Complete Works of Wilkie Collins (1613 page)

BOOK: Complete Works of Wilkie Collins
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The hospitable country-seat to which I refer is Coolcup House, the residence of that enterprising gentleman-farmer and respected chairman of Quarter Sessions, Sir John Giles. Sir John’s Bachelor Bedroom has been wisely fitted up on the ground-floor. It is the one solitary sleeping apartment in that part of the house. Fidgety bachelors can jump out on to the lawn at night, through the bow-window, without troubling anybody to unlock the front door; and can communicate with the presiding genius of the cellar by merely crossing the hall. For the rest, the room is delightfully airy and spacious, and fitted up with all possible luxury. It started in life, under Sir John’s careful auspices, the perfection of neatness and tidiness. But the Bachelors have corrupted it long since. However carefully the servants may clean and alter and arrange it, the room loses its respectability again, and gets slovenly and unpresentable the moment their backs are turned. Sir John himself, the tidiest man in existence, has given up all hope of reforming it. He peeps in occasionally, and sighs and shakes his head, and puts a chair in its place, and straightens a print on the wall, and looks about him at the general litter and confusion, and gives it up and goes out again. He is a rigid man and a resolute in the matter of order, and has his way all over the rest of the house — but the Bachelor Bedroom is too much for him. The first bachelor who inhabited the room when I began to be a guest at Coolcup House, was Mr. Bigg.

Mr. Bigg is, in the strictest sense of the word, what you call a fine man. He stands over six feet, is rather more than stout enough for his height, holds his head up nobly, and dresses in a style of mingled gayety and grandeur which impresses everybody. The morning shirts of Mr. Bigg are of so large a pattern that nobody but his haberdasher knows what that pattern really is. You see a bit of it on one side of his collar which looks square, and a bit of it on the other side which looks round. It goes up his arm on one of his wristbands, and down his arm on the other. Men who have seen his shirts off (if such a statement may be permitted), and scattered loosely, to Sir John’s horror, over all the chairs in the Bedroom, have been questioned, and have not been found able to state that their eyes ever followed out the patterns of any one of them fairly to the end. In the matter of beautiful and expensive clothing for the neck, Mr. Bigg is simply inexhaustible. Every morning he appears at breakfast in a fresh scarf, and taps his egg magnificently with a daily blaze of new colour glowing on his capacious chest, to charm the eyes of the young ladies who sit opposite to him. All the other component parts of Mr. Bigg’s costume are of an equally grand and attractive kind, and are set off by Mr. Bigg’s enviable figure to equal advantage. Outside the Bachelor Bedroom, he is altogether an irreproachable character in the article of dress. Outside the Bachelor Bedroom, he is essentially a man of the world, who can be depended on to perform any part allotted to him in any society assembled at Coolcup House; who has lived among all ranks and sorts of people; who has filled a public situation with great breadth and dignity, and has sat at table with crowned heads, and played his part there with distinction; who can talk of these experiences, and of others akin to them, with curious fluency and ease, and can shift about to other subjects, and pass the bottle, and carve, and draw out modest people, and take all other social responsibilities on his own shoulders complacently, at the largest and dreariest county dinner-party that Sir John, to his own great discomfiture, can be obliged to give. Such is Mr. Bigg in the society of the house, when the door of the Bachelor Bedroom has closed behind him. But what is Mr. Bigg, when he has courteously wished the ladies good-night, when he has secretly summoned the footman with the surreptitious tray, and when he has deluded the unprincipled married men of the party into having half an hour’s cozy chat with him before they go upstairs? Another being — a being unknown to the ladies, and unsuspected by the respectable guests. Inside the Bedroom, the outward aspect of Mr. Bigg changes as if by magic; and a kind of gorgeous slovenliness pervades him from top to toe. Buttons which have rigidly restrained him within distinct physical boundaries, slip exhausted out of their button-holes; and the figure of Mr. Bigg suddenly expands and asserts itself for the first time as a protuberant fact. His neckcloth flies on to the nearest chair, his rigid shirt-collar yawns open, his wiry under-whiskers ooze multitudinously into view, his coat, waistcoat, and braces drop off his shoulders. If the two young ladies who sleep in the room above, and who most unreasonably complain of the ceaseless nocturnal croaking and growling of voices in the Bachelor Bedroom, could look down through the ceiling now, they would not know Mr. Bigg again, and would suspect that a dissipated artisan had intruded himself into Sir John’s house.

