Darker Than Amber (2 page)

"Any more criticisms?" Meyer asked. "What ever happened to mouth-to-mouth?"
"It sets up emotional entanglements, McGee." After more coughing, she made it clear she wanted no more punishment. Meyer, deft as a bear, rolled her over, scooped her up, placed her in the bow, fanny on the floorboards, shoulders and back against the angle of the gunnels. I put my light on her face. Dark hair was pasted down over one eye. She lifted a slow hand, thumbed the hair back over her ear, squinted, turned her face away from the light, saying, "Please."
I turned the light away, totally astonished to find that it was a face which lived up to the legs, maybe more so. Even in the sick daze of waking up from what could have been that last long sleep, it was delicately Eurasian, sloe-eyed, oval, lovely.
As he moved to reach the lines to free them, Meyer said, "Damned handy, Travis. As soon as you run out, they drop you another one. Stop panting and start the motor, eh?"
Back at Thompson's, I ran the skiff up alongside the starboard stern of The Busted Flush. She was tied up with the port side against the pier. While Meyer held it there, I scrambled aboard. He lifted her to her feet, and I reached over the rail, got her, swung her aboard, tried to put her on her feet and had to hold her to keep her from falling. Meyer went chugging off in the skiff to leave it over at the small boat dock where it belonged.
I took her down into the lounge and on through, past the galley to the master stateroom. She stood braced, holding tightly to the back of a chair while I turned the lights on and pulled the pier-side draperies shut. Her head was bowed. She looked up at me and started to say something, but the chattering of her teeth made it unintelligible. I took my heaviest robe from the hanging locker and tossed it onto the big bed, then got her a big towel from the locker in the head and threw it in onto the bed and said, "Get out of that wet stuff and dry yourself good."
I went to the liquor locker, found the Metaxa brandy and poured a good three inches into a small highball glass. I carried it to the stateroom and knocked, and in her chattery voice she told me to come in. She was belting the robe. Her clothing was in a sodden little pile on the floor. I handed her the glass. It chittered against her teeth. She took it down in three tosses, shuddered, then sat on the edge of the bed, hugging herself.
Meyer appeared in the doorway. "Chills? Hmm. Shock. Reaction. Miss, if you have the energy, a hot shower or, better yet, a hot tub. And then another drink. Okay?"
She gave a tense little bob of her head, and Meyer scooped up the wet clothing. In moments I heard the roar of the water into the huge elegant sybaritic tub the original owner had installed to please the tastes of his Brazilian mistress, before I won the vessel from him-sans mistress-in a Palm Beach poker session.
"S-s-s-something... in my... l-l-l-leg," she said. I got the needlenose pliers, the good wire cutters, and Dr. Meyer to assist me. We had her lie prone on the giant bed, custom-built-in equipment on the boat when I had won her, and Meyer folded the robe back, untangling it from the barbs on the other set of gang hooks on the belly of the speckled plug. I swung the big bed lamp over to bear upon the operating area.
There are too many trite words for legs like that. Ivory. Grecian marble. I was considerably more accustomed to brown legs. These had a dusky pallor. But pallor did not mean softness.
The chills were in cycles. When a chill tightened her up, the long muscles of calf and thigh, dancer's muscles, swelled-changing the elegant curvatures of those legs in repose. The backs of the thighs and the calves had a fine-grained, flawless, matte finish, and the area of the backs of her knees were shinier, faint blue veining visible under the skin.
We had to adjust our operating technique to the chills, but the brandy was beginning to work, diminishing the violence of them. First, with Meyer steadying the triple shank of the imbedded gang hook, holding it with the needlenose pliers, I nipped through it with the wire cutters, tossed the body of the plug aside. Of the gang hook, two hooks were sunk into her beyond the barb. With Meyer still holding the shank, I clipped the free hook off.
"This is the part that will hurt, dear," Meyer said. "Go ahead," she said.
There is only one way to remove a fish hook. You have to push it the rest of the way through, bring the point back out through the skin.
Meyer changed the grip and angle of the pliers, waited for a small chill to end, then made a slow steady twist of his wrist. The two barbed points made two little tents in the skin as they came up from underneath, pushed against the essential toughness, no matter how delicate it may seem, of human hide, then simultaneously pierced through. She made no sound or motion. Wondering if she had fainted, I moved to look at her face. She lay with her eyes open, totally relaxed.
