Complete Works of Wilkie Collins (169 page)

But just at this point, it seemed that Mat was perversely determined to let himself lapse into another silent fit. He not only made no attempt to change the conversation, but entirely ceased asking questions; and, indeed, hardly uttered another word of any kind, good or bad. Zack, after vainly trying to rally him into talking, lit a cigar in despair, and the two walked on together silently — Mat having his hands in his pockets, keeping his eyes bent on the ground, and altogether burying himself, as it were, from the outer world, in the inner-most recesses of a deep brown study.

As they returned, and got near Kirk Street, Mat gradually began to talk again, but only on indifferent subjects; asking no more questions about Mr. Blyth, or any one else. They arrived at their lodgings at half-past five o’clock. Zack went into the bed-room to wash his hands. While he was thus engaged, Mat opened that leather bag of his which has been already described as lying in the corner with the bear-skins, and taking out the feather-fan and the Indian tobacco-pouch, wrapped them up separately in paper. Having done this, he called to Zack; and, saying that he was about to step over to the shaving shop to get his face scraped clean before going to Mr. Blyth’s, left the house with his two packages in his hand.

“If the worst comes to the worst, I’ll chance it to-night with the garden-door,” said Mat to himself, as he took the first turning that led towards the second-hand iron shop. “This will do to get rid of the painter-man with. And this will send Zack after him,” he added, putting first the fan and then the tobacco-pouch into separate pockets of his coat. A cunning smile hovered about his lips for a moment, as he disposed of his two packages in this manner; but it passed away again almost immediately, and was succeeded by a curious contraction and twitching of the upper part of his face. He began muttering once again that name of “Mary,” which had been often on his lips lately; and quickened his pace mechanically, as it was always his habit to do when anything vexed or disturbed him.

When he reached the shop, the hunchback was at the door, with the tin tobacco-box in his hand. On this occasion, not a single word was exchanged between the two. The squalid shopman, as the customer approached, rattled something significantly inside the box, and then handed it to Mat; and Mat put his finger and thumb into his waistcoat pocket, winked, nodded, and handed some money to the squalid shopman. The brief ceremony of giving and taking thus completed, these two originals turned away from each other without a word of farewell; the hunchback returning to the counter, and his customer proceeding to the shaving shop.

Mat opened the box for an instant, on his way to the barber’s; and, taking out the false key, (which, though made of baser metal, was almost as bright as the original), put it carefully into his waistcoat pocket. He then stopped at an oil and candle shop, and bought a wax taper and a box of matches. “The garden door’s safest: I’ll chance it with the garden-door,” thought Mat, as he sat down in the shaving-shop chair, and ordered the barber to operate on his chin.

Punctually at seven o’clock Mr. Blyth’s visitors rang at his bell.

When they entered the studio, they found Valentine all ready for them, with his drawing-board at his side, and his cartoon-sketch for the proposed new picture of Hercules bringing to King Eurystheus the Erymanthian Boar, lying rolled up at feet. He said he had got rid of his headache, and felt perfectly well now; but Zack observed that he was not in his good spirits. Mat, on his side, observed nothing but the garden door, towards which he lounged carelessly as soon as the first salutations were over.

“This way, my dear sir,” said Valentine, walking after him. “I have taken down the drawing you were so good as to admire this morning, as I said I would. Here it is on this painting-stand, if you would like to look at it.”

Mat, whose first glance at the garden door had assured him that it was bolted and locked for the night, wheeled round immediately: and, to Mr. Blyth’s great delight, inspected the sketch of the old five-barred gate with the most extraordinary and flattering attention. “Wants doing up, don’t it?” said Mat, referring to the picturesquely-ruinous original of the gate represented. “Yes, indeed,” answered Valentine, thinking he spoke of the creased and ragged condition of the paper on which the sketch was made; “a morsel of paste and a sheet of fresh paper to stretch it on, would make quite another thing of it.” Mat stared. “Paste and paper for a five-barred gate? A nice carpenter
you
would make!” he felt inclined to say. Zack, however, spoke at that moment: so he left the sketch, and wisely held his tongue.

“Now, then, Mat, strip to your chest, and put your arms in any position Blyth tells you. Remember, you are going to be drawn as Hercules; and mind you look as if you were bringing the Erymanthian Boar to King Eurystheus, for the rest of the evening,” said young Thorpe, composedly warming himself at the fire.

While Mat awkwardly, and with many expressions of astonishment at the strange piece of service required from him by his host, divested himself of his upper garments, Valentine unrolled on the floor the paper cartoon of his classical composition; and, having refreshed his memory from it, put his model forthwith into the position of Hercules, with a chair to hold instead of an Erymanthian Boar, and Zack to look at as the only available representative of King Eurystheus. This done, Mr. Blyth wasted some little time, as usual, before he began to work, in looking for his drawing materials. In the course of his search over the littered studio table, he accidentally laid his hand on two envelopes with enclosures, which, after examining the addresses, he gave immediately to young Thorpe.

“Here, Zack,” he said, “these belong to you. The large envelope contains your permission to draw at the British Museum. The small one has a letter of introduction inside, presenting you, with my best recommendations, to my friend, Mr. Strather, a very pleasing artist, and the Curator of an excellent private Drawing Academy. You had better call tomorrow, before eleven. Mr. Strather will go with you to the Museum, and show you how to begin, and will introduce you to his drawing academy the same evening. Pray, pray, Zack, be steady and careful. Remember all you have promised your mother and me; and show us that you are now really determined to study the Art in good earnest.”

