Complete Works of Wilkie Collins (1084 page)

Our domestic establishment indoors consisted of the sour-tempered old housekeeper (who was perfectly unapproachable); of a little kitchen-maid (too unimportant a person to be worth conciliating); and of the footman Joseph, who performed the usual duties of waiting on us at table, and answering the door. This last was a foolish young man, excessively vain of his personal appearance — but a passably good servant, making allowance for these defects.

Having occasion to ring for Joseph, to do me some little service, I noticed that the loose ends of his necktie were connected by a smart new pin, presenting a circle of malachite set in silver.

“Have you had a present lately,” I asked, “or are you extravagant enough to spend your money on buying jewelry?”

Joseph simpered in undisguised satisfaction with himself. “It’s a present, sir, from Madame Fontaine. I take her flowers almost every day from Mr. Engelman, and I have done one or two trifling errands for her in the town. She was pleased with my attention to her wishes. ‘I have very little money, Mr. Joseph,’ she said; ‘oblige me by accepting this pin in return for the trouble I have given you.’ And she took the pin out of the beautiful white lace round her neck, and made me a present of it with her own hand. A most liberal lady, isn’t she, sir?”

“Liberal indeed, Joseph, considering the small services which you seem to have rendered to her. Are you quite sure that she doesn’t expect something more of you?”

“Oh, quite sure, sir.” He blushed as he said that — and rather hurriedly left the room. How would Frau Meyer have interpreted Joseph’s blushes, and the widow’s liberality? I went to bed without caring to pursue that question.

A lapse of two days more brought with it two interesting events: the opening night of a traveling opera company on a visit to Frankfort, and the arrival by a late post of our long-expected letters from London.

The partners (both of them ardent lovers of music) had taken a box for the short season, and, with their usual kindness, had placed a seat at my disposal. We were all three drinking our coffee before going to the theater, and Joseph was waiting on us, when the rheumatic old housekeeper brought in the letters, and handed them to me, as the person who sat nearest to the door.

“Why, my good creature, what has made you climb the stairs, when you might have rung for Joseph?” asked kind-hearted Mr. Engelman.

“Because I have got something to ask of my masters,” answered crabbed Mother Barbara. “There are your letters, to begin with. Is it true that you are, all three of you, going to the theater to-night?”

She never used any of the ordinary terms of respect. If she had been their mother, instead of their housekeeper, she could not have spoken more familiarly to the two old gentlemen who employed her.

“Well,” she went on, “my daughter is in trouble about her baby, and wants my advice. Teething, and convulsions, and that sort of thing. As you are all going out for the evening, you don’t want me, after I have put your bedrooms tidy. I can go to my daughter for an hour or two, I suppose — and Joseph (who isn’t of much use, heaven knows) can take care of the house.”

Mr. Keller, refreshing his memory of the opera of the night (Gluck’s “Armida”) by consulting the book, nodded, and went on with his reading. Mr. Engelman said, “Certainly, my good soul; give my best wishes to your daughter for the baby’s health.” Mother Barbara grunted, and hobbled out of the room.

I looked at the letters. Two were for me — from my aunt and Fritz. One was for Mr. Keller — addressed also in the handwriting of my aunt. When I handed it to him across the table, he dropped “Armida” the moment he looked at the envelope. It was the answer to his remonstrance on the subject of the employment of women.

For Minna’s sake, I opened Fritz’s letter first. It contained the long-expected lines to his sweetheart. I went out at once, and, enclosing the letter in an envelope, sent Joseph away with it to the widow’s lodgings before Mother Barbara’s departure made it necessary for him to remain in the house.

Fritz’s letter to me was very unsatisfactory. In my absence, London was unendurably dull to him, and Minna was more necessary to the happiness of his life than ever. He desired to be informed, by return of post, of the present place of residence of Madame Fontaine and her daughter. If I refused to comply with this request, he could not undertake to control himself, and he thought it quite likely that he might “follow his heart’s dearest aspirations,” and set forth on the journey to Frankfort in search of Minna.

My aunt’s letter was full of the subject of Jack Straw.

In the first place she had discovered, while arranging her late husband’s library, a book which had evidently suggested his ideas of reformation in the treatment of the insane. It was called, “Description of the Retreat, an institution near York for insane persons of the Society of Friends. Written by Samuel Tuke.” She had communicated with the institution; had received the most invaluable help; and would bring the book with her to Frankfort, to be translated into German, in the interests of humanity. (1)

(1) Tuke’s Description of the Retreat near York is reviewed by Sydney Smith in a number of the “Edinburgh Review,” for 1814.

As for her merciful experiment with poor Jack, it had proved to be completely successful — with one serious drawback. So long as he was under her eye, and in daily communication with her, a more grateful, affectionate, and perfectly harmless creature never breathed the breath of life. Even Mr. Hartrey and the lawyer had been obliged to confess that they had been in the wrong throughout, in the view they had taken of the matter. But, when she happened to be absent from the house, for any length of time, it was not to be denied that Jack relapsed. He did nothing that was violent or alarming — he merely laid himself down on the mat before the door of her room, and refused to eat, drink, speak, or move, until she returned. He heard her outside the door, before anyone else was aware that she was near the house; and his joy burst out in a scream which did certainly recall Bedlam. That was the drawback, and the only drawback; and how she was to take the journey to Frankfort, which Mr. Keller’s absurd remonstrance had rendered absolutely necessary, was more than my aunt’s utmost ingenuity could thus far discover. Setting aside the difficulty of disposing of Jack, there was another difficulty, represented by Fritz. It was in the last degree doubtful if he could be trusted to remain in London in her absence. “But I shall manage it,” the resolute woman concluded. “I never yet despaired of anything — and I don’t despair now.”

