Death Comes for the Archbishop (16 page)

The ceremony calmed the tormented man, and he lay quiet with his hands folded on his breast. The women returned and sat murmuring prayers as before. The rain drove against the window panes, the wind made a hollow sound as it sucked down through the deep arroyo. Some of the watchers were drooping from weariness, but not one showed any wish to go home. Watching beside a death-bed was not a hardship for them, but a privilege,—in the case of a dying priest it was a distinction.

In those days, even in European countries, death had a solemn social importance. It was not regarded as a moment when certain bodily organs ceased to function, but as a dramatic climax, a moment when the soul made its entrance into the next world, passing in full consciousness through a lowly door to an unimaginable scene. Among the watchers there was always the hope that the dying man might reveal something of what he alone could see; that his countenance, if not his lips, would speak, and on his features would fall some light or shadow from beyond. The “Last Words” of great men, Napoleon, Lord Byron, were still printed in gift-books, and the dying murmurs of every common man and woman were listened for and treasured by their neighbours and kinsfolk. These sayings, no matter how unimportant, were given oracular significance and pondered by those who must one day go the same road.

The stillness of the death chamber was suddenly broken when Trinidad Lucero knelt down before the crucifix on the wall to pray. His uncle, though all thought him asleep, began to struggle and cry out, “A thief! Help, help!” Trinidad retired quickly, but after that the old man lay with one eye open, and no one dared go near the crucifix.

About an hour before daybreak the Padre’s breathing became so painful that two of the men got behind him and lifted his pillows. The women whispered that his face was changing, and they brought their candles nearer, kneeling close beside his bed. His eyes were alive and had perception in them. He rolled his head to one side and lay looking intently down into the candlelight, without blinking, while his features sharpened. Several times his lips twitched back over his teeth. The watchers held their breath, feeling sure that he would speak before he passed,—and he did. After a facial spasm that was like a sardonic smile, and a clicking of breath in his mouth, their Padre spoke like a horse for the last time:

“Comete tu cola, Martínez, comete tu cola!” (Eat your tail, Martínez, eat your tail!) Almost at once he died in a convulsion.

After daybreak Trinidad went forth declaring (and the Mexican women confirmed him) that at the moment of death Father Lucero had looked into the other world and beheld Padre Martínez in torment. As long as the Christians who were about that death-bed lived, the story was whispered in Arroyo Hondo.

When the floor of the priest’s house was taken up, according to his last instructions, people came from as far as Taos and Santa Cruz and Mora to see the buckskin bags of gold and silver coin that were buried beneath it. Spanish coins, French, American, English, some of them very old. When it was at length conveyed to a Government mint and examined, it was valued at nearly twenty thousand dollars in American money. A great sum for one old priest to have scraped together in a country parish down at the bottom of a ditch.

BOOK SIX

DOŃA ISABELLA

1

DON ANTONIO

Bishop Latour had one very keen worldly ambition; to build in Santa Fé a cathedral which would be worthy of a setting naturally beautiful. As he cherished this wish and meditated upon it, he came to feel that such a building might be a continuation of himself and his purpose, a physical body full of his aspirations after he had passed from the scene. Early in his administration he began setting aside something from his meagre resources for a cathedral fund. In this he was assisted by certain of the rich Mexican rancheros, but by no one so much as by Don Antonio Olivares.

Antonio Olivares was the most intelligent and prosperous member of a large family of brothers and cousins, and he was for that time and place a man of wide experience, a man of the world. He had spent the greater part of his life in New Orleans and El Paso del Norte, but he returned to live in Santa Fé several years after Bishop Latour took up his duties there. He brought with him his American wife and a wagon train of furniture, and settled down to spend his declining years in the old ranch house just east of the town where he was born and had grown up. He was then a man of sixty. In early manhood he had lost his first wife; after he went to New Orleans he had married a second time, a Kentucky girl who had grown up among her relatives in Louisiana. She was pretty and accomplished, had been educated at a French convent, and had done much to Europeanize her husband. The refinement of his dress and manners, and his lavish style of living, provoked half-contemptuous envy among his brothers and their friends.

