Complete Works of Thomas Hardy (Illustrated) (803 page)

“But he’s in the house, my honey; and ‘tis a wet night, and a christening. Daze it, what’s a cup of mead more or less? There’ll be plenty more next bee-burning. “

“Very well — this time, then,” she answered, looking wistfully at the barrel. “But what is the man’s calling, and where is he one of, that he should come in and join us like this?”

“I don’t know. I’ll ask him again.”

The catastrophe of having the mug drained dry at one pull by the stranger in cinder-grey was effectually guarded against this time by Mrs. Fennel. She poured out his allowance in a small cup, keeping the large one at a discreet distance from him. When he had tossed off his portion the shepherd renewed his inquiry about, the stranger’s occupation.

The latter did not immediately reply, and the man in the chimney-corner, with sudden demonstrativeness, said, “Anybody may know my trade — I’m a wheelwright.”

“A very good trade for these parts,” said the shepherd.

“And anybody may know mine — if they’ve the sense to find it out,” said the stranger in cinder-grey.

“You may generally tell what a man is by his claws,” observed the hedge-carpenter, looking at his own hands, “My fingers be as full of thorns as an old pin-cushion is of pins.”

The hands of the man in the chimney-corner instinctively sought the shade, and he gazed into the fire as he resumed his pipe. The man at the table took up the hedge-carpenter’s remark, and added smartly, “True; but the oddity of my trade is that, instead of setting a mark upon me, it sets mark upon my customers.”

No observation being offered by anybody in elucidation of this enigma the shepherd’s wife once more called for song. The same obstacles presented themselves as at the former time — one had no voice, another had forgotten the first verse. The stranger at the table, whose soul had now risen to a good working temperature, relieved the difficulty by exclaiming that, to start the company, he would sing himself. Thrusting one thumb into the arm-hole of his waistcoat, he waved the other hand in the air, and, with an extemporizing gaze at the shining sheep-crooks above the mantelpiece, began: —

“Oh, my trade it is the rarest one,

Simple shepherds all —

My trade is a sight to see;

For my customers I tie, and take them up on high

And waft ‘em to a far countree!”

The room was silent when he had finished the verse with one exception, that of the man in the chimney-corner who, at the singer’s word, “Chorus!” joined him in a deep bass voice of musical relish —

“And waft ‘em to a far countree!

Oliver Giles, John Pitcher the dairyman, the parish-clerk the engaged man of fifty, the row of young women again the wall, seemed lost in thought not of the gayest kind. The shepherd looked meditatively on the ground, the shepherdess gazed keenly at the singer, and with some suspicion she was doubting whether this stranger were merely singing an old song from recollection, or was composing one there and then for the occasion. All were as perplexed at the obscure revelation as the guests at Belshazzar’s Feast, except the man in the chimney-corner, who quietly said, “Second verse, stranger,” and smoked on.

The singer thoroughly moistened himself from his lips inwards, and went onwith the next stanza as requested: —

“My tools are but common ones,

Simple shepherds all —

My tools are no sight to see;

A little hempen string, and a post whereon to swing,

Are implements enough for me!”

Shepherd Fennel glanced round. There was no longer any doubt that the stranger was answering his question rhythmically. The guests one and all started back with suppressed exclamations. The young woman engaged to the man of fifty fainted half-way, and would have proceeded, but finding — him wanting in alacrity for catching her she sat down trembling.

“O, he’s the — !” whispered the people in the background, mentioning the name of an ominous public officer. “He’s come to do it! ‘Tis to be at Casterbridge jail to-morrow — the man for sheep-stealing — the poor clockmaker we heard of, who used to live away at Shottsford and had no work to do — Timothy Summers, whose family were a-starving, and so he went out of Shottsford by the high-road, and took a sheep in open daylight, defying the farmer and the farmer’s wife and the farmer’s lad, and every man jack among ‘em. He” (and they nodded towards the stranger of the deadly trade) “is come from up the country to do it because there’s not enough to do in his own county-town, and he’s got the place here now our own county man’s dead; he’s going to live in the same cottage under the prison wall.”

