Catching Fire (18 page)

“What do you think they'll do, Haymitch? To the districts that are rebelling?” I ask.

“Well, you've heard what they did in Eight. You've seen what they did here, and that was without provocation,” says Haymitch. “If things really do get out of hand, I think they'd have no problem killing off another district, same as they did Thirteen. Make an example of it, you know?”

“So you think Thirteen was really destroyed? I mean, Bonnie and Twill were right about the footage of the mocking-jay,” I say.

“Okay, but what does that prove? Nothing, really. There are plenty of reasons they could be using old footage. Probably it looks more impressive. And it's a lot simpler, isn't it? To just press a few buttons in the editing room than to fly all the way out there and film it?” he says. “The idea that Thirteen has somehow rebounded and the Capitol is ignoring it? That sounds like the kind of rumor desperate people cling to.”

“I know. I was just hoping,” I say.

“Exactly. Because you're desperate,” says Haymitch.

I don't argue because, of course, he's right.

Prim comes home from school bubbling over with excitement. The teachers announced there was mandatory programming tonight. “I think it's going to be your photo shoot!”

“It can't be, Prim. They only did the pictures yesterday,” I tell her.

“Well, that's what somebody heard,” she says.

I'm hoping she's wrong. I haven't had time to prepare Gale for any of this. Since the whipping, I only see him when he comes to the house for my mother to check how he's healing. He's often scheduled seven days a week in the mine. In the few minutes of privacy we've had, with me walking him back to town, I gather that the rumblings of an uprising in 12 have been subdued by Thread's crackdown. He knows I'm not going to run. But he must also know that if we don't revolt in 12, I'm destined to be Peeta's bride. Seeing me lounging around in gorgeous gowns on his television ... what can he do with that?

When we gather around the television at seven-thirty, I discover that Prim is right. Sure enough, there's Caesar Flickerman, speaking before a standing-room-only crowd in front of the Training Center, talking to an appreciative crowd about my upcoming nuptials. He introduces Cinna, who became an overnight star with his costumes for me in the Games, and after a minute of good-natured chitchat, we're directed to turn our attention to a giant screen.

I see now how they could photograph me yesterday and present the special tonight. Initially, Cinna designed two dozen wedding gowns. Since then, there's been the process of narrowing down the designs, creating the dresses, and choosing the accessories. Apparently, in the Capitol, there were opportunities to vote for your favorites at each stage. This is all culminating with shots of me in the final six dresses, which I'm sure took no time at all to insert in the show. Each shot is met with a huge reaction from the crowd. People screaming and cheering for their favorites, booing the ones they don't like. Having voted, and probably bet on the winner, people are very invested in my wedding gown. It's bizarre to watch when I think how I never even bothered to try one on before the cameras arrived. Caesar announces that interested parties must cast their final vote by noon on the following day.

“Let's get Katniss Everdeen to her wedding in style!” he hollers to the crowd. I'm about to shut off the television, but then Caesar is telling us to stay tuned for the other big event of the evening. “That's right, this year will be the seventy-fifth anniversary of the Hunger Games, and that means it's time for our third Quarter Quell!”

“What will they do?” asks Prim. “It isn't for months yet.

We turn to our mother, whose expression is solemn and distant, as if she's remembering something. “It must be the reading of the card.”

The anthem plays, and my throat tightens with revulsion as President Snow takes the stage. He's followed by a young boy dressed in a white suit, holding a simple wooden box. The anthem ends, and President Snow begins to speak, to remind us all of the Dark Days from which the Hunger Games were born. When the laws for the Games were laid out, they dictated that every twenty-five years the anniversary would be marked by a Quarter Quell. It would call for a glorified version of the Games to make fresh the memory of those killed by the districts' rebellion.

These words could not be more pointed, since I suspect several districts are rebelling right now.

President Snow goes on to tell us what happened in the previous Quarter Quells. “On the twenty-fifth anniversary, as a reminder to the rebels that their children were dying because of their choice to initiate violence, every district was made to hold an election and vote on the tributes who would represent it.”

I wonder how that would have felt. Picking the kids who had to go. It is worse, I think, to be turned over by your own neighbors than have your name drawn from the reaping ball.

“On the fiftieth anniversary,” the president continues, “as a reminder that two rebels died for each Capitol citizen, every district was required to send twice as many tributes.”

I imagine facing a field of forty-seven instead of twenty-three. Worse odds, less hope, and ultimately more dead kids. That was the year Haymitch won... .

“I had a friend who went that year,” says my mother quietly. “Maysilee Donner. Her parents owned the sweetshop. They gave me her songbird after. A canary.”

Prim and I exchange a look. It's the first we've ever heard of Maysilee Donner. Maybe because my mother knew we would want to know how she died.

“And now we honor our third Quarter Quell,” says the president. The little boy in white steps forward, holding out the box as he opens the lid. We can see the tidy, upright rows of yellowed envelopes. Whoever devised the Quarter Quell system had prepared for centuries of Hunger Games. The president removes an envelope clearly marked with a 75. He runs his finger under the flap and pulls out a small square of paper. Without hesitation, he reads, “On the seventy-fifth anniversary, as a reminder to the rebels that even the strongest among them cannot overcome the power of the Capitol, the male and female tributes will be reaped from their existing pool of victors.”

My mother gives a faint shriek and Prim buries her face in her hands, but I feel more like the people I see in the crowd on television. Slightly baffled. What does it mean? Existing pool of victors?

Then I get it, what it means. At least, for me. District 12 only has three existing victors to choose from. Two male. One female ...

I am going back into the arena.

