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Authors: Gabriel García Márquez,Gregory Rabassa

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Clotilde Armenta told me that they’d lost their last hopes when the priest passed by her place. “I thought he hadn’t got my message,” she said. Nonetheless, Father Amador confessed to me many years later, retired from the world in the gloomy Calafell Rest Home, that he had in fact received Clotilde Armenta’s message and others more
peremptory while he was getting ready to go the docks. “The truth is I didn’t know what to do,” he told me. “My first thought was that it wasn’t any business of mine but something for the civil authorities, but then I made up my mind to say something in passing to Plácida Linero.” Yet when he
crossed the square, he’d forgotten completely. “You have to understand,” he told me, “that the bishop
was coming on that unfortunate day.” At the moment of the crime he felt such despair and was so disgusted with himself that the only thing he could think of was to ring the fire alarm.

My brother Luis Enrique went into the house through the kitchen door, which my mother left unlocked so my father wouldn’t hear us come in. He went to the bathroom before going to bed, but he fell asleep sitting
on the toilet, and when my brother Jaime got up to go to school he found him stretched out face down on the tile floor and singing in his sleep. My sister the nun, who wasn’t going to wait for the bishop because she had an eighty-proof hangover, couldn’t get him to wake up. “It was striking five when I went to the bathroom,” she told me. Later, when my sister Margot went in to bathe before going
to the docks, she managed with great effort to drag him to his bedroom. From the other side of sleep he heard the first bellows of the bishop’s boat without awakening. Then he fell into a deep sleep, worn out by carousing, until my sister the nun went into the bedroom, trying to put her habit on as she ran, and she woke him up with her mad cry:

“They’ve killed Santiago Nasar!”

T
HE DAMAGE
from the knives was only a beginning for the inclement autopsy that Father Carmen Amador found himself obliged to do in Dr. Dionisio Iguarán’s absence. “It was as if we killed him all over again after he was dead,” the aged priest told me in his retirement at Calafell. “But it was an order from the mayor, and orders from that barbarian, stupid as they might have been, had to be
obeyed.” It wasn’t entirely proper. In the confusion of that absurd Monday, Colonel Aponte had had an urgent telegraphic
conversation with the governor of the province, and the latter authorized him to take the preliminary steps while he sent an investigating magistrate. The mayor was a former troop commander with no experience in matters of law, and he was too conceited to ask anyone who knew
where he should begin. The first thing that bothered him was the autopsy. Cristo Bedoya, who was a medical student, managed to get out of it because of his intimate friendship with Santiago Nasar. The mayor thought that the body could be kept under refrigeration until Dr. Dionisio Iguarán came back, but he couldn’t find a human-sized freezer, and the only one that would serve the purpose in the market
was out of order. The body had been exposed to public view in the center of the living room, lying on a narrow iron cot while they were building a rich man’s coffin for it. They’d brought in fans from the bedrooms and some neighboring houses, but there were so many people anxious to see it that they had to push back the furniture and take down the birdcages and pots of ferns, and even then the
heat was unbearable. In addition, the dogs, aroused by the smell of death, increased the uneasiness. They hadn’t stopped howling since I went into the house, when Santiago Nasar was still in his death throes in the kitchen and I found Divina Flor weeping with great howls and holding them off with a beam.

“Help me,” she shouted to me. “What they want is to eat his guts.”

We locked them up in
the stable. Plácida Linero later ordered them taken to some place far off until after the funeral. But toward noon, no one knew how, they escaped from where they were and burst madly into the house. Plácida Linero, just once, lost her grip.

“Those shitty dogs!” she shouted. “Kill them!”

The order was carried out immediately and the house was silent again. Until then there hadn’t been any concern
at all for the state of the body. The face had remained intact, with the same expression it had had when he was singing, and Cristo Bedoya had put the intestines back in place and wrapped the body with a linen strip. Nevertheless, in the afternoon a syrup-colored liquid began to flow from the wounds, drawing flies, and a purple blotch appeared on his upper lip and spread out very slowly, like
the shadow of a cloud on water, up to his hairline. His face, which had always been easy-going, took on a hostile expression, and his mother covered it with a handkerchief. Colonel Aponte understood then that they couldn’t wait any longer and he ordered Father Amador to do the autopsy. “It would be worse digging him up a week later,” he said. The priest had studied medicine and surgery at Salamanca,
but had entered the seminary before he was graduated, and even the mayor knew that his autopsy
would have no legal standing. Nevertheless, he made him carry out the order.

It was a massacre, performed at the public school with the help of the druggist, who took notes, and a first-year medical student who was here on vacation. They only had a few instruments for minor surgery available and the
rest were craftsmen’s tools. But despite the havoc wrought on the body, Father Amador’s report seemed in order and the investigator incorporated it in the brief as a useful piece of evidence.