The stranger in cinder-grey took no notice of this whispered string of observations, but again wetted his lips. Seeing that his friend in the chimney-corner was the only one who reciprocated his joviality in any way, he held out his cup towards that appreciative comrade, who also held out his own. They clinked together, the eyes of the rest of the room hanging upon the singer’s actions. He parted his lips for the third verse; but at that moment another knock was audible upon the door. This time the knock was faint and hesitating. The company seemed scared; the shepherd looked with consternation towards the entrance, and it was with some effort that he resisted his alarmed wife’s deprecatory glance, and uttered for the third time the welcoming words, “Walk in!”

The door was gently opened, and another man stood upon the mat. He, like those who had preceded him, was a stranger. This time it was a short, small personage, of fair complexion, and dressed in a decent suit of dark clothes.

“Can you tell me the way to — ?” he began: when, gazing round the room to observe the nature of the company amongst whom he had fallen, his eyes lighted on the stranger in the cinder-grey. It was just at the instant when the latter, who had thrown his mind into his song with such a will that he scarcely heeded the interruption, silenced all whispers and inquiries by bursting into his third verse: —

“To-morrow is my working day,

Simple shepherds all —

To-morrow is a working day for me:

For the farmer’s sheep is slain, and the lad who did

it ta’en,

And on his soul may God ha’ merc-y!”

The stranger in the chimney-corner, waving cups with the singer so heartily thathis mead splashed over on the hearth repeated in his bass voice as before: —

“And on his soul may God ha’ merc-y!”

All this time the third stranger had been standing in the doorway. Finding now that he did not come forward or go on speaking, the guests particularly regarded him. The noticed to their surprise that he stood before them the picture of abject terror — his knees trembling, his hand shaking so violently that the door-latch by which he supported himself rattled audibly: his white lips were parted, and his eyes fixed on the merry officer of justice in the middle the room. A moment more and he had turned, closed the door, and fled.

“What a man can it be?” said the shepherd.

The rest, between the awfulness of their late discovery and the odd conduct of this third visitor, looked as if they knew not what to think, and said nothing. Instinctively they withdrew further and further from the grim gentleman in their midst, whom some of them seemed to take for the Prince of Darkness himself, till they formed a remote circle, an empty space of floor being left between them and him —

“. . . circulus, cujus centrum diabolus.”

The room was so silent — though there were more than twenty people in it — that nothing could be heard but the patter of the rain against the window-shutters, accompanied by the occasional hiss of a stray drop that fell down the chimney into the fire, and the steady puffing of the man in the corner, who had now resumed his pipe of long clay.

The stillness was unexpectedly broken. The distant sound of a gun reverberated through the air — apparently from the direction of the county-town.

“Be jiggered!” cried the stranger who had sung the song, jumping up.

“What does that mean?” asked several.

“A prisoner escaped from the jail — that’s what it means.

All listened. The sound was repeated, and none of them spoke but the man in the chimney-corner, who said quietly, “I’ve often been told that in this county they fire a gun at such times; but I never heard it till now.”

“I wonder if it is my man?” murmured the personage in cinder-grey.

“Surely it is!” said the shepherd involuntarily. “And surely we’ve zeed him! That little man who looked, in at the door by now, and quivered like a leaf when he zeed ye and heard your song!”

“His teeth chattered, and the breath went out of his body,” said the dairyman.

“And his heart seemed to sink within him like a stone,” said Oliver Giles.

“And he bolted as if he’d been shot at,” said the hedge carpenter.

“True — his teeth chattered, and his heart seemed to sing and he bolted as if he’d been shot at,” slowly summed up the man in the chimney-corner.

“I didn’t notice it,” remarked the hangman.

