Chapter 19
O
N THE
I
NTERDEPENDENCE OF
T
HINGS
In which Oliver Wedge is “banged out,” Belinda
waxes philosophical, Arabella is almost boring, and
Lady Ribbonhat is vanquished, for the time being.
O
n the following day, Arabella received a note informing her that Oliver Wedge had bequeathed her his portrait. “I should fetch it as soon as possible,” he advised her, “before the creditors sweep in and carry everything off.”
She sat and considered a moment. Did she even want the picture? A painting of the villain who had tried to kill her? She decided that she did. For he was also the one man, out of the multitudes she had known, who had come nearest to winning her . . . not love, exactly, but devoted admiration.
“I
do
want his portrait,” she told Belinda. “And I am beyond words touched that he should want me to have it.”
She went out to Fleet Street in person to fetch it, and two nice young apprentices took it down off the wall for her. As they passed through the office, carrying it between them, the rest of the staff all stood at attention, watching the image of their chief leave the premises forever. One man began to belabor the surface of a desk with his open hand. Another hit a press, as a third began to stamp upon the floor, and so on, until the room resounded with the thumping and clattering of wood being struck, with fists, with shoes, with pencil cups, anything.
It was the custom, Arabella knew, to bang an editor out as he exited his office for the last time, and Oliver Wedge, one of the portrait carriers explained, whatever else he may have been, was a first-rate newspaperman.
Everything was winding down now. Arabella had sent Moses out with Fisto for one last day, the bird having learnt his third verse:
Lady Ribbonhat’s friends have got over their hurts.
To her ugliness they are inured;
But the stench emanating from under her skirts
Absolutely cannot be endured!
She had kept Fisto at home after that and sent a message to her foe:
Madam: Consider yourself fortunate that this has happened during the summer months, when everyone who can is gone into more congenial climes. I must stay on here to clear my name, and obviously you yourself have remained to try to snatch my home away from me, but everyone else of consequence is away now. If you persist in making my life more difficult than it presently is, I shall attempt to sell my bird, once again, when everyone returns in the fall. And by then I shall have taught him an amusing variety of new verses.
No further outrages had been perpetrated since Fisto’s first day at the Royal Exchange—no animal carcasses, no death threats, no midnight excrement deliveries—nor were any anticipated. For Lady Ribbonhat must have guessed that Arabella had not yet begun to fight and was capable of much lewder poetry than she had heretofore devised. Discretion, as Constance would have said and as Lady Ribbonhat knew to her cost, was the petticoat of valor.
“Bell, do you remember, when we were at the auction, how you told me that you needed to have the red elephant in your life?”
The sisters were taking their customary constitutional, strolling arm in arm through Hyde Park, closely followed by their carriage, in case they should grow tired.
“Vaguely.”
“Well,
I
remember. And now it has fulfilled its purpose. You had to get that elephant, and put it on your nightstand, so that you could break it on the floor and summon help when you needed it! Only think: If you had failed to outbid everyone else that day, you would be dead now.”
“Hmmm.”
“It only proves what I have long suspected: that we are mere puppets in a universe where every action, every thought we have, is pre-ordained. We are quite powerless either to prevent or to alter the course of events in any manner whatsoever.”
“ ‘The Interdependence of Things,’ ” Arabella said.
Belinda groaned. “Not Lucretius, again!”
“No, indeed, Ernst Hoffmann, a well-known German critic and musical director, who occasionally writes stories. Although, I suppose, ‘The Interdependence of Things’
could
be construed as a sort of codicil to
The Nature of Things,
” she said, more to herself than to Belinda. “Similar titles, too. Herr Hoffmann has undoubtedly read Lucretius! I must write to him, and ask!”
“Bell,” murmured her sister. “You’re beginning to bore me.”
If there was one thing upon which the Beaumont girls were in perfect agreement, it was the sin of not being fascinating.
“No, wait!” cried Arabella. “It’s a story, you see—Euchar and his friend Lothair are walking through a park, even as we are now, on a summer’s eve, exactly like this one, with a cool breeze that rises up to drive out the heat of the afternoon. The two are passing the picnickers—” here she broke off and nodded to Lord Carisbrooke, who was seated on the grass and eating tongue sandwiches with his family—“while making their way toward the pleasure gardens. . . .” (They could hear the strains of music drifting out from Vauxhall.) “And having this exact conversation. Euchar seems to have been expressing himself with regards to random chance, for Lothair, in the opening lines of the tale, passionately denies its existence. He compares the universe to a clock, crafted by a vast intelligence, and says that if chance were to interfere, everything would come to an immediate standstill. Then he trips over a root, and his friend laughingly tells him, if he had not tripped and fallen at that very moment, the universe would have vanished upon the instant.”