Seven of the several wounds were fatal. The liver was almost sliced in pieces by two deep cuts on the anterior side. He had four incisions in the stomach, one of them so deep that it went completely through
and destroyed the pancreas. He had six other lesser perforations in the transverse colon and multiple wounds in the small intestine. The only one he had in the back, at the level of the third lumbar vertebra, had perforated the right kidney. The abdominal cavity was filled with large clots of blood, and in the midst of the morass of gastric contents appeared a medal of the Virgin of Carmel that
Santiago Nasar had swallowed at the age of four. The thoracic cavity showed two perforations: one in the second right intercostal space that affected the lung and another quite close to the left armpit. He also had six minor wounds on his arms and hands, and two horizontal cuts: one on the right
thigh and the other in the abdominal muscles. He had a deep stab in the right hand. The report says:
“It looked like a stigma of the crucified Christ.” The encephalic mass weighed sixty grams more than that of a normal Englishman, and Father Amador noted in the report that Santiago Nasar had a superior intelligence and a brilliant future. Nevertheless, in the final note he pointed out a hypertrophy of the liver that he attributed to a poorly cured case of hepatitis. “That is to say,” he told me,
“he had only a few years of life left to him in any case.” Dr. Dionisio Iguarán, who in fact had treated Santiago Nasar for hepatitis at the age of twelve, recalled that autopsy with indignation. “Only a priest could be so dumb,” he told me. “There was never any way to make him understand that we tropical people have larger livers than greenhorn Galician Spaniards.” The report concluded that the
cause of death had been a massive hemorrhage brought on by any one of the seven major wounds.

They gave us back a completely different body. Half of the cranium had been destroyed by the trepanation and the ladykiller face that death had preserved ended up losing its identity. Furthermore, the priest had pulled out the sliced-up intestines by the roots, but in the end he didn’t know what to do
with them, and he gave them an angry blessing and threw them into the garbage pail. The last onlookers ranged about the
schoolhouse windows lost their curiosity, the helper fainted, and Colonel Lázaro Aponte, who had seen and caused so many repressive massacres, ended up being a vegetarian as well as a spiritualist. The empty shell, stuffed with rags and quicklime and sewed up crudely with coarse
twine and baling needles, was on the point of falling apart when we put it into the new coffin with silk quilt lining. “I thought it would last longer that way,” Father Amador told me. Just the opposite happened and we had to bury him hurriedly at dawn because he was in such bad shape that it was already unbearable in the house.

A cloudy Tuesday was breaking through. I didn’t have the courage
to sleep at the end of that oppressive time, and I pushed on the door of María Alejandrina Cervantes’ house in case she hadn’t put up the bar. The gourd lamps were burning where they hung from the trees and in the courtyard for dancing there were several wood fires with huge steaming pots where the mulatto girls were putting mourning dye onto their party clothes. I found María Alejandrina Cervantes
awake as always at dawn, and completely naked as always when there weren’t any strangers in the house. She was squatting like a Turkish houri on her queenly bed across from a Babylonic platter of things to eat: veal cutlets, a boiled chicken, a pork loin, and a garnishing of plantains and vegetables that would have
served five people. Disproportionate eating was always the only way she could mourn
and I’d never seen her do it with such grief. I lay down by her side with my clothes on, barely speaking, and mourning too in my way. I was thinking about the ferocity of Santiago Nasar’s fate, which had collected twenty years of happiness from him not only with his death but also with the dismemberment of his body and its dispersion and extermination. I dreamed that a woman was coming into the
room with a little girl in her arms, and that the child was chewing without stopping to take a breath and the half-chewed kernels of corn were falling into the woman’s brassiere. The woman said to me: “She crunches like a nutty nuthatch, kind of sloppy, kind of slurpy.” Suddenly I felt the anxious fingers that were undoing the buttons of my shirt, and I caught the dangerous smell of the beast of
love lying by my back, and I felt myself sinking into the delights of the quicksand of her tenderness. But suddenly she stopped, coughed from far off, and slipped out of my life.

“I can’t,” she said. “You smell of him.”

Not just I. Everything continued smelling of Santiago Nasar that day. The Vicario brothers could smell him in the jail cell where the mayor had locked them up until he could
think of something to do with them. “No matter how much I scrubbed with soap and rags I
couldn’t get rid of the smell,” Pedro Vicario told me. They’d gone three nights without sleep, but they couldn’t rest because as soon as they began to fall asleep they would commit the crime all over again. Now, almost an old man, trying to explain to me his state on that endless day, Pablo Vicario told me
without any effort: “It was like being awake twice over.” That phrase made me think that what must have been most unbearable for them in jail was their lucidity.