My body reacts before my mind does and I'm running out the door, across the lawns of the Victor's Village, into the dark beyond. Moisture from the sodden ground soaks my socks and I'm aware of the sharp bite of the wind, but I don't stop. Where? Where to go? The woods, of course. I'm at the fence before the hum makes me remember how very trapped I am. I back away, panting, turn on my heel, and take off again.

The next thing I know I'm on my hands and knees in the cellar of one of the empty houses in the Victor's Village. Faint shafts of moonlight come in through the window wells above my head. I'm cold and wet and winded, but my escape attempt has done nothing to subdue the hysteria rising up inside me. It will drown me unless it's released. I ball up the front of my shirt, stuff it into my mouth, and begin to scream. How long this continues, I don't know. But when I stop, my voice is almost gone.

I curl up on my side and stare at the patches of moonlight on the cement floor. Back in the arena. Back in the place of nightmares. That's where I am going. I have to admit I didn't see it coming. I saw a multitude of other things. Being publicly humiliated, tortured, and executed.

Fleeing through the wilderness, pursued by Peacekeepers and hovercraft. Marriage to Peeta with our children forced into the arena. But never that I myself would have to be a player in the Games again. Why? Because there's no precedent for it. Victors are out of the reaping for life. That's the deal if you win. Until now.

There's some kind of sheeting, the kind they put down when they paint. I pull it over me like a blanket. In the distance, someone is calling my name. But at the moment, I excuse myself from thinking about even those I love most. I think only of me. And what lies ahead.

The sheeting's stiff but holds warmth. My muscles relax, my heart rate slows. I see the wooden box in the little boy's hands, President Snow drawing out the yellowed envelope. Is it possible that this was really the Quarter Quell written down seventy-five years ago? It seems unlikely. It's just too perfect an answer for the troubles that face the Capitol today. Getting rid of me and subduing the districts all in one neat little package.

I hear President Snow's voice in my head. “On the seventy-fifth anniversary, as a reminder to the rebels that even the strongest among them cannot overcome the power of the Capitol, the male and female tributes will be reaped from their existing pool of victors.”

Yes, victors are our strongest. They're the ones who survived the arena and slipped the noose of poverty that strangles the rest of us. They, or should I say we, are the very embodiment of hope where there is no hope. And now twenty-three of us will be killed to show how even that hope was an illusion.

I'm glad I won only last year. Otherwise I'd know all the other victors, not just because I see them on television but because they're guests at every Games. Even if they're not mentoring like Haymitch always has to, most return to the Capitol each year for the event. I think a lot of them are friends. Whereas the only friend I'll have to worry about killing will be either Peeta or Haymitch. Peeta or Haymitch!

I sit straight up, throwing off the sheeting. What just went through my mind? There's no situation in which I would ever kill Peeta or Haymitch. But one of them will be in the arena with me, and that's a fact. They may have even decided between them who it will be. Whoever is picked first, the other will have the option of volunteering to take his place. I already know what will happen. Peeta will ask Haymitch to let him go into the arena with me no matter what. For my sake. To protect me.

I stumble around the cellar, looking for an exit. How did I even get into this place? I feel my way up the steps to the kitchen and see the glass window in the door has been shattered. Must be why my hand seems to be bleeding. I hurry back into the night and head straight to Haymitch's house. He's sitting alone at the kitchen table, a half-emptied bottle of white liquor in one fist, his knife in the other. Drunk as a skunk.

“Ah, there she is. All tuckered out. Finally did the math, did you, sweetheart? Worked out you won't be going in alone? And now you're here to ask me ... what?” he says.

I don't answer. The window's wide open and the wind cuts through me just as if I were outside.

“I'll admit, it was easier for the boy. He was here before I could snap the seal on a bottle. Begging me for another chance to go in. But what can you say?” He mimics my voice. '“Take his place, Haymitch, because all things being equal, I'd rather Peeta had a crack at the rest of his life than you?

I bite my lip because once he's said it, I'm afraid that's what I do want. For Peeta to live, even if it means Haymitch's death. No, I don't. He's dreadful, of course, but Haymitch is my family now. What did I come for? I think. What could I possibly want here?

“I came for a drink,” I say.

Haymitch bursts out laughing and slams the bottle on the table before me. I run my sleeve across the top and take a couple gulps before I come up choking. It takes a few minutes to compose myself, and even then my eyes and nose are still streaming. But inside me, the liquor feels like fire and I like it.

“Maybe it should be you,” I say matter-of-factly as I pull up a chair. “You hate life, anyway.”

“Very true,” says Haymitch. “And since last time I tried to keep you alive... seems like I'm obligated to save the boy this time.”

“That's another good point,” I say, wiping my nose and tipping up the bottle again.

“Peeta's argument is that since I chose you, I now owe him. Anything he wants. And what he wants is the chance to go in again to protect you,” says Haymitch.

I knew it. In this way, Peeta's not hard to predict. While I was wallowing around on the floor of that cellar, thinking only of myself, he was here, thinking only of me. Shame isn't a strong enough word for what I feel.

“You could live a hundred lifetimes and not deserve him, you know,” Haymitch says.

“Yeah, yeah,” I say brusquely. “No question, he's the superior one in this trio. So, what are you going to do?”

“I don't know.” Haymitch sighs. “Go back in with you maybe, if I can. If my name's drawn at the reaping, it won't matter. He'll just volunteer to take my place.”

We sit for a while in silence. “It'd be bad for you in the arena, wouldn't it? Knowing all the others?” I ask.

“Oh, I think we can count on it being unbearable wherever I am.” He nods at the bottle. “Can I have that back now?”

“No,” I say, wrapping my arms around it. Haymitch pulls another bottle out from under the table and gives the top a twist. But I realize I am not just here for a drink. There's something else I want from Haymitch. “Okay, I figured out what I'm asking,” I say. “If it is Peeta and me in the Games, this time we try to keep him alive.”