I carefully clipped the barbs off. Bright dark droplets of blood stood out against fairness. I plucked the barbs from the smooth surface of hide, and Meyer, holding the same grip on the pliers, rotated his wrist the other way and brought the barbless curves of metal back out through the channel where they had first dug in. Dab of iodine then, on each of the four small holes, and one round ouchless waterproof patch, size of a half dollar.
"A great honor, Doctor," I said, "to assist you in the technique which bears your name."
Unfolding the back of the robe down over her legs he said, gutturally, "You may have the object of removed to keep always, Kildare."
"Clowns," the girl murmured. "My God." Meyer hastened out, turned off the bath water. "Your bath awaits, milady. In several minutes I will knock, enter with averted stare, hold the second drink in your direction. The water is very hot. Force yourself into it. What do we call you?"
She sat up slowly, looked in turn at each of us, and her dark eyes were like twin entrances to two deep caves. Nothing lived in those caves. Maybe something had, once upon a time. There were piles of picked bones back in there, some scribbling on the walls, and some gray ash where the fires had been. "Jane Doe will do just fine," she said.
"Your comedy team is Meyer and McGee," he said. "I am Meyer, known as Meyer. The pretty one is McGee, known as Travis, and this is his simple little unassuming houseboat, Jane Doe."
"Delighted," she said, barely moving her lips, and stood up and brushed by us and went into the bath and closed the door.
I went into the guest stateroom which Meyer was occupying. There is a big drawer under the bed. An ironic type had once named it the broad bin, and unfortunately I have been unable to think of anything else to call it. I found girl's pajamas, roomy flannelette in blue and white stripes. I found some black Dacron sailcloth slacks in size twelve, and a white pleated Dacron shirt with long sleeves and with an edge of Dacron lace on the collar and cuffs. I found a pair of tennis shoes that looked about the right size. And I took out one of those little packages, seal unbroken, the better hotels provide for female guests whose luggage has been taken to some highly unlikely place by their friendly airline. The essential toiletries, with a stylized picture of either a blonde or a brunette imprinted on the flexible plastic.
I put them in on the big bed of the boat's owner, debated making the bed up fresh, remembered that the linen had had but one night's use by McGee, and she was not exactly in a condition to be overly fastidious. As I came out of the master stateroom, Meyer came out of the bath after delivering the drink.
"Come take a look," he said. I followed him to the galley.
He had drawn a small washtub of fresh water, put her clothing in it to rinse the salt out of the fabric. Mother Meyer.
"What we have, Doctor Watson," he said, "is a raw silk sleeveless blouse in natural color, and an OrIon fleece wraparound skirt, both items with the label of something called, God help us all, The Doll House, in Broward Beach. And we have these lacy little blue briefs, and the matching bra, about a B-cup size 34 I would judge, excellent quality and unlabeled, possibly from a custom house. No shoes. And, as you may have noticed, no jewelry, no wristwatch. But pierced ears, indentation of a ring on the ring finger of the right hand, and though she's no sun bunny, a stripe of pallor on the left wrist where the wristwatch was worn." I followed him into the lounge. "Age, Mr. Holmes?"
"Some oriental blood. Complicates the problem. I'll say twenty-six, but give me two years either way."
"How about the long decorative fingernails, Mr. Holmes? Too long for useful work, no? And broken practically down to the quick on the third and fourth fingers of the right hand, possibly from a struggle."
"Very good, Doctor Watson, my dear fellow. Is there not one other thing worth consideration?"
"Uh... the scar on the right cheekbone?"
"Meaningless in itself. Come, man!" I looked blank. He said, "I shall give you a little help, Doctor. Imagine how some other young woman might react to the same set of circumstances."
I thought of Vidge. She wouldn't have endured so placidly the pain of removing the fish hooks. She would have been bleating and hooing and thrashing, and she would have been demanding doctors and policemen. When I said Jane Doe's acceptance of our help seemed significant, he beamed at me and said that her muscle tone, the rich trimness of her figure, her acceptance of the situation all seemed to point to some aspect of the entertainment world, probably one of the more sleazy segments of it, a so-called exotic dancer, a hinterland belly dancer, a bunny at one of the more permissive key clubs, a singer on one of the little cut-rate cruise ships. All her symptoms of near-death had been physical, but emotionally she seemed to have an acceptance of it so placid as to be a little eerie. As if she knew the world as a place where sooner or later they heaved you off a bridge.
