Complete Works of Wilkie Collins (1491 page)

I obeyed unwillingly enough, expecting, from mademoiselle’s expression, to see a commonplace portrait of some unfortunate admirer whom she had treated with unmerited severity in the days of her youth. To my astonishment, I found that the miniature, which was very beautifully painted, represented a woman’s face — a young woman with kind, sad eyes, pale, delicate cheeks, light hair, and such a pure, tender, lovely expressions that I thought of Raphael’s Madonnas the moment I looked at her portrait.

The old lady observed the impression which the miniature produced on me, and nodded her head in silence. “What a beautiful, innocent, pure face!” I said.

Mademoiselle Clairfait gently brushed a particle of dust from the miniature with her handkerchief, and kissed it. “I have three angels still left,” she said, looking at her pupils. “They console me for the fourth, who has gone to heaven.”

She patted the face on the miniature gently with her little, withered, white fingers, as if it had been a living thing.
“Sister Rose!”
she sighed to herself; then, looking up again at me, said, “I should like it put into my portrait, sir, because I have always worn it since I was a young woman, for ‘Sister Rose’s’ sake.”

The sudden change in her manner, from the extreme of flighty gayety to the extreme of quiet sadness, would have looked theatrical in a woman of any other nation. It seemed, however, perfectly natural and appropriate in her. I went back to my drawing, rather perplexed. Who was “Sister Rose”? Not one of the Lanfray family, apparently. The composure of the young ladies when the name was mentioned showed plainly enough that the original of the miniature had been no relation of theirs.

I tried to stifle my curiosity on the subject of Sister Rose, by giving myself entirely to my work. For a full half-hour, Mademoiselle Clairfait sat quietly before me, with her hands crossed on her lap, and her eyes fixed on the bracelet. This happy alteration enabled me to do something toward completing the outline of her face and figure. I might even, under fortunate circumstances, have vanquished the preliminary difficulties of my task at one effort; but the fates were against me that day. While I was still working rapidly and to my satisfaction, a servant knocked at the door to announce luncheon, and mademoiselle lightly roused herself from her serious reflection and her quiet position in a moment.

“Ah me!” she said, turning the miniature round on her wrist till it was out of sight. “What animals we are, after all! The spiritual part of us is at the mercy of the stomach. My heart is absorbed by tender thoughts, yet I am not the less ready for luncheon! Come, my children and fellow-mortals.
Allons cultiver notre jardin!”

With this quotation from “Candide,” plaintively delivered, the old lady led the way out of the room, and was followed by her younger pupils. The eldest sister remained behind for a moment, and reminded me that the lunch was ready.

“I am afraid you have found the dear old soul rather an unruly sitter,” she said, noticing the look of dissatisfaction with which I was regarding my drawing. “But she will improve as you go on. She has done better already for the last half-hour, has she not?”

“Much better,” I answered. “My admiration of the miniature on the bracelet seemed — I suppose, by calling up some old associations — to have a strangely soothing effect on Mademoiselle Clairfait.”

“Ah yes! only remind her of the original of that portrait, and you change her directly, whatever she may have been saying or doing the moment before. Sometimes she talks of
Sister Rose,
and of all that she went through in the time of the French Revolution, by the hour together. It is wonderfully interesting — at least we all think so.”

“I presume that the lady described as ‘Sister Rose’ was a relation of Mademoiselle Clairfait’s?”

“No, only a very dear friend. Mademoiselle Clairfait is the daughter of a silk-mercer, once established at Chalons-sur-Marne. Her father happened to give an asylum in his office to a lonely old man, to whom ‘Sister Rose’ and her brother had been greatly indebted in the revolutionary time; and out of a train of circumstances connected with that, the first acquaintance between mademoiselle and the friend whose portrait she wears, arose. After the time of her father’s bankruptcy, and for many years before we were placed under her charge, our good old governess lived entirely with ‘Sister Rose’ and her brother. She must then have heard all the interesting things that she has since often repeated to my sisters and myself.”