Zack expressed great gratitude for his friend’s kindness, and declared, with the utmost fervor of voice and manner, that he would repair all his past faults by unflagging future industry as a student of Art. After a little longer delay Valentine at last collected his drawing materials, and fairly began to work; Mat displaying from the first the most extraordinary and admirable steadiness as a model. But, while the work of the studio thus proceeded with all the smoothness and expedition that could be desired, the incidental conversation by no means kept pace with it. In spite of all that young Thorpe could say or do, the talk lagged more and more, and grew duller and duller. Valentine was evidently out of spirits, and the Hercules of the evening had stolidly abandoned himself to the most inveterate silence. At length Zack gave up all further effort to be sociable, and left the painting-room to go up stairs and visit the ladies. Mat looked after him as he quitted the studio, and seemed about to speak — then glancing aside at the bureau, checked himself suddenly, and did not utter a word.

Mr. Blyth’s present depression of spirits was not entirely attributable to a certain ominous reluctance to leave home, which he had been vainly trying to shake off since the morning. He had a secret reason for his uneasiness which happened to be intimately connected with the model, whose Herculean chest and arms he was now busily engaged in drawing.

The plain fact was, that Mr. Blyth’s tender conscience smote him sorely, when he remembered the trust Mrs. Thorpe placed in his promised supervision over her son, and when he afterwards reflected that he still knew as little of Zack’s strange companion, as Zack did himself. His visit to Kirk Street, undertaken for the express purpose of guarding the lad’s best interests by definitely ascertaining who Mr. Mathew Marksman really was, had ended in — what he was now ashamed to dwell over, or even to call to mind. “Dear, dear me!” thought Mr. Blyth, while he worked away silently at the outline of his drawing, “I ought to find out whether this very friendly, good-natured, and useful man is fit to be trusted with Zack; and now the lad is out of the room, I might very well do it. Might? I will!” And, acting immediately on this conscientious resolve, simple-hearted Mr. Blyth actually set himself to ask Mat the important question of who he really was!

Mat was candor itself in answering all inquiries that related to his wanderings over the American Continent. He confessed with the utmost frankness that he had been sent to sea, as a wild boy whom it was impossible to keep steady at home; and he quite readily admitted that he had not introduced himself to Zack under his real name. But at this point his communicativeness stopped. He did not quibble, or prevaricate; he just bluntly and simply declared that he would tell nothing more than he had told already.

“I said to the young ‘un,” concluded Mat, “when we first come together, ‘I haven’t heard the sound of my own name for better than twenty year past; and I don’t care if I never hear it again.’ That’s what I said to
him.
That’s what I say to
you.
I’m a rough ‘un, I know; but I hav’n’t broke out of prison, or cheated the gallows — ”

“My dear sir,” interposed Valentine, eagerly and alarmedly, “pray don’t imagine any such offensive ideas ever entered my head! I might perhaps have thought that family troubles — ”

“That’s it,” Mat broke in quickly. “Family troubles. Drop it there; and you’ll leave it right.”

Before Mr. Blyth could make any attempt to shift the conversation to some less delicate topic, he was interrupted (to his own great relief) by the return of young Thorpe to the studio.

Zack announced the approaching arrival of the supper-tray; and warned “Hercules” to cover up his neck and shoulders immediately, unless he wished to frighten the housemaid out of her wits. At this hint Mr. Blyth laid aside his drawing-board, and Mat put on his flannel waistcoat; not listening the while to one word of the many fervent expressions of gratitude addressed to him by the painter, but appearing to be in a violent hurry to array himself in his coat again. As soon as he had got it on, he put his hand in one of the pockets, and looked hard at Valentine. Just then, however, the servant came in with the tray; upon which he turned round impatiently, and walked away once again to the lower end of the room.

When the door had closed on the departing housemaid, he returned to Mr. Blyth with the feather fan in his hand; and saying, in his usual downright way, that he had heard from Zack of Mrs. Blyth’s invalid condition and of her fondness for curiosities, bluntly asked the painter if he thought his wife would like such a fan as that now produced.

“I got this plaything for a woman in the old country, many a long year ago,” said Mat, pressing the fan roughly into Mr. Blyth’s hands. “When I come back, and thought for to give it her, she was dead and gone. There’s not another woman in England as cares about me, or knows about me. If you’re too proud to let your wife have the thing, throw it into the fire. I hav’n’t got nobody to give it to; and I can’t keep it by me, and won’t keep it by me, no longer.”

In the utterance of these words there was a certain rough pathos and bitter reference to past calamity, which touched Valentine in one of his tender places. His generous instincts overcame his prudent doubts in a moment; and moved him, not merely to accept the present, but also to predict warmly that Mrs. Blyth would be delighted with it.

“Zack,” he said, speaking in an undertone to young Thorpe, who had been listening to Mat’s last speech, and observing his production of the fan, in silent curiosity and surprise. “Zack, I’ll run up stairs with the fan to Lavvie at once, so as not to seem careless about your friend’s gift. Mind you do the honours of the supper table with proper hospitality, while I am away.”

Speaking these words, Mr. Blyth bustled out of the room as nimbly as usual. A minute or two after his departure, Mat put his hand into his pocket once more; mysteriously approached young Thorpe, and opened before him the paper containing the Indian tobacco pouch, which was made of scarlet cloth, and was very prettily decorated with coloured beads.

“Do you think the young woman would fancy this for a kind of plaything?” he asked.

Zack, with a shout of laughter, snatched the pouch out of his hands, and began to rally his friend more unmercifully than ever. For the first time, Mat seemed to be irritated by the boisterous merriment of which he was made the object; and cut his tormentor short quite fiercely, with a frown and an oath.

“Don’t lose your temper, you amorous old savage!” cried Zack, with incorrigible levity. “I’ll take your pouch upstairs to the Beloved Object; and, if Blyth will let her have it, I’ll bring her down here to thank you for it herself!” Saying this, young Thorpe ran laughing out of the room, with the scarlet pouch in his hand.