Returning to the sitting-room, when it was time to go to the theater, I found Mr. Keller with his temper in a flame, and Mr. Engelman silently smoking as usual.

“Read that!” cried Mr. Keller, tossing my aunt’s reply to him across the table. “It won’t take long.”

It was literally a letter of four lines! “I have received your remonstrance. It is useless for two people who disagree as widely as we do, to write to each other. Please wait for my answer, until I arrive at Frankfort.”

“Let’s go to the music!” cried Mr. Keller. “God knows, I want a composing influence of some kind.”

At the end of the first act of the opera, a new trouble exhausted his small stock of patience. He had been too irritated, on leaving the house, to remember his opera-glass; and he was sufficiently near-sighted to feel the want of it. It is needless to say that I left the theater at once to bring back the glass in time for the next act.

My instructions informed me that I should find it on his bedroom-table.

I thought Joseph looked confused when he opened the house-door to me. As I ran upstairs, he followed me, saying something. I was in too great a hurry to pay any attention to him.

Reaching the second floor by two stairs at a time, I burst into Mr. Keller’s bedroom, and found myself face to face with — Madame Fontaine!

CHAPTER XVII

The widow was alone in the room; standing by the bedside table on which Mr. Keller’s night-drink was placed. I was so completely taken by surprise, that I stood stock-still like a fool, and stared at Madame Fontaine in silence.

On her side she was, as I believe, equally astonished and equally confounded, but better able to conceal it. For the moment, and only for the moment, she too had nothing to say. Then she lifted her left hand from under her shawl. “You have caught me, Mr. David!” she said — and held up a drawing-book as she spoke.

“What are you doing here?” I asked.

She pointed with the book to the famous carved mantelpiece.

“You know how I longed to make a study of that glorious work,” she answered. “Don’t be hard on a poor artist who takes her opportunity when she finds it.”

“May I ask how you came to know of the opportunity, Madame Fontaine?”

“Entirely through your kind sympathy, my friend,” was the cool reply.

“My sympathy? What do you mean?”

“Was it not you, David, who considerately thought of Minna when the post came in? And did you not send the man-servant to us, with her letter from Fritz?”

The blubbering voice of Joseph, trembling for his situation, on the landing outside, interrupted me before I could speak again.

“I’m sure I meant no harm, sir. I only said I was in a hurry to get back, because you had all gone to the theater, and I was left (with nobody but the kitchen girl) to take care of the house. When the lady came, and showed me her drawing-book —
 
— ”

“That will do, friend Joseph,” said the widow, signing to him to go downstairs in her easy self-possessed way. “Mr. David is too sensible to take notice of trifles. There! there! go down,” She turned to me, with an expression of playful surprise. “How very serious you look!” she said gaily.

“It might have been serious for
you,
Madame Fontaine, if Mr. Keller had returned to the house to fetch his opera-glass himself.”

“Ah! he has left his opera-glass behind him? Let me help you to look for it. I have done my sketch; I am quite at your service.” She forestalled me in finding the opera-glass. “I really had no other chance of making a study of the chimney-piece,” she went on, as she handed the glass to me. “Impossible to ask Mr. Engelman to let me in again, after what happened on the last occasion. And, if I must confess it, there is another motive besides my admiration for the chimney-piece. You know how poor we are. The man who keeps the picture-shop in the Zeil is willing to employ me. He can always sell these memorials of old Frankfort to English travelers. Even the few forms he gives me will find two half-starved women in housekeeping money for a week.”

It was all very plausible; and perhaps (in my innocent days before I met with Frau Meyer) I might have thought it quite likely to be true. In my present frame of mind, I only asked the widow if I might see her sketch.

She shook her head, and sheltered the drawing-book again under her shawl.

“It is little better than a memorandum at present,” she explained. “Wait till I have touched it up, and made it saleable — and I will show it to you with pleasure. You will not make mischief, Mr. David, by mentioning my act of artistic invasion to either of the old gentlemen? It shall not be repeated — I give you my word of honour. There is poor Joseph, too. You don’t want to ruin a well-meaning lad, by getting him turned out of his place? Of course not! We part as friends who understand each other, don’t we? Minna would have sent her love and thanks, if she had known I was to meet you. Good-night.”

She ran downstairs, humming a little tune to herself, as blithe as a young girl. I heard a momentary whispering with Joseph in the hall. Then the house-door closed — and there was an end of Madame Fontaine for that time.

After no very long reflection, I decided that my best course would be to severely caution Joseph, and to say nothing to the partners of what had happened — for the present, at least. I should certainly do mischief, by setting the two old friends at variance again on the subject of the widow, if I spoke; to say nothing (as another result) of the likelihood of Joseph’s dismissal by Mr. Keller. Actuated by these reasonable considerations, I am bound frankly to add that I must have felt some vague misgivings as well. Otherwise, why did I carefully examine Mr. Keller’s room (before I returned to the theater), without any distinct idea of any conceivable discovery that I might make? Not the vestige of a suspicious appearance rewarded my search. The room was in its customary state of order, from the razors and brushes on the toilet-table to the regular night-drink of barley-water, ready as usual in the jug by the bedside.