“Might I suggest,” said I, after an instant’s consideration, “that the best way to give me a fair chance of studying Mademoiselle Clairfait’s face at the next sitting, would be to lead her thoughts again to that quieting subject of the miniature, and to the events which the portrait recalls? It is really the only plan, after what I have observed this morning, that I can think of for enabling me to do myself and my sitter justice.”

“I am delighted to hear you say so,” replied the lady; “for the execution of your plan, by me or by my sisters, will be the easiest thing in the world. A word from us at any time will set mademoiselle thinking, and talking too, of the friend of her youthful days. Depend on our assistance so far. And now let me show you the way to the luncheon-table.”

Two good results followed the ready rendering of the help I had asked from my host’s daughters. I succeeded with my portrait of Mademoiselle Clairfait, and I heard the story which occupies the following pages.

In the case of the preceding narratives, I have repeated what was related to me, as nearly as possible in the very words of my sitters. In the case of this third story, it is impossible for me to proceed upon the same plan. The circumstances of “Sister Rose’s” eventful history were narrated to me at different times, and in the most fragmentary and discursive manner. Mademoiselle Clairfait characteristically mixed up with the direct interest of her story, not only references to places and people which had no recognisable connection with it, but outbursts of passionate political declamation, on the extreme liberal side — to say nothing of little tender apostrophes to her beloved friend, which sounded very prettily as she spoke them, but which would lose their effect altogether by being transferred to paper. Under these circumstances, I have thought it best to tell the story in my own way — rigidly adhering to the events of it exactly as they were related; and never interfering on my own responsibility except to keep order in the march of the incidents, and to present them, to the best of my ability, variously as well as interestingly to the reader.

THE FRENCH GOVERNESS’S STORY OF SISTER ROSE.

PART FIRST.

CHAPTER I.

“
Well, Monsieur Guillaume, what is the news this evening?”

“None that I know of, Monsieur Justin, except that Mademoiselle Rose is to be married to-morrow.”

“Much obliged, my respectable old friend, for so interesting and unexpected a reply to my question. Considering that I am the valet of Monsieur Danville, who plays the distinguished part of bridegroom in the little wedding comedy to which you refer, I think I may assure you, without offense, that your news is, so far as I am concerned, of the stalest possible kind. Take a pinch of snuff, Monsieur Guillaume, and excuse me if I inform you that my question referred to public news, and not to the private affairs of the two families whose household interests we have the pleasure of promoting.”

“I don’t understand what you mean by such a phrase as promoting household interests, Monsieur Justin. I am the servant of Monsieur Louis Trudaine, who lives here with his sister, Mademoiselle Rose. You are the servant of Monsieur Danville, whose excellent mother has made up the match for him with my young lady. As servants, both of us, the pleasantest news we can have any concern with is news that is connected with the happiness of our masters. I have nothing to do with public affairs; and, being one of the old school, I make it my main object in life to mind my own business. If our homely domestic politics have no interests for you, allow me to express my regret, and to wish you a very good-evening.”

“Pardon me, my dear sir, I have not the slightest respect for the old school, or the least sympathy with people who only mind their own business. However, I accept your expressions of regret; I reciprocate your ‘Good-evening’; and I trust to find you improved in temper, dress, manners, and appearance the next time I have the honour of meeting you. Adieu, Monsieur Guillaume, and!
Vive la bagatelle!”

These scraps of dialogue were interchanged on a lovely summer evening in the year seventeen hundred and eighty-nine, before the back door of a small house which stood on the banks of the Seine, about three miles westward of the city of Rouen. The one speaker was lean, old, crabbed and slovenly; the other was plump, young, oily-mannered and dressed in the most gorgeous livery costume of the period. The last days of genuine dandyism were then rapidly approaching all over the civilized world; and Monsieur Justin was, in his own way, dressed to perfection, as a living illustration of the expiring glories of his epoch.

After the old servant had left him, he occupied himself for a few minutes in contemplating, superciliously enough, the back view of the little house before which he stood. Judging by the windows, it did not contain more than six or eight rooms in all. Instead of stables and outhouses, there was a conservatory attached to the building on one side, and a low, long room, built of wood, gayly painted, on the other. One of the windows of this room was left uncurtained and through it could be seen, on a sort of dresser inside, bottles filled with strangely-coloured liquids oddly-shaped utensils of brass and copper, one end of a large furnace, and other objects, which plainly proclaimed that the apartment was used as a chemical labouratory.

