Dead Boys (21 page)
“Excuse me, ma’am,” Jim says.
She keeps walking, off the curb and into a fresh downpour, each drop flaring like a match as it hurtles through the abrasive orange glare of the mercury vapor lamps that ring the parking lot. She’s skinny and pitiful, and her cereal’s getting soaked. We’re getting soaked, too. The rain stings my eyes and burrows through my hair to chill my scalp, and I’m just about to tell Jim that it’s over, I’m through, when he steps in front of the woman and turns to face her.
“You’re under arrest,” he says.
She doesn’t break her shuffling stride, so Jim grabs her wrist, but he isn’t ready for the fight she puts up. All her limbs go at once, kicking, punching, scratching, and Jim barely manages to disentangle himself. He backs off a bit, then lunges, catching her in the throat with his elbow. They both fall splashing to the ground, and in an instant Jim’s kneeling between her shoulder blades, immobilizing the upper half of her body while the bottom tries to crawl away. He tosses his handcuffs to me, and I kneel and cinch the stainless steel around her wrists, careful to avoid her grasping fingers with their ragged, septic nails.
She comes easy to the break room with us, crying some, and Jim sits her in a folding chair and secures her to a pipe on the wall with another pair of cuffs. His sopping wet shirt is missing two buttons, and a scratch puckers his face from the corner of his eye to the bottom of his jaw. Me, I’m shaking so bad, I’m sure he can see it. I can’t help thinking I could have stopped what happened, but I don’t know how, which is the way I feel about most things in my life these days. Just to be doing something, I buy two cups of coffee from the vending machine and pass one to Jim. The Muzak’s loud in here, that Carpenters song about birds suddenly appearing.
The woman has lost her slippers. Her bare feet look sad and strange tapping on the linoleum. She hums to herself and rocks back and forth in the chair, head down. Jim turns away to tuck in his shirt. He’s still breathing hard and sways a little when he asks the woman for ID. She doesn’t have anything to say to him.
“Fine,” Jim continues. “Let the Man deal with your shit, then. I don’t need it. I just want you to know I’d have given you the money to pay for that stuff if you’d asked, okay. Think about that when you’re doing your time, how close you came to the good side of this world.”
I can’t decide whether he’s trying to teach her something or make her miserable. Not that it’s relevant, because she’s still rocking, still humming, oblivious. Jim and I step into the hallway, and he gives me the keys to the cuffs.
“Walk her out to the parking lot and let her go,” he says.
“After all that?”
“The bitch is crazy. A couple days in jail isn’t going to change it.”
He’s going guru on me again, smiling enigmatically.
“Stop fucking around,” I say. “I know you, and you know me, and this is bullshit.”
“Exactly, grasshopper. Maya, the grand illusion. Now cut her loose.” He leaves me dangling with a little bow, and I have to say, philosophically speaking, I think I liked him better as a junkie.
I pull the woman up off the chair and practically have to drag her through the store. Outside, she doesn’t react when I free her from the cuffs, just stands stock-still at the edge of the parking lot.
“Fly away home,” I say. “Get along little dogie.”
She takes one or two stuttering steps that rev up into a run. When she’s halfway to the street, she turns back and yells, “Motherfucking Hitler!” and I fake like I’m coming after her until she runs again, disappearing into the rain. I light a cigarette and squeeze into a dry spot next to the pay phone.
Scarlett’s hair is wet and smells like peaches. She opens her coat and lets me crawl inside. I should be nicer to her than I am. She’s a good girl, and I don’t think I’ve ever felt anything quite as right as her warm body against my cold one. I tell her what Jim said, the illusion crap, and she laughs and rests her chin on my chest and gazes up at me with a look I’ve done nothing to earn, a look so full of love that it shames me, because I don’t even know what color her eyes are. Just as I’m squinting to find out, a flash of lightning erases everything. She holds on tight in anticipation of the thunder, and when it comes, it forces a tiny sob out of her.
“It’s not fair that God hates us so much when we don’t even believe in him,” she says.
“You know what,” I reply. “I think it’s time we end this,” and she cries even harder.
At eleven p.m., I take my last break. With only ten dollars to see me through the week, I skipped dinner, but now I splurge on a Snickers and a Coke to keep me awake until closing. The one checker still on duty grudgingly leaves his textbook and calculator to ring me up. There are no customers in the store at this hour, and I imagine them hunkered down for the night behind triple dead bolts and steel doors. They pay a price for that kind of security, sometimes burning to death because they can’t get out of their houses fast enough when fires start in the rotten wiring.
