Complete Works of F. Scott Fitzgerald (Illustrated) (17 page)

“Well, I’m ashamed to say that I’m a blank on the subject of Whitman. How about you, Tom?”

Tom nodded sheepishly.

“Well,” continued Burne, “you may strike a few poems that are tiresome, but I mean the mass of his work. He’s tremendous — like Tolstoi. They both look things in the face, and, somehow, different as they are, stand for somewhat the same things.”

“You have me stumped, Burne,” Amory admitted. “I’ve read ‘Anna Karenina’ and the ‘Kreutzer Sonata’ of course, but Tolstoi is mostly in the original Russian as far as I’m concerned.”

“He’s the greatest man in hundreds of years,” cried Burne enthusiastically. “Did you ever see a picture of that shaggy old head of his?”

They talked until three, from biology to organized religion, and when Amory crept shivering into bed it was with his mind aglow with ideas and a sense of shock that some one else had discovered the path he might have followed. Burne Holiday was so evidently developing — and Amory had considered that he was doing the same. He had fallen into a deep cynicism over what had crossed his path, plotted the imperfectability of man and read Shaw and Chesterton enough to keep his mind from the edges of decadence — now suddenly all his mental processes of the last year and a half seemed stale and futile — a petty consummation of himself... and like a sombre background lay that incident of the spring before, that filled half his nights with a dreary terror and made him unable to pray. He was not even a Catholic, yet that was the only ghost of a code that he had, the gaudy, ritualistic, paradoxical Catholicism whose prophet was Chesterton, whose claqueurs were such reformed rakes of literature as Huysmans and Bourget, whose American sponsor was Ralph Adams Cram, with his adulation of thirteenth-century cathedrals — a Catholicism which Amory found convenient and ready-made, without priest or sacraments or sacrifice.

He could not sleep, so he turned on his reading-lamp and, taking down the “Kreutzer Sonata,” searched it carefully for the germs of Burne’s enthusiasm. Being Burne was suddenly so much realler than being clever. Yet he sighed... here were other possible clay feet.

He thought back through two years, of Burne as a hurried, nervous freshman, quite submerged in his brother’s personality. Then he remembered an incident of sophomore year, in which Burne had been suspected of the leading role.

Dean Hollister had been heard by a large group arguing with a taxi-driver, who had driven him from the junction. In the course of the altercation the dean remarked that he “might as well buy the taxicab.” He paid and walked off, but next morning he entered his private office to find the taxicab itself in the space usually occupied by his desk, bearing a sign which read “Property of Dean Hollister. Bought and Paid for.”... It took two expert mechanics half a day to dissemble it into its minutest parts and remove it, which only goes to prove the rare energy of sophomore humor under efficient leadership.

Then again, that very fall, Burne had caused a sensation. A certain Phyllis Styles, an intercollegiate prom-trotter, had failed to get her yearly invitation to the Harvard-Princeton game.

Jesse Ferrenby had brought her to a smaller game a few weeks before, and had pressed Burne into service — to the ruination of the latter’s misogyny.

“Are you coming to the Harvard game?” Burne had asked indiscreetly, merely to make conversation.

“If you ask me,” cried Phyllis quickly.

“Of course I do,” said Burne feebly. He was unversed in the arts of Phyllis, and was sure that this was merely a vapid form of kidding. Before an hour had passed he knew that he was indeed involved. Phyllis had pinned him down and served him up, informed him the train she was arriving by, and depressed him thoroughly. Aside from loathing Phyllis, he had particularly wanted to stag that game and entertain some Harvard friends.

“She’ll see,” he informed a delegation who arrived in his room to josh him. “This will be the last game she ever persuades any young innocent to take her to!”

“But, Burne — why did you
invite
her if you didn’t want her?”

“Burne, you
know
you’re secretly mad about her — that’s the
real
trouble.”

“What can
you
do, Burne? What can
you
do against Phyllis?”

But Burne only shook his head and muttered threats which consisted largely of the phrase: “She’ll see, she’ll see!”