“Think of our bride’s brother amusing himself in such a place as that with cooking drugs in saucepans,” muttered Monsieur Justin, peeping into the room. “I am the least particular man in the universe, but I must say I wish we were not going to be connected by marriage with an amateur apothecary. Pah! I can smell the place through the window.”

With these words Monsieur Justin turned his back on the labouratory in disgust, and sauntered toward the cliffs overhanging the river.

Leaving the garden attached to the house, he ascended some gently rising ground by a winding path. Arrived at the summit, the whole view of the Seine, with its lovely green islands, its banks fringed with trees, its gliding boats, and little scattered water-side cottages, opened before him. Westward, where the level country appeared beyond the further bank of the river, the landscape was all aglow with the crimson of the setting sun. Eastward, the long shadows and mellow intervening lights, the red glory that quivered on the rippling water, the steady ruby fire glowing on cottage windows that reflected the level sunlight, led the eye onward and onward, along the windings of the Seine, until it rested upon the spires, towers, and broadly-massed houses of Rouen, with the wooded hills rising beyond them for background. Lovely to look on at any time, the view was almost supernaturally beautiful now under the gorgeous evening light that glowed up in it. All its attractions, however, were lost on the valet; he stood yawning with his hands in his pockets, looking neither to the right nor to the left, but staring straight before him at a little hollow, beyond which the ground sloped away smoothly to the brink of the cliff. A bench was placed here, and three persons — an old lady, a gentleman, and a young girl — were seated on it, watching the sunset, and by consequence turning their backs on Monsieur Justin. Near them stood two gentlemen, also looking toward the river and the distant view. These five figures attracted the valet’s attention, to the exclusion of every other object around him.

“There they are still,” he said to himself, discontentedly. “Madame Danville in the same place on the seat; my master, the bridegroom, dutifully next to her; Mademoiselle Rose, the bride, bashfully next to him; Monsieur Trudaine, the amateur apothecary brother, affectionately next to her; and Monsieur Lomaque, our queer land-steward, officially in waiting on the whole party. There they all are indeed, incomprehensibly wasting their time still in looking at nothing! Yes,” continued Monsieur Justin, lifting his eyes wearily, and staring hard, first up the river at Rouen, then down the river at the setting sun; “yes, plague take them! looking at nothing, absolutely and positively at nothing, all this while.”

Here Monsieur Justin yawned again, and, returning to the garden, sat himself down in an arbor and resignedly went to sleep.

If the valet had ventured near the five persons whom he had been apostrophizing from a distance, and if he had been possessed of some little refinement of observation, he could hardly have failed to remark that the bride and bridegroom of the morrow, and their companions on either side, were all, in a greater or less degree, under the influence of some secret restraint, which affected their conversation, their gestures, and even the expression of their faces. Madame Danville — a handsome, richly-dressed old lady, with very bright eyes, and a quick, suspicious manner — looked composedly and happily enough, as long as her attention was fixed on her son. But when she turned from him toward the bride, a hardly perceptible uneasiness passed over her face — an uneasiness which only deepened to positive distrust and dissatisfaction whenever she looked toward Mademoiselle Trudaine’s brother. In the same way, her son, who was all smiles and happiness while he was speaking with his future wife, altered visibly in manner and look exactly as his mother altered, whenever the presence of Monsieur Trudaine specially impressed itself on his attention. Then, again, Lomaque, the land-steward — quiet, sharp, skinny Lomaque, with the submissive manner, and the red-rimmed eyes — never looked up at his master’s future brother-in-law without looking away again rather uneasily, and thoughtfully drilling holes in the grass with his long sharp-pointed cane. Even the bride herself — the pretty, innocent girl, with her childish shyness of manner — seemed to be affected like the others. Doubt, if not distress, overshadowed her face from time to time, and the hand which her lover held trembled a little, and grew restless, when she accidentally caught her brother’s eye.