Complete Works of Wilkie Collins (230 page)

“Must we send for a locksmith?” asked Rosamond, with a look of disappointment.

“If the table is of any value, we must,” returned her husband. “If not, a screw-driver and a hammer will open both the top and the drawers in anybody’s hands.”

“In that case, Lenny, I wish we had brought them with us when we came into the room, for the only value of the table lies in the secrets that it may be hiding from us. I shall not feel satisfied until you and I know what there is inside of it.”

While saying these words, she took her husband’s hand to lead him back to his seat. As they passed before the fireplace, he stepped upon the bare stone hearth; and, feeling some new substance under his feet, instinctively stretched out the hand that was free. It touched a marble tablet, with figures on it in basso-relievo which had been let into the middle of the chimney-piece. He stopped immediately, and asked what the object was that his fingers had accidentally touched.

“A piece of sculpture,” said Rosamond. “I did not notice it before. It is not very large, and not particularly attractive, according to my taste. So far as I can tell, it seems to be intended to represent — ”

Leonard stopped her before she could say any more. “Let me try, for once, if I can’t make a discovery for myself,” he said, a little impatiently. “Let me try if my fingers won’t tell me what this sculpture is meant to represent.”

He passed his hands carefully over the basso-relievo (Rosamond watching their slightest movement with silent interest, the while), considered a little, and said — ”Is there not a figure of a man sitting down, in the right-hand corner? And are there not rocks and trees, very stiffly done, high up, at the left-hand side?”

Rosamond looked at him tenderly, and smiled. “My poor dear!” she said. “Your man sitting down is, in reality, a miniature copy of the famous ancient statue of Niobe and her child; your rocks are marble imitations of clouds, and your stiffly done trees are arrows darting out from some invisible Jupiter or Apollo, or other heathen god. Ah, Lenny, Lenny! you can’t trust your touch, love, as you can trust me!”

A momentary shade of vexation passed across his face; but it vanished the instant she took his hand again to lead him back to his seat. He drew her to him gently, and kissed her cheek. “You are night, Rosamond,” he said. “The one faithful friend to me in my blindness, who never fails, is my wife.”

Seeing him look a little saddened, and feeling, with the quick intuition of a woman’s affection, that he was thinking of the days when he had enjoyed the blessing of sight, Rosamond returned abruptly, as soon as she saw him seated once more on the ottoman, to the subject of the Myrtle Room.

“Where shall I look next, dear?” she said. “The bookcase we have examined. The writing-table we must wait to examine. What else is there that has a cupboard or a drawer in it?” She looked round her in perplexity; then walked away toward the part of the room to which her attention had been last drawn — the part where the fireplace was situated.

“I thought I noticed something here, Lenny, when I passed just now with you,” she said, approaching the second recess behind the mantel-piece, corresponding with the recess in which the writing-table stood.

She looked into the place closely, and detected in a corner, darkened by the shadow of the heavy projecting mantel-piece, a narrow, rickety little table, made of the commonest mahogany — the frailest, poorest, least conspicuous piece of furniture in the whole room. She pushed it out contemptuously into the light with her foot. It ran on clumsy old-fashioned casters, and creaked wearily as it moved.

“Lenny, I have found another table,” said Rosamond. “A miserable, forlorn-looking little thing, lost in a corner. I have just pushed it into the light, and I have discovered one drawer in it.” She paused, and tried to open the drawer; but it resisted her. “Another lock!” she exclaimed, impatiently. “Even this wretched thing is closed against us!”

She pushed the table sharply away with her hand. It swayed on its frail legs, tottered, and fell over on the floor — fell as heavily as a table of twice its size — fell with a shock that rang through the room, and repeated itself again and again in the echoes of the lonesome north hall.

Rosamond ran to her husband, seeing him start from his seat in alarm, and told him what had happened. “You call it a little table,” he replied, in astonishment. “It fell like one of the largest pieces of furniture in the room!”

“Surely there must have been something heavy in the drawer!” said Rosamond, approaching the table with her spirits still fluttered by the shock of’ its unnaturally heavy fall. After waiting for a few moments to give the dust which it had raised, and which still hung over it in thick lazy clouds, time to disperse, she stooped down and examined it. It was cracked across the top from end to end, and the lock had been broken away from its fastenings by the fall.

She set the table up again carefully, drew out the drawer, and, after a glance at its contents, turned to her husband. “I knew it,” she said, “I knew there must be something heavy in the drawer. It is full of pieces of copper-ore, like those specimens of my father’s, Lenny, from Porthgenna mine. Wait! I think I feel something else, as far away at the back here as my hand can reach.”

She extracted from the lumps of ore at the back of the drawer a small circular picture-frame of black wood, about the size of an ordinary hand-glass. It came out with the front part downward, and with the area which its circle inclosed filled up by a thin piece of wood, of the sort which is used at the backs of small frames to keep drawings and engravings steady in them. This piece of wood (only secured to the back of the frame by one nail) had been forced out of its place, probably by the overthrow of the table; and when Rosamond took the frame out of the drawer, she observed between it and the dislodged piece of wood the end of a morsel of paper, apparently folded many times over, so as to occupy the smallest possible space. She drew out the piece of paper, laid it aside on the table without unfolding it, replaced the piece of wood in its proper position, and then turned the frame round, to see if there was a picture in front.

There was a picture — a picture painted in oils, darkened, but not much faded, by age. It represented the head of a woman, and the figure as far as the bosom.

