Complete Works of Wilkie Collins (409 page)

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Under ordinary circumstances these absurd particulars would not have dwelt on my memory. But, as matters actually stand, my unfortunate wife’s imbecility may, in her present position, lead to consequences which we none of us foresee. She is nothing more or less than a grown-up child; and I can plainly detect that Miss Vanstone trusts her, as she would not have trusted a sharper woman, on that very account. I know children, little and big, rather better than my fair relative does; and I say — beware of all forms of human innocence, when it happens to be your interest to keep a secret to yourself.

Let me return to business. Here I am, at two o’clock on a fine summer’s afternoon, left entirely alone, to consider the safest means of approaching Mr. Noel Vanstone on my own account. My private suspicions of his miserly character produce no discouraging effect on me. I have extracted cheering pecuniary results in my time from people quite as fond of their money as he can be. The real difficulty to contend with is the obstacle of Mrs. Lecount. If I am not mistaken, this lady merits a little serious consideration on my part. I will close my chronicle for to-day, and give Mrs. Lecount her due.

Three o’clock.
— I open these pages again to record a discovery which has taken me entirely by surprise.

After completing the last entry, a circumstance revived in my memory which I had noticed on escorting the ladies this morning to the railway. I then remarked that Miss Vanstone had only taken one of her three boxes with her — and it now occurred to me that a private investigation of the luggage she had left behind might possibly be attended with beneficial results. Having, at certain periods of my life been in the habit of cultivating friendly terms with strange locks, I found no difficulty in establishing myself on a familiar footing with Miss Vanstone’s boxes. One of the two presented nothing to interest me. The other — devoted to the preservation of the costumes, articles of toilet, and other properties used in the dramatic Entertainment — proved to be better worth examining: for it led me straight to the discovery of one of its owner’s secrets.

I found all the dresses in the box complete — with one remarkable exception. That exception was the dress of the old north-country lady; the character which I have already mentioned as the best of all my pupil’s disguises, and as modeled in voice and manner on her old governess, Miss Garth. The wig; the eyebrows; the bonnet and veil; the cloak, padded inside to disfigure her back and shoulders; the paints and cosmetics used to age her face and alter her complexion — were all gone. Nothing but the gown remained; a gaudily-flowered silk, useful enough for dramatic purposes, but too extravagant in colour and pattern to bear inspection by daylight. The other parts of the dress are sufficiently quiet to pass muster; the bonnet and veil are only old-fashioned, and the cloak is of a sober gray colour. But one plain inference can be drawn from such a discovery as this. As certainly as I sit here, she is going to open the campaign against Noel Vanstone and Mrs. Lecount in a character which neither of those two persons can have any possible reason for suspecting at the outset — the character of Miss Garth.

What course am I to take under these circumstances? Having got her secret, what am I to do with it? These are awkward considerations; I am rather puzzled how to deal with them.

It is something more than the mere fact of her choosing to disguise herself to forward her own private ends that causes my present perplexity. Hundreds of girls take fancies for disguising themselves; and hundreds of instances of it are related year after year in the public journals. But my ex-pupil is not to be confounded for one moment with the average adventuress of the newspapers. She is capable of going a long way beyond the limit of dressing herself like a man, and imitating a man’s voice and manner. She has a natural gift for assuming characters which I have never seen equaled by a woman; and she has performed in public until she has felt her own power, and trained her talent for disguising herself to the highest pitch. A girl who takes the sharpest people unawares by using such a capacity as this to help her own objects in private life, and who sharpens that capacity by a determination to fight her way to her own purpose, which has beaten down everything before it, up to this time — is a girl who tries an experiment in deception, new enough and dangerous enough to lead, one way or the other, to very serious results. This is my conviction, founded on a large experience in the art of imposing on my fellow-creatures. I say of my fair relative’s enterprise what I never said or thought of it till I introduced myself to the inside of her box. The chances for and against her winning the fight for her lost fortune are now so evenly balanced that I cannot for the life of me see on which side the scale inclines. All I can discern is, that it will, to a dead certainty, turn one way or the other on the day when she passes Noel Vanstone’s doors in disguise.

Which way do my interests point now? Upon my honour, I don’t know.

Five o’clock.
— I have effected a masterly compromise; I have decided on turning myself into a Jack-o n-both-sides.

By to-day’s post I have dispatched to London an anonymous letter for M r. Noel Vanstone. It will be forwarded to its destination by the same means which I successfully adopted to mystify Mr. Pendril; and it will reach Vauxhall Walk, Lambeth, by the afternoon of to-morrow at the latest.

The letter is short, and to the purpose. It warns Mr. Noel Vanstone, in the most alarming language, that he is destined to become the victim of a conspiracy; and that the prime mover of it is a young lady who has already held written communication with his father and himself. It offers him the information necessary to secure his own safety, on condition that he makes it worth the writer’s while to run the serious personal risk which such a disclosure will entail on him. And it ends by stipulating that the answer shall be advertised in the
Times
; shall be addressed to “An Unknown Friend”; and shall state plainly what remuneration Mr. Noel Vanstone offers for the priceless service which it is proposed to render him.