The blithesome Phyllis bore her twenty-five summers gayly from the train, but on the platform a ghastly sight met her eyes. There were Burne and Fred Sloane arrayed to the last dot like the lurid figures on college posters. They had bought flaring suits with huge peg-top trousers and gigantic padded shoulders. On their heads were rakish college hats, pinned up in front and sporting bright orange-and-black bands, while from their celluloid collars blossomed flaming orange ties. They wore black arm-bands with orange “P’s,” and carried canes flying Princeton pennants, the effect completed by socks and peeping handkerchiefs in the same color motifs. On a clanking chain they led a large, angry tom-cat, painted to represent a tiger.

A good half of the station crowd was already staring at them, torn between horrified pity and riotous mirth, and as Phyllis, with her svelte jaw dropping, approached, the pair bent over and emitted a college cheer in loud, far-carrying voices, thoughtfully adding the name “Phyllis” to the end. She was vociferously greeted and escorted enthusiastically across the campus, followed by half a hundred village urchins — to the stifled laughter of hundreds of alumni and visitors, half of whom had no idea that this was a practical joke, but thought that Burne and Fred were two varsity sports showing their girl a collegiate time.

Phyllis’s feelings as she was paraded by the Harvard and Princeton stands, where sat dozens of her former devotees, can be imagined. She tried to walk a little ahead, she tried to walk a little behind — but they stayed close, that there should be no doubt whom she was with, talking in loud voices of their friends on the football team, until she could almost hear her acquaintances whispering:

“Phyllis Styles must be
awfully hard up
to have to come with
those two
.”

That had been Burne, dynamically humorous, fundamentally serious. From that root had blossomed the energy that he was now trying to orient with progress....

So the weeks passed and March came and the clay feet that Amory looked for failed to appear. About a hundred juniors and seniors resigned from their clubs in a final fury of righteousness, and the clubs in helplessness turned upon Burne their finest weapon: ridicule. Every one who knew him liked him — but what he stood for (and he began to stand for more all the time) came under the lash of many tongues, until a frailer man than he would have been snowed under.

“Don’t you mind losing prestige?” asked Amory one night. They had taken to exchanging calls several times a week.

“Of course I don’t. What’s prestige, at best?”

“Some people say that you’re just a rather original politician.”

He roared with laughter.

“That’s what Fred Sloane told me to-day. I suppose I have it coming.”

One afternoon they dipped into a subject that had interested Amory for a long time — the matter of the bearing of physical attributes on a man’s make-up. Burne had gone into the biology of this, and then:

“Of course health counts — a healthy man has twice the chance of being good,” he said.

“I don’t agree with you — I don’t believe in ‘muscular Christianity.’“

“I do — I believe Christ had great physical vigor.”

“Oh, no,” Amory protested. “He worked too hard for that. I imagine that when he died he was a broken-down man — and the great saints haven’t been strong.”

“Half of them have.”

“Well, even granting that, I don’t think health has anything to do with goodness; of course, it’s valuable to a great saint to be able to stand enormous strains, but this fad of popular preachers rising on their toes in simulated virility, bellowing that calisthenics will save the world — no, Burne, I can’t go that.”

“Well, let’s waive it — we won’t get anywhere, and besides I haven’t quite made up my mind about it myself. Now, here’s something I
do
know — personal appearance has a lot to do with it.”

“Coloring?” Amory asked eagerly.

“Yes.”

“That’s what Tom and I figured,” Amory agreed. “We took the year-books for the last ten years and looked at the pictures of the senior council. I know you don’t think much of that august body, but it does represent success here in a general way. Well, I suppose only about thirty-five per cent of every class here are blonds, are really light — yet
two-thirds
of every senior council are light. We looked at pictures of ten years of them, mind you; that means that out of every
fifteen
light-haired men in the senior class
one
is on the senior council, and of the dark-haired men it’s only one in
fifty
.”

“It’s true,” Burne agreed. “The light-haired man
is
a higher type, generally speaking. I worked the thing out with the Presidents of the United States once, and found that way over half of them were light-haired — yet think of the preponderant number of brunettes in the race.”