“We were all a — wondering what made him run off in such a fright,” faltered one of the women against the wall, “and now ‘tis explained!”

The firing of the alarm-gun went on at intervals, low and sullenly, and their suspicions became a certainty. The sinister gentleman in cinder-grey roused himself. “Is there a constable here?” he asked, in thick tones. “If so, let him step forward.”

The engaged man of fifty stepped quavering out from the wall, his betrothed beginning to sob on the back of the chair.

“You are a sworn constable?”

“I be, sir.”

“Then pursue the criminal at once, with assistance, and bring him back here. He can’t have gone far.”

“I will, sir, I will — when I’ve got my staff. I’ll go home and get it, and come sharp here, and start in a body.”

“Staff! — never mind your staff; the man’ll be gone!”

“But I can’t do nothing without my staff — can I, William, and John, and Charles Jake? No; for there’s the king’s royal crown a painted on en in yaller and gold, and the lion and the unicorn, so as when I raise en up and hit my prisoner, ‘tis made a lawful blow thereby. I wouldn’t ‘tempt to take up a man without my staff — no, not I. If I hadn’t the law to gie me courage, why, instead o’ my taking up him he might take up me!”

“Now, I’m a king’s man myself, and can give you authority enough for this,” said the formidable officer in grey. “Now then, all of ye, be ready. Have ye any lanterns?’

“Yes — have ye any lanterns? — I demand it!” said the constable.

“And the rest of you able-bodied — ”

“Able-bodied men — yes — the rest of ye!” said the constable.

“Have you some good stout staves and pitchforks — ”

“Staves and pitchforks — in the name o’ the law! And take ‘em in yer hands and go in quest, and do as we in authority tell ye!”

Thus aroused, the men prepared to give chase. The evidence was, indeed, though circumstantial, so convincing, that but little argument was needed to show the shepherd’s guests that after what they had seen it would look very much like connivance if they did not instantly pursue the unhappy third stranger, who could not as yet have gone more than a few hundred yards over such uneven country.

A shepherd is always well provided with lanterns; and, lighting these hastily, and with hurdle-staves in their hands, they poured out of the door, taking a direction along the crest of the hill, away from the town, the rain having fortunately a little abated.

Disturbed by the noise, or possibly by unpleasant dreams of her baptism, the child who had been christened began to cry heart-brokenly in the room overhead. These notes of grief came down through the chinks of the floor to the ears of the women below, who jumped up one by one, and seemed glad of the excuse to ascend and comfort the baby, for the incidents of the last half-hour greatly oppressed them. Thus in the space of two or three minutes the room on the ground-floor was deserted quite.

But it was not for long. Hardly had the sound of footsteps died away when a man returned round the corner of the house from the direction the pursuers had taken. Peeping in at the door, and seeing nobody there, he entered leisurely. It was the stranger of the chimney-corner, who had gone out with the rest. The motive of his return was shown by his helping himself to a cut piece of skimmer cake that lay on a ledge beside where he had sat, and which he had apparently forgotten to take with him. He also poured out half a cup more mead from the quantity that remained, ravenously eating and drinking these as he stood. He had not finished when another figure came in just as quietly — his friend in cinder-grey.

“O — you here?” said the latter, smiling. “I thought you had gone to help in the capture.” And this speaker also revealed the object of his return by looking solicitously round for the fascinating mug of old mead.

“And I thought you had gone,” said the other, continuing his skimmer-cake with some effort.

“Well, on second thoughts, I felt there were enough without me,” said the first confidentially, “and such a night as it is, too. Besides, ‘tis the business o’ the Government to take care of its criminals — not mine.”

“True; so it is. And I felt as you did, that there were enough without me.”

“I don’t want to break my limbs running over the humps and hollows of this wild country.”

“Nor I neither, between you and me.”

“These shepherd-people are used to it — simple-minded souls, you know, stirred up to anything in a moment. They’ll have him ready for me before the morning, and no trouble to me at all.”