B0041VYHGW EBOK (216 page)

La Roue,
191
,
191
,
257
,
465

rough cut,
24

Rubin, Bruce Joel,
102

The Rules of the Game,
188
,
223

Rumble Fish,
481

Run Lola Run,
86
,
88
,
482

Rusell, David O.

Flirting with Disaster,
482

Spanking the Monkey,
482

Three Kings,
157
,
157
,
482

rushes,
23

Russell, Ken,
Women in Love,
128
,
129

Russian Ark,
214
–215,
215

Ruttman, Walter,
Berlin, Symphony of a Great City,
423

Ryder, Winona,
85

Rydstrom, Gary,
284

Sadoul, Georges,
463

Safe,
273

salient techniques,
314

Sambizanga,
152
,
152

Le Samourai,
333

San Francisco,
471

Sanjuro,
190

Sansho the Bailiff,
97
,
97

Santa Claus,
457
,
457

Satie, Erik,
279

Gymnopédies,
280

Satrapi, Marjane,
Persepolis,
153

Saturday Night Fever,
344

Saving Private Ryan,
336

Sawyer, Sharyn,
358

Scarface,
254

The Scarlet Pumpernickel,
386

Scary Movie
franchise,
342

scene space

composition and,
151
–155

depth cues and,
151
–152

scenes,
105

scenic artist,
25

Schindler’s List,
352

Schlesinger, Leon,
386

Schmidt, Claudia,
356

School of Rock,
344

Schrader, Paul,
Hard Core,
478

Schwartzbaum, Lisa,
334

Schwechater,
256

Scorcese, Martin,
33
,
442
.
see also King of Raging Bull

film style of,
480

King of Comedy,
447
–449

on lenses,
175

Mean Streets,
440
,
478
,
478

Raging Bull,
18
,
189
,
201
,
396
,
444
,
478

Taxi Driver,
440
,
478

scores.
see
musical score

Scorpio Rising,
284
,
366
–367,
367

Scott, Ridley

Alien,
197
,
335

Blade Runner,
333

Gladiator,
22
,
335

Matchstick Men,
259

screen direction,
237
–238

screen size

Bogdanovich on,
45

exhibition and,
43
,
45
–47

screen space

color contrast and,
149
–150

composition and,
148
–151

in
His Girl Friday,
399

movement and,
151

in
Tokyo Story,
416
–417

screenplays

Collateral,
4
–5

stages of,
17

screenwriter,
17

script supervisor,
19

scriptwriting.
see also
dialogue; screenplays

documentaries,
17

in film production,
16
–17

Se7en,
194
,
332

The Searchers,
171
,
339
,
339

The Seashell and the Clergyman,
466
,
466

Seberg, Jean,
145
,
145
,
151

second assistant director,
19

second unit,
24

second unit director,
19

The Secret Adventures of Tom Thumb,
384

Seda, Dori,
357
,
359

segmentation.
see
plot segmentation

selective focus,
178

Serene Velocity,
177
,
177

Serra, Richard,
Railroad Turnbridge,
368
,
368

set decorator,
18

set dresser,
18

set unit,
18

setting

color and,
123

digital effects for,
123

of
Do The Right Thing,
405

film style and,
4
–5

of
Meet Me in St. Louis,
431
–432

in mise-en-scene,
121
,
123
–124

in
Our Hospitality,
160

setup,
90

The Seven Samurai,
138
–139,
139
,
224
,
292
,
336

graphic match in,
226
,
226

sound in,
278
–279

70mm (film),
11
,
12

Shadow of a Doubt

film style in,
316
–319,
317
–319

screenplay for,
4
,
16

Shahani, Kumar,
Kasba,
170
,
171

shallow-space composition,
154

Shanghai Express,
133

Shanley, John Patrick,
Doubt,
203

Shaun of the Dead,
342

Shaw Brothers,
482

Shayamalan, M. Night

Signs,
212

The Sixth Sense,
78
–79,
97
,
97
,
133
,
296
,
342
,
482

She Wore a Yellow Ribbon,
118
,
119
,
282

Sher, Stacy,
33

She’s Gotta Have It,
479

continuity editing in,
243
,
244

The Shining,
46
,
83

patterns in,
69
–70,
70

Shivers,
479

shock cuts,
325

Shoe Shine,
473
–474

Shoot the Piano Player,
476

shooting phase

director’s crew during,
19
–20

filming scene during,
21
–22

photography unit in,
20

producer’s crew in,
21

sound unit in,
20
–21

visual-effects unit in,
21

shooting script,
17

Short Cuts,
479

shot/reverse shot,
239

in
Do The Right Thing,
407
,
407

in early cinema,
460

in
The Maltese Falcon,
242

Shrek
2
,
38

sidelight,
136

Signs,
212

Sijan, Slobodan,
243

The Silence of the Lambs,
118
,
223
,
285
,
296
,
329

film style in,
315
,
315

sound bridge in,
296

silent film.
see
early cinema

Silent Möbius,
383

similarity,
68

Simon, Chris,
354

Simple Men,
178
,
178

A Simple Plan,
333

simultaneous sound,
295

Sin City,
15

Singer, Bryan

Superman Returns,
14

The Usual Suspects,
86
,
90
,
334
,
334

Singin’ in the Rain,
27
,
205
,
294
,
329
,
343

single-frame films,
256

Singleton, John,
479

Sisters,
191
,
192

Sisters of Gion,
215
–216,
216

Siu-tung, Ching,
483

16mm (film),
11
,
12

The Sixth Sense,
78
–79,
97
,
97
,
133
,
296
,
342
,
482

size diminution,
153

Sjöström, Victor,
Ingebord Holm,
223

slates,
21
,
21

Sleep,
223

Sleepy Hollow,
479

Sliding Doors,
87
–88,
89
,
334
,
482

slow-motion effect,
172

Slumdog Millionaire,
30
,
35
,
99
,
99

subjectivity and,
95
,
96

Smalley, Philips,
Suspense,
192

small-scale film production,
30
–32

The Smiling Mme. Beudet,
464

Smith, Chris,
American Movie,
351
,
351

Smith, G. Albert

Mary Jane’s Mishap,
459

Santa Claus,
457
,
457

Smith, Kevin

Clerks,
30
,
481

Dogma,
481
–482

Mallrats,
481

Smith, Lee,
231

Smoke,
479

Snow, Michael.
see also Wavelength

La Région centrale,
223

Wavelength,
177

Snow White and the Seven Dwarfs,
344
,
383
,
388

Sobocinski, Piotr,
312
–313

social ideology,
65

film form and,
431

in
Meet Me in St. Louis,
431
–438

in New Hollywood cinema,
478

in
Raging Bull,
438
–442

Soderbergh, Steven

Che,
14

The Limey,
482
,
482

Ocean’s
11
,
333

Out of Sight,
87
,
333

Sokurov, Aleksandr

Alexandra,
278

Russian Ark,
214
–215,
215

Soldier Blue,
339

Solondz, Todd,
Palindromes,
82

Something Different,
79

Sonatine,
99
,
99
,
205

The Song of Roland,
464

sound.
see also
diegetic sound; musical score; nondiegetic sound; sound bridge; sound effects; sound mixing; sound tracks

anticipation and,
270

Apocalypse Now,
localization of,
294