Complete Works of Thomas Hardy (Illustrated) (488 page)
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Authors: Thomas Hardy
He accordingly drew rein, but before reversing their direction paused a moment and looked vaguely round upon the wide country which the elevated position disclosed. While they looked a solitary human form came from under the clump of trees, and crossed ahead of them. The person was some labourer; his gait was shambling, his regard fixed in front of him as absolutely as if he wore blinkers; and in his hand he carried a few sticks. Having crossed the road he descended into a ravine, where a cottage revealed itself, which he entered.
“If it were not so far away from Casterbridge I should say that must be poor Whittle. ‘Tis just like him,” observed Elizabeth-Jane.
“And it may be Whittle, for he’s never been to the yard these three weeks, going away without saying any word at all; and I owing him for two days’ work, without knowing who to pay it to.”
The possibility led them to alight, and at least make an inquiry at the cottage. Farfrae hitched the reins to the gate-post, and they approached what was of humble dwellings surely the humblest. The walls, built of kneaded clay originally faced with a trowel, had been worn by years of rain-washings to a lumpy crumbling surface, channelled and sunken from its plane, its gray rents held together here and there by a leafy strap of ivy which could scarcely find substance enough for the purpose. The rafters were sunken, and the thatch of the roof in ragged holes. Leaves from the fence had been blown into the corners of the doorway, and lay there undisturbed. The door was ajar; Farfrae knocked; and he who stood before them was Whittle, as they had conjectured.
His face showed marks of deep sadness, his eyes lighting on them with an unfocused gaze; and he still held in his hand the few sticks he had been out to gather. As soon as he recognized them he started.
“What, Abel Whittle; is it that ye are heere?” said Farfrae.
“Ay, yes sir! You see he was kind-like to mother when she wer here below, though ‘a was rough to me.”
“Who are you talking of?”
“O sir — Mr. Henchet! Didn’t ye know it? He’s just gone — about half-an-hour ago, by the sun; for I’ve got no watch to my name.”
“Not — dead?” faltered Elizabeth-Jane.
“Yes, ma’am, he’s gone! He was kind-like to mother when she wer here below, sending her the best ship-coal, and hardly any ashes from it at all; and taties, and such-like that were very needful to her. I seed en go down street on the night of your worshipful’s wedding to the lady at yer side, and I thought he looked low and faltering. And I followed en over Grey’s Bridge, and he turned and zeed me, and said, ‘You go back!’ But I followed, and he turned again, and said, ‘Do you hear, sir? Go back!’ But I zeed that he was low, and I followed on still. Then ‘a said, ‘Whittle, what do ye follow me for when I’ve told ye to go back all these times?’ And I said, ‘Because, sir, I see things be bad with ‘ee, and ye wer kind-like to mother if ye wer rough to me, and I would fain be kind-like to you.’ Then he walked on, and I followed; and he never complained at me no more. We walked on like that all night; and in the blue o’ the morning, when ‘twas hardly day, I looked ahead o’ me, and I zeed that he wambled, and could hardly drag along. By the time we had got past here, but I had seen that this house was empty as I went by, and I got him to come back; and I took down the boards from the windows, and helped him inside. ‘What, Whittle,’ he said, ‘and can ye really be such a poor fond fool as to care for such a wretch as I!’ Then I went on further, and some neighbourly woodmen lent me a bed, and a chair, and a few other traps, and we brought ‘em here, and made him as comfortable as we could. But he didn’t gain strength, for you see, ma’am, he couldn’t eat — no appetite at all — and he got weaker; and to-day he died. One of the neighbours have gone to get a man to measure him.”
“Dear me — is that so!” said Farfrae.
As for Elizabeth, she said nothing.
“Upon the head of his bed he pinned a piece of paper, with some writing upon it,” continued Abel Whittle. “But not being a man o’ letters, I can’t read writing; so I don’t know what it is. I can get it and show ye.”
They stood in silence while he ran into the cottage; returning in a moment with a crumpled scrap of paper. On it there was pencilled as follows: —
MICHAEL HENCHARD’S WILL
“That Elizabeth-Jane Farfrae be not told of my death, or made to grieve on account of me. “& that I be not bury’d in consecrated ground. “& that no sexton be asked to toll the bell. “& that nobody is wished to see my dead body. “& that no murners walk behind me at my funeral. “& that no flours be planted on my grave, “& that no man remember me. “To this I put my name.
“MICHAEL HENCHARD”
“What are we to do?” said Donald, when he had handed the paper to her.
She could not answer distinctly. “O Donald!” she cried at last through her tears, “what bitterness lies there! O I would not have minded so much if it had not been for my unkindness at that last parting!... But there’s no altering — so it must be.”