“Oh,” said Belinda. “And then what happens?”
“I don’t know. Mr. Hoffmann hasn’t finished the story yet. What I’ve told you was based on some notes he enclosed in a letter to Robert Southey. There’s to be a Gypsy dancer in it.”
At that moment, Belinda stumbled over a root and went sprawling upon the grass, to the vast delight of the onlookers.
“This,” said Arabella, assisting her sister to rise and pulling her skirt down, “is a perfect example of the need for an all-enveloping garment that women can wear beneath their gowns, to shield their personal parts from the eyes of strangers.”
Arabella felt nervous for Belinda, and with good reason; she had seen Tom Rowlandson sitting at some little distance away, sketch pad in hand. Odds were good,
very
good, that Belinda would find herself caricatured in Ackermann’s window in the next day or two, sprawled upon the grass and completely exposed below the waist.
“Are you hurt, Bunny?”
“My dignity is bruised, and more than a little, but I believe I shall live,” said the plucky girl. “Bell, do you suppose that by tumbling down just now, I saved the universe from exploding?”
“Oh, I don’t know. It makes my stomach ache to talk about such things. Let us go home, and see whether Mrs. Moly has any of that chocolate sponge left over from luncheon.”
Chapter 20
A
LL’S
W
ELL
T
HAT
E
NDS.
W
ELL
. . .
In which Mr. Kendrick ponders the future and
Arabella attempts to secure it.
A
s he surmounted the steps to Lustings’s front door, Mr. Kendrick was surprised to see the two Runners still lurking about in the undergrowth.
“Oh, they’re not here for
me,
” Arabella explained. “They have come to say good-bye to Neddy and Eddie. My niece and nephew are returning to their respective homes today. Do you know, the officers have grown quite close to those children? Those poor, fatherless children!”
“But they’re
not
fatherless! They’re Charlie’s!”
“It amounts to the same thing, does it not?”
“Are they really here to say good-bye to the children? Or have they come to say hello to the mothers?”
“It amounts to the same thing, does it not?” she repeated. “Speaking of that, Mr. Kendrick, I do not wish to appear rude, but what have
you
come for? Are you taking up another subscription for those Effing Sunday school children?”
“No,” he said, smiling. “This is purely a social call. I wanted to be sure of catching you before you left for Bath.” Kendrick removed his hat and seated himself on one of the large trunks in the foyer. “When do you go?”
“The day after tomorrow,” said Arabella. “And I don’t mind telling you, Mr. Kendrick, that I cannot remember ever having needed a vacation so much in my life before!”
“I can well believe that. But have you given any thought to your future? Now that you have broken with the duke, you will need to find an alternative source of income, will you not?”
“I expect all will soon be sorted out to my satisfaction, in one way or another.”
“That’s very well for now,” said Kendrick, “but what will you do when you’re old?”
“I don’t know,” replied Arabella. “What do old people generally do?”
“They play with their grandchildren.”
“I shall play with my friends instead. Other than that, I expect I shall behave much like other old ladies: I shall take naps. Spoil the dog. Crochet—as long as my eyes hold out.”
“But you don’t have a dog. And you have told me that you don’t know how to crochet.”
“It should be fairly easy to obtain a dog from somewhere. As to crocheting, I can always learn. And then at long last, when all my other interests have palled and I have nothing ahead of me but time, I shall work upon the crowning achievement of my life: my memoirs!”
Kendrick was flabbergasted.
“Oh! But... !”
Before he could formally protest, however, Fielding put her head through the doorway.
“The duke to see you, ma’am.”
“Ah! Punctual to the dot! Put him in the library, Fielding. I shall send for him shortly.”
The head was withdrawn.
“What do you mean?” Kendrick asked. “How is it the duke? Have you written to him?”