Cases of dog food and creamed corn and paper towels are stacked to the ceiling in the cavernous back room of the market. I’ve been in museums that have the same musty, dusty smell, and churches. Rain ticks against the roof as I arrange a few boxes into a kind of couch and stretch out on them. The wind keens in the rafters, and the candy hurts my teeth. I try to think a thought I’ve never thought before, a daily challenge designed to keep my brain from softening. Nothing comes.
The box boy who enters a few minutes later doesn’t see me lying in the shadows. He swipes an apple from a crate near the freezer and bites into it. I rise from my bier like Dracula and bark, “Hey!” making him jump and sag against the wall. Then I take an apple for myself.
“That wasn’t cool, homes,” the kid says, his hand pressed to his fluttering heart. “That was fucked-up.” He’s a little Mexican guy whose short hair grows in a swirl that resembles one of those crop circles in England that everyone thought were made by UFOs until they turned out to be a hoax. I apologize for scaring him, and he says, “You didn’t scare me, you just caught me off guard.”
I take out my Swiss Army knife and help him break down some of the empty cartons piled up in back, in preparation for feeding them to the trash compactor. It’s not one of my jobs, but the kid’s funny and has a sweet way with a story. He shows me pictures of a trip his family took to Yosemite.
When he claims he can throw my knife more accurately than I can, I bet him that he can’t, even though I’ve never thrown my knife before. There’s a calendar with a picture of Jesus on it hanging on the wall, but the kid frowns at my suggestion that we use that as our target. He finds a Magic Marker and draws three concentric circles on a box of toilet paper instead, filling in the smallest, the bull’s-eye. We agree on five throws apiece. A broom handle serves as the foul line. I go first, and the knife bounces off the wall two feet from the target and clatters to the concrete floor.
The kid laughs and laughs and then all of a sudden he’s not laughing anymore. He goggles at something in the doorway behind me. The devil looms there, a red ski mask pulled down over his face, the snout of his sawed-off shotgun sucking all the air out of the room. I should apologize to the kid, as I’m definitely to blame for conjuring up this horror, having seen him before in countless nightmares and casual morbid thoughts — the Raiders jacket, the ratty Jordans — but before I can, the devil says, “You best move your fucking asses.”
We proceed wordlessly on watery legs into the market. The devil floats at our backs, reeking of sweat and chemicals. Mr. Ho is lying facedown in front of the meat counter with his brother and son and nephew. A second devil stands guard over them, bouncing on the balls of his feet. His shotgun swings up to wink at us, and he yells, “On the motherfucking floor.”
I’m thinking,
Not here, not in these clothes,
as I lower my cheek to the gritty linoleum. The box boy pauses on his knees, hands clasped, a prayer burbling out of him, until the first devil kicks him the rest of the way down and tells him to shut the fuck up.
Mr. Ho says, “I take you to safe. No problem. Don’t hurt nobody,” and the devils let him stand. One of them twists his arm behind his back and jams a gun into his neck. He pushes Mr. Ho toward the office so fast, Mr. Ho stumbles and almost falls. They round the end of the aisle, the squeaking of their sneakers fading quickly. The pin that fastens my badge to my shirt is sticking me in the chest. I hear a hiss and smell something funny and see that the devil left to guard us is hitting a pipe. This is a bad sign, what with the trigger of his gun curled so comfortingly around his finger. It’s made to be pulled, it’s begging to be pulled, and the last thing anyone wants to do when he’s high is say no to a friend.
The box boy’s watch is close to my ear, and I count the seconds thudding by to keep from screaming when the devil pulls a roll of duct tape from his pocket. He kicks the bottom of my foot, tells me to get up. The tape screeches off the roll, and I use my teeth to tear it as the devil hovers over me, tapping me with his gun. The tape fouls in my shaking hands. It twists and curls and sticks to itself, and I have to toss aside the first few strips. The devil taps me harder, in a new spot each time, and says, “Somebody’s fixing to die.”
