Cold Blood (17 page)

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Authors: James Fleming

BOOK: Cold Blood
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Twenty-three

J
OSEPH CAME
tripping down the corridor—the town of Tulpan was in sight. I was for running straight through it in order to put more distance between us and the Reds. Joseph said that another train was using our line, that it had halted at the station.

“What of it?” I said irritably. “Go round. You'll only have to set a few points.”

He slid into the chair beside me. “Indeed, Doig, but what Valenty says is that the locomotive is armour-plated.”

“Why didn't you say so before?” I was already on my feet.

“Apologies, Excellency.” He pressed his palms together and bowed, his brown eyes glancing humorously up at me.

I said, “Joseph Culp, you're a dark dog. Go fetch the lady to me.”

My peacheroo sauntered up, arched her back, stuck out her breasts—saluted. She was in good fettle, despite that we'd had our first real argument the night before—God.

A quiet unpretentious God's fine by me. Like Buddha. When I was in Burma, I'd noticed the locals had a good relationship with him, no fawning or unhealthy behaviour. But to go at it blindly as Xenia did and kowtow to Him as if every minute of your life He was standing above you with His hand on the guillotine lever and if you didn't have the right answer Crash! and the 140-pound knife'd slice your head off, well, that was patently nonsense.

(She'd sat quite still, hands folded over her fanny, as I let rip.)

Moreover, if God was capable of making such evil bastards as Glebov, didn't He have to have some evil in Himself? How did He know what to put in him otherwise?

She smiled—I would say pityingly. She mentioned a few things that were central to her beliefs. Hogwash, I said. She smiled again, knelt to say her prayers. Afterwards she asked if I wished to make love to her.

Of course, I said, and we fairly went at it, continuing our argument by other means.

Now she said with a grin, “You've converted, that's why you've got me here.”

“My spirituality has always been visible to those who know where to look. Listen, Miss X,” (which I said in English, the letter being an aggressive sound in Russian) “there's an armoured train at the station ahead. I want it. You and I, we're going to discover how mighty it'd be as an enemy. I'll take Valenty and quiz the driver. You see what you can get from the passengers.”

We stopped to plug a bullet hole in the boiler so that we wouldn't arrive looking like a cripple. Valenty brought us up casually behind this train with its nice grey locomotive. No whistling at it or getting furious, all very friendly.

The money was bolting. I knew what was going on as soon as I saw the passengers wandering around. Which they were doing languidly but at the same time looking over their shoulders. Not convinced that the Bolsheviks would actually slit their throats but feeling a good long train journey was a sensible precaution until the storm blew over.

The question was whether they'd got bodyguards in there with them.

Valenty and I strolled down the platform. All these refugee aristocrats studied me in their covert way, checking me off against the Romanovs they knew.

We got to the loco. It was a devil of a thing with a four-wheel bogie and six driving wheels. The armour-plating was backed by two inches of concrete. I wanted it immediately. I lusted after it, yearned to be howling down the open track behind its grey steel baffle plates. No one could put a bullet through the boiler or shoot the driver. In a machine like that we'd pierce the walls of Jericho at the first go.

Valenty walked over to the cab and engaged its driver in trade talk.

I leaned against a post and watched the passengers saunter round smoking their Northern Lights cigarettes.

It wasn't clear to me why they'd halted in Tulpan, which was the sort of plains town that's reproduced a hundred thousand times in Russia. One railway station, two churches, four hundred wooden houses of one storey, twenty of two storeys, and mud streets. The main sounds in these places are the wind in the telegraph lines and lonely men shouting at their wives.

Valenty came over with the driver. He was fat but carried his weight better than Boltikov. One felt that the fat was necessary to him. His name was Yuri Shmuleyvich. “He believes as we do,” said Valenty. “He'll do anything to defeat the Bolsheviks.”

We got talking. It turned out that one of the passengers had had a heart attack while dancing and had died, that was why they'd stopped in Tulpan. The undertaker was there. Someone was dealing with the paperwork.

Shmuleyvich said to me, “If you fart in this country there's a paper to be signed.”

“Dancing?” I said. “He snuffed it while dancing?”

From the corner of my eye I saw Xenia working her way up the platform. I'd had her prink herself up with some rouge and a little rose water. She hadn't wanted to but I persuaded her by saying she'd meet a better class of traveller if she looked the part. That did it: she was a snob, no point in pretending otherwise.

“Yes, dancing,” Shmuleyvich replied.

“So you're carrying musicians, not soldiers, then?”

“These are the bravest men on the train,” he said humorously, nodding towards the carriage door that was just opening.

A man, black as the back of a fireplace, six foot six in Uncle Sam pants, dithered on the step. His great white eyes appealed to me: “Mister, can you tell me why I ever agreed to come on this goddam trip?” Behind his shoulder was another much smaller Negro.

