Dark Benediction (71 page)

Grandmother is greatly improved.

Immensely reassured, General MacAmsward strides into his quarters and hangs up his hat. The room is in darkness except for the light from a metal wall lamp that casts its glare around the great chair and upon the girl who sits in the great chair at the far end of the room. The girl is toying with a goblet of wine, and her dark hair coils in thick masses about her silk-clad shoulders. The silk came by virtue of the negligence of the general's ex-wife in forgetting to pack. The great chair came as a prize of war, having been taken from a Soviet People's Court where it is no longer
needed.
It is massive as an episcopal throne—a fitting seat for an archangel—and it is placed on a low dais at the head of a long table flanked by lesser chairs. The room is used for staff conference, and none would dare to sit in the great chair except the general—or, of course, a lovely grief-stung maiden.

The girl stares at him from out of two pools of shadow. Her head is slightly inclined and the downlight catches only the tip of her nose. The general pauses with his hand on his hat. He turns slowly away from the hat rack, brings himself slowly to attention, and gives her a solemn salute. It is a tribute to beauty. She acknowledges it with a nod. The general advances and sits in the simple chair at the far end of the long table. The general sighs with fervor, as if he had not breathed since entering the door. His eyes have not left
her
face. The girl puts down the glass.

"I have come to kill you," she said. "I have come to nurse you to death with the milk of a murdered child."

The general winced. She had said it three times before, once for each day she had resided in his house. And for the third time, the general ignored it.

"I have seen to it, my child," he told her gravely. "Captain Purvis faces court martial in the morning. I have directed it. I have directed too that you be repatriated forthwith, if it is
your
wish, for this is only common justice after what that monster has done to you. Now however let me implore you to remain with us and quit the forces of godlessness until the war is won and you can return to your home in peace."

Marya watched his shadowy figure at the far end of the table. He was like Raleigh at the court of Beth, at once mighty and humble. Again she felt the surge of exhilaration, as when she had crawled along the ridge at the river, ducking machine gun fire. It was the voice of Macbeth's wife whispering within her:
Come to my woman's breasts, and take my milk for gall, you murdering ministers, wherever in your sightless substances you wait on nature's mischief!
It was the power of death in her bosom, where once had been the power of life.

She arose slowly and leaned on the table to stare at him fiercely. "Murderer of my child!" she hissed.

"May God in His mercy—"

"Murderer of my child!"

"Marya Dmitriyevna, it is my deepest sorrow." He sat watching her gravely and seemed to lose none of his lofty composure. "I can say nothing to comfort you. It is impossible. It is my deepest sorrow."

"There is something you can do."

'"Then it is done. Tell me quickly."

"Come here." She stepped from the table to the edge of the dais and beckoned. "Come to me here. I have secrets to whisper to the killer of my son. Come."

He came and stood down from her so that their faces were at the same level. She could see now that there was real pain in his eyes. Good! Let it be. She must make him understand. Be must know perfectly well that she was going to kill him. And he must know how. The necessity of knowing was not by any command of Porphiry's; it was a must that she had created within herself. She was smiling now, and there was a new quickness in her gestures.

"Look at me, high killer. I cannot show you the broken body of my son. I can show you no token or relic. It is all buried in a mass grave." Swiftly she opened the silk robe. "Look at me instead. See? How swollen I am again. Yes, here! A token after all. A single drop. Look, it is his, it is Nikolai's."

MacAmsward went white. He stood like a man hypnotized.

"See? To nourish life, but now to nourish death. Your death, high killer. But more! My son was conceived in love, and you have killed him, and now I come to you. You will give me another, you see. Now we shall conceive him in hate, you and I, and you'll die of the death in my bosom. Come, make hate to me, killer."

His jaw trembled. He took her shoulders and ran his hands down her arms and closed them over hers.

"Your hands are ice," he whispered, and leaned forward to kiss a bare spot just below her throat, and somehow she was certain that he understood. It was a preconscious understanding, but it was there. And still he bent over her.