We heard a door open, the gargling sound of the tub water running out, the sound of the stateroom door closing. In a few minutes we went as a committee of two, rapped on her door, and heard her call to us to come in. She lay in the middle of the giant bed under the coverings in the striped pajamas, her head, turbaned in a maroon towel, resting on two pillows. Her color had improved. We stood at the foot of the bed. "Much better, eh?" Meyer said.
"I got a little buzz from that big knock of brandy. On account of I guess nothing to eat since breakfast maybe."
"No trouble to fix you something, Jane Doe," I said. She frowned. "I don't know about solid food. I got a feeling maybe I wouldn't hang onto it so long. Maybe some warm milk and a coupla aspirin, Mr.... I forgot your name."
"Travis McGee. The hairy one is Meyer. How about a big warm eggnog with no stick, vanilla, nutmeg on top?"
She looked wistful. "Gee, when I was a little kid. sometimes... that would be nice, honest." She glanced toward the chair where the clothing was. "There's a girl on board?"
Sometimes when you think you can be casual, it doesn't work at all. You think something is healed, but then when you least expect it you learn all over again that some things never heal. My voice gave me away when I said, "The girl who owned those clothes is dead."
The normal automatic response would have been to say something about being sorry, but she said, "Then they ought to fit fine. In that big crazy blue tub I was wondering if I was dead, and if you dream things more real-like when you're dead. I guess when I wake up tomorrow I'll know for sure."
"In the morning," Meyer said, "when you feel better, you can tell the whole thing to the police."
Again I was aware of that utter emptiness behind those dark eyes, and of something else back there, a cold and bitter humor, the kind of humor which can make a joke when the hangman adjusts the noose.
"What's to tell?" she said. "I tried to kill myself and it didn't work."
I said, "You tucked that cement block under your arm and hopped over the bridge rail."
"It wasn't easy. You forgot all about the eggnog maybe?" In an absolutely casual and offhand way, Meyer said something that seemed to be all L's and vowel sounds.
She said, "No I... " She stopped, stared at him with narrow eyes and lips sucked bloodless. "Damn sneaky," she said.
Meyer smiled happily. "Jane Doe from Main Street, Honolulu. Forgive me. I heard just that faintest breath of Island accent in your voice. And you do have that very unique loveliness of the Hawaiian mix, my dear."
"Yah. I'm a dream walking." I have never heard a woman speak of herself with quite that much bitterness.
Meyer turned to me. "Macronesian strains, and add Irish and French and some Japanese and what all, stir for a few generations in a tropical climate and the results can refute the foes of mongrelization." He beamed at the girl. "I'm an economist, my dear. I did a survey of the Islands a few years before statehood, a tax-structure prediction."
You can watch the Meyer Magic at work and not know how it's done. He has the size and pelt of the average Adirondack black bear. He can walk a beach, go into any bar, cross any playground, and acquire people the way blue serge picks up lint, and the new friends believe they have known him forever. Perhaps it is because he actually listens, and actually cares, and can make you feel as if his day would have been worthless, an absolute nothing, had he not had the miraculous good fortune of meeting you. He asks you the questions you want to be asked, so you can let go with the answers that take the tensions out of your inner gears and springs. It is not an artifice. He could have been one of the great con artists of all time. Or one of the great psychiatrists. Or the founder of a new religion. Meyerism.
Once upon a time when Lauderdale was the place where the college mob came in force, I came across Meyer sitting on the beach. He had a half circle of at least forty kids sitting, facing him. Their faces were alive with delight. Every few minutes there was a big yelp of their laughter. And they were the cold kids, the ones who look at and through all adults exactly the way adults stare at motel art without seeing it. And Meyer was, miraculously, part of that group. When I drifted closer, forty pairs of eyes froze me, and Meyer turned and winked, and I moved along. A kid was playing slow chords on a guitar. Between chords, Meyer would recite. Later I asked him what in the world he'd been doing. He said they were a wonderful bunch of kids. A lovely sense of the absurd. He had been inventing a parody of Ginsberg, entitled "Snarl," making it up as he went along, and he had also made up a monologue of a Barnyard girl trying to instill the concept of social significance into the mind of the white slaver who was flying her to Iraq, and he titled that one "The Two Dollar Misunderstanding." Then he had assigned parts to them and brought them into the act, setting the scene up as Richard Burton and Liz Taylor at a White House garden party in honor of culture.