Olivares’s wife, Dońa Isabella, was a devout Catholic, and at their house the French priests were always welcome and were most cordially entertained. The Seńora Olivares had made a pleasant place of the rambling adobe building, with its great courtyard and gateway, carved joists and beams, fine herring-bone ceilings and snug fireplaces. She was a gracious hostess, and though no longer very young, she was still attractive to the eye; a slight woman, spirited, quick in movement, with a delicate blonde complexion which she had successfully guarded in trying climates, and fair hair—a little silvered, and perhaps worn in too many puffs and ringlets for the sharpening outline of her face. She spoke French well, Spanish lamely, played the harp, and sang agreeably.

Certainly it was a great piece of luck for Father Latour and Father Vaillant, who lived so much among peons and Indians and rough frontiersmen, to be able to converse in their own tongue now and then with a cultivated woman; to sit by that hospitable fireside, in rooms enriched by old mirrors and engravings and upholstered chairs, where the windows had clean curtains, and the sideboard and cupboards were stocked with plate and Belgian glass. It was refreshing to spend an evening with a couple who were interested in what was going on in the outside world, to eat a good dinner and drink good wine, and listen to music. Father Joseph, that man of inconsistencies, had a pleasing tenor voice, true though not strong. Madame Olivares liked to sing old French songs with him. She was a trifle vain, it must be owned, and when she sang at all, insisted upon singing in three languages, never forgetting her husband’s favourites, “La Paloma” and “La Golondrina,” and “My Nelly Was A Lady.” The Negro melodies of Stephen Foster had already travelled to the frontier, going along the river highways, not in print, but passed on from one humble singer to another.

Don Antonio was a large man, heavy, full at the belt, a trifle bald, and very slow of speech. But his eyes were lively, and the yellow spark in them was often most perceptible when he was quite silent. It was interesting to observe him after dinner, settled in one of his big chairs from New Orleans, a cigar between his long golden-brown fingers, watching his wife at her harp.

There was gossip about the lady in Santa Fé, of course, since she had retained her beautiful complexion and her husband’s devoted regard for so many years. The Americans and the Olivares brothers said she dressed much too youthfully, which was perhaps true, and that she had lovers in New Orleans and El Paso del Norte. Her nephews-in-law went so far as to declare that she was enamoured of the Mexican boy the Olivares had brought up from San Antonio to play the banjo for them,—they both loved music, and this boy, Pablo, was a magician with his instrument. All sorts of stories went out from the kitchen; that Dońa Isabella had a whole chamber full of dresses so grand that she never wore them here at all; that she took gold from her husband’s pockets and hid it under the floor of her room; that she gave him love potions and herb-teas to increase his ardour. This gossip did not mean that her servants were disloyal, but rather that they were proud of their mistress.

Olivares, who read the newspapers, though they were weeks old when he got them, who liked cigars better than cigarettes, and French wine better than whisky, had little in common with his younger brothers. Next to his old friend Manuel Chavez, the two French priests were the men in Santa Fé whose company he most enjoyed, and he let them see it. He was a man who cherished his friends. He liked to call at the Bishop’s house to advise him about the care of his young orchard, or to leave a bottle of home-made cherry brandy for Father Joseph. It was Olivares who presented Father Latour with the silver hand-basin and pitcher and toilet accessories which gave him so much satisfaction all the rest of his life. There were good silversmiths among the Mexicans of Santa Fé, and Don Antonio had his own toilet-set copied in hammered silver for his friend. Dońa Isabella once remarked that her husband always gave Father Vaillant something good for the palate, and Father Latour something good for the eye.

This couple had one child, a daughter, the Seńorita Inez, born long ago and still unmarried. Indeed, it was generally understood that she would never marry. Though she had not taken the veil, her life was that of a nun. She was very plain and had none of her mother’s social graces, but she had a beautiful contralto voice. She sang in the Cathedral choir in New Orleans, and taught singing in a convent there. She came to visit her parents only once after they settled in Santa Fé, and she was a somewhat sombre figure in that convivial household. Dońa Isabella seemed devotedly attached to her, but afraid of displeasing her. While Inez was there, her mother dressed very plainly, pinned back the little curls that hung over her right ear, and the two women went to church together all day long.