“People unconsciously admit it,” said Amory. “You’ll notice a blond person is
expected
to talk. If a blond girl doesn’t talk we call her a ‘doll’; if a light-haired man is silent he’s considered stupid. Yet the world is full of ‘dark silent men’ and ‘languorous brunettes’ who haven’t a brain in their heads, but somehow are never accused of the dearth.”

“And the large mouth and broad chin and rather big nose undoubtedly make the superior face.”

“I’m not so sure.” Amory was all for classical features.

“Oh, yes — I’ll show you,” and Burne pulled out of his desk a photographic collection of heavily bearded, shaggy celebrities — Tolstoi, Whitman, Carpenter, and others.

“Aren’t they wonderful?”

Amory tried politely to appreciate them, and gave up laughingly.

“Burne, I think they’re the ugliest-looking crowd I ever came across. They look like an old man’s home.”

“Oh, Amory, look at that forehead on Emerson; look at Tolstoi’s eyes.” His tone was reproachful.

Amory shook his head.

“No! Call them remarkable-looking or anything you want — but ugly they certainly are.”

Unabashed, Burne ran his hand lovingly across the spacious foreheads, and piling up the pictures put them back in his desk.

Walking at night was one of his favorite pursuits, and one night he persuaded Amory to accompany him.

“I hate the dark,” Amory objected. “I didn’t use to — except when I was particularly imaginative, but now, I really do — I’m a regular fool about it.”

“That’s useless, you know.”

“Quite possibly.”

“We’ll go east,” Burne suggested, “and down that string of roads through the woods.”

“Doesn’t sound very appealing to me,” admitted Amory reluctantly, “but let’s go.”

They set off at a good gait, and for an hour swung along in a brisk argument until the lights of Princeton were luminous white blots behind them.

“Any person with any imagination is bound to be afraid,” said Burne earnestly. “And this very walking at night is one of the things I was afraid about. I’m going to tell you why I can walk anywhere now and not be afraid.”

“Go on,” Amory urged eagerly. They were striding toward the woods, Burne’s nervous, enthusiastic voice warming to his subject.

“I used to come out here alone at night, oh, three months ago, and I always stopped at that cross-road we just passed. There were the woods looming up ahead, just as they do now, there were dogs howling and the shadows and no human sound. Of course, I peopled the woods with everything ghastly, just like you do; don’t you?”

“I do,” Amory admitted.

“Well, I began analyzing it — my imagination persisted in sticking horrors into the dark — so I stuck my imagination into the dark instead, and let it look out at me — I let it play stray dog or escaped convict or ghost, and then saw myself coming along the road. That made it all right — as it always makes everything all right to project yourself completely into another’s place. I knew that if I were the dog or the convict or the ghost I wouldn’t be a menace to Burne Holiday any more than he was a menace to me. Then I thought of my watch. I’d better go back and leave it and then essay the woods. No; I decided, it’s better on the whole that I should lose a watch than that I should turn back — and I did go into them — not only followed the road through them, but walked into them until I wasn’t frightened any more — did it until one night I sat down and dozed off in there; then I knew I was through being afraid of the dark.”

“Lordy,” Amory breathed. “I couldn’t have done that. I’d have come out half-way, and the first time an automobile passed and made the dark thicker when its lamps disappeared, I’d have come in.”

“Well,” Burne said suddenly, after a few moments’ silence, “we’re half-way through, let’s turn back.”

On the return he launched into a discussion of will.

“It’s the whole thing,” he asserted. “It’s the one dividing line between good and evil. I’ve never met a man who led a rotten life and didn’t have a weak will.”

“How about great criminals?”

“They’re usually insane. If not, they’re weak. There is no such thing as a strong, sane criminal.”

“Burne, I disagree with you altogether; how about the superman?”

“Well?”

“He’s evil, I think, yet he’s strong and sane.”

“I’ve never met him. I’ll bet, though, that he’s stupid or insane.”

“I’ve met him over and over and he’s neither. That’s why I think you’re wrong.”

“I’m sure I’m not — and so I don’t believe in imprisonment except for the insane.”

On this point Amory could not agree. It seemed to him that life and history were rife with the strong criminal, keen, but often self-deluding; in politics and business one found him and among the old statesmen and kings and generals; but Burne never agreed and their courses began to split on that point.