Unless some unexpected complication occurs, this letter places me exactly in the position which it is my present interest to occupy. If the advertisement appears, and if the remuneration offered is large enough to justify me in going over to the camp of the enemy, over I go. If no advertisement appears, or if Mr. Noel Vanstone rates my invaluable assistance at too low a figure, here I remain, biding my time till my fair relative wants me, or till I make her want me, which comes to the same thing. If the anonymous letter falls by any accident into her hands, she will find disparaging allusions in it to myself, purposely introduced to suggest that the writer must be one of the persons whom I addressed while conducting her inquiries. If Mrs. Lecount takes the business in hand and lays a trap for me — I decline her tempting invitation by becoming totally ignorant of the whole affair the instant any second person appears in it. Let the end come as it may, here I am ready to profit by it: here I am, facing both ways, with perfect ease and security — a moral agriculturist, with his eye on two crops at once, and his swindler’s sickle ready for any emergency.

For the next week to come, the newspaper will be more interesting to me than ever. I wonder which side I shall eventually belong to?

THE THIRD SCENE.

 

VAUXHALL WALK, LAMBETH.

CHAPTER I.

 

THE old Archiepiscopal Palace of Lambeth, on the southern bank of the Thames — with its Bishop’s Walk and Garden, and its terrace fronting the river — is an architectural relic of the London of former times, precious to all lovers of the picturesque, in the utilitarian London of the present day. Southward of this venerable structure lies the street labyrinth of Lambeth; and nearly midway, in that part of the maze of houses which is placed nearest to the river, runs the dingy double row of buildings now, as in former days, known by the name of Vauxhall Walk.

The network of dismal streets stretching over the surrounding neighbourhood contains a population for the most part of the poorer order. In the thoroughfares where shops abound, the sordid struggle with poverty shows itself unreservedly on the filthy pavement; gathers its forces through the week; and, strengthening to a tumult on Saturday night, sees the Sunday morning dawn in murky gaslight. Miserable women, whose faces never smile, haunt the butchers’ shops in such London localities as these, with relics of the men’s wages saved from the public-house clutched fast in their hands, with eyes that devour the meat they dare not buy, with eager fingers that touch it covetously, as the fingers of their richer sisters touch a precious stone. In this district, as in other districts remote from the wealthy quarters of the metropolis, the hideous London vagabond — with the filth of the street outmatched in his speech, with the mud of the street outdirtied in his clothes — lounges, lowering and brutal, at the street corner and the gin-shop door; the public disgrace of his country, the unheeded warning of social troubles that are yet to come. Here, the loud self-assertion of Modern Progress — which has reformed so much in manners, and altered so little in men — meets the flat contradiction that scatters its pretensions to the winds. Here, while the national prosperity feasts, like another Belshazzar, on the spectacle of its own magnificence, is the Writing on the Wall, which warns the monarch, Money, that his glory is weighed in the balance, and his power found wanting.

Situated in such a neighbourhood as this, Vauxhall Walk gains by comparison, and establishes claims to respectability which no impartial observation can fail to recognise. A large proportion of the Walk is still composed of private houses. In the scattered situations where shops appear, those shops are not besieged by the crowds of more populous thoroughfares. Commerce is not turbulent, nor is the public consumer besieged by loud invitations to “buy.” Bird-fanciers have sought the congenial tranquillity of the scene; and pigeons coo, and canaries twitter, in Vauxhall Walk. Second-hand carts and cabs, bedsteads of a certain age, detached carriage-wheels for those who may want one to make up a set, are all to be found here in the same repository. One tributary stream, in the great flood of gas which illuminates London, tracks its parent source to Works established in this locality. Here the followers of John Wesley have set up a temple, built before the period of Methodist conversion to the principles of architectural religion. And here — most striking object of all — on the site where thousands of lights once sparkled; where sweet sounds of music made night tuneful till morning dawned; where the beauty and fashion of London feasted and danced through the summer seasons of a century — spreads, at this day, an awful wilderness of mud and rubbish; the deserted dead body of Vauxhall Gardens mouldering in the open air.

On the same day when Captain Wragge completed the last entry in his Chronicle of Events, a woman appeared at the window of one of the houses in Vauxhall Walk, and removed from the glass a printed paper which had been wafered to it announcing that Apartments were to be let. The apartments consisted of two rooms on the first floor. They had just been taken for a week certain by two ladies who had paid in advance — those two ladies being Magdalen and Mrs. Wragge.

As soon as the mistress of the house had left the room, Magdalen walked to the window, and cautiously looked out from it at the row of buildings opposite. They were of superior pretensions in size and appearance to the other houses in the Walk: the date at which they had been erected was inscribed on one of them, and was stated to be the year 1759. They stood back from the pavement, separated from it by little strips of garden-ground. This peculiarity of position, added to the breadth of the roadway interposing between them and the smaller houses opposite, made it impossible for Magdalen to see the numbers on the doors, or to observe more of any one who might come to the windows than the bare general outline of dress and figure. Nevertheless, there she stood, anxiously fixing her eyes on one house in the row, nearly opposite to her — the house she had looked for before entering the lodgings; the house inhabited at that moment by Noel Vanstone and Mrs. Lecount.

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