Come, thick night, and pall thee in the dunnest smoke of hell, that my keen knife see not the wound it makes ...

Of course the general had been intellectually convinced that it was entirely a figure of speech.

The toxin's work was quickly done. A bacterial toxin, swiftly lethal to the non-immunized, slowly lethal to Marya who could pass it out in her milk as it formed. The general slept for half an hour and woke up with a raging fever. She sat by the window and watched him die. He tried to shout, but his throat was constricted. He got out of bed, took two steps, and fell. He tried to crawl toward the door. He fell flat again. His face was crimson.

The telephone rang.

Someone knocked at the door.

The ringing stopped and the knocking went away. She watched him breathe. He tried to speak, but she turned her back to him and looked out the window at the shell-pocked countryside. Russia, Nikolai, and even the Ami sergeant who had wanted to go home, it was for them that she listened to his gasping. She lit one of his American cigarets and found it very enjoyable. The phone was ringing furiously again. It kept on ringing.

The gasping stopped. Someone was hammering on the door and shouting. She stood enjoying the cigaret and watching the crows flocking in a newly planted field. The earth was rich and black here, the same soil she had tossed at the Ami sergeant. It belonged to her, this soil. Soon she would belong to it. With Nikolai, and maybe the Ami sergeant.

The door crashed loose from its hinges. Three Blue Shirts burst in and stopped. They looked at the body on the floor. They looked at Marya.

"What has happened here?"

The Russian girl laughed. Their expressions were quite comical. One of them raised his gun. He pulled the trigger six times.

"Come ... Nikki Andreyevich . . . come . . ."

One of them went over and nudged her with his boot, but she was already dead. She had beaten them. She had beaten them all.

The American newspapers printed the truth. They said that General MacAmsward had died of poisoned milk. But that was all they said. The whole truth was only sung in Russian legend for the next one thousand years.

Miller was born in New Smyrna Beach, Florida. Educated at the University of Tennessee and the University of Texas, he worked as an engineer. During World War II, he served in the Army Air Corps as a radioman and tail gunner, flying more than fifty bombing missions over Italy. He took part in the bombing of the Benedictine Abbey at Monte Cassino, which proved a traumatic experience for him. Joe Haldeman reported that Miller "has Post Traumatic Stress Disorder for 30 years before it had a name," and that Miller displayed a photograph he had taken of Ron Kovic prominently in his living room.

After the war, Miller converted to Catholicism. He married Anna Louise Becker in 1945, and they had four children. He lived with science-fiction writer Judith Merril in 1953.

Between 1951 and 1957, Miller published over three dozen science fiction short stories, winning a Hugo Award in 1955 for the story "The Darfsteller". He also wrote scripts for the television show Captain Video in 1953. Late in the 1950s, Miller assembled a novel from three closely related novellas he had published in The Magazine of Fantasy and Science Fiction in 1955, 1956 and 1957. The novel, entitled A Canticle for Leibowitz, was published in 1959.

A Canticle for Leibowitz is a post-apocalyptic (post-holocaust) novel revolving around the canonisation of Saint Leibowitz and is considered a masterpiece of the genre. It won the 1961 Hugo Award for Best Novel. The novel is also a powerful meditation on the cycles of world history and Roman Catholicism as a force of stability during history's dark times.

After the success of A Canticle For Leibowitz, Miller never published another new novel or story in his lifetime, although several compilations of Miller's earlier stories were issued in the 1960s and 70s. As well, a radio adaptation of A Canticle for Leibowitz was produced by WHA Radio and NPR in 1981 and is available on CD.

In Miller's later years, he became a recluse, avoiding contact with nearly everyone, including family members; he never allowed his literary agent, Don Congdon, to meet him. According to science fiction writer Terry Bisson, Miller struggled with depression during his later years, but had managed to nearly complete a 600-page manuscript for the sequel to Canticle before taking his own life with a gun in January 1996, shortly after his wife's death. The sequel, titled Saint Leibowitz and the Wild Horse Woman, was completed by Bisson and published in 1997.