The room was ten feet square, and had a very high skylight with iron bars, a portable latrine, a washstand with its pitcher and basin, and two makeshift beds with straw mats. Colonel Aponte, under whose orders it had been built, said
that there was no hotel that was more humane. My brother Luis Enrique agreed, because one night they’d locked him up after a fight among musicians, and the mayor allowed him the charity of having one of the mulatto girls stay with him. Perhaps the Vicario brothers could have thought the same thing at eight o’clock in the morning, when they felt themselves safe from the Arabs. At that moment they
were comforted by the honor of having done their duty, and the only thing that worried them was the persistence of the smell. They asked for lots of water, laundry soap, and rags, and they washed the blood from their arms and faces, and they also washed their shirts, but they couldn’t get any rest. Pedro Vicario
also asked for his laxatives and diuretics and a roll of sterile gauze so he could
change his bandage, and he succeeded in having two micturitions during the morning. Nevertheless, life was becoming so difficult for him as the day advanced that the smell took second place. At two in the afternoon, when the heaviness of the heat should have melted them, Pedro Vicario couldn’t stay there lying on the bed, but the same weariness prevented him from standing. The pain in his groin had
reached his throat, his urine was shut off, and he suffered the frightful certainty that he wouldn’t sleep ever again for the rest of his life. “I was awake for eleven months,” he told me, and I knew him well enough to know that it was true. He couldn’t eat any lunch. Pablo Vicario, for his part, ate a little bit of everything they brought him, and fifteen minutes later unloosed a pestilential
cholerine. At six in the afternoon, while they were performing the autopsy on Santiago Nasar’s corpse, the mayor was summoned urgently because Pedro Vicario was convinced that his brother had been poisoned. “He was turning into water right in front of me,” Pedro Vicario told me, “and we couldn’t get rid of the idea that it was some trick of the Turks.” Up till then he’d overflowed the portable latrine
twice and the guard on watch had taken him to the town hall washroom another six times. There Colonel Aponte found him, in the doorless toilet boxed
in by the guard, and pouring out water so fluently that it wasn’t too absurd to think about poison. But they put the idea aside immediately when it was established that he had only drunk the water and eaten the food sent by Pura Vicario. Nonetheless,
the mayor was so impressed that he had the prisoners taken to his house under a special guard until the investigating judge came and transferred them to the panoptic prison in Riohacha.

The twins’ fear was in response to the mood in the streets. Revenge by the Arabs wasn’t dismissed, but no one, except the Vicario brothers, had thought of poison. It was supposed, rather, that they would wait
for nightfall in order to pour gasoline through the skylight and burn up the prisoners in their cell. But even that was too easy a supposition. The Arabs comprised a community of peaceful immigrants who had settled at the beginning of the century in Caribbean towns, even in the poorest and most remote, and there they remained, selling colored cloth and bazaar trinkets. They were clannish, hard-working,
and Catholic. They married among themselves, imported their wheat, raised lambs in their yards, and grew oregano and eggplants, and playing cards was their only driving passion. The older ones continued speaking the rustic Arabic they had brought from their homeland, and they maintained it intact in the family down to the
second generation, but those of the third, with the exception of Santiago
Nasar, listened to their parents in Arabic and answered them in Spanish. So it was inconceivable that they would suddenly change their pastoral spirit to avenge a death for which we all could have been to blame. On the other hand, no one thought about reprisals from Plácida Linero’s family, who had been powerful and fighting people until their fortune ran out, and had bred more than two barroom
killers who had been preserved by the salt of their name.

Colonel Aponte, worried by the rumors, visited the Arabs family by family and that time, at least, drew a correct conclusion. He found them perplexed and sad, with signs of mourning on their altars, and some of them sitting on the ground and wailing, but none harbored ideas of vengeance. The reaction that morning had grown out of the heat
of the crime, and the very leaders admitted that in no case would it have gone beyond a beating. Furthermore, it was Susana Abdala, the centenary matriarch, who recommended the prodigious infusion of passion flowers and great absinthe that dried up Pablo Vicario’s cholerine and unleashed at the same time his brother’s florid flow. Pedro Vicario then fell into an insomniac drowsiness and his recovered
brother earned his first sleep without remorse. That was how Purísima Vicario found them at
three o’clock in the morning on Tuesday when the mayor brought her to say good-bye to them.

The whole family left, even the older sisters with their husbands, on Colonel Aponte’s initiative. They left without anyone’s noticing, sheltered by public exhaustion, while the only survivors of that irreparable
day among us who were awake were burying Santiago Nasar. They were leaving until spirits cooled off, according to the mayor’s decision, but they never came back. Pura Vicario wrapped the face of the rejected daughter in a cloth so that no one would see the bruises, and she dressed her in bright red so nobody might think she was mourning her secret lover. Before leaving she asked Father Amador to
confess her sons in jail, but Pedro Vicario refused and convinced his brother that they had nothing to repent. They remained alone, and on the day of their transfer to Riohacha they had recovered so much and were so convinced that they were right that they didn’t want to be taken out by night, as had been done with the family, but in broad daylight and with their faces showing. Poncio Vicario, the
father, died a short time later. “His moral pain carried him off,” Angela Vicario told me. When the twins were absolved they remained in Riohacha, only a day’s trip from Manaure, where the family was living. Prudencia Cotes went there to marry Pablo Vicario, who learned to work with precious
metals in his father’s shop and came to be an elegant goldsmith. Pedro Vicario, without love or a job,
reenlisted in the armed forces three years later, earned his first sergeant’s stripes, and one fine morning his patrol went into guerrilla territory singing whorehouse songs and was never heard of again.

BOOK: Chronicle of a Death Foretold
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