What Henchard had written in the anguish of his dying was respected as far as practicable by Elizabeth-Jane, though less from a sense of the sacredness of last words, as such, than from her independent knowledge that the man who wrote them meant what he said. She knew the directions to be a piece of the same stuff that his whole life was made of, and hence were not to be tampered with to give herself a mournful pleasure, or her husband credit for large-heartedness.
All was over at last, even her regrets for having misunderstood him on his last visit, for not having searched him out sooner, though these were deep and sharp for a good while. From this time forward Elizabeth-Jane found herself in a latitude of calm weather, kindly and grateful in itself, and doubly so after the Capharnaum in which some of her preceding years had been spent. As the lively and sparkling emotions of her early married live cohered into an equable serenity, the finer movements of her nature found scope in discovering to the narrow-lived ones around her the secret (as she had once learnt it) of making limited opportunities endurable; which she deemed to consist in the cunning enlargement, by a species of microscopic treatment, of those minute forms of satisfaction that offer themselves to everybody not in positive pain; which, thus handled, have much of the same inspiring effect upon life as wider interests cursorily embraced.
Her teaching had a reflex action upon herself, insomuch that she thought she could perceive no great personal difference between being respected in the nether parts of Casterbridge and glorified at the uppermost end of the social world. Her position was, indeed, to a marked degree one that, in the common phrase, afforded much to be thankful for. That she was not demonstratively thankful was no fault of hers. Her experience had been of a kind to teach her, rightly or wrongly, that the doubtful honour of a brief transmit through a sorry world hardly called for effusiveness, even when the path was suddenly irradiated at some half-way point by daybeams rich as hers. But her strong sense that neither she nor any human being deserved less than was given, did not blind her to the fact that there were others receiving less who had deserved much more. And in being forced to class herself among the fortunate she did not cease to wonder at the persistence of the unforeseen, when the one to whom such unbroken tranquility had been accorded in the adult stage was she whose youth had seemed to teach that happiness was but the occasional episode in a general drama of pain.
THE WOODLANDERS
The Woodlanders
was published in 1887 and takes place in a small woodland village called Little Hintock. The novel concerns the efforts of an honest woodsman, Giles Winterborne, to marry his childhood sweetheart, Grace Melbury. Although they have been informally betrothed for some time, her father has made financial sacrifices to give his adored only child a superior education and no longer considers Giles good enough for her. Themes of class, unrequited love and tragedy, which haunt much of Hardy’s later novels, all dominate the story.
Hardy’s picturesque birthplace in Dorset. The surrounding woodland landscape influenced many of the settings in ‘The Woodlanders’.
THE WOODLANDERS
CONTENTS
CHAPTER I.
The rambler who, for old association or other reasons, should trace the forsaken coach-road running almost in a meridional line from Bristol to the south shore of England, would find himself during the latter half of his journey in the vicinity of some extensive woodlands, interspersed with apple-orchards. Here the trees, timber or fruit-bearing, as the case may be, make the wayside hedges ragged by their drip and shade, stretching over the road with easeful horizontality, as if they found the unsubstantial air an adequate support for their limbs. At one place, where a hill is crossed, the largest of the woods shows itself bisected by the high-way, as the head of thick hair is bisected by the white line of its parting. The spot is lonely.
The physiognomy of a deserted highway expresses solitude to a degree that is not reached by mere dales or downs, and bespeaks a tomb-like stillness more emphatic than that of glades and pools. The contrast of what is with what might be probably accounts for this. To step, for instance, at the place under notice, from the hedge of the plantation into the adjoining pale thoroughfare, and pause amid its emptiness for a moment, was to exchange by the act of a single stride the simple absence of human companionship for an incubus of the forlorn.
At this spot, on the lowering evening of a by-gone winter’s day, there stood a man who had entered upon the scene much in the aforesaid manner. Alighting into the road from a stile hard by, he, though by no means a “chosen vessel” for impressions, was temporarily influenced by some such feeling of being suddenly more alone than before he had emerged upon the highway.
It could be seen by a glance at his rather finical style of dress that he did not belong to the country proper; and from his air, after a while, that though there might be a sombre beauty in the scenery, music in the breeze, and a wan procession of coaching ghosts in the sentiment of this old turnpike-road, he was mainly puzzled about the way. The dead men’s work that had been expended in climbing that hill, the blistered soles that had trodden it, and the tears that had wetted it, were not his concern; for fate had given him no time for any but practical things.
He looked north and south, and mechanically prodded the ground with his walking-stick. A closer glance at his face corroborated the testimony of his clothes. It was self-complacent, yet there was small apparent ground for such complacence. Nothing irradiated it; to the eye of the magician in character, if not to the ordinary observer, the expression enthroned there was absolute submission to and belief in a little assortment of forms and habitudes.