Shmuleyvich, winking, said to me, “Jazz,
barin
, Americanski jazz. You understand now?” He raised his arms and wiggled his backside. “That's how he died dancing.”

The giant called out, “Hi, Shmuley,” and in his long glossy black shoes and short white socks came gingerly down the steps,
put his arm round Shmuleyvich's shoulder and held him tight. “Holy shit, what an asshole of a place you've got here. Couldn't we have just pitched that guy over the side, you know, opened the door and said, Out you go, feller?”

Shmuleyvich, laughing, not trying to get out of the black man's grip, said to me, “You deal with his foreign talk,
barin.”

Which I did, and it turned out that the man had died doing a jazzed-up polka and that he'd been seventy-six years of age.

But this was not the first thing on the black man's mind. He was so glad to find someone other than his friend who spoke English that he nearly cried. Then, “Now what's really bugging me is this—man, it's so good not to have these savages babbling at me—here it is, like I read in the papers back home. What's your name? Charlie? OK, Charlie, there's this King of Russia and he's a really bad piece of work, putting people in prison and shooting them and really treading on them, yeah, pounding them into the ground and stopping them from voting. Then this other guy, another Russki, the baldish feller, comes along and says, Fellers, this old King of yours is a piece of shit and no mistake. I'm gonna give you equality, and land, and education, all for free. You don't get to pay one red cent. Yup, free! No more stomping, no more bad times for any of yous.

“I says to myself, Isn't that to be commended? Look at it how you will, those are great ideas. But what happens? My President and your President and lots of other presidents, they get together and say, The bald number's a real bad feller, we'll have to send our armies against him, he's a threat to the entire world... I mean, Charlie, can you explain that for me?”

The corpse was lowered from the train. The undertaker appeared holding his hat: the doctor put his on. The first whistle went. The passengers drifted closer to the doors.

The smaller of the jazzmen said, “Who'd want to have a war over a town like this? I mean, fancy being killed for—”

“You keep out of it, fat face. I got to Charlie first. Didn't I, Shmuley?”

The second whistle went. Shmuleyvich patted the black man on the cheek and walked off to his cab. Xenia glanced at me. She'd trawled through the passengers and was now only a few yards away. A neat white hand was beckoning to her from the
train door. She shook her head at him—hatless, oh, that rich swag of hair, worth a fortune at the wig-makers.

The big man said to his pal, “C'mon, let's hop back on. I don't trust these Ivans. They'd dip us in shit any day.”

The black men waved at me and made a run for the train. The giant scrambled up the steps. White socks, three four inches of bare flesh, bruised to purple by our Russian winds, then the Uncle Sam stripes leading the eye to the long fat crack. The third whistle went and the train began to move as the last of their stripy buttocks, like the flank of a vast tropical fish, toiled through the door.

The giant stuck his head out of the window. “I mean, Charlie, what does it all add up to? Is the rest of the country as bad as this? Like my friend said, what the hell are they fighting over?”

His smile and his white teeth grew smaller. Black smoke began to billow down the side of the carriage towards him. Ruefully I spread my arms.

Twenty-four

W
E SPENT
the night at Tulpan getting our hands on a couple of coal tenders. Coal was always a worry. Even a full tender took us only five hundred miles. If I came across a heap of the stuff, I had to have somewhere to put it.

Also Xenia had to be taken into town to post letters. I said to her, “How perverse, during a revolution.” But the stationmaster had assured her the posts were still moving and she'd seen for herself a couple of trains heading towards Moscow. So she was determined to do it: farewells to her sister and mother whom she might never see again, that's what she said.

Then we set out in pursuit.

You know how it is with time, its metre varies: now plodding, now squirting out the seconds like it's going to lead you right to the end of the world just as soon as it can. In central Russia it scarcely budges, the country is so featureless.

However, in the middle of the afternoon the brakes came on, quite gently. Thinking the armoured loco was in sight, I pocketed my Luger and went up to the cab.

In front of us, about half a mile away down the dead straight track, was a tiny wayside stop. A length of grassy platform, a small shed for waiting passengers, a loading bank—and one would have said nothing else because emptiness was what the mind expected.

Not so, very much not so.

On the platform stood a gentleman in a long fur-edged coat, even though it was early summer. God had given him a round red face and long blond moustaches. He was leaning on a knotty cane in the manner of Voltaire.

To his left were a couple of peasants. Each had a station flatbed on which were lined up a succession of dark blue and dark red leather suitcases, one colour per barrow. They were ranked by size, the largest being nearest the edge of the platform.

Additionally—astonishingly—in the centre of our track, standing four square on a sleeper was a pin of a woman with foxtails round her neck and on her head a swooping green straw hat. She was waving us down with short, hysterical, flapping motions of one hand. At her bosom, in among the furs, was a dog, only its white head visible.

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