I start with Mr. Ho’s brother, his wrists, then his ankles. When I get to Mr. Ho’s son, he begs me not to cover his eyes like I have the others’. He makes me feel awful for doing the devil’s bidding, for not even contemplating a refusal. They’ll die hating me for this, I think, and then I realize I’ll be dead, too. Mr. Ho and his devil return just as I’m finishing up. I’m shouted to the floor again, but I’m barely on my knees when Jim charges out into the aisle from behind the beer cooler. His little pistol clicks once, twice, then discharges, and the shots are like hammer blows on concrete, sending up sparks that set the air ablaze.
I scrabble through the conflagration, past the blind men wriggling and screaming behind their gags, to the meat counter. Up and over is the plan, and I make it up but not over before a thousand steel bees swarm and shatter the glass of the case and dig their white-hot stingers into me. I fall back to the floor in an avalanche of pig parts. Will I taste the blast that takes off my head?
Scarlett glides through the rising smoke to crouch beside me, and the mess I’ve made flattens and recedes and turns into television. Her nose crinkles at the stink of gunpowder, and I can tell she’s worried about ruining her new shoes, but that doesn’t stop her from crouching beside me. As the echoes of the last shots carom up and down the empty aisles of the store, she takes a tissue from her purse and wipes the drool from my chin.
“Aren’t you pretty,” she says.
“You didn’t leave.”
“Don’t be mad.”
“I’m not,” I say, and I’m not.
My shoulder is a gory snarl of meat and muscle and yellow fat, but it doesn’t hurt much unless I look at it, and the only time it really pumps blood is when I curl my fingers to see if they still work. Some of them do.
One of the devils is sprawled on the floor. Scarlett and I watch as he jerks himself into a ball and dies. The other sits with his head between his knees until Jim nudges him and he flops onto his side, his ski mask flushing a deeper shade of red. Mr. Ho is busy untaping his relatives and the box boy, who, as soon as he’s loose, begins to pray again. The Chinese stand together like football players in a huddle, crying into each other’s hair.
Jim comes over to check on me.
“I’m sorry,” I say. “I didn’t even notice you weren’t around.”
“I was watching the whole time, my brother. I wasn’t going to let them take you out.”
He examines my wound with a grimace, then begins clearing away the pig parts.
“It’s okay,” he says. “I think it’s okay. Just be cool.”
Scarlett snuggles closer. She asks if I want a piece of gum.
The cops arrive, and Jim rushes toward them, yelling, “What took you so long? My partner’s fucking dying.” They order him to shut up. He hurls his gun deep into the store and presses his palms to his temples. I guess it’s sinking in now, what he had to do. The floor is wet with the devils’ blood, twin lakes of it that the cops tiptoe through to yank off their masks. Jim tries to stop them, but they ignore him. The devils turn out to be a couple of kids, sixteen, seventeen. Crazy fucking kids. Jim moves off to sit by himself, folding his body in half like his stomach hurts.
“Jim,” I say. “Buddy.”
He looks over at me.
“Listen.” An awful Muzak version of “Heart of Gold” is blasting over the store’s speakers. Scarlett and I watch as Jim begins to mouth the words, and I promise myself I will never laugh behind his back again.
“He seems nice,” Scarlett says.
She sits with me until the paramedics arrive and walks beside the gurney, holding my hand, as they wheel me out to the ambulance. Just before they load me up, she gives me a quick kiss, which is soured by the rain on her lips.
“Well, bye,” she says.
“Could you stay?” I ask. “I know this isn’t your life or anything, but it’s starting to hurt a little.”
She looks away like she’s thinking it over, then turns back to me and nods. She climbs into the ambulance and slides in next to me, and I begin to believe I just might see morning.
Whatever wonderfulness the paramedics have doped me up with has me smelling incense and hearing hymns. I feel as if I’ve been lanced and drained, and I don’t hate anyone anymore. I cough up a mouthful of blood, but big fucking deal. There exist certain wildflowers that must be burned in order to bloom, and who’s to say I’m not one of them?
The siren bawls, announcing my departure, and I wave out the windows, flashing everyone the thumbs-up, all the strangers who have lined the rainy streets to see me off, at last, at last, the gracious Grand Marshal of my very own parade.
W
HEN DID EVERYONE GET MARRIED? WHEN DID THEY
all have kids? Suddenly there’s no room for me. I spend an hour on the pay phone trying to wrangle a couch to crash on, and all I get is “Sorry,” “Sorry,” and “Really sorry.”