In the same way, the company who have sat in Mr. Bigg’s neighbourhood at the dinner-table at seven o’clock, would find it impossible to recognise his conversation at midnight. Outside the Bachelor Bedroom, if his talk has shown him to be anything at all, it has shown him to be the exact reverse of an enthusiast. Inside the Bachelor Bedroom, after all due attention has been paid to the cigar-box and the footman’s tray, it becomes unaccountably manifest to everybody that Mr. Bigg is, after all, a fanatical character, a man possessed of one fixed idea. Then, and then only, does he mysteriously confide to his fellow-revelers that he is the one remarkable man in Great Britain who has discovered the real authorship of Junius’s Letters. In the general society of the house, nobody ever hears him refer to the subject; nobody ever suspects that he takes more than the most ordinary interest in literary matters. In the select society of the Bedroom, inspired by the surreptitious tray and the midnight secrecy, wrapped in clouds of tobacco-smoke, and freed from the restraint of his own magnificent garments, the truth flies out of Mr. Bigg, and the authorship of Junius’s Letters becomes the one dreary subject which this otherwise variously gifted man persists in dilating on for hours together. But for the Bachelor Bedroom, nobody alive would ever have discovered that the true key to unlock Mr. Bigg’s character is Junius. If the subject is referred to the next day by his companions of the night, he declines to notice it; but, once in the Bedroom again, he takes it up briskly, as if the attempted reference to it had been made but the moment before. The last time I saw him was in the Bachelor Bedroom. It was three o’clock in the morning; two tumblers were broken; half a lemon was in a soap-dish, and the soap itself was on the chimney-piece; restless married rakes, who were desperately afraid of waking up their wives when they left us, were walking to and fro absently, and crunching knobs of loaf-sugar under foot at every step; Mr. Bigg was standing, with his fourth cigar in his mouth, before the fire; one of his hands was in the tumbled bosom of his shirt, the other was grasping mine, while he pathetically appointed me his literary executor, and generously bequeathed to me his great discovery of the authorship of Junius’s Letters. Upon the whole, Mr. Bigg is the most incorrigible bachelor on record in the annals of the Bedroom; he has consumed more candles, ordered more footman’s trays, seen more early daylight, and produced more pale faces among and the gentlemen at breakfast-time than any other single visitor at Coolcup House.

 

The next bachelor in the order of succession, and the completest contrast conceivable to Mr. Bigg, is Mr. Jeremy.

Mr. Jeremy is, perhaps, the most miserable-looking little man that ever tottered under the form of humanity. Wear what clothes he may, he invariably looks shabby in them. He is the victim of perpetual accidents and perpetual ill health; and the Bachelor Bedroom, when he inhabits it, is turned into a doctor’s shop, and bristles all over with bottles and pills. Mr. Jeremy’s personal tribute to the hospitalities of Coolcup House is always paid in the same singularly unsatisfactory manner to his host. On one day in the week, he gorges himself gayly with food and drink, and soars into the seventh heaven of convivial beatitude. On the other six, he is invariably ill in consequence, is reduced to the utmost rigors of starvation and physic, sinks into the lowest depths of depression, and takes the bitterest imaginable views of human life. Hardly a single accident has happened at Coolcup House in which he has not been personally and chiefly concerned; hardly a single malady can occur to the human frame the ravages of which he has not practically exemplified in his own person under Sir John’s roof. If any one guest, in the fruit season, terrifies the rest by writhing under the internal penalties in such cases made and provided by the laws of Nature, it is Mr. Jeremy. If any one tumbles upstairs, or downstairs, or off a horse, or out of a dog-cart, it is Mr. Jeremy. If you want a case of sprained ankle, a case of suppressed gout, a case of complicated earache, toothache, headache, and sore throat, all in one, a case of liver, a case of chest, a case of nerves, or a case of low fever, go to Coolcup House while Mr. Jeremy is staying there, and he will supply you, on demand, at the shortest notice and to any extent. It is conjectured by the intimate friends of this extremely wretched bachelor, that he has but two sources of consolation to draw on, as a set-off against his innumerable troubles. The first is the luxury of twisting his nose on one side, and stopping up his air passages and Eustachian tubes with inconceivably large quantities of strong snuff. The second is the oleaginous gratification of incessantly anointing his miserable little beard and mustache with cheap-bear’s grease, which always turns rancid on the premises before he has half done with it. When Mr. Jeremy gives a party in the Bachelor Bedroom, his guests have the unexpected pleasure of seeing him take his physic, and hearing him describe his maladies and recount his accidents. In other respects, the moral influence of the Bedroom over the characters of those who occupy it, which exhibits Mr. Bigg in the unexpected literary aspect of a commentator on Junius, is found to tempt Mr. Jeremy into betraying a horrible triumph and interest in the maladies of others, of which nobody would suspect him in the general society of the house.

