.

Slim went to bed and carefully turned back the faded coverlet. Maybe she had slept in it, but very possibly not; Mrs. Koyper specialized in unironed sheets of such a ground-in gray that it wasn't easy to tell. Frowning, Slim put up the coverlet again and smoothed it.

Suddenly he struck his forehead, which yielded him a flash of pain from his injury. He ignored it. “The bag!”

It was under the bed, shoved there, not hidden there. He looked at it without touching it for a moment, so that it could be returned exactly. Then he hauled it out.

It was a black gladstone, neither new nor expensive, of that nondescript rusty color acquired by untended leatherette. It had a worn zipper closure and was not locked. Slim opened it. It contained a cardboard box, crisp and new, for a thousand virgin sheets of cheap white typewriter paper surrounded by a glossy bright blue band bearing a white diamond with the legend:
Nonpareil the writers friend
15%
cotton fiber trade mark registered
.

Slim lifted the paper out of the box, looked under it, riffled a thumbful of the sheets at the top and the same from the bottom, shook his head, replaced the paper, closed the box, put it back into the bag and restored everything precisely as he had found it. He paused again in the middle of the room, turning slowly once, but there was simply nothing else to look at. He let himself out, locked the door, and went silently back to this room.

He sat down on the edge of his bed and at last protested, “Nobody
lives
like that!”

His room was on the fourth and topmost floor of the old house. Anyone else would have called it the worst room in the place. It was small, dark, shabby and remote and it suited him beautifully.

Its door had a transom, the glass of which had many times been painted over. By standing on the foot of his bed, Slim could apply one eye to the peephole he had scratched in the paint and look straight down the stairs to the third-floor landing. On this landing, hanging to the stub of one of the ancient gas jets, was a cloudy mirror surmounted by a dust-mantled gilt eagle and surrounded by a great many rococo carved flowers. By careful propping with folded cigarette wrappers, innumerable tests and a great deal of silent mileage up and down the stairs, Slim had arranged the exact tilt necessary in the mirror so that it covered the second floor landing as well. And just as a radar operator learns to translate glowing pips and masses into aircraft and weather, so Slim became expert at the interpretation of the fogged and distant image it afforded him. Thus he had the comings and goings of half the tenants under surveillance without having to leave his room.

It was in this mirror, at twelve minutes past six, that he saw Celia Sarton next, and as he watched her climb the stairs, his eyes glowed.

The anonymity was gone. She came up the stairs two at a time, with a gait like bounding. She reached the landing and whirled into her corridor and was gone, and while a part of Slim's mind listened for the way she opened her door (hurriedly, rattling the key against the lock-plate, banging the door open, slamming it shut), another part studied a mental photograph of her face.

What raised its veil of the statistical ordinary was its set purpose. Here were eyes only superficially interested in cars, curbs, stairs, doors. It was as if she had projected every important part of herself into that empty room of hers and waited there impatiently for her body to catch up. There was something in the room, or something she had to do there, which she could not, would not, wait for. One goes this way to a beloved after a long parting, or to a deathbed in the last, precipitous moments. This was not the arrival of one who wants, but of one who needs.

Slim buttoned his shirt, eased his door open and sidled through
it. He poised a moment on his landing like a great moose sensing the air before descending to a waterhole, and then moved downstairs.

Celia Sarton's only neighbor in the north corridor—the spinster with the bottles—was settled for the evening; she was of very regular habits and Slim knew them well.

Completely confident that he would not be seen, he drifted to the girl's door and paused.

She was there, all right. He could see the light around the edge of the ill-fitting door, could sense that difference between an occupied room and an empty one, which exists however silent the occupant might be. And this one was silent. Whatever it was that had driven her into the room with such headlong urgency, whatever it was she was doing (
had
to do) was being done with no sound or motion that he could detect.

For a long time—six minutes, seven—Slim hung there, open-throated to conceal the sound of his breath. At last, shaking his head, he withdrew, climbed the stairs, let himself into his own room and lay down on the bed, frowning.

He could only wait. Yet he
could
wait. No one does any single thing for very long. Especially a thing not involving movement. In an hour, in two—

It was five. At half-past eleven, some faint sound from the floor below brought Slim, half-dozing, twisting up from the bed and to his high peephole in the transom. He saw the Sarton girl come out of the corridor slowly, and stop, and look around at nothing in particular, like someone confined too long in a ship's cabin who has emerged on deck, not so much for the lungs' sake, but for the eyes'. And when she went down the stairs, it was easily and without hurry, as if (again) the important part of her was in the room. But the something was finished with for now and what was ahead of her wasn't important and could wait.

Standing with his hand on his own doorknob, Slim decided that he, too, could wait. The temptation to go straight to her room was, of course, large, but caution also loomed. What he had tentatively established as her habit patterns did not include midnight exits.
He could not know when she might come back and it would be foolish indeed to jeopardize his hobby—not only where it included her, but all of it—by being caught. He sighed, mixing resignation with anticipatory pleasure, and went to bed.

Less than fifteen minutes later, he congratulated himself with a sleepy smile as he heard her slow footsteps mount the stairs below. He slept.