Antonio Olivares was deeply interested in the Bishop’s dream of a cathedral. For one thing, he saw that Father Latour had set his heart on building one, and Olivares was the sort of man who liked to help a friend accomplish the desire of his heart. Furthermore, he had a deep affection for his native town, he had travelled and seen fine churches, and he wished there might some day be one in Santa Fé. Many a night he and Father Latour talked of it by the fire; discussed the site, the design, the building stone, the cost and the grave difficulties of raising money. It was the Bishop’s hope to begin work upon the building in 1860, ten years after his appointment to the Bishopric. One night, at a long-remembered New Year’s party in his house, Olivares announced in the presence of his guests that before the new year was gone he meant to give to the Cathedral fund a sum sufficient to enable Father Latour to carry out his purpose.

That supper party at the Olivares’ was memorable because of this pledge, and because it marked a parting of old friends. Dońa Isabella was entertaining the officers at the Post, two of whom had received orders to leave Santa Fé. The popular Commandant was called back to Washington, the young lieutenant of cavalry, an Irish Catholic, lately married and very dear to Father Latour, was to be sent farther west. (Before the next New Year’s Day came round he was killed in Indian warfare on the plains of Arizona.)

But that night the future troubled nobody; the house was full of light and music, the air warm with that simple hospitality of the frontier, where people dwell in exile, far from their kindred, where they lead rough lives and seldom meet together for pleasure. Kit Carson, who greatly admired Madame Olivares, had come the two days’ journey from Taos to be present that night, and brought along his gentle half-breed daughter, lately home from a convent school in St. Louis. On this occasion he wore a handsome buckskin coat, embroidered in silver, with brown velvet cuffs and collar. The officers from the Fort were in dress uniform, the host as usual wore a broadcloth frock-coat. His wife was in a hoop-skirt, a French dress from New Orleans, all covered with little garlands of pink satin roses. The military ladies came out to the Olivares place in an army wagon, to keep their satin shoes from the mud. The Bishop had put on his violet vest, which he seldom wore, and Father Vaillant had donned a fresh new cassock, made by the loving hands of his sister Philomčne, in Riom.

Father Latour had used to feel a little ashamed that Joseph kept his sister and her nuns so busy making cassocks and vestments for him; but the last time he was in France he came to see all this in another light. When he was visiting Mother Philomčne’s convent, one of the younger Sisters had confided to him what an inspiration it was to them, living in retirement, to work for the faraway missions. She told him also how precious to them were Father Vaillant’s long letters, letters in which he told his sister of the country, the Indians, the pious Mexican women, the Spanish martyrs of old. These letters, she said, Mother Philomčne read aloud in the evening. The nun took Father Latour to a window that jutted out and looked up the narrow street to where the wall turned at an angle, cutting off further view. “Look,” she said, “after the Mother has read us one of those letters from her brother, I come and stand in this alcove and look up our little street with its one lamp, and just beyond the turn there, is New Mexico; all that he has written us of those red deserts and blue mountains, the great plains and the herds of bison, and the canyons more profound than our deepest mountain gorges. I can feel that I am there, my heart beats faster, and it seems but a moment until the retiring-bell cuts short my dreams.” The Bishop went away believing that it was good for these Sisters to work for Father Joseph.

Tonight, when Madame Olivares was complimenting Father Vaillant on the sheen of his poplin and velvet, for some reason Father Latour recalled that moment with the nun in her alcove window, her white face, her burning eyes, and sighed.

After supper was over and the toasts had been drunk, the boy Pablo was called in to play for the company while the gentlemen smoked. The banjo always remained a foreign instrument to Father Latour; he found it more than a little savage. When this strange yellow boy played it, there was softness and languor in the wire strings—but there was also a kind of madness; the recklessness, the call of wild countries which all these men had felt and followed in one way or another. Through clouds of cigar smoke, the scout and the soldiers, the Mexican rancheros and the priests, sat silently watching the bent head and crouching shoulders of the banjo player, and his seesawing yellow hand, which sometimes lost all form and became a mere whirl of matter in motion, like a patch of sandstorm.