“I noticed you, after dinner to-day,” says this invalid bachelor, on such occasions, to any one of the Bedroom guests who may be rash enough to complain of the slightest uneasiness in his presence; “I saw the corners of your mouth get green, and the whites of your eyes look yellow. You have got a pain here,” says Mr. Jeremy, gayly indicating the place to which he refers on his own shattered frame, with an appearance of extreme relish — ”a pain here, and a sensation like having a cannon-ball inside you, there. You will be parched with thirst and racked with fidgets all to-night; and to-morrow morning you will get up with a splitting headache, and a dark-brown tongue, and another cannon-ball in your inside. My dear fellow, I’m a veteran at this sort of thing; and I know exactly the state you will be in next week, and the week after, and when you will have to try the seaside, and how many pounds’ weight you will lose to a dead certainty, before you can expect to get over this attack. Suppose we look under his ribs, on the right side of him?” continues Mr. Jeremy, addressing himself confidentially to the company in general. “I lay anybody five to one we find an alarming lump under the skin. And that lump will be his liver!”

Thus, while Mr. Bigg always astonishes the Bedroom guests on the subject of Junius, Mr. Jeremy always alarms them on the subject of themselves. Mr. Smart, the next, and third bachelor, placed in a similar situation, displays himself under a more agreeable aspect, and makes the society that surrounds him, for the night at least, supremely happy.

 

On the first day of his arrival at Coolcup House Mr. Smart deceived us all. When he was first presented to us, we were deeply impressed by the serene solemnity of this gentleman’s voice, look, manner, and costume. He was as carefully dressed as Mr. Bigg himself, but on totally different principles. Mr. Smart was fearfully and wonderfully gentlemanly in his avoidance of anything approaching to bright colour on any part of his body. Quakerish drabs and grays clothed him in the morning. Dismal black, unrelieved by an atom of jewelry, undisturbed even by so much as a flower in his button-hole, incased him grimly in the evening. He moved about the room and the garden with a ghostly and solemn stalk. When the ladies got brilliant in their conversation, he smiled upon them with a deferential modesty and polite Grandisonian admiration that froze the blood of “us youth” in our veins. When he spoke, it was like reading a passage from an elegant moral writer — the words were so beautifully arranged, the sentences were turned so musically, the sentiment conveyed was so delightfully well regulated, so virtuously appropriate to nothing in particular. At such times he always spoke in a slow, deep, and gentle drawl, with a thrillingly clear, emphasis on every individual syllable. His speech sounded occasionally like a kind of highly-bred foreign English, spoken by a distinguished stranger who had mastered the language to such an extent that he had got beyond the natives altogether. We watched enviously all day for any signs of human infirmity in this surprising individual. The men detected him in nothing. Even the sharper eyes of the women only discovered that he was addicted to looking at himself affectionately in every glass in the house, when he thought that nobody was noticing him. At dinner-time we all pinned our faith on Sir John’s excellent wine, and waited anxiously for its legitimate effect on the superb and icy stranger. Nothing came of it; Mr. Smart was as carefully guarded with the bottle as he was with the English language. All through the evening he behaved himself so dreadfully well that we quite began to hate him. When the company parted for the night, and when Mr. Smart (who was just mortal enough to be a bachelor) invited us to a cigar in the Bedroom, his highly-bred foreign English was still in full perfection; his drawl had reached its elocutionary climax of rich and gentle slowness: and his Grandisonian smile was more exasperatingly settled and composed than ever.

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