There was nothing in the closet, there was nothing in the ashtray, there was nothing in the medicine chest nor under the dresser scarf. The bed was made, the dresser drawers were empty, and under the bed was the cheap gladstone. In it was a box containing a thousand sheets of typing paper surrounded by a glossy blue band. Without disturbing this, Slim riffled the sheets, once at the top, once at the bottom. He grunted, shook his head and then proceeded, automatically but meticulously, to put everything back as he had found it.

“Whatever it is this girl does at night,” he said glumly, “it leaves tracks like it makes noise.”

He left.

The rest of the day was unusually busy for Slim. In the morning he had a doctor's appointment, and in the afternoon he spent hours with a company lawyer who seemed determined to (a) deny the existence of any head injury and (b) prove to Slim and the world that the injury must have occurred years ago. He got absolutely nowhere. If Slim had another characteristic as consuming and compulsive as curiosity, it was his shyness; these two could stand on one another's shoulders, though, and still look upward at Slim's stubbornness. It served its purpose. It took hours, however, and it was after seven when he got home.

He paused at the third-floor landing and glanced down the corridor. Celia Sarton's room was occupied and silent. If she emerged around midnight, exhausted and relieved, then he would know she had again raced up the stairs to her urgent, motionless task, whatever it was … and here he checked himself. He had long ago learned the uselessness of cluttering up his busy head with conjectures. A thousand things might happen; in each case, only one would. He
would wait, then, and could.

And again, some hours later, he saw her come out of her corridor. She looked about, but he knew she saw very little; her face was withdrawn and her eyes wide and unguarded. Then, instead of going out, she went back into her room.

He slipped downstairs half an hour later and listened at her door, and smiled. She was washing her lingerie at the hand basin. It was a small thing to learn, but he felt he was making progress. It did not explain why she lived as she did, but indicated how she could manage without so much as a spare handkerchief.

Oh, well, maybe in the morning.

In the morning, there was no maybe. He found it, he found it, though he could not know what it was he'd found. He laughed at first, not in triumph but wryly, calling himself a clown. Then he squatted on his heels in the middle of the floor (he would not sit on the bed, for fear of leaving wrinkles of his own on those Mrs. Koyper supplied) and carefully lifted the box of paper out of the suitcase and put it on the floor in front of him.

Up to now, he had contented himself with a quick riffle of the blank paper, a little at the top, a little at the bottom. He had done just this again, without removing the box from the suitcase, but only taking the top off and tilting up the banded ream of
Nonpareil-the-writers-friend
. And almost in spite of itself, his quick eye had caught the briefest flash of pale blue.

Gently, he removed the band, sliding it off the pack of paper, being careful not to slit the glossy finish. Now he could freely riffle the pages, and when he did, he discovered that all of them except a hundred or so, top and bottom, had the same rectangular cut-out, leaving only a narrow margin all the way around. In the hollow space thus formed, something was packed.

He could not tell what the something was, except that it was pale tan, with a tinge of pink, and felt like smooth untextured leather. There was a lot of it, neatly folded so that it exactly fitted the hole in the ream of paper.

He puzzled over it for some minutes without touching it again,
and then, scrubbing his fingertips against his shirt until he felt that they were quite free of moisture and grease, he gently worked loose the top corner of the substance and unfolded a layer. All he found was more of the same.

He folded it down flat again to be sure he could, and then brought more of it out. He soon realized that the material was of an irregular shape and almost certainly of one piece, so that folding it into a tight rectangle required care and great skill. Therefore he proceeded very slowly, stopping every now and then to fold it up again, and it took him more than an hour to get enough of it out so that he could identify it.

Identify? It was completely unlike anything he had ever seen before.

It was a human skin, done in some substance very like the real thing. The first fold, the one which had been revealed at first, was an area of the back, which is why it showed no features. One might liken it to a balloon, except that a deflated balloon is smaller in every dimension than an inflated one. As far as Slim could judge, this was life-sized—a little over five feet long and proportioned accordingly. The hair was peculiar, looking exactly like the real thing until flexed, and then revealing itself to be one piece.

It had Celia Sarton's face.

Slim closed his eyes and opened them, and found that it was still true. He held his breath and put forth a careful, steady forefinger and gently pressed the left eyelid upward. There was an eye under it, all right, light blue and seemingly moist, but flat.

Slim released the breath, closed the eye and sat back on his heels. His feet were beginning to tingle from his having knelt on the floor for so long.

He looked all around the room once, to clear his head of strangeness, and then began to fold the thing up again. It took a while, but when he was finished, he knew he had it right. He replaced the typewriter paper in the box and the box in the bag, put the bag away and at last stood in the middle of the room in the suspension which overcame him when he was deep in thought.

After a moment of this, he began to inspect the ceiling. It was
made of stamped tin, like those of many old-fashioned houses. It was grimy and flaked and stained; here and there, rust showed through, and in one or two places, edges of the tin sheets had sagged. Slim nodded to himself in profound satisfaction, listened for a while at the door, let himself out, locked it and went upstairs.

He stood in his own corridor for a minute, checking the position of doors, the hall window, and his accurate orientation of the same things on the floor below. Then he went into his own room.

His room, though smaller than most, was one of the few in the house which was blessed with a real closet instead of a rickety off-the-floor wardrobe. He went into it and knelt, and grunted in satisfaction when he found how loose the ancient, unpainted floorboards were. By removing the side baseboard, he found it possible to get to the air space between the fourth floor and the third-floor ceiling.