Arabella drew herself up with an air of injured dignity. “Of course not! For what do you take me, Mr. Kendrick?” But her manner softened immediately. “I happen to know the date on which Miss van Diggle broke their engagement—she’s called ‘Jiggle van Diggle,’ by the way. Suits her, don’t you think?—and Glen
deen
is due to ship out on the twenty-ninth. So I have allowed him a day to shop for gifts to woo me back, and two more for his mother to threaten him with disinheritance if he takes up with me again. That brings us to today, the twenty-eighth. If we narrow it down still further, today is Friday, Puddles’ day to play golf with the bishop. Then I simply add the time it takes for him to look in at his club and dine at Co’s. Ordinarily, he
might
have gone to the opera, which would have added a few hours, but the duke has been abstaining from carnal pleasures these last few weeks, so on that account he will probably forego the opera and come straight to me. That puts his expected time of arrival here at about half past nine—”
Arabella turned to the clock on her mantel, which was chiming the half hour. “
Et voilà!
But for the fact that Glen
deen
would have seen it, I’d have listed his estimated arrival time in the betting book at White’s and made a packet. But no matter: With the duke back in my fold, I shall make a packet anyway.”
She lifted her eyes to the reverend’s and laid her hand upon his arm. “Please don’t fret, John,” she said gently. “If the choice were mine alone, I should choose your company over that of any man’s in London . . . now. However, I have obligations just at present.”
“Yes,” he said, smiling. “And you’re much obliged
for
those presents, I’ll be bound!” He covered her hand with his own. “It grieves me to know that I cannot support you and your family in the style you deserve.”
“I know it does. But there may well come a time when I can make do with less. Belinda may marry. Charles may, too, for the matter of that, and finally assume full financial responsibility for his children. Pigs might fly . . . anything might happen. But a life for you and me together just now is impossible.”
“Miss Beaumont,” he said, and it was nice of him to call her so. For he had, after all, recently seen her quite naked. A man of less refinement would have called her Arabella. “I know it’s indelicate to bring up figures at a time like this, but . . . if I may ask . . . how much would you require . . . do you think. . . .”
Her silvery laugh held more than a hint of gold in it, too. “Money is always an appropriate subject, Mr. Kendrick, as far as I am concerned. These days I am getting along on something over one hundred thousand pounds a year.”
The reverend swallowed. “Ah!” That was all he said. But after a moment, he added, “You know how I feel about you, Miss Beaumont. I only ask that you remember I am always at your service; and pray, feel free to call upon me whenever you require assistance.”
So saying, he raised her hand to his lips and left her.
Later that evening, Arabella lay in bed, amidst a profusion of boxes and ribbons, playing delightedly with the presents that the duke had heaped upon her counterpane in dazzling profusion: amber earrings; a matching set of diamond bracelets; a large diamond and sapphire starburst brooch; tortoiseshell combs, inset with emeralds; cashmere shawls in varying shades of green; and a Cavalier King Charles spaniel puppy. The duke, who sat on the edge of the bed, pulling off his boots, smiled down indulgently at his own darling domestic pet.
“There, you see?” he said. “It’s all come right in the end, hasn’t it, Bell?”
“I suppose so,” she replied, nuzzling her puppy, “but it was a near thing, Puddles, a very near thing indeed.”
The puppy was also called Puddles. In choosing this appellation, Arabella had been motivated less from sentimental impulse than from the
aptness
of the name. For the dog had already spoilt Arabella’s bedside rug and she had decided to give it away to Neddy—the dog, not the rug—as soon as the duke had sailed for Portugal.
“Nonsense!” He laughed. “I told you I would take care of everything. You must learn to
trust
me, Bell.”
“Yes, Henry,” she replied. “Before you leave me tomorrow, darling, would you oblige me by signing a document?”
“A document?”
“Oh, it isn’t anything, really. Just a little codicil. In case you should meet with misfortune in Palermo, you know. I’ve got it all written up, and Constance and Belinda will meet us downstairs tomorrow morning to witness it. Then we shall have a hearty breakfast together, and I shall kiss you good-bye and wish you Godspeed.”
The duke was in a splendid humor. Arabella’s sense of timing in approaching him thus had been flawless, as always.
“What am I to leave you in this ‘little codicil’?” he asked, chucking her under the chin. “You’ve already got Lustings out of me.”
“Yes. But I want to know that I may keep my carriage and jewels, as well—even the ones which have been in your family since the Conquest. And . . . so that I won’t ever have to sell anything off in order to live, the way poor Euphemia did, I think I should like a lifetime yearly stipend of something over . . . well, let us say . . . one hundred thousand pounds.”