The instant Rosamond’s eyes fell on it she shuddered, and hurriedly advanced toward her husband with the picture in her hand.

“Well, what have you found now?” he inquired, hearing her approach.

“A picture,” she answered, faintly, stopping to look at it again.

Leonard’s sensitive ear detected a change in her voice. “Is there anything that alarms you in the picture?” he asked, half in jest, half in earnest.

“There is something that startles me — something that seems to have turned me cold for the moment, hot as the day is,” said Rosamond. “Do you remember the description the servant-girl gave us, on the night we arrived here, of the ghost of the north rooms?”

“Yes, I remember it perfectly.”

“Lenny! that description and this picture are exactly alike! Here is the curling, light-brown hair. Here is the dimple on each cheek. Here are the bright regular teeth. Here is that leering, wicked, fatal beauty which the girl tried to describe, and did describe, when she said it was awful!”

Leonard smiled. “That vivid fancy of yours, my dear, takes strange flights sometimes,” he said, quietly.

“Fancy!” repeated Rosamond to herself. “How can it be fancy when I see the face? how can it be fancy when I feel — ” She stopped, shuddered again, and, returning hastily to the table, placed the picture on it, face downward. As she did so, the morsel of folded paper which she had removed from the back of the frame caught her eye.

“There may be some account of the picture in this,” she said, and stretched out her hand to it.

It was getting on toward noon. The heat weighed heavier on the air, and the stillness of all things was room intense than ever, as she took up the paper from the table.

Fold by fold she opened it, and saw that there were written characters inside, traced in ink that had faded to a light, yellow hue. She smoothed it out carefully on the table — then took it up again and looked at the first line of the writing.

The first line contained only three words — words which told her that the paper within the writing on it was not a description of the picture, but a letter — words which made her start and change colour the moment her eye fell upon them. Without attempting to read any further, she hastily turned over the leaf to find out the place where the writing ended.

It ended at the bottom of the third page; but there was a break in the lines, near the foot of the second page, and in that break there were two names signed. She looked at the uppermost of the two — started again — and turned back instantly to the first page.

Line by line, and word by word, she read through the writing; her natural complexion fading out gradually the while, and a dull, equal whiteness overspreading all her face in its stead. When she had come to the end of the third page, the hand in which she held the letter dropped to her side, and she turned her head slowly toward Leonard. In that position she stood — no tears moistening her eyes, no change passing over her features, no word escaping her lips, no movement varying the position of her limbs — in that position she stood, with the fatal letter crumpled up in her cold fingers, looking steadfastly, speechlessly, breathlessly at her blind husband.

He was still sitting as she had seen him a few minutes before, with his legs crossed, his hands clasped together in front of them, and his head turned expectantly in the direction which he had last heard the sound of his wife’s voice. But in a few moments the intense stillness in the room forced itself upon his attention. He changed his position — listened for a little, turning his head uneasily from side to side, and then called to his wife.

“Rosamond!”

At the sound of his voice her lips moved, and her fingers closed faster on the paper that they held; but she neither stepped forward nor spoke.

“Rosamond!”

Her lips moved again — faint traces of expression began to pass shadow-like over the blank whiteness of her face — she advanced one step, hesitated, looked at the letter, and stopped.

Hearing no answer, he rose surprised and uneasy. Moving his poor, helpless, wandering hands to and fro before him in the air, he walked forward a few paces, straight out from the wall against which he had been sitting. A chair, which his hands were not held low enough to touch, stood in his way; and, as he still advanced, he struck his knee sharply against it.

A cry burst from Rosamond’s lips, as if the pain of the blow had passed, at the instant of its infliction, from her husband to herself. She was by his side in a moment. “You are not hurt, Lenny,” she said, faintly.

“No, no.” He tried to press his hand on the place where he had struck himself, but she knelt down quickly, and put her own hand there instead, nestling her head against him, while she was on her knees, in a strangely hesitating timid way. He lightly laid the hand which she had intercepted on her shoulder. The moment it touched her, her eyes began to soften; the tears rose in them, and fell slowly one by one down her cheeks.

“I thought you had left me,” he said. “There was such a silence that I fancied you had gone out of the room.”

“Will you come out of it with me now?” Her strength seemed to fail her while she asked the question; her head drooped on her breast, and she let the letter fall on the floor at her side.

“Are you tired already, Rosamond? Your voice sounds as if you were.”

“I want to leave the room,” she said, still in the same low, faint, constrained tone. “Is your knee easier, dear? Can you walk now?”

“Certainly. There is nothing in the world the matter within my knee. If you are tired, Rosamond — as I know you are, though you may not confess it — the sooner we leave the room the better.”

She appeared not to hear the last words he said. Her fingers were working feverishly about her neck and bosom; two bright red spots were beginning to burn in her pale cheeks; her eyes were fixed vacantly on the letter at her side; her hands wavered about it before she picked it up. For a few seconds she waited on her knees, looking at it intently, with her head turned away from her husband — then rose and walked to the fireplace. Among the dust, ashes, and other rubbish at the back of the grate were scattered some old torn pieces of paper. They caught her eye, and held it fixed on them. She looked and looked, slowly bending down nearer and nearer to the grate. For one moment she held the letter out over the rubbish in both hands — the next she drew back shuddering violently, and turned round so as to face her husband again. At the sight of him a faint inarticulate exclamation, half sigh, half sob, burst from her. “Oh, no, no!” she whispered to herself; clasping her hands together fervently, and looking at him with fond, mournful eyes. “Never